2314 Résultats
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This catalogue of seemingly casual gestures often creates an impact that can be considered deliberate, almost political, as it presents a sort of occupation of spaces, albeit prefabricated and temporary. "What we want" is a compelling project of photographs, accounts and maps that describe an urban geography modified by new pioneers.
$49.95
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Résumé:
This catalogue of seemingly casual gestures often creates an impact that can be considered deliberate, almost political, as it presents a sort of occupation of spaces, albeit prefabricated and temporary. "What we want" is a compelling project of photographs, accounts and maps that describe an urban geography modified by new pioneers.
Titre:
What we want : landscape as a projection of people's desire
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This catalogue of seemingly casual gestures often creates an impact that can be considered deliberate, almost political, as it presents a sort of occupation of spaces, albeit prefabricated and temporary. "What we want" is a compelling project of photographs, accounts and maps that describe an urban geography modified by new pioneers.
What we want : landscape as a projection of people's desire
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$49.95
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This catalogue of seemingly casual gestures often creates an impact that can be considered deliberate, almost political, as it presents a sort of occupation of spaces, albeit prefabricated and temporary. "What we want" is a compelling project of photographs, accounts and maps that describe an urban geography modified by new pioneers.
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livres
livres
Publication:
février 2005, Milano
février 2005, Milano
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
W(est) B(ank)
W(est) B(ank)
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W(est) B(ank) réuni le plus récent travail de Sophie Ristelhueber, une série d'images sur le paysage ravagé des territoires occupés.
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W(est) B(ank) réuni le plus récent travail de Sophie Ristelhueber, une série d'images sur le paysage ravagé des territoires occupés.
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W(est) B(ank)
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W(est) B(ank) réuni le plus récent travail de Sophie Ristelhueber, une série d'images sur le paysage ravagé des territoires occupés.
W(est) B(ank)
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W(est) B(ank) réuni le plus récent travail de Sophie Ristelhueber, une série d'images sur le paysage ravagé des territoires occupés.
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livres
livres
Publication:
mars 2005, Paris
mars 2005, Paris
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Glass house
Glass house
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"'Glass House', which documents a squatters' community on New York's Lower East Side, is Margaret Morton's fourth book about the makeshift homes built by the city's homeless population. Since 1989, Morton has honed her skills photographing, interviewing, and presenting the compelling stories of people living on the margins of society. Her commitment and passionate(...)
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"'Glass House', which documents a squatters' community on New York's Lower East Side, is Margaret Morton's fourth book about the makeshift homes built by the city's homeless population. Since 1989, Morton has honed her skills photographing, interviewing, and presenting the compelling stories of people living on the margins of society. Her commitment and passionate(...)
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Glass house
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"'Glass House', which documents a squatters' community on New York's Lower East Side, is Margaret Morton's fourth book about the makeshift homes built by the city's homeless population. Since 1989, Morton has honed her skills photographing, interviewing, and presenting the compelling stories of people living on the margins of society. Her commitment and passionate advocacy justifies comparison with Jacob Riis, the great nineteenth-century photographer and social reformer." – Bonnie Yochelson
Glass house
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"'Glass House', which documents a squatters' community on New York's Lower East Side, is Margaret Morton's fourth book about the makeshift homes built by the city's homeless population. Since 1989, Morton has honed her skills photographing, interviewing, and presenting the compelling stories of people living on the margins of society. Her commitment and passionate advocacy justifies comparison with Jacob Riis, the great nineteenth-century photographer and social reformer." – Bonnie Yochelson
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livres
livres
Publication:
novembre 2004, Pennsylvania
novembre 2004, Pennsylvania
Sujet:
Monographies photo
Monographies photo
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livres
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$39.95
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Material World is the first monograph on the celebrated Canadian photographer. MacCallum's rich black and white images of sprawling industrial landscapes, luminous interior spaces of warehouses and factories, the jumbled chaos of downtown hardware and textiles outlets, all sing with an austere grace and a fine attention to detail. His objective documentary style avoids(...)
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Material World is the first monograph on the celebrated Canadian photographer. MacCallum's rich black and white images of sprawling industrial landscapes, luminous interior spaces of warehouses and factories, the jumbled chaos of downtown hardware and textiles outlets, all sing with an austere grace and a fine attention to detail. His objective documentary style avoids(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 1900, Toronto
janvier 1900, Toronto
Titre:
Peter MacCallum : material world
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Material World is the first monograph on the celebrated Canadian photographer. MacCallum's rich black and white images of sprawling industrial landscapes, luminous interior spaces of warehouses and factories, the jumbled chaos of downtown hardware and textiles outlets, all sing with an austere grace and a fine attention to detail. His objective documentary style avoids obvious commentary, allowing the material presence of the subject matter to emerge. The work comes from a keen interest in social history and the series of photographs represented here tell a story of commerce, labour and the economic relationship of cities to their industrial hinterlands. Accompanying the plates are contextual texts by novelist and media columnist Russell Smith, curator Michael Baker and artist Terence Dick, as well as an illuminating interview with the artist. This beautiful, accessible book presents the remarkable work of Peter MacCallum to a broad range of readers.
