2452 Résultats
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Peter Friedl : playgrounds
Peter Friedl : playgrounds
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in(...)
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in(...)
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Monographies photo
Monographies photo
Publication:
septembre 2007, Göttingen
septembre 2007, Göttingen
Titre:
Peter Friedl : playgrounds
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in which the photographed playgrounds are as important as those not shown in his photographs. This is a story of the world told through the prism of its playgrounds.
Peter Friedl : playgrounds
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Since 1995 Peter Friedl has been photographing public playgrounds from around the world and compiling them alphabetically by reference to the names of the places. Friedl’s conceptual photography project engages at a discursive level with themes of socio-history, design, and urbanism. It makes no claim to being a comprehensive typology but is instead a narrative study in which the photographed playgrounds are as important as those not shown in his photographs. This is a story of the world told through the prism of its playgrounds.
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livres
livres
Publication:
septembre 2007, Göttingen
septembre 2007, Göttingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
James Welling : flowers
James Welling : flowers
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This concise and beautiful exhibition catalogue features arresting, colorful, Rorschach Test-like photograms of flowers by the Los Angeles-based conceptual photographer James Welling. For this series, Welling placed the blossoms of a common southern California plant on sheets of 8x10 film and exposed them to light. The negatives were then projected onto special photo(...)
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This concise and beautiful exhibition catalogue features arresting, colorful, Rorschach Test-like photograms of flowers by the Los Angeles-based conceptual photographer James Welling. For this series, Welling placed the blossoms of a common southern California plant on sheets of 8x10 film and exposed them to light. The negatives were then projected onto special photo(...)
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James Welling : flowers
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This concise and beautiful exhibition catalogue features arresting, colorful, Rorschach Test-like photograms of flowers by the Los Angeles-based conceptual photographer James Welling. For this series, Welling placed the blossoms of a common southern California plant on sheets of 8x10 film and exposed them to light. The negatives were then projected onto special photo paper through a color mural enlarger and color filters, to produce the dramatic, spectral, almost sun - or moon - dappled images reproduced here. Currently a professor of fine art at UCLA, Welling studied at CalArts in the early 1970s. Welling was the subject of a midcareer retrospective at the Wexner Center for the Arts in 2000, which traveled to the Museum of Contemporary Art in Los Angeles. He is represented in New York by David Zwirner Gallery and in Los Angeles by Regen Projects.
James Welling : flowers
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This concise and beautiful exhibition catalogue features arresting, colorful, Rorschach Test-like photograms of flowers by the Los Angeles-based conceptual photographer James Welling. For this series, Welling placed the blossoms of a common southern California plant on sheets of 8x10 film and exposed them to light. The negatives were then projected onto special photo paper through a color mural enlarger and color filters, to produce the dramatic, spectral, almost sun - or moon - dappled images reproduced here. Currently a professor of fine art at UCLA, Welling studied at CalArts in the early 1970s. Welling was the subject of a midcareer retrospective at the Wexner Center for the Arts in 2000, which traveled to the Museum of Contemporary Art in Los Angeles. He is represented in New York by David Zwirner Gallery and in Los Angeles by Regen Projects.
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livres
livres
Publication:
juin 2007, New York
juin 2007, New York
Sujet:
Monographies photo
Monographies photo
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livres
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Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable(...)
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Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable(...)
Titre:
A place in the sun : photographs of Los Angeles
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Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable cityscape through which that river winds.
A place in the sun : photographs of Los Angeles
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Photographer John Humble has lived in Los Angeles for thirty years. In that time he has created a strong body of work that captures the unique architecture and natural environment of Southern California. A Place in the Sun is a celebration of Humble's distinctive view of Los Angeles, from the concrete channels of the Los Angeles River to the instantly recognizable cityscape through which that river winds.
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livres
livres
Publication:
juin 2007, Los Angeles
juin 2007, Los Angeles
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$67.95
(disponible en magasin)
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Candida Höfer’s works have something timeless about them, and opera is perhaps the most timeless cultural delight. Having dedicated a photographic series to the cathedrals of knowledge that are libraries, Höfer in her most recent cycle captures opera houses, the palaces of performing arts. Höfer’s earlier pictures of public spaces—libraries, lecture halls, museums,(...)
$67.95
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Résumé:
Candida Höfer’s works have something timeless about them, and opera is perhaps the most timeless cultural delight. Having dedicated a photographic series to the cathedrals of knowledge that are libraries, Höfer in her most recent cycle captures opera houses, the palaces of performing arts. Höfer’s earlier pictures of public spaces—libraries, lecture halls, museums,(...)
