223 Résultats
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
Publication:
juillet 2007, London, Baden
juillet 2007, London, Baden
Titre:
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
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Publication:
juillet 2007, London, Baden
juillet 2007, London, Baden
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Présentation d'une cinquantaine de projets architecturaux dessinés à l'occasion des expositions universelles de Paris. Véritables laboratoires, vivants recueils d'architectures et d'ornements, les expositions universelles rythment la vie des grandes capitales, à partir de 1851. L'idée d'une confrontation pacifique, internationale, qui rassemble commerce, industrie et(...)
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Présentation d'une cinquantaine de projets architecturaux dessinés à l'occasion des expositions universelles de Paris. Véritables laboratoires, vivants recueils d'architectures et d'ornements, les expositions universelles rythment la vie des grandes capitales, à partir de 1851. L'idée d'une confrontation pacifique, internationale, qui rassemble commerce, industrie et(...)
Titre:
Les expositions universelles à Paris : architectures réelles ou utopiques
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Présentation d'une cinquantaine de projets architecturaux dessinés à l'occasion des expositions universelles de Paris. Véritables laboratoires, vivants recueils d'architectures et d'ornements, les expositions universelles rythment la vie des grandes capitales, à partir de 1851. L'idée d'une confrontation pacifique, internationale, qui rassemble commerce, industrie et beaux-arts se concrétise avec la première Exposition universelle de Londres : Le Crystal Palace, élevé par Joseph Paxton, devient un monument symbolique et novateur par sa transparence, ses dimensions grandioses, le modernisme de sa réalisation. Lors de la première Exposition universelle parisienne de 1855, l'éblouissante réalisation londonienne suscite le vif désir de donner une expression monumentale à un bâtiment conçu pour durer : le Palais de l'industrie, situé au bas des Champs-Elysées. Il accueille les expositions du Salon jusqu'à sa destruction, pour faire place aux Grand et Petit Palais de l'Exposition de 1900. D'abord peu étendues, centrées autour d'un unique palais, les expositions prennent, à partir de 1867, le visage de véritables cités de l'éphémère, bariolées et colorées, qui, lorsqu'elles sont situées au coeur même de la ville, entrent en totale contradiction avec elle. Grâce à la riche collection de dessins d'architecture du musée d'Orsay et du Fonds Eiffel, cet ouvrage permet d'illustrer l'imagination des architectes, la diversité des édifices et ressuscite d'extraordinaires réalisations aujourd'hui disparues.
Les expositions universelles à Paris : architectures réelles ou utopiques
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Présentation d'une cinquantaine de projets architecturaux dessinés à l'occasion des expositions universelles de Paris. Véritables laboratoires, vivants recueils d'architectures et d'ornements, les expositions universelles rythment la vie des grandes capitales, à partir de 1851. L'idée d'une confrontation pacifique, internationale, qui rassemble commerce, industrie et beaux-arts se concrétise avec la première Exposition universelle de Londres : Le Crystal Palace, élevé par Joseph Paxton, devient un monument symbolique et novateur par sa transparence, ses dimensions grandioses, le modernisme de sa réalisation. Lors de la première Exposition universelle parisienne de 1855, l'éblouissante réalisation londonienne suscite le vif désir de donner une expression monumentale à un bâtiment conçu pour durer : le Palais de l'industrie, situé au bas des Champs-Elysées. Il accueille les expositions du Salon jusqu'à sa destruction, pour faire place aux Grand et Petit Palais de l'Exposition de 1900. D'abord peu étendues, centrées autour d'un unique palais, les expositions prennent, à partir de 1867, le visage de véritables cités de l'éphémère, bariolées et colorées, qui, lorsqu'elles sont situées au coeur même de la ville, entrent en totale contradiction avec elle. Grâce à la riche collection de dessins d'architecture du musée d'Orsay et du Fonds Eiffel, cet ouvrage permet d'illustrer l'imagination des architectes, la diversité des édifices et ressuscite d'extraordinaires réalisations aujourd'hui disparues.
