223 Résultats
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livres
livres
Titre:
Experiment cyclebowl
Experiment cyclebowl
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$66.00
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A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to(...)
$66.00
(disponible sur commande)
Résumé:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to(...)
Publication:
juin 2002, Ludwigsburg
juin 2002, Ludwigsburg
Titre:
Experiment cyclebowl
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$66.00
(disponible sur commande)
Résumé:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to create a pavilion at the EXPO in Hanover which would reflect the company's vision of combining the product cycle with the environment and use of resources in a responsible way. The journey through this cycle is represented visually through the architecture and staging of the pavilion. Living plants, real objects, information, light and sound are brought together and provide an exciting backdrop for the dramatic highlight - a 25m high tornado which was generated every hour. This book shows primarily creative process leading to the final design and architecture of the Cyclebowl. Enhanced with technical details of the innovative facades, the publication is a fascinating documentation of architecture as a means of conveying ideas.
Experiment cyclebowl
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$66.00
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Résumé:
A pavilion of cycles at Expo in Hanover. An interdisciplinary work involving architecture, scenography, graphics, sound, light, film, drama and an actual tornado, created by Atelier Brückner for the Expo 2000. Dual System Deutschland, a company which is responsible for the reuse and recycling of packaging in Germany commissioned the Stuttgart firm Atelier Brückner to create a pavilion at the EXPO in Hanover which would reflect the company's vision of combining the product cycle with the environment and use of resources in a responsible way. The journey through this cycle is represented visually through the architecture and staging of the pavilion. Living plants, real objects, information, light and sound are brought together and provide an exciting backdrop for the dramatic highlight - a 25m high tornado which was generated every hour. This book shows primarily creative process leading to the final design and architecture of the Cyclebowl. Enhanced with technical details of the innovative facades, the publication is a fascinating documentation of architecture as a means of conveying ideas.
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livres
livres
Publication:
juin 2002, Ludwigsburg
juin 2002, Ludwigsburg
Classification:
livres
livres
Titre:
Museums, society, inequality
Museums, society, inequality
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$52.95
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"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
$52.95
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"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
Publication:
janvier 1900, London / New York
janvier 1900, London / New York
Titre:
Museums, society, inequality
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$52.95
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"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
Museums, society, inequality
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$52.95
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Résumé:
"Museums, society, inequality" explores the wide-ranging social roles and responsibilities of the museum. It brings together diverse international perspectives from across the globe, which collectively seek to stimulate critical debate, to inform the work of practitioners and policy makers, and to advance recognition of the agency of museums.
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livres
livres
Publication:
janvier 1900, London / New York
janvier 1900, London / New York
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livres
livres
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$29.50
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Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has(...)
$29.50
(disponible sur commande)
Résumé:
Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has(...)
Publication:
mai 2002, Minneapolis
mai 2002, Minneapolis
Titre:
Culture incorporated : museums, artists, and corporate sponsorships
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$29.50
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Résumé:
Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has blurred. These mergers of art, business, and museums, he argues, are examples of the worldwide privatization of cultural funding. In Culture Incorporated, Rectanus calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternatives. Rectanus exposes how sponsorship helps maintain social legitimation in a time when corporations are the target of significant criticism. He provides wide-ranging examples of artists and institutions grappling with corporate sponsorship, including artists' collaboration with sponsors, corporate sponsorship of museum exhibitions, festivals, and rock concerts, and cybersponsoring. Throughout, Rectanus analyzes the convergence of cultural institutions with global corporate politics and its influence on our culture and our communities. Mark W. Rectanus is professor of German at Iowa State University.
Culture incorporated : museums, artists, and corporate sponsorships
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$29.50
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Résumé:
Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has blurred. These mergers of art, business, and museums, he argues, are examples of the worldwide privatization of cultural funding. In Culture Incorporated, Rectanus calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternatives. Rectanus exposes how sponsorship helps maintain social legitimation in a time when corporations are the target of significant criticism. He provides wide-ranging examples of artists and institutions grappling with corporate sponsorship, including artists' collaboration with sponsors, corporate sponsorship of museum exhibitions, festivals, and rock concerts, and cybersponsoring. Throughout, Rectanus analyzes the convergence of cultural institutions with global corporate politics and its influence on our culture and our communities. Mark W. Rectanus is professor of German at Iowa State University.