Titre:
Cadida Hofer : Opera de Paris
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Candida Höfer’s works have something timeless about them, and opera is perhaps the most timeless cultural delight. Having dedicated a photographic series to the cathedrals of knowledge that are libraries, Höfer in her most recent cycle captures opera houses, the palaces of performing arts. Höfer’s earlier pictures of public spaces—libraries, lecture halls, museums, meeting rooms—forever devoid of people, made us sense the presence of those absent. Her opera photographs take us one step beyond: empty foyers, orchestras, stages, wings, and boxes make us imagine both the protagonists—performers and audience—and the fictitious figures, plots, and places that populate these venues during a night at the opera. In her most recent publication Candida Höfer portrays two Paris opera houses that are exemplary for their age and time: the neoclassicist Palais Garnier (1875), original Phantom of the Opera site, and the modern-style Opéra Bastille (1989).
Cadida Hofer : Opera de Paris
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Candida Höfer’s works have something timeless about them, and opera is perhaps the most timeless cultural delight. Having dedicated a photographic series to the cathedrals of knowledge that are libraries, Höfer in her most recent cycle captures opera houses, the palaces of performing arts. Höfer’s earlier pictures of public spaces—libraries, lecture halls, museums, meeting rooms—forever devoid of people, made us sense the presence of those absent. Her opera photographs take us one step beyond: empty foyers, orchestras, stages, wings, and boxes make us imagine both the protagonists—performers and audience—and the fictitious figures, plots, and places that populate these venues during a night at the opera. In her most recent publication Candida Höfer portrays two Paris opera houses that are exemplary for their age and time: the neoclassicist Palais Garnier (1875), original Phantom of the Opera site, and the modern-style Opéra Bastille (1989).
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livres
livres
Publication:
mai 2006, Paris
mai 2006, Paris
Sujet:
Monographies photo
Monographies photo
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livres
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The paintings of Balthus, one of the most enigmatic and poetic figures in 20th century art, long remained a mystery - just like Balthus himself who persistently fended off all intrusions into his private life. In the late 70s, the aging master finally settled down in the Grand Chalet, a splendid and spacious 18th century timber house in a remote Swiss mountain(...)
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The paintings of Balthus, one of the most enigmatic and poetic figures in 20th century art, long remained a mystery - just like Balthus himself who persistently fended off all intrusions into his private life. In the late 70s, the aging master finally settled down in the Grand Chalet, a splendid and spacious 18th century timber house in a remote Swiss mountain(...)
Titre:
Balthus : The painter's house/Das haus der malers
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The paintings of Balthus, one of the most enigmatic and poetic figures in 20th century art, long remained a mystery - just like Balthus himself who persistently fended off all intrusions into his private life. In the late 70s, the aging master finally settled down in the Grand Chalet, a splendid and spacious 18th century timber house in a remote Swiss mountain area. Both house and occupants remained strictly "off limits" to media and public alike, until 1993 when the ban was graciously lifted for Japanese photographer Kishin Shinoyama. Not only was he allowed to photograph the Grand Chalet, its rooms and the family life there, but he was admitted to the inner sanctum, Balthus' studio, located in a roomy atelier outside. The present selection offers a unique glimpse into the world of an artist whose paintings, personality, lifestyle, and career add up to no less than a 20th century complete art work.
Balthus : The painter's house/Das haus der malers
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The paintings of Balthus, one of the most enigmatic and poetic figures in 20th century art, long remained a mystery - just like Balthus himself who persistently fended off all intrusions into his private life. In the late 70s, the aging master finally settled down in the Grand Chalet, a splendid and spacious 18th century timber house in a remote Swiss mountain area. Both house and occupants remained strictly "off limits" to media and public alike, until 1993 when the ban was graciously lifted for Japanese photographer Kishin Shinoyama. Not only was he allowed to photograph the Grand Chalet, its rooms and the family life there, but he was admitted to the inner sanctum, Balthus' studio, located in a roomy atelier outside. The present selection offers a unique glimpse into the world of an artist whose paintings, personality, lifestyle, and career add up to no less than a 20th century complete art work.
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livres
livres
Publication:
janvier 1900, Tokyo
janvier 1900, Tokyo
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
L'esprit d'escalier
L'esprit d'escalier
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Stairs, ladders and lifts are the motifs of Thomas Demand's latest monograph, L'Esprit d'Escalier, which is published on the occasion of his show at the Irish Museum of Modern Art in Dublin. The title actually refers to so-called "staircase wit," that concise French expression for the chagrin of missed retorts--those hapless comebacks one only ever thinks up belatedly(...)
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Stairs, ladders and lifts are the motifs of Thomas Demand's latest monograph, L'Esprit d'Escalier, which is published on the occasion of his show at the Irish Museum of Modern Art in Dublin. The title actually refers to so-called "staircase wit," that concise French expression for the chagrin of missed retorts--those hapless comebacks one only ever thinks up belatedly(...)