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livres
livres
Publication:
mai 2007, Paris
mai 2007, Paris
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livres
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$57.00
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Focusing on the golden era of world's fairs, from the 1930s to the 1970s, this book offers a nostalgic glimpse of the future in vintage photographs, postcards, previously unpublished memorabilia, and drawings of pavilions, created by such designers and architects as Buckminster Fuller, Norman Bel Geddes, Kisho Kurokawa, and Le Corbusier. Innovative, informative, and(...)
$57.00
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Focusing on the golden era of world's fairs, from the 1930s to the 1970s, this book offers a nostalgic glimpse of the future in vintage photographs, postcards, previously unpublished memorabilia, and drawings of pavilions, created by such designers and architects as Buckminster Fuller, Norman Bel Geddes, Kisho Kurokawa, and Le Corbusier. Innovative, informative, and(...)
Titre:
Exit to tomorrow : world's fair architecture, design, fashion, 1933-2005
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Focusing on the golden era of world's fairs, from the 1930s to the 1970s, this book offers a nostalgic glimpse of the future in vintage photographs, postcards, previously unpublished memorabilia, and drawings of pavilions, created by such designers and architects as Buckminster Fuller, Norman Bel Geddes, Kisho Kurokawa, and Le Corbusier. Innovative, informative, and entertaining, this souvenir of yesterday's tomorrow is a tour of the achievements of avant-garde architecture and design.
Exit to tomorrow : world's fair architecture, design, fashion, 1933-2005
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$57.00
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Focusing on the golden era of world's fairs, from the 1930s to the 1970s, this book offers a nostalgic glimpse of the future in vintage photographs, postcards, previously unpublished memorabilia, and drawings of pavilions, created by such designers and architects as Buckminster Fuller, Norman Bel Geddes, Kisho Kurokawa, and Le Corbusier. Innovative, informative, and entertaining, this souvenir of yesterday's tomorrow is a tour of the achievements of avant-garde architecture and design.
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livres
livres
Publication:
octobre 2007, New York
octobre 2007, New York
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$34.95
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From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics'(...)
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Résumé:
From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics'(...)
Publication:
octobre 2007, Syracuse
octobre 2007, Syracuse
Titre:
The end of innocence : The 1964-1965 New York world's fair
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From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics' assessment of the Fair as the "ugly duckling" of global expositions. Although much attention has been paid to the controversial role of Fair president Robert Moses, who tried to use the event to ensure his personal legacy, the Fair itself was for the great majority of visitors an overwhelmingly positive, often inspirational, and sometimes transcendent experience that truly delivered on its theme of "peace through understanding." Much of the Fair's popularity, Samuel suggests, stemmed from its looking backward as much as forward, offering visitors sanctuary from the cultural storm that was rapidly approaching in the mid-1960s. Opening just five months after President Kennedy's assassination, the Fair allowed millions to celebrate international brotherhood while the conflict in Vietnam came to a boil. The Fair glorified the postwar American dream of limitless optimism just as a counterculture of sex, drugs, and rock 'n' roll was coming into being. It was, in short, the last gasp of the American Dream: The End of the Innocence.
The end of innocence : The 1964-1965 New York world's fair
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From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics' assessment of the Fair as the "ugly duckling" of global expositions. Although much attention has been paid to the controversial role of Fair president Robert Moses, who tried to use the event to ensure his personal legacy, the Fair itself was for the great majority of visitors an overwhelmingly positive, often inspirational, and sometimes transcendent experience that truly delivered on its theme of "peace through understanding." Much of the Fair's popularity, Samuel suggests, stemmed from its looking backward as much as forward, offering visitors sanctuary from the cultural storm that was rapidly approaching in the mid-1960s. Opening just five months after President Kennedy's assassination, the Fair allowed millions to celebrate international brotherhood while the conflict in Vietnam came to a boil. The Fair glorified the postwar American dream of limitless optimism just as a counterculture of sex, drugs, and rock 'n' roll was coming into being. It was, in short, the last gasp of the American Dream: The End of the Innocence.
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Publication:
octobre 2007, Syracuse
octobre 2007, Syracuse
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Catalogue de l'exposition « D'un regard l'autre » au musée du quai Branly.
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Catalogue de l'exposition « D'un regard l'autre » au musée du quai Branly.