Peter MacCallum : material world
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Material World is the first monograph on the celebrated Canadian photographer. MacCallum's rich black and white images of sprawling industrial landscapes, luminous interior spaces of warehouses and factories, the jumbled chaos of downtown hardware and textiles outlets, all sing with an austere grace and a fine attention to detail. His objective documentary style avoids obvious commentary, allowing the material presence of the subject matter to emerge. The work comes from a keen interest in social history and the series of photographs represented here tell a story of commerce, labour and the economic relationship of cities to their industrial hinterlands. Accompanying the plates are contextual texts by novelist and media columnist Russell Smith, curator Michael Baker and artist Terence Dick, as well as an illuminating interview with the artist. This beautiful, accessible book presents the remarkable work of Peter MacCallum to a broad range of readers.
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livres
livres
Publication:
janvier 1900, Toronto
janvier 1900, Toronto
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Hans van der Meer has been photographing football matches in the amateur leagues in Holland and beyond since 1995. The resulting pictures, often taken on pitches in apparently bizarre locations, are an amusing yet touching homage to passion and comradeship more than compensating for a lack of skill and professionalism. The photographs show some of the country's oldest(...)
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Hans van der Meer has been photographing football matches in the amateur leagues in Holland and beyond since 1995. The resulting pictures, often taken on pitches in apparently bizarre locations, are an amusing yet touching homage to passion and comradeship more than compensating for a lack of skill and professionalism. The photographs show some of the country's oldest(...)
Titre:
Dutch fields : Hans van der Meer
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Hans van der Meer has been photographing football matches in the amateur leagues in Holland and beyond since 1995. The resulting pictures, often taken on pitches in apparently bizarre locations, are an amusing yet touching homage to passion and comradeship more than compensating for a lack of skill and professionalism. The photographs show some of the country's oldest football pitches, some humble villagepitches, others more grand, always with the flat Dutch landscape a prominent player.
Dutch fields : Hans van der Meer
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Hans van der Meer has been photographing football matches in the amateur leagues in Holland and beyond since 1995. The resulting pictures, often taken on pitches in apparently bizarre locations, are an amusing yet touching homage to passion and comradeship more than compensating for a lack of skill and professionalism. The photographs show some of the country's oldest football pitches, some humble villagepitches, others more grand, always with the flat Dutch landscape a prominent player.
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livres
livres
Publication:
octobre 2004, Amsterdam
octobre 2004, Amsterdam
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Lee Friedlander : Staglieno
Lee Friedlander : Staglieno
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
Titre:
Lee Friedlander : Staglieno
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
Lee Friedlander : Staglieno
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The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the ornate display of sculptures erected in their memory. Printed in duotone on matte art paper and bound in velvet, with an introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York.
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livres
livres
Publication:
janvier 1900, Tucson
janvier 1900, Tucson
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$84.50
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming(...)
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming(...)
Publication:
janvier 2004, Princeton
janvier 2004, Princeton
Titre:
Francis Frith in Egypt and Palestine : a Victorian photographer abroad
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming something of a celebrity in photographic circles. This book, the first to place Frith's Egyptian and Levantine images in cultural context, reveals the distinct meanings these ostensibly "topographic" pictures held for the photographer and his Victorian audience. A Quaker by birth and an entrepreneur by nature, Frith brought to his photographic projects a sense of mission: to revive and confirm the stories of the Bible, while offering the region to armchair travelers as a seamless Oriental milieu of Romantic reverie. Francis Frith in Egypt and Palestine narrates the political, intellectual, and social concerns that make Frith representative of England's encounter with the East in the nineteenth century. Historian of photography Douglas R. Nickel brings a sophisticated interdisciplinary approach to bear on the subject in order to expose the complexity of Frith's image-making, setting the photographs against a Victorian backdrop of religious debate, imperialist thought, Romantic philosophy, and Pre-Raphaelite aesthetics.