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livres
livres
Publication:
mai 2002, Minneapolis
mai 2002, Minneapolis
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livres
livres
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$41.95
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Résumé:
"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite(...)
$41.95
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Résumé:
"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite(...)
Publication:
janvier 2002, Paris
janvier 2002, Paris
Titre:
Le patrimoine à l'ère du document numérique : du musée virtuel au musée médiathèque
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$41.95
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"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite résonnance avec le régime d'industrialisation culturelle qui règle la fréquentation du patrimoine. Mais au-delà, c'est bien du devenir de l'institution muséale dont il est question. Plutôt que de prédire la disparition de l'institution au profit de son avatar virtuel, on choisit d'ancrer ici l'interrogation dans l'histoire des relations qui unissent l'oeuvre d'art et le musée, depuis deux siècles. L'extrême plasticité du musée est mise à jour : ne serait-il pas apte à conserver et légitimer les propositions d'un art numérique aussi délocalisé soit-il? Déjà rôdé à l'absorption d'oeuvres reproductibles, de traces ou d'intentions, le musée d'art contemporain déjoue perpétuellement sa fin prévisible. Cette fois-ci la métamorphose le porte du côté de la médiathèque. Le devenir du musée se nourrit d'une perception essentiellement documentaire du patrimoine artistique. Incorporé aux industries de la mémoire, le musée nous projette désormais dans un passé actualisé et un présent pérenne."
Le patrimoine à l'ère du document numérique : du musée virtuel au musée médiathèque
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$41.95
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Résumé:
"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite résonnance avec le régime d'industrialisation culturelle qui règle la fréquentation du patrimoine. Mais au-delà, c'est bien du devenir de l'institution muséale dont il est question. Plutôt que de prédire la disparition de l'institution au profit de son avatar virtuel, on choisit d'ancrer ici l'interrogation dans l'histoire des relations qui unissent l'oeuvre d'art et le musée, depuis deux siècles. L'extrême plasticité du musée est mise à jour : ne serait-il pas apte à conserver et légitimer les propositions d'un art numérique aussi délocalisé soit-il? Déjà rôdé à l'absorption d'oeuvres reproductibles, de traces ou d'intentions, le musée d'art contemporain déjoue perpétuellement sa fin prévisible. Cette fois-ci la métamorphose le porte du côté de la médiathèque. Le devenir du musée se nourrit d'une perception essentiellement documentaire du patrimoine artistique. Incorporé aux industries de la mémoire, le musée nous projette désormais dans un passé actualisé et un présent pérenne."
Classification:
livres
livres
Publication:
janvier 2002, Paris
janvier 2002, Paris
Classification:
livres
livres
Titre:
L'avenir des musées
L'avenir des musées
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$84.95
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Résumé:
Actes du colloque organisé au musée du Louvre les 23, 24, et 25 mars, 2000.
$84.95
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Résumé:
Actes du colloque organisé au musée du Louvre les 23, 24, et 25 mars, 2000.
Titre:
L'avenir des musées
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$84.95
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Actes du colloque organisé au musée du Louvre les 23, 24, et 25 mars, 2000.
L'avenir des musées
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$84.95
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Actes du colloque organisé au musée du Louvre les 23, 24, et 25 mars, 2000.
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livres
livres
Publication:
janvier 2002, Paris
janvier 2002, Paris
Classification:
livres
livres
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$39.95
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Résumé:
A summary of the Austrian contribution to the 7th International Exhibition of Architecture of the Biennale di Venezia 2000, this book presents the projects, background information, a complete transcript of the discussion at the symposium, a selection of visitors' statements as well as biographies of the architects and experts that took part.