Titre:
D'un regard l'autre : histoire des regards européens sur l'Afrique, l'Amérique et l'Océanie
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Catalogue de l'exposition « D'un regard l'autre » au musée du quai Branly.
D'un regard l'autre : histoire des regards européens sur l'Afrique, l'Amérique et l'Océanie
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Catalogue de l'exposition « D'un regard l'autre » au musée du quai Branly.
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livres
Publication:
octobre 2006, Paris
octobre 2006, Paris
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$78.00
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Résumé:
The Fondation Cartier unveils their newest exhibition space in the center of Paris, designed by Pritzker Prize–winning architect Jean Nouvel. In October 2025, the Fondation Cartier opens the doors of its new venue in a historic building in Paris. French architect Jean Nouvel (born 1945) rethought the building's interiors to offer a modular architectural machine at the(...)
$78.00
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The Fondation Cartier unveils their newest exhibition space in the center of Paris, designed by Pritzker Prize–winning architect Jean Nouvel. In October 2025, the Fondation Cartier opens the doors of its new venue in a historic building in Paris. French architect Jean Nouvel (born 1945) rethought the building's interiors to offer a modular architectural machine at the(...)
Publication:
janvier 2026
janvier 2026
Titre:
The Fondation Cartier pour l’art contemporain by Jean Nouvel
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$78.00
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The Fondation Cartier unveils their newest exhibition space in the center of Paris, designed by Pritzker Prize–winning architect Jean Nouvel. In October 2025, the Fondation Cartier opens the doors of its new venue in a historic building in Paris. French architect Jean Nouvel (born 1945) rethought the building's interiors to offer a modular architectural machine at the service of artistic creativity.
The Fondation Cartier pour l’art contemporain by Jean Nouvel
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The Fondation Cartier unveils their newest exhibition space in the center of Paris, designed by Pritzker Prize–winning architect Jean Nouvel. In October 2025, the Fondation Cartier opens the doors of its new venue in a historic building in Paris. French architect Jean Nouvel (born 1945) rethought the building's interiors to offer a modular architectural machine at the service of artistic creativity.
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livres
Publication:
janvier 2026
janvier 2026
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livres
Titre:
Ghostscape
Ghostscape
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$19.95
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Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le(...)
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Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le(...)
Titre:
Ghostscape
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Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le Corbusier, en visiter les dimensions cachées, les zones d’ombres, sa part invisible.Chercher des fantômes dans la transparence du verre, révéler l’occulte dans les surfaces lisses et légères, l’ineffable dans l’architecture blanche et lumineuse d’un siècle moderne déjà passé. Il existe une contemporanéité des fantômes. » Ce catalogue présente les travaux des étudiants, en « dialogue » avec le récit de cette expérience commune. Il raconte également l’histoire de la Villa Savoye de Le Corbusier, manifeste de la modernité architecturale et classée monument historique en 1965, et propose un regard différent sur cette « pure création de l’esprit», comme l’appelait Le Corbusier lui-même.
Ghostscape
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Cet ouvrage est le catalogue de l’exposition Villa Savoyehantée qui a lieu du 20 novembre au 22 décembre 2004 à la Villa Savoye. Pendant l’hiver 2003, durant un mois, l’architecte Philippe Rahm et seize étudiants de l’atelier de Jean-Luc Vilmouth, artiste et enseignant à l’École nationale supérieure des beaux-arts, vont « hanter la modernité de la Villa Savoye de Le Corbusier, en visiter les dimensions cachées, les zones d’ombres, sa part invisible.Chercher des fantômes dans la transparence du verre, révéler l’occulte dans les surfaces lisses et légères, l’ineffable dans l’architecture blanche et lumineuse d’un siècle moderne déjà passé. Il existe une contemporanéité des fantômes. » Ce catalogue présente les travaux des étudiants, en « dialogue » avec le récit de cette expérience commune. Il raconte également l’histoire de la Villa Savoye de Le Corbusier, manifeste de la modernité architecturale et classée monument historique en 1965, et propose un regard différent sur cette « pure création de l’esprit», comme l’appelait Le Corbusier lui-même.