Titre:
L'esprit d'escalier
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$85.00
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Stairs, ladders and lifts are the motifs of Thomas Demand's latest monograph, L'Esprit d'Escalier, which is published on the occasion of his show at the Irish Museum of Modern Art in Dublin. The title actually refers to so-called "staircase wit," that concise French expression for the chagrin of missed retorts--those hapless comebacks one only ever thinks up belatedly (i.e. when already descending the stairs): "I should've said (fill in blank)!" etc. One of Demand's ironic allusions to his title is a new work titled "Landing," which shows the shards of broken Qing vases on a staircase--a mishap caused by a visitor to The Fitzwilliam Museum Cambridge in January 2006, who stumbled on his shoelaces and crashed into the three eighteenth-century vases, smashing them to pieces. As ever, Demand combines conceptual rigor and exacting craft in his painstakingly re-created sets, with their eerie edge of artifice. L'Esprit d'Escalier presents an overview of his current work in 23 large photographs, plus a film project and an architectural installation specially prepared for his Irish Museum exhibition. Alongside an excerpt from David Foster Wallace's Girl with Curious Hair, it also includes commissioned writings by Dave Eggers, Paul Oliver, Caoimhin Mac Giolla Leith, Rachael Thomas and Enrique Juncosa.
L'esprit d'escalier
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$85.00
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Résumé:
Stairs, ladders and lifts are the motifs of Thomas Demand's latest monograph, L'Esprit d'Escalier, which is published on the occasion of his show at the Irish Museum of Modern Art in Dublin. The title actually refers to so-called "staircase wit," that concise French expression for the chagrin of missed retorts--those hapless comebacks one only ever thinks up belatedly (i.e. when already descending the stairs): "I should've said (fill in blank)!" etc. One of Demand's ironic allusions to his title is a new work titled "Landing," which shows the shards of broken Qing vases on a staircase--a mishap caused by a visitor to The Fitzwilliam Museum Cambridge in January 2006, who stumbled on his shoelaces and crashed into the three eighteenth-century vases, smashing them to pieces. As ever, Demand combines conceptual rigor and exacting craft in his painstakingly re-created sets, with their eerie edge of artifice. L'Esprit d'Escalier presents an overview of his current work in 23 large photographs, plus a film project and an architectural installation specially prepared for his Irish Museum exhibition. Alongside an excerpt from David Foster Wallace's Girl with Curious Hair, it also includes commissioned writings by Dave Eggers, Paul Oliver, Caoimhin Mac Giolla Leith, Rachael Thomas and Enrique Juncosa.
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livres
livres
Publication:
juillet 2007, Dublin
juillet 2007, Dublin
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Thomas Struth
Thomas Struth
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Thomas Struth's most recent project, "Making Time," was exhibited at the Prado, Madrid, in the winter and spring of 2007, and is now compiled in this handsome catalogue from Turner. Making Time continues Struth's established work on the subject of public art venues, and consists of photographs depicting the Prado's famous collection and its visitors, photographs that were(...)
$62.00
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Thomas Struth's most recent project, "Making Time," was exhibited at the Prado, Madrid, in the winter and spring of 2007, and is now compiled in this handsome catalogue from Turner. Making Time continues Struth's established work on the subject of public art venues, and consists of photographs depicting the Prado's famous collection and its visitors, photographs that were(...)
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Thomas Struth
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Thomas Struth's most recent project, "Making Time," was exhibited at the Prado, Madrid, in the winter and spring of 2007, and is now compiled in this handsome catalogue from Turner. Making Time continues Struth's established work on the subject of public art venues, and consists of photographs depicting the Prado's famous collection and its visitors, photographs that were displayed throughout the Prado during his exhibit, as part of the museum's current ambition to open up fresh perspectives on its holdings. Over the course of two years, Struth made more than 400 images in and around the Prado, showing an "inhabited" public space, and highlighting the interactions between the exhibited paintings and their viewers. This volume also marks the first presentation of Struth's earlier work, from the spring of 2005, on Velazquez's great "Las Meninas" (1656), itself a classic study of spectatorship. The result is a multilayered dialogue between Struth, the Prado, its collection and its visitors.
Thomas Struth
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Thomas Struth's most recent project, "Making Time," was exhibited at the Prado, Madrid, in the winter and spring of 2007, and is now compiled in this handsome catalogue from Turner. Making Time continues Struth's established work on the subject of public art venues, and consists of photographs depicting the Prado's famous collection and its visitors, photographs that were displayed throughout the Prado during his exhibit, as part of the museum's current ambition to open up fresh perspectives on its holdings. Over the course of two years, Struth made more than 400 images in and around the Prado, showing an "inhabited" public space, and highlighting the interactions between the exhibited paintings and their viewers. This volume also marks the first presentation of Struth's earlier work, from the spring of 2005, on Velazquez's great "Las Meninas" (1656), itself a classic study of spectatorship. The result is a multilayered dialogue between Struth, the Prado, its collection and its visitors.