$39.95
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Résumé:
A summary of the Austrian contribution to the 7th International Exhibition of Architecture of the Biennale di Venezia 2000, this book presents the projects, background information, a complete transcript of the discussion at the symposium, a selection of visitors' statements as well as biographies of the architects and experts that took part.
Titre:
Area of tolerance for peace and freedom of the arts - against racism and xenophobia
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$39.95
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Résumé:
A summary of the Austrian contribution to the 7th International Exhibition of Architecture of the Biennale di Venezia 2000, this book presents the projects, background information, a complete transcript of the discussion at the symposium, a selection of visitors' statements as well as biographies of the architects and experts that took part.
Area of tolerance for peace and freedom of the arts - against racism and xenophobia
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Prix:
$39.95
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Résumé:
A summary of the Austrian contribution to the 7th International Exhibition of Architecture of the Biennale di Venezia 2000, this book presents the projects, background information, a complete transcript of the discussion at the symposium, a selection of visitors' statements as well as biographies of the architects and experts that took part.
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livres
livres
Publication:
janvier 1900, Vienna
janvier 1900, Vienna
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livres
livres
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$52.50
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Résumé:
In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions,Staniszewski documents and(...)
$52.50
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Résumé:
In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions,Staniszewski documents and(...)
Publication:
octobre 2001, Cambridge, Mass.
octobre 2001, Cambridge, Mass.
Titre:
Power of display : a history of the exhibition installations at the museum of modern art
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$52.50
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Résumé:
In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions,Staniszewski documents and deciphers an essential chapter of twentieth-century art and culture and provides a historical and theoretical framework for a primary area of contemporary aesthetic practice--installation-based art. Among the artists, designers, architects, and curators whose installations the author features are Dennis Adams, Alfred H. Barr, Jr., Herbert Bayer, René d'Harnoncourt, Ray and Charles Eames, Hans Haacke, David Hammons, Philip Johnson, Frederick Kiesler, Barbara Kruger, Louise Lawler, El Lissitzky, Adrian Piper, Lilly Reich, William Rubin, Paul Rudolph, Edward Steichen, Giuseppe Terragni, and Kirk Varnedoe.
Power of display : a history of the exhibition installations at the museum of modern art
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$52.50
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Résumé:
In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions,Staniszewski documents and deciphers an essential chapter of twentieth-century art and culture and provides a historical and theoretical framework for a primary area of contemporary aesthetic practice--installation-based art. Among the artists, designers, architects, and curators whose installations the author features are Dennis Adams, Alfred H. Barr, Jr., Herbert Bayer, René d'Harnoncourt, Ray and Charles Eames, Hans Haacke, David Hammons, Philip Johnson, Frederick Kiesler, Barbara Kruger, Louise Lawler, El Lissitzky, Adrian Piper, Lilly Reich, William Rubin, Paul Rudolph, Edward Steichen, Giuseppe Terragni, and Kirk Varnedoe.
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livres
livres
Publication:
octobre 2001, Cambridge, Mass.
octobre 2001, Cambridge, Mass.
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livres
livres
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$110.00
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Résumé:
This book provides a representative documentation of all aspects relating to the building of the MuseumsQuartier complex in Vienna.
$110.00
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Résumé:
This book provides a representative documentation of all aspects relating to the building of the MuseumsQuartier complex in Vienna.
Publication:
novembre 2001, New York
novembre 2001, New York
Titre:
MuseumsQuartier Wien : the architecture
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$110.00
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This book provides a representative documentation of all aspects relating to the building of the MuseumsQuartier complex in Vienna.
MuseumsQuartier Wien : the architecture
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$110.00
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This book provides a representative documentation of all aspects relating to the building of the MuseumsQuartier complex in Vienna.
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livres
livres
Publication:
novembre 2001, New York
novembre 2001, New York
Classification:
livres
livres
Prix:
$44.95
(disponible sur commande)
Résumé:
This book guides museums on how to create the highest quality experience possible for their visitors. Creating an environment that supports visitor engagement with collections means examining every stage of the visit, from the initial impetus to go to a particular institution, to front-of-house management, interpretive approach and qualitative analysis afterwards. This(...)
