223 Résultats
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livres
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The so-called utopia of the centre beaubourg - An interpretation, is the culmination of Luca Frei's fascination with and interest in Swiss sociologist Albert Meister's book 'La soi-disant utopie du centre beaubourg'. This seminal text appeared under the pseudonym of Gustave Affeulpin in 1976. It is a fictional account of the creation of a more than 70-storey, alternative(...)
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The so-called utopia of the centre beaubourg - An interpretation, is the culmination of Luca Frei's fascination with and interest in Swiss sociologist Albert Meister's book 'La soi-disant utopie du centre beaubourg'. This seminal text appeared under the pseudonym of Gustave Affeulpin in 1976. It is a fictional account of the creation of a more than 70-storey, alternative(...)
Titre:
So-called utopia of the Centre Beaubourg: an interpretation
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The so-called utopia of the centre beaubourg - An interpretation, is the culmination of Luca Frei's fascination with and interest in Swiss sociologist Albert Meister's book 'La soi-disant utopie du centre beaubourg'. This seminal text appeared under the pseudonym of Gustave Affeulpin in 1976. It is a fictional account of the creation of a more than 70-storey, alternative Centre Beaubourg underneath the existing Parisian cultural centre.
So-called utopia of the Centre Beaubourg: an interpretation
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The so-called utopia of the centre beaubourg - An interpretation, is the culmination of Luca Frei's fascination with and interest in Swiss sociologist Albert Meister's book 'La soi-disant utopie du centre beaubourg'. This seminal text appeared under the pseudonym of Gustave Affeulpin in 1976. It is a fictional account of the creation of a more than 70-storey, alternative Centre Beaubourg underneath the existing Parisian cultural centre.
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livres
livres
Publication:
septembre 2006, London
septembre 2006, London
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livres
livres
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and(...)
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and(...)
Publication:
août 2007, Minneapolis, London
août 2007, Minneapolis, London
Titre:
Building a century of progress : the architecture of Chicago's 1933-34 World's Fair
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated "Building a century of progress", Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World’s Fair in modern American architecture. She recounts how the exposition’s architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair’s pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls’ designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, this book captures a crucial moment in American modernism.
Building a century of progress : the architecture of Chicago's 1933-34 World's Fair
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From the summer of 1933 to the fall of 1934, more than 38 million fairgoers visited a 3-mile stretch along Lake Michigan, home to Chicago’s second World’s Fair. Millions more experienced the Century of Progress International Exposition through newspaper and magazine articles, newsreels, and souvenirs. Together, all marveled at the industrial, scientific, consumer, and cultural displays, many of which were housed in fifty massive and colorful exhibition halls, the largest architectural project realized in the United States during the Great Depression. In the richly illustrated "Building a century of progress", Lisa D. Schrenk explores the pivotal role of the 1933 Chicago World’s Fair in modern American architecture. She recounts how the exposition’s architectural commission promoted a broad definition of modern architecture, not relying on purely aesthetic characteristics but instead focusing on new design solutions. The fair’s pavilions incorporated recently introduced building materials such as masonite and gypsum board; structural innovations (for example, the first thin-shell concrete roof and the first suspended roof structures built in the United States); and new construction processes, most notably the use of prefabrication. They also featured curiosities like the giant, constantly operating mayonnaise maker and the glass-walled House of Tomorrow, which had no operable windows. Schrenk shows how the halls’ designs reflected cultural and political developments of the period, including the expanding relationships between science, industry, and government; the rise of a corporate consumer culture; and the impact of the Great Depression. Many of the designs provoked intense responses from critics and other prominent architects, including Frank Lloyd Wright and Ralph Adams Cram, fueling heated debates over the appropriate direction for architecture in the United States. Demonstrating the rich diversity of progressive American building design seen at the fair, this book captures a crucial moment in American modernism.
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livres
livres
Publication:
août 2007, Minneapolis, London
août 2007, Minneapolis, London
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livres
livres
Prix:
$19.50
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Résumé:
One hundred twenty-eight rare photos show Beaux-Arts architecture. Midway, Ferris Wheel, more. Architectural emphasis; full text.
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Résumé:
One hundred twenty-eight rare photos show Beaux-Arts architecture. Midway, Ferris Wheel, more. Architectural emphasis; full text.
Publication:
janvier 1900, New York
janvier 1900, New York
Titre:
The Chicago world's fair of 1893 : A photographic record
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One hundred twenty-eight rare photos show Beaux-Arts architecture. Midway, Ferris Wheel, more. Architectural emphasis; full text.
