Cosmocaixa: the total museum
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Through an ongoing dialogue between museology and architecture, the director of CosmoCaixa, Jorge Wagensberg, and architects Robert and Esteve Terradas examine the conception and construction of the new Barcelona Science Museum, the CosmoCaixa. By designing a series of built elements, the architects negotiated the complex program demands of the museum and the topographic(...)
octobre 2007, Barcelona
Cosmocaixa: the total museum
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Through an ongoing dialogue between museology and architecture, the director of CosmoCaixa, Jorge Wagensberg, and architects Robert and Esteve Terradas examine the conception and construction of the new Barcelona Science Museum, the CosmoCaixa. By designing a series of built elements, the architects negotiated the complex program demands of the museum and the topographic difficulties of the site. Through an ongoing dialogue between museology and architecture, the director of CosmoCaixa, Jorge Wagensberg, and architects Robert and Esteve Terradas examine the conception and construction of the new Barcelona Science Museum, the CosmoCaixa. By designing a series of built elements, the architects negotiated the complex program demands of the museum and the topographic difficulties of the site.
When space meets art
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How long ago have you been to an exhibition or an event? What information and amusement you get from it? Did you enjoy it? We are thrilled to present you our latest title When Space Meets Art/When Art Meets Space which leads you to taste and feel all sorts of events comprehensively. An exhibition, a party or any kinds of event can encompass all design areas. For many(...)
When space meets art
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How long ago have you been to an exhibition or an event? What information and amusement you get from it? Did you enjoy it? We are thrilled to present you our latest title When Space Meets Art/When Art Meets Space which leads you to taste and feel all sorts of events comprehensively. An exhibition, a party or any kinds of event can encompass all design areas. For many of us who usually focus only on the exhibited items or the subject of events, few of us ever pay attention to the whole design environment. This title will guide you to look and feel it through two key components: spatial design and graphic elements. From 3D to 2D, it demonstrates how structural work including venue setups from exterior to interior makes the whole event outstanding and turn into exceptional eye-catching fascination and how graphic elements from venue decorations to promotional items makes consistency to reflect the whole event concept and affect the affiliation from the exhibited subjects to audience. By that, the title ultimately reveals how these objects affect your sense and blow up your impression to particular events.
Jewish Museum Munich
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The opening of the Jewish Museum Munich in 2007 brings to a close almost eight decades of continuous effort to find a home for Jewish history and culture in Munich. The result is a museum that is dedicates to Munich's eventful Jewish history as well as to the most diverse aspects of Jewish culture in the past and present.
janvier 1900, Munich, Berlin, London, New York
Jewish Museum Munich
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The opening of the Jewish Museum Munich in 2007 brings to a close almost eight decades of continuous effort to find a home for Jewish history and culture in Munich. The result is a museum that is dedicates to Munich's eventful Jewish history as well as to the most diverse aspects of Jewish culture in the past and present.
L'odyssée des Musées
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Depuis l'Antiquité, au temps où les Grecs faisaient payer une obole aux fidèles pour leur permettre d'admirer les trésors des temples, le musée a connu de nombreux avatars. En suivre les diverses métamorphoses permet de découvrir, au fil des siècles, comment les grandes collections, qui sont aujourd'hui les fleurons des musées, se sont constituées et quelles aventures(...)
novembre 2007, Paris
L'odyssée des Musées
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Depuis l'Antiquité, au temps où les Grecs faisaient payer une obole aux fidèles pour leur permettre d'admirer les trésors des temples, le musée a connu de nombreux avatars. En suivre les diverses métamorphoses permet de découvrir, au fil des siècles, comment les grandes collections, qui sont aujourd'hui les fleurons des musées, se sont constituées et quelles aventures elles ont subies : vols, razzias, invasions, guerres, restitutions. Présenté de façon chronologique, cet ouvrage raconte la fabuleuse odyssée des musées : l'accumulation d'œuvres d'art réservées aux dieux, les cabinets de curiosité créés pour la délectation des souverains, l'ouverture au grand public des collections royales ou encore l'essor actuel des musées conçus dans le monde entier par les plus grands architectes.
livres
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The Royal Institute of British Architects'Award are perhaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'Journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4(...)
décembre 2007, London, New York
Architecture 07: the guide to the Riba Awards
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The Royal Institute of British Architects'Award are perhaps the most rigorously judged awards in any sector in the world. The overall prize, the RIBA Stirling Prize in association with The Architects'Journal, is chosen from a shortlist that has been visited by four different sets of judges. The process is shown and the winning building announced live in a Channel 4 programme made by TalkbackTHAMES and presented by Kevin McCloud. This guide describes and illustrates all eighty-four RIBA, RIBA National, RIBA European and RIBA International Award-winning schemes, including the winners of the international Lubetkin Prize and a series of further prizes for conservation, client of the year, inclusive design, sustainability, houses, schools and small projects.
livres
décembre 2007, London, New York
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The so-called utopia of the centre beaubourg - An interpretation, is the culmination of Luca Frei's fascination with and interest in Swiss sociologist Albert Meister's book 'La soi-disant utopie du centre beaubourg'. This seminal text appeared under the pseudonym of Gustave Affeulpin in 1976. It is a fictional account of the creation of a more than 70-storey, alternative(...)
So-called utopia of the Centre Beaubourg: an interpretation
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The so-called utopia of the centre beaubourg - An interpretation, is the culmination of Luca Frei's fascination with and interest in Swiss sociologist Albert Meister's book 'La soi-disant utopie du centre beaubourg'. This seminal text appeared under the pseudonym of Gustave Affeulpin in 1976. It is a fictional account of the creation of a more than 70-storey, alternative Centre Beaubourg underneath the existing Parisian cultural centre.
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and(...)
août 2007, Minneapolis, London
Building a century of progress : the architecture of Chicago's 1933-34 World's Fair
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated "Building a century of progress", Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World’s Fair in modern American architecture. She recounts how the exposition’s architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair’s pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls’ designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, this book captures a crucial moment in American modernism.
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One hundred twenty-eight rare photos show Beaux-Arts architecture. Midway, Ferris Wheel, more. Architectural emphasis; full text.
janvier 1900, New York
The Chicago world's fair of 1893 : A photographic record
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One hundred twenty-eight rare photos show Beaux-Arts architecture. Midway, Ferris Wheel, more. Architectural emphasis; full text.
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The German Pavilions were the actual event at the 1958 Brussels World Fair, because what appeared as an oasis of modesty among the typical exhibition fairground of bizarre sensationalism was precisely what would not have been expected of economic miracle Germany: no showing off or pomposity, just architecture distinguished by its reticence and the refined simplicity of(...)
Egon Eierman / Sep Ruf : Deutsch Pavillons, Brüssel 1958
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The German Pavilions were the actual event at the 1958 Brussels World Fair, because what appeared as an oasis of modesty among the typical exhibition fairground of bizarre sensationalism was precisely what would not have been expected of economic miracle Germany: no showing off or pomposity, just architecture distinguished by its reticence and the refined simplicity of the architectural resources, and by the happy combination of men who created it, all so similar in the nature of their thinking: Egon Eiermann and Sep Ruf as architects, Walter Rossow as landscape and garden planner, and Hans Schwippert responsible for the exhibition programme.
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
juillet 2007, London, Baden
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
livres
juillet 2007, London, Baden