$44.95
(disponible sur commande)
Résumé:
This book guides museums on how to create the highest quality experience possible for their visitors. Creating an environment that supports visitor engagement with collections means examining every stage of the visit, from the initial impetus to go to a particular institution, to front-of-house management, interpretive approach and qualitative analysis afterwards. This(...)
Publication:
septembre 2005, London, New York
septembre 2005, London, New York
Titre:
The engaging museum : developing museums for visitor involvement
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$44.95
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This book guides museums on how to create the highest quality experience possible for their visitors. Creating an environment that supports visitor engagement with collections means examining every stage of the visit, from the initial impetus to go to a particular institution, to front-of-house management, interpretive approach and qualitative analysis afterwards. This holistic approach will be immensely helpful to museums in meeting the needs and expectations of visitors and building their audience base. Because "The engaging museum" offers a set of principles that can be adapted to any museum in any location, it will be a valuable resource for institutions of every shape and size.
The engaging museum : developing museums for visitor involvement
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$44.95
(disponible sur commande)
Résumé:
This book guides museums on how to create the highest quality experience possible for their visitors. Creating an environment that supports visitor engagement with collections means examining every stage of the visit, from the initial impetus to go to a particular institution, to front-of-house management, interpretive approach and qualitative analysis afterwards. This holistic approach will be immensely helpful to museums in meeting the needs and expectations of visitors and building their audience base. Because "The engaging museum" offers a set of principles that can be adapted to any museum in any location, it will be a valuable resource for institutions of every shape and size.
Classification:
livres
livres
Publication:
septembre 2005, London, New York
septembre 2005, London, New York
Classification:
livres
livres
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$55.95
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Résumé:
Paris a organisé pendant près d'un siècle des expositions qui rencontrèrent un succès universel.Vouée à un thème différent, chaque manifestation est une ode à l'innovation, un jeu d'illusions, une fête effervescente dont il nous reste de multiples témoins : transports en commun, nouveaux quartiers, perspectives, axes de circulation et monuments emblématiques. Avec cet(...)
$55.95
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Résumé:
Paris a organisé pendant près d'un siècle des expositions qui rencontrèrent un succès universel.Vouée à un thème différent, chaque manifestation est une ode à l'innovation, un jeu d'illusions, une fête effervescente dont il nous reste de multiples témoins : transports en commun, nouveaux quartiers, perspectives, axes de circulation et monuments emblématiques. Avec cet(...)
Titre:
Les expositions universelles à Paris de 1855 à 1937
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Paris a organisé pendant près d'un siècle des expositions qui rencontrèrent un succès universel.Vouée à un thème différent, chaque manifestation est une ode à l'innovation, un jeu d'illusions, une fête effervescente dont il nous reste de multiples témoins : transports en commun, nouveaux quartiers, perspectives, axes de circulation et monuments emblématiques. Avec cet ouvrage qui célèbre le 150e anniversaire de la première Exposition universelle, l'Action artistique de la Ville de Paris met en valeur l'influence de ces manifestations sur la paysage parisien et sur l'évolution des arts, ainsi que la volonté de la France de se placer à l'avant-garde de son époque.
Les expositions universelles à Paris de 1855 à 1937
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$55.95
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Résumé:
Paris a organisé pendant près d'un siècle des expositions qui rencontrèrent un succès universel.Vouée à un thème différent, chaque manifestation est une ode à l'innovation, un jeu d'illusions, une fête effervescente dont il nous reste de multiples témoins : transports en commun, nouveaux quartiers, perspectives, axes de circulation et monuments emblématiques. Avec cet ouvrage qui célèbre le 150e anniversaire de la première Exposition universelle, l'Action artistique de la Ville de Paris met en valeur l'influence de ces manifestations sur la paysage parisien et sur l'évolution des arts, ainsi que la volonté de la France de se placer à l'avant-garde de son époque.
Classification:
livres
livres
Publication:
octobre 2005, Paris
octobre 2005, Paris