The Chicago world's fair of 1893 : A photographic record
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One hundred twenty-eight rare photos show Beaux-Arts architecture. Midway, Ferris Wheel, more. Architectural emphasis; full text.
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livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
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livres
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What is the future of the art museum? Should artists and critics have greater say in museum programming? What role can new museum technologies play in the future of the art museum? How should art museums address and correct past histories of predjudice and exclusion? Are art museums doomed to extinction? These pertinent questions and others are asked, discussed, and(...)
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What is the future of the art museum? Should artists and critics have greater say in museum programming? What role can new museum technologies play in the future of the art museum? How should art museums address and correct past histories of predjudice and exclusion? Are art museums doomed to extinction? These pertinent questions and others are asked, discussed, and(...)
Titre:
Museums of tomorrow : a virtual discussion
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What is the future of the art museum? Should artists and critics have greater say in museum programming? What role can new museum technologies play in the future of the art museum? How should art museums address and correct past histories of predjudice and exclusion? Are art museums doomed to extinction? These pertinent questions and others are asked, discussed, and sometimes even answered in "Museums of tomorrow" - documentation of a two-week online conference on the role and future of art museums. Thirty scholars, artists, museum directors, and curators participated in the discussion which was moderated by curator and essayist Maurice Berger for the Georgia O’Keeffe Museum’s Research Center Website.
Museums of tomorrow : a virtual discussion
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What is the future of the art museum? Should artists and critics have greater say in museum programming? What role can new museum technologies play in the future of the art museum? How should art museums address and correct past histories of predjudice and exclusion? Are art museums doomed to extinction? These pertinent questions and others are asked, discussed, and sometimes even answered in "Museums of tomorrow" - documentation of a two-week online conference on the role and future of art museums. Thirty scholars, artists, museum directors, and curators participated in the discussion which was moderated by curator and essayist Maurice Berger for the Georgia O’Keeffe Museum’s Research Center Website.
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livres
livres
Publication:
mai 2005, New York
mai 2005, New York
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livres
livres
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Ever since it opened, in 1959, Frank Lloyd Wright's Solomon R. Guggenheim Museum, in New York City, has captured the imagination of everyone who has experienced it firsthand. This book brings together five decades of cartoons and cover illustrations of the iconic museum, along with period photographs.
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Résumé:
Ever since it opened, in 1959, Frank Lloyd Wright's Solomon R. Guggenheim Museum, in New York City, has captured the imagination of everyone who has experienced it firsthand. This book brings together five decades of cartoons and cover illustrations of the iconic museum, along with period photographs.
Publication:
janvier 1900, New York
janvier 1900, New York
Titre:
The New Yorker visits the Guggenheim
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Ever since it opened, in 1959, Frank Lloyd Wright's Solomon R. Guggenheim Museum, in New York City, has captured the imagination of everyone who has experienced it firsthand. This book brings together five decades of cartoons and cover illustrations of the iconic museum, along with period photographs.
The New Yorker visits the Guggenheim
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Ever since it opened, in 1959, Frank Lloyd Wright's Solomon R. Guggenheim Museum, in New York City, has captured the imagination of everyone who has experienced it firsthand. This book brings together five decades of cartoons and cover illustrations of the iconic museum, along with period photographs.
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livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
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livres
livres
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$29.95
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Rich in images, "Asking Questions" offers a kaleidoscopic perspective of ten years of architectural design at the Gerrit Rietveld Academy. The Gerrit Rietveld Academy works to a unique educational concept, as its students are encouraged to approach assignments in their own way. This is why its graduates cannot be called straightforward interior designers. Asking Questions(...)
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Rich in images, "Asking Questions" offers a kaleidoscopic perspective of ten years of architectural design at the Gerrit Rietveld Academy. The Gerrit Rietveld Academy works to a unique educational concept, as its students are encouraged to approach assignments in their own way. This is why its graduates cannot be called straightforward interior designers. Asking Questions(...)
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Titre:
Asking questions : 10 years of architectural design at the Gerrit Rietveld Academy
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Rich in images, "Asking Questions" offers a kaleidoscopic perspective of ten years of architectural design at the Gerrit Rietveld Academy. The Gerrit Rietveld Academy works to a unique educational concept, as its students are encouraged to approach assignments in their own way. This is why its graduates cannot be called straightforward interior designers. Asking Questions paints a picture of the academy's conceptual approach to architecture through a historical perspective of its education, student statistics, an inventory of outstanding study assignments and an overview of work done by graduates once they had left the academy. Since then, they have been active in all branches of the design industry.
