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Claude Monet's garden at Giverny is famous the world over for its water lily pond, which gave rise to some of the artist's most dazzling paintings. Magnum photographer Jean Gaumy (born 1948) has had privileged access to Monet's garden for many years, allowing him to conduct photographic research inspired by his love of science and botany. Drawing from the joy he(...)
Jean Gaumy: A certain nature: After Giverny
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Claude Monet's garden at Giverny is famous the world over for its water lily pond, which gave rise to some of the artist's most dazzling paintings. Magnum photographer Jean Gaumy (born 1948) has had privileged access to Monet's garden for many years, allowing him to conduct photographic research inspired by his love of science and botany. Drawing from the joy he experienced in his family's garden while young, he has sought to re-create that childhood curiosity and sense of wonder through photography that is both abstract and naturalistic. Jean Gaumy's Giverny is not an atlas of forms, but rather a photographic experiment in documenting nature from different angles. In these otherworldly duotone photographs, Monet's storied garden becomes something out of time in compositions bordering on the pictorial in their documenting of microscopic details.
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Since his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape—from the dignity of a tree or a rock—has led some commentators to describe them as visual haikus. "Silver Haikus" provides a(...)
Michael Kenna: Silver haikus. Asia photographed.
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Since his first visit to Japan in 1987, British photographer Michael Kenna (born 1953) has returned time and again to capture Asia's landscapes. The poetic power of Kenna's photographs and their ability to extract emotion from the landscape—from the dignity of a tree or a rock—has led some commentators to describe them as visual haikus. "Silver Haikus" provides a thematic retrospective of his work in Asia over the last 40 years. It explores the connection between his aesthetic and Asian art through formal dialogues between his photographs and works from the Chinese, Korean and Japanese collections of the Musée Guimet. More specifically, this book observes the influence of Asian arts in Kenna's work: the choice of monochrome, the economy of means, the use of emptiness and the desire to suggest rather than describe evoke the ink paintings of Chinese scholars and Japanese Zen monks.
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Dedicated to one of the great figures of contemporary photography, this selection of over 90 images explores the most significant moments in the career of Joel Meyerowitz (born 1938), from his early images of the 1960s to his more recent work. It is divided into thematic chapters analyzing Meyerowitz's photographic series, from his evocative still lifes to the tragedy of(...)
Joel Meyerowitz: A sense of wonder. Photographs 1962-2022
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Dedicated to one of the great figures of contemporary photography, this selection of over 90 images explores the most significant moments in the career of Joel Meyerowitz (born 1938), from his early images of the 1960s to his more recent work. It is divided into thematic chapters analyzing Meyerowitz's photographic series, from his evocative still lifes to the tragedy of 9/11; his sociological research which helped redefine the concept of street photography; and his conceptually provocative images reflecting American individualism during the Vietnam War. Meyerowitz's photography favors precise humanistic insight. With his calm and methodical reading of our reality, he reminds us of how photography can be a tool for reflection on the experiences of both the individual and society—a way of appreciating the present in all its aspects.
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Fred Herzog: A color legacy
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Fred Herzog was a master of color photography. His iconic Kodachrome street shots from the 1950s and 1960s capture urban life in warm red-orange tones, offering precise observations of people and city movements. Poetic, witty and always respectful, his images create an intimate atmosphere. After moving to Vancouver in 1953, Herzog built a vibrant visual tribute to the(...)
Fred Herzog: A color legacy
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Fred Herzog was a master of color photography. His iconic Kodachrome street shots from the 1950s and 1960s capture urban life in warm red-orange tones, offering precise observations of people and city movements. Poetic, witty and always respectful, his images create an intimate atmosphere. After moving to Vancouver in 1953, Herzog built a vibrant visual tribute to the city. He also traveled to the US, Barbados, Curaçao, Guatemala and Mexico, his Leica always in hand. In an era dominated by black-and-white photography, Herzog's use of color was groundbreaking. His bestseller Modern Color remains celebrated worldwide. Now, newly released photographs from his archive, managed by Equinox Gallery, continue his legacy, offering fresh insight into his unique perspective. These images not only preserve Herzog's vision but also reaffirm his place as a pioneer of modern color photography.
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Stephen Shore: Early works
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''Early Work'' collects for the first time the entirely unseen photographs created during Shore’s early teenage years between 1960 and 1965, a period of rich experimentation that precedes his time working with Andy Warhol at The Factory. These sophisticated and ambitious images demonstrate Shore’s already-complex understanding of the photographic form, and the particular(...)
Stephen Shore: Early works
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''Early Work'' collects for the first time the entirely unseen photographs created during Shore’s early teenage years between 1960 and 1965, a period of rich experimentation that precedes his time working with Andy Warhol at The Factory. These sophisticated and ambitious images demonstrate Shore’s already-complex understanding of the photographic form, and the particular attention with which he approached his surroundings. It offers a unique record of the vibrant energy of New York in the early 1960s, and reveals the themes that provided a constant source of interest for the young photographer.
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners,(...)
David Goldblatt: Fragments of Fietas
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Between 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg's city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community's families, shopkeepers, and small business owners, Goldblatt said attempted to grasp something of their life and what they had built. The resulting photographs, collected and published here for the first time, form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act. Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards. Dignified portraits of traders in their stores capture their determined efforts to build a life for their families. Interviews with past and present Fietas residents close the book, recalling the testimonials of Goldblatt's subjects in The Transported of Kwandebele and Ex-Offenders at the Scene of Crime.