Francis Frith in Egypt and Palestine : a Victorian photographer abroad
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In 1856, the English photographer Francis Frith set out on the first of three tours of Egypt and the Holy Lands. Traveling up the Nile and then on to the Sinai, Palestine, Syria, and Lebanon, Frith systematically crafted exquisite pictures of ruins, landscapes, and legendary sites. He then published his views in England and America in a variety of formats, becoming something of a celebrity in photographic circles. This book, the first to place Frith's Egyptian and Levantine images in cultural context, reveals the distinct meanings these ostensibly "topographic" pictures held for the photographer and his Victorian audience. A Quaker by birth and an entrepreneur by nature, Frith brought to his photographic projects a sense of mission: to revive and confirm the stories of the Bible, while offering the region to armchair travelers as a seamless Oriental milieu of Romantic reverie. Francis Frith in Egypt and Palestine narrates the political, intellectual, and social concerns that make Frith representative of England's encounter with the East in the nineteenth century. Historian of photography Douglas R. Nickel brings a sophisticated interdisciplinary approach to bear on the subject in order to expose the complexity of Frith's image-making, setting the photographs against a Victorian backdrop of religious debate, imperialist thought, Romantic philosophy, and Pre-Raphaelite aesthetics.
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livres
livres
Publication:
janvier 2004, Princeton
janvier 2004, Princeton
Classification:
livres
livres
Titre:
Walker Evans
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes(...)
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Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
Walker Evans
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Walker Evans (1903-1975) is best known for documenting the people and living conditions of the American South during the Great Depression. But his photographic accomplishments were much broader than these famous images: modernist views of New York City, such as his Flatiron Building, New York (1928-29) and Brooklyn Bridge (1929); architectural studies of Victorian homes and other buildings in Boston, Cape Cod, Saratoga Springs, and small towns in upstate New York; a series of spontaneous and surreptitious portraits taken on the Manhattan subway; scenes from Cuba in the 1930s; and his commercial assignments as a staff photographer and writer for Fortune magazine. The familiar work from his Farm Security Administration project is also here-views of the rural South immortalized in his collaborative book with James Agee, Let Us Now Praise Famous Men, along with urban images from New Orleans and Savannah. Essays by Christian A. Peterson, associate curator of photography at The Minneapolis Institute of Arts, describe Evans's photographic vision and include information about the acquisition history of many of the photographs in this book. Illustrated with almost one hundred high-quality black-and-white photographs, Walker Evans presents the full breadth of Evans's expansive and varied photographic art.
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livres
livres
Publication:
juillet 2003, Minneapolis
juillet 2003, Minneapolis
Sujet:
Monographies photo
Monographies photo
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livres
livres
Prix:
$52.95
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This beautifully designed and produced volume showcases photographer David Paul Bayles' extraordinary vision of urban trees and their often precarious, sometimes triumphant place in the human landscape.
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This beautifully designed and produced volume showcases photographer David Paul Bayles' extraordinary vision of urban trees and their often precarious, sometimes triumphant place in the human landscape.
Titre:
Urban forest : images of trees in the human landscape
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This beautifully designed and produced volume showcases photographer David Paul Bayles' extraordinary vision of urban trees and their often precarious, sometimes triumphant place in the human landscape.
Urban forest : images of trees in the human landscape
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This beautifully designed and produced volume showcases photographer David Paul Bayles' extraordinary vision of urban trees and their often precarious, sometimes triumphant place in the human landscape.
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livres
livres
Publication:
octobre 2003, San Franscisco
octobre 2003, San Franscisco
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$74.95
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Résumé:
From 1936 to 1943, John Vachon traveled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression and also the efforts at resistance, from strikes to stoic determination. This collection, the first to feature Vachon's work, offers a record of this photographer's vision and of America's land and(...)
$74.95
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From 1936 to 1943, John Vachon traveled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression and also the efforts at resistance, from strikes to stoic determination. This collection, the first to feature Vachon's work, offers a record of this photographer's vision and of America's land and(...)
Titre:
John Vachon's America : photographs and letters from the Depression to World War II
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From 1936 to 1943, John Vachon traveled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression and also the efforts at resistance, from strikes to stoic determination. This collection, the first to feature Vachon's work, offers a record of this photographer's vision and of America's land and people as the country moved from the depths of the Depression to the dramatic mobilization for World War II. Vachon's portraits of white and black Americans are among the most affecting that FSA photographers produced; and his portrayals of the American landscape, from rural scenes to small towns and urban centers, present a remarkable visual account of these pivotal years, in a style that is transitional from Walker Evans to Robert Frank.
John Vachon's America : photographs and letters from the Depression to World War II
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$74.95
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From 1936 to 1943, John Vachon traveled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression and also the efforts at resistance, from strikes to stoic determination. This collection, the first to feature Vachon's work, offers a record of this photographer's vision and of America's land and people as the country moved from the depths of the Depression to the dramatic mobilization for World War II. Vachon's portraits of white and black Americans are among the most affecting that FSA photographers produced; and his portrayals of the American landscape, from rural scenes to small towns and urban centers, present a remarkable visual account of these pivotal years, in a style that is transitional from Walker Evans to Robert Frank.
Classification:
livres
livres
Publication:
novembre 2003, Berkeley
novembre 2003, Berkeley
Sujet:
Monographies photo
Monographies photo