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livres
livres
Publication:
août 2005, Paris
août 2005, Paris
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livres
livres
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$33.95
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Recognized as one of the most dynamic and innovative research and design schools in Europe, Delft University of Technology produces a yearly catalogue to document research and celebrate the work of students. The best graduation plans of the past year are all discussed in clearly marked chapters.
$33.95
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Recognized as one of the most dynamic and innovative research and design schools in Europe, Delft University of Technology produces a yearly catalogue to document research and celebrate the work of students. The best graduation plans of the past year are all discussed in clearly marked chapters.
Publication:
juillet 2005, Rotterdam
juillet 2005, Rotterdam
Titre:
The architecture annual 2002-2003, Delft university of technology
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Recognized as one of the most dynamic and innovative research and design schools in Europe, Delft University of Technology produces a yearly catalogue to document research and celebrate the work of students. The best graduation plans of the past year are all discussed in clearly marked chapters.
The architecture annual 2002-2003, Delft university of technology
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$33.95
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Recognized as one of the most dynamic and innovative research and design schools in Europe, Delft University of Technology produces a yearly catalogue to document research and celebrate the work of students. The best graduation plans of the past year are all discussed in clearly marked chapters.
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livres
livres
Publication:
juillet 2005, Rotterdam
juillet 2005, Rotterdam
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livres
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$29.95
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The official annual guide to all the awards presented by the Royal Institute of British Architects in 2005, including the prestigious, televised Stirling Prize. Presents over seventy-five projects by both established and emerging practices, presenting a rich diversity in terms of scale and building type. This book celebrates the best contemporary architecture worldwide(...)
$29.95
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Résumé:
The official annual guide to all the awards presented by the Royal Institute of British Architects in 2005, including the prestigious, televised Stirling Prize. Presents over seventy-five projects by both established and emerging practices, presenting a rich diversity in terms of scale and building type. This book celebrates the best contemporary architecture worldwide(...)
Publication:
novembre 2005, London, New York
novembre 2005, London, New York
Titre:
Architecture 05 : the guide to the RIBA awards
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$29.95
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The official annual guide to all the awards presented by the Royal Institute of British Architects in 2005, including the prestigious, televised Stirling Prize. Presents over seventy-five projects by both established and emerging practices, presenting a rich diversity in terms of scale and building type. This book celebrates the best contemporary architecture worldwide by British architects. It includes full coverage of the RIBA Worldwide Awards, introduced for the first time in 2004. All the award-winning projects are described and evaluated in full, and illustrated in colour, with special features on the buildings shortlisted for the Stirling Prize.
Architecture 05 : the guide to the RIBA awards
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The official annual guide to all the awards presented by the Royal Institute of British Architects in 2005, including the prestigious, televised Stirling Prize. Presents over seventy-five projects by both established and emerging practices, presenting a rich diversity in terms of scale and building type. This book celebrates the best contemporary architecture worldwide by British architects. It includes full coverage of the RIBA Worldwide Awards, introduced for the first time in 2004. All the award-winning projects are described and evaluated in full, and illustrated in colour, with special features on the buildings shortlisted for the Stirling Prize.
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livres
livres
Publication:
novembre 2005, London, New York
novembre 2005, London, New York
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livres
livres
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$41.95
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Each year the best projects by students at Dutch educational institutions teaching architecture, urban design, and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2005 reflect the quality of current Dutch design education. This book presents winning projects along(...)
$41.95
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Each year the best projects by students at Dutch educational institutions teaching architecture, urban design, and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2005 reflect the quality of current Dutch design education. This book presents winning projects along(...)
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Titre:
Archiprix 2005 : the best plans by Dutch students
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$41.95
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Each year the best projects by students at Dutch educational institutions teaching architecture, urban design, and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2005 reflect the quality of current Dutch design education. This book presents winning projects along with the jury's assessments.
Archiprix 2005 : the best plans by Dutch students
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$41.95
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Each year the best projects by students at Dutch educational institutions teaching architecture, urban design, and landscape architecture are assessed by a panel of experts in these fields for the Archiprix competition. In all their diversity, the projects submitted in 2005 reflect the quality of current Dutch design education. This book presents winning projects along with the jury's assessments.
Classification:
livres
livres
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