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In the second volume of Mark Ruwedel’s epic study of the landscapes of Los Angeles, the artist heads to the coast – the furthest edge of the basin’s sprawl before it meets the Pacific Ocean. These absorbing and layered photographs suggest extremes of many kinds: the far reaches of urbanisation, the dramatic geographies of desert and sea, the boundless ambitions of empire,(...)
Mark Ruwedel: The western edge. Los Angeles: Landscapes of Four Ecologies 2
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In the second volume of Mark Ruwedel’s epic study of the landscapes of Los Angeles, the artist heads to the coast – the furthest edge of the basin’s sprawl before it meets the Pacific Ocean. These absorbing and layered photographs suggest extremes of many kinds: the far reaches of urbanisation, the dramatic geographies of desert and sea, the boundless ambitions of empire, and the spiralling climate conditions that most recently have seen these areas devastated by fires. Charting a hundred-mile route from Point Mugu, north of Malibu, down to the Bolsa Chica Wetlands of Orange County, Ruwedel studies a range of intricately textured landscapes, woven with the traces of decades of human intervention and the countervailing forces of nature and time. His large-format black-and-white photography recalls iconic photographer-cartographers of the nineteenth century while calling into question the taxonomic certainty and implicit politics of their surveying projects.
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Daniel Shea: Distribution
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This vast artist’s book began with a deceptively simple question: how do you photograph a forest? Daniel Shea found that forests presented a revealing challenge: that of capturing the whole – the immersive totality of being in nature – when photography so relentlessly pulls us to the fragment. Over several years and across varied geographies, he made photographs with(...)
Daniel Shea: Distribution
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This vast artist’s book began with a deceptively simple question: how do you photograph a forest? Daniel Shea found that forests presented a revealing challenge: that of capturing the whole – the immersive totality of being in nature – when photography so relentlessly pulls us to the fragment. Over several years and across varied geographies, he made photographs with deliberately constrained methods – rendering dense woodlands with a telephoto lens, capturing cities only through the window of a moving car – as if to invert the old adage about not seeing the forest for the trees. These working constraints foregrounded what resists representation: ecological complexity, social entanglement, and the architectures that influence both. The resulting book, ''Distribution'', explores the tension between environments that overwhelm with density and patterns that slowly emerge through repetition, accumulation, and framing. It opens with a series of portraits of Jessica, a woman who represents the statistical median of a person living in the United States, before expanding outward to surfaces, buildings, trees, and eventually groups of people. It asks how we locate subjects and attendant problems in a world shaped by competing density and dispersion.
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« Le crépuscule des lieux » réunit 94 photographies réalisées par Letizia Le Fur dans des maisons et châteaux laissés à l’abandon – des lieux désaffectés, encore imprégnés d’une présence humaine, livrés à leur propre temporalité. Loin du documentaire ou de l’iconographie, ses images cadrées de façon serrée, fragmentent les espaces et en révèlent les détails d’une beauté(...)
Letizia Le Fur: Le Crépuscule des Lieux
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« Le crépuscule des lieux » réunit 94 photographies réalisées par Letizia Le Fur dans des maisons et châteaux laissés à l’abandon – des lieux désaffectés, encore imprégnés d’une présence humaine, livrés à leur propre temporalité. Loin du documentaire ou de l’iconographie, ses images cadrées de façon serrée, fragmentent les espaces et en révèlent les détails d’une beauté discrète. Les lignes s’entrecroisent, les motifs se juxtaposent. Les volumes s’aplanissent sous l’effet du flash ; une forme de déréalisation, une douce étrangeté s’installent, renforcées par le travail de la couleur, patiemment extrapolée. Le design du livre et son parti pris graphique renforcent ce regard. Relié à la japonaise, l’ouvrage présente chaque photographie dans son intégralité, précédée et/ou suivie par une amorce d’un autre visuel. Ce dispositif introduit un rythme de lecture particulier, où les images semblent se répondre et se prolonger d’une page à l’autre.
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Le studio Macle documente la multiplicité des récits qui investissent ces lieux et ces architectures, avant l'appropriation des espaces par les artistes, afin de les raconter par les personnes qui les façonnent. Les quartiers sont découverts sans ordre préétabli afin d'en présenter un portrait à la fois choral et subjectif où les voix se mélangent. La notion de patrimoine(...)
Le Nouveau Printemps 2025 – Toulouse : Saint-Sernin, Arnaud-Bernard
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Le studio Macle documente la multiplicité des récits qui investissent ces lieux et ces architectures, avant l'appropriation des espaces par les artistes, afin de les raconter par les personnes qui les façonnent. Les quartiers sont découverts sans ordre préétabli afin d'en présenter un portrait à la fois choral et subjectif où les voix se mélangent. La notion de patrimoine est sans cesse requestionnée sous un angle vivant au cours de cette déambulation et revient cycliquement en surface à travers les usages et les pratiques. En même temps matériel et immatériel, hérité et transformé, contemplé et utilisé, parler de patrimoine est l'occasion de souligner les accidents des lieux qui nous entourent et les mutations des villes que nous habitons.
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