Asking questions : 10 years of architectural design at the Gerrit Rietveld Academy
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Rich in images, "Asking Questions" offers a kaleidoscopic perspective of ten years of architectural design at the Gerrit Rietveld Academy. The Gerrit Rietveld Academy works to a unique educational concept, as its students are encouraged to approach assignments in their own way. This is why its graduates cannot be called straightforward interior designers. Asking Questions paints a picture of the academy's conceptual approach to architecture through a historical perspective of its education, student statistics, an inventory of outstanding study assignments and an overview of work done by graduates once they had left the academy. Since then, they have been active in all branches of the design industry.
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livres
livres
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
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livres
livres
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$64.95
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Le Pavillon français à la Biennale d'architecture de Venise 2004 présente un projet inédit autour des « Métamorphoses durables » de la ville. Il est le résultat du travail de 3 équipes de 5 architectes et paysagistes qui ont chacune réfléchi de manière prospective à l'évolution d'une zone géographique d'une ville en 2014, 2034 et 2064. Cet ouvrage rend compte du(...)
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Le Pavillon français à la Biennale d'architecture de Venise 2004 présente un projet inédit autour des « Métamorphoses durables » de la ville. Il est le résultat du travail de 3 équipes de 5 architectes et paysagistes qui ont chacune réfléchi de manière prospective à l'évolution d'une zone géographique d'une ville en 2014, 2034 et 2064. Cet ouvrage rend compte du(...)
Publication:
novembre 2004, Paris
novembre 2004, Paris
Titre:
2004 Métamorphoses durables : jeu prospectif pour un projet de ville durable / prosective game for a sustainable city project
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Le Pavillon français à la Biennale d'architecture de Venise 2004 présente un projet inédit autour des « Métamorphoses durables » de la ville. Il est le résultat du travail de 3 équipes de 5 architectes et paysagistes qui ont chacune réfléchi de manière prospective à l'évolution d'une zone géographique d'une ville en 2014, 2034 et 2064. Cet ouvrage rend compte du processus créatif entrepris. Le DVD, qui lui est associé, présente les films réalisés au cours de ce projet original.
2004 Métamorphoses durables : jeu prospectif pour un projet de ville durable / prosective game for a sustainable city project
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Le Pavillon français à la Biennale d'architecture de Venise 2004 présente un projet inédit autour des « Métamorphoses durables » de la ville. Il est le résultat du travail de 3 équipes de 5 architectes et paysagistes qui ont chacune réfléchi de manière prospective à l'évolution d'une zone géographique d'une ville en 2014, 2034 et 2064. Cet ouvrage rend compte du processus créatif entrepris. Le DVD, qui lui est associé, présente les films réalisés au cours de ce projet original.
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livres
livres
Publication:
novembre 2004, Paris
novembre 2004, Paris
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livres
livres
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$53.95
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Le Centre Pompidou a la garde d’un patrimoine exceptionnel couvrant la création dans toute sa diversité depuis le début du XXe siècle jusqu’à la période la plus contemporaine. Avec la création d’un site à Metz, il fait franchir une nouvelle étape à la politique de diffusion extérieure engagée en 1997, lors de ses travaux de rénovation. Le projet messin se veut un exemple(...)
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Le Centre Pompidou a la garde d’un patrimoine exceptionnel couvrant la création dans toute sa diversité depuis le début du XXe siècle jusqu’à la période la plus contemporaine. Avec la création d’un site à Metz, il fait franchir une nouvelle étape à la politique de diffusion extérieure engagée en 1997, lors de ses travaux de rénovation. Le projet messin se veut un exemple(...)
Titre:
Concours Centre Pompidou - Metz
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Le Centre Pompidou a la garde d’un patrimoine exceptionnel couvrant la création dans toute sa diversité depuis le début du XXe siècle jusqu’à la période la plus contemporaine. Avec la création d’un site à Metz, il fait franchir une nouvelle étape à la politique de diffusion extérieure engagée en 1997, lors de ses travaux de rénovation. Le projet messin se veut un exemple ambitieux de décentralisation. L’institution messine va bénéficier, en 2007, d’un projet architectural choisi au terme d’un concours international d’architecture, comme l’avait été, en son temps, le bâtiment de Paris conçu par Renzo Piano et Richard Rogers. Ce projet situé dans le quartier de l’Amphithéâtre, s’inscrit dans le cadre d’un vaste programme de rénovation urbaine engagé par la Ville de Metz.
