New exhibition design 03
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A broad overview of current concepts and trends in exhibition design and scenography from around the world. With more than 110 projects, there are numerous presentations with varied themes, content and ground-breaking designs. And more important than ever before, exhibitions are reliable places for education, enlightenment and democratisation.
janvier 2019
New exhibition design 03
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$115.00
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A broad overview of current concepts and trends in exhibition design and scenography from around the world. With more than 110 projects, there are numerous presentations with varied themes, content and ground-breaking designs. And more important than ever before, exhibitions are reliable places for education, enlightenment and democratisation.
Detail X 2: Museums / Museen
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A game for culture lovers and architecture fans, the ''DETAIL × 2'' set of cards presents 32 museums and cultural centres, galleries and exhibition halls. The iconic designs are scattered across various countries worldwide and rank among the most striking museum architecture designs of the past two decades. The goal is to find the matching pair: which floor plan or(...)
Detail X 2: Museums / Museen
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A game for culture lovers and architecture fans, the ''DETAIL × 2'' set of cards presents 32 museums and cultural centres, galleries and exhibition halls. The iconic designs are scattered across various countries worldwide and rank among the most striking museum architecture designs of the past two decades. The goal is to find the matching pair: which floor plan or profile belongs to which photo? Milestones such as the Prada Foundation by OMA in Milan or the Louvre Lens by SANAA are included in the game. The card game will jumpstart your brain cells and reveal the pros among architecture fans. Who will be the first to recognize exhibition spaces? Which profile matches which photo? As an aid, we have included an overview poster on which all museums are listed along with project dates.
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This publication accompanies the exhibition “Making the Museum Reinhard Ernst”. The exhibition’s focus is not on finished items or images, but on the work in progress – highlighting the acts of thinking, making, and construction, rather than presentation. Based on four thematic areas – Context, Form, Detail and Construction – a large number of sketches, drawings and(...)
Making the museum Reinhard Ernst : Maki and Associates
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This publication accompanies the exhibition “Making the Museum Reinhard Ernst”. The exhibition’s focus is not on finished items or images, but on the work in progress – highlighting the acts of thinking, making, and construction, rather than presentation. Based on four thematic areas – Context, Form, Detail and Construction – a large number of sketches, drawings and models by Maki and Associates as well as artefacts and video material provide insights into the complex process of creating the new building. The exhibited items presented on the four thematic quadrants at Aedes are supplemented by photos from the photographers Klaus Helbig and Frank Marburger, who have documented the making of the museum from the beginning.
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Le 4 juin 2022 a été une date importante dans l’histoire de Marseille. Un nouveau musée a ouvert, installant, entre La Major et le Mucem, des œuvres nées de la nuit des temps et arrachées à la mer par Henri Cosquer. Ce musée extraordinaire est venu donner un projet, et un sens, à la Villa Méditerranée construite sur l’esplanade du Mucem comme signe d’une liaison des deux(...)
Quand la grotte Cosquer sort de l'eau : La Villa Méditerranée en porte-à-faux
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Le 4 juin 2022 a été une date importante dans l’histoire de Marseille. Un nouveau musée a ouvert, installant, entre La Major et le Mucem, des œuvres nées de la nuit des temps et arrachées à la mer par Henri Cosquer. Ce musée extraordinaire est venu donner un projet, et un sens, à la Villa Méditerranée construite sur l’esplanade du Mucem comme signe d’une liaison des deux rives qui n’a jamais abouti. Pierre Fiastre, qui fut un acteur de cette histoire, fait raconter ici cette aventure par le bâtiment lui-même, qui s’exprime à la première personne. Un ensemble de croquis et de très belles photographies permet en outre de suivre son évolution visuelle. Un livre passionnant pour tous les amoureux de Marseille.
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This book explores how the National Museum of African American History & Culture, an unparalleled museum, found its place in the nation’s collective memory and on its public commons. Mabel O. Wilson explores how the "four pillars" of the museum's mission shaped its powerful structure, and she teases out the rich cultural symbols and homages layered into the design of the(...)
Begin with the past: Building the National Museum of African American History and Culture
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This book explores how the National Museum of African American History & Culture, an unparalleled museum, found its place in the nation’s collective memory and on its public commons. Mabel O. Wilson explores how the "four pillars" of the museum's mission shaped its powerful structure, and she teases out the rich cultural symbols and homages layered into the design of the building and its surrounding landscape. This is an important inside look at the making of a monument.
Le pavillon Pierre Lassonde
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Cet album présente le nouveau pavillon Pierre Lassonde du Musée national des beaux-arts du Québec. De conception ingénieuse, le bâtiment réalisé par la réputée firme OMA (Office for Metropolitan Architecture) et Provencher_Roy Architectes propose une expérience architecturale intégrant l'environnement naturel et bâti pour créer une véritable ouvre en soi.
juillet 2016
Le pavillon Pierre Lassonde
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Cet album présente le nouveau pavillon Pierre Lassonde du Musée national des beaux-arts du Québec. De conception ingénieuse, le bâtiment réalisé par la réputée firme OMA (Office for Metropolitan Architecture) et Provencher_Roy Architectes propose une expérience architecturale intégrant l'environnement naturel et bâti pour créer une véritable ouvre en soi.
$65.00
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on(...)
août 2016
Art Cologne 1967-2016: the first art fair
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on September 12, 1967, in Gürzenich, the City of Cologne’s gothic banqueting hall, and was to change the international art market forever. How revolutionary this first fair was can only be understood today by means of the immediate reactions at the time, which were recorded in a flood of media reports. With a wealth of documents and illustrations, this weighty volume traces the history of the fair in chronological order.
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Tate Modern opened its doors in 2000, since when it has become the most popular modern and contemporary art attraction in the world, now welcoming more than 5 million visitors a year. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a(...)
novembre 2016
Tate Modern: building a museum for the 21st century. Herzog & de Meuron
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Tate Modern opened its doors in 2000, since when it has become the most popular modern and contemporary art attraction in the world, now welcoming more than 5 million visitors a year. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a rare affinity with contemporary art. With the second major phase of the building now complete, Tate Modern presents a striking combination of the raw and the refined, of found industrial spaces and dazzling contemporary architecture. This is the definitive book of the building, and tells vividly the story of Tate Modern and the building of a twenty-first-century museum.
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Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that 'globalism' was incubated in a century of international art contests and(...)
The global work of art: world's fairs, biennials, and the aesthetics of experience
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Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that 'globalism' was incubated in a century of international art contests and today constitutes an important tactic for artists.
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This book is split into six chapters that proceed more or less chronologically. It begins by exploring the origins of the museum both as a cultural phenomenon and as a particular type of space. Central to this, as the first chapter explores, was the ‘princely collection’, that is, collections of painting and sculpture assembled by royalty and the nobility across Europe(...)
The Museum : from its origins to the 21st century
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This book is split into six chapters that proceed more or less chronologically. It begins by exploring the origins of the museum both as a cultural phenomenon and as a particular type of space. Central to this, as the first chapter explores, was the ‘princely collection’, that is, collections of painting and sculpture assembled by royalty and the nobility across Europe that began during the Renaissance and continued during the seventeenth and eighteenth centuries. Although varying both in extent and artistic focus, the motivations driving the establishing of these early collections generally derived from their creators’ desires to fashion learned and enlightened images of themselves and their courts. With some exceptions, admission to these collections was limited to the social elite and those that they were trying to impress. The idea that collections should be open to a wider social group began to emerge during the eighteenth century with the advent of the wunderkammer, or cabinet of curiosities. These contained not just works of art, but all manner of objects, from natural history specimens to religious or cult artefacts, and everything in between.