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livres
livres
Publication:
juillet 2007, Madrid
juillet 2007, Madrid
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
House hunting
House hunting
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The first monograph on the work of Todd Hido, "House hunting", was named as Best First Monograph by Photo-Eye. It is classic Hido; large color photographs of suburban homes at night, radiating contrasts of warmth and cold, loneliness and comfort, dark and light.
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The first monograph on the work of Todd Hido, "House hunting", was named as Best First Monograph by Photo-Eye. It is classic Hido; large color photographs of suburban homes at night, radiating contrasts of warmth and cold, loneliness and comfort, dark and light.
Titre:
House hunting
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$99.95
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The first monograph on the work of Todd Hido, "House hunting", was named as Best First Monograph by Photo-Eye. It is classic Hido; large color photographs of suburban homes at night, radiating contrasts of warmth and cold, loneliness and comfort, dark and light.
House hunting
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$99.95
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The first monograph on the work of Todd Hido, "House hunting", was named as Best First Monograph by Photo-Eye. It is classic Hido; large color photographs of suburban homes at night, radiating contrasts of warmth and cold, loneliness and comfort, dark and light.
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livres
livres
Publication:
janvier 2007, Portland (OR)
janvier 2007, Portland (OR)
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Monographies photo
Monographies photo
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livres
livres
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$36.95
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In the late 1940’s, Paul Strand spoke of creating "a series of photographs that focused on the history, architecture, environs and people of a small town (which) would reveal ‘the common denominator of all humanity’ and would be a bridge toward a deeper understanding between countries". This book presents a rigorously edited selection of these photographs made in France,(...)
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In the late 1940’s, Paul Strand spoke of creating "a series of photographs that focused on the history, architecture, environs and people of a small town (which) would reveal ‘the common denominator of all humanity’ and would be a bridge toward a deeper understanding between countries". This book presents a rigorously edited selection of these photographs made in France,(...)
Sujet:
Monographies photo
Monographies photo
Publication:
juillet 2007, Göttingen
juillet 2007, Göttingen
Titre:
Towards a deeper understanding : Paul Strand at work
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In the late 1940’s, Paul Strand spoke of creating "a series of photographs that focused on the history, architecture, environs and people of a small town (which) would reveal ‘the common denominator of all humanity’ and would be a bridge toward a deeper understanding between countries". This book presents a rigorously edited selection of these photographs made in France, Italy and New England between the years 1943 and 1953. Strand identified and explored the myriad variations of some central themes : the primal connection between humans and the natural world, the beauty of simple objects and structures, and the inherent dignity of every individual regardless of wealth or social status. Strand’s photographs encourage the viewer to look closely and observe how details and formal relations emerge.
Towards a deeper understanding : Paul Strand at work
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In the late 1940’s, Paul Strand spoke of creating "a series of photographs that focused on the history, architecture, environs and people of a small town (which) would reveal ‘the common denominator of all humanity’ and would be a bridge toward a deeper understanding between countries". This book presents a rigorously edited selection of these photographs made in France, Italy and New England between the years 1943 and 1953. Strand identified and explored the myriad variations of some central themes : the primal connection between humans and the natural world, the beauty of simple objects and structures, and the inherent dignity of every individual regardless of wealth or social status. Strand’s photographs encourage the viewer to look closely and observe how details and formal relations emerge.
Classification:
livres
livres
Publication:
juillet 2007, Göttingen
juillet 2007, Göttingen
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Robert Frank: Paris
Robert Frank: Paris
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The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that(...)
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The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that(...)
Titre:
Robert Frank: Paris
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The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.
Robert Frank: Paris
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The publication of Paris marks the first time that the significant body of photographs which Robert Frank made in Paris in the early 1950s have been brought together in a single book. Having left Switzerland in 1924, this 1951 trip to France was only Frank's second return to Europe after he had settled in New York City in 1947, and some of the images he made during that visit have become iconic in the history of the medium. The 80 photographs reproduced here, which were selected by Frank and editor Ute Eskildsen, suggest that Frank's experience of the "new world" had sharpened his eye for European urbanism. He saw the city's streets as a stage for human activity and focused particularly on the flower sellers. His work clearly references Atget and invokes the tradition of the flaneur.
Classification:
livres
livres
Publication:
octobre 2007, Gottingen
octobre 2007, Gottingen
Sujet:
Monographies photo
Monographies photo