Concours Centre Pompidou - Metz
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Le Centre Pompidou a la garde d’un patrimoine exceptionnel couvrant la création dans toute sa diversité depuis le début du XXe siècle jusqu’à la période la plus contemporaine. Avec la création d’un site à Metz, il fait franchir une nouvelle étape à la politique de diffusion extérieure engagée en 1997, lors de ses travaux de rénovation. Le projet messin se veut un exemple ambitieux de décentralisation. L’institution messine va bénéficier, en 2007, d’un projet architectural choisi au terme d’un concours international d’architecture, comme l’avait été, en son temps, le bâtiment de Paris conçu par Renzo Piano et Richard Rogers. Ce projet situé dans le quartier de l’Amphithéâtre, s’inscrit dans le cadre d’un vaste programme de rénovation urbaine engagé par la Ville de Metz.
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livres
livres
Publication:
septembre 2004, Paris
septembre 2004, Paris
Classification:
livres
livres
Titre:
The new Museum of Modern Art
The new Museum of Modern Art
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$16.00
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Having undergone the most extensive building project in its history, The Museum of Modern Art reopened in Manhattan in November 2004, coinciding with MoMA's 75th anniversary. The 630,000-square-foot complex is nearly twice the size of the former facility, with dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and(...)
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Having undergone the most extensive building project in its history, The Museum of Modern Art reopened in Manhattan in November 2004, coinciding with MoMA's 75th anniversary. The 630,000-square-foot complex is nearly twice the size of the former facility, with dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and(...)
Publication:
novembre 2004, New York
novembre 2004, New York
Titre:
The new Museum of Modern Art
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$16.00
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Résumé:
Having undergone the most extensive building project in its history, The Museum of Modern Art reopened in Manhattan in November 2004, coinciding with MoMA's 75th anniversary. The 630,000-square-foot complex is nearly twice the size of the former facility, with dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and scholarly research. This book offers a concise overview of the new building and MoMA's intentions for its construction project by Glenn D. Lowry, Director of The Museum of Modern Art.
The new Museum of Modern Art
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Having undergone the most extensive building project in its history, The Museum of Modern Art reopened in Manhattan in November 2004, coinciding with MoMA's 75th anniversary. The 630,000-square-foot complex is nearly twice the size of the former facility, with dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and scholarly research. This book offers a concise overview of the new building and MoMA's intentions for its construction project by Glenn D. Lowry, Director of The Museum of Modern Art.
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livres
livres
Publication:
novembre 2004, New York
novembre 2004, New York
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livres
livres
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$136.00
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À l'occasion de la septième session des concours, Europan publie le catalogue des projets primées par les jurys des 15 concours nationaux organisés dans 68 villes européennes et dans 19 pays différents autour d’une problématique commune : « Challenge suburbain, intensités et diversités résidentielles ». Comment transformer la ville dispersée pour créer une ville durable,(...)
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Résumé:
À l'occasion de la septième session des concours, Europan publie le catalogue des projets primées par les jurys des 15 concours nationaux organisés dans 68 villes européennes et dans 19 pays différents autour d’une problématique commune : « Challenge suburbain, intensités et diversités résidentielles ». Comment transformer la ville dispersée pour créer une ville durable,(...)
Titre:
Europan 7 : résultats européens
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$136.00
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Résumé:
À l'occasion de la septième session des concours, Europan publie le catalogue des projets primées par les jurys des 15 concours nationaux organisés dans 68 villes européennes et dans 19 pays différents autour d’une problématique commune : « Challenge suburbain, intensités et diversités résidentielles ». Comment transformer la ville dispersée pour créer une ville durable, écologique et urbaine, en s’appuyant sur la nouvelle demande sociale et culturelle émergente ? Comment faire de la création de nouveaux quartiers résidentiels aux typologies innovantes et à la complexité programmatique un outil de stratégie de qualification des aires suburbaines ?
Europan 7 : résultats européens
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$136.00
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Résumé:
À l'occasion de la septième session des concours, Europan publie le catalogue des projets primées par les jurys des 15 concours nationaux organisés dans 68 villes européennes et dans 19 pays différents autour d’une problématique commune : « Challenge suburbain, intensités et diversités résidentielles ». Comment transformer la ville dispersée pour créer une ville durable, écologique et urbaine, en s’appuyant sur la nouvelle demande sociale et culturelle émergente ? Comment faire de la création de nouveaux quartiers résidentiels aux typologies innovantes et à la complexité programmatique un outil de stratégie de qualification des aires suburbaines ?
Classification:
livres
livres
Publication:
juin 2004, Paris
juin 2004, Paris
