261 Résultats
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As the world adapts to the consequences of a global pandemic, museums continue to experience unprecedented disruption and change. At the same time, there is a growing debate and dissent over what museums are for, who they speak to, and what the histories, objects, and ideas they are tasked with holding reflect—all taking place within a public sphere that feels(...)
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As the world adapts to the consequences of a global pandemic, museums continue to experience unprecedented disruption and change. At the same time, there is a growing debate and dissent over what museums are for, who they speak to, and what the histories, objects, and ideas they are tasked with holding reflect—all taking place within a public sphere that feels(...)
Titre:
Gathering of strangers: Why museums matter
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As the world adapts to the consequences of a global pandemic, museums continue to experience unprecedented disruption and change. At the same time, there is a growing debate and dissent over what museums are for, who they speak to, and what the histories, objects, and ideas they are tasked with holding reflect—all taking place within a public sphere that feels increasingly dynamic and volatile. Taking a wide-ranging and thought-provoking look at the roles and responsibilities of some of our most well-known and best-loved public institutions, ''Gathering of Strangers'' explores the critical challenges and opportunities for the museum at this point in the twenty-first century. Moving from the historical origins of the gallery to important current debates taking place around art and public engagement, the climate emergency, race equality and decolonization, and the value of the arts in education—this book sets out the role of art and artists in imagining and shaping our collective future. It is also a love letter to the museum, from a sector leader who is at the forefront of the cultural conversation today.
Gathering of strangers: Why museums matter
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As the world adapts to the consequences of a global pandemic, museums continue to experience unprecedented disruption and change. At the same time, there is a growing debate and dissent over what museums are for, who they speak to, and what the histories, objects, and ideas they are tasked with holding reflect—all taking place within a public sphere that feels increasingly dynamic and volatile. Taking a wide-ranging and thought-provoking look at the roles and responsibilities of some of our most well-known and best-loved public institutions, ''Gathering of Strangers'' explores the critical challenges and opportunities for the museum at this point in the twenty-first century. Moving from the historical origins of the gallery to important current debates taking place around art and public engagement, the climate emergency, race equality and decolonization, and the value of the arts in education—this book sets out the role of art and artists in imagining and shaping our collective future. It is also a love letter to the museum, from a sector leader who is at the forefront of the cultural conversation today.
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livres
livres
Publication:
septembre 2024
septembre 2024
Sujet:
Muséologie
Muséologie
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livres
livres
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$53.00
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A discussion on curatorial practices around photo-based images, centred on the current challenges faced by curators and artist working with photography. How do they navigate its constantly changing appearance? How are issues of representation dealt with? And what kind of mediation is necessary while seeking new forms of authorship and interaction with audiences? Offering(...)
$53.00
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A discussion on curatorial practices around photo-based images, centred on the current challenges faced by curators and artist working with photography. How do they navigate its constantly changing appearance? How are issues of representation dealt with? And what kind of mediation is necessary while seeking new forms of authorship and interaction with audiences? Offering(...)
Titre:
Why exhibit? vol. 2 : On curating photography
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A discussion on curatorial practices around photo-based images, centred on the current challenges faced by curators and artist working with photography. How do they navigate its constantly changing appearance? How are issues of representation dealt with? And what kind of mediation is necessary while seeking new forms of authorship and interaction with audiences? Offering insights into a wide range of experiences, reflections, and views from various curators, writers, and researchers, this book focuses on practical perspectives intertwining photography and curation – conversations which are vital for curating photography in light of pressing issues surrounding the medium.
Why exhibit? vol. 2 : On curating photography
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A discussion on curatorial practices around photo-based images, centred on the current challenges faced by curators and artist working with photography. How do they navigate its constantly changing appearance? How are issues of representation dealt with? And what kind of mediation is necessary while seeking new forms of authorship and interaction with audiences? Offering insights into a wide range of experiences, reflections, and views from various curators, writers, and researchers, this book focuses on practical perspectives intertwining photography and curation – conversations which are vital for curating photography in light of pressing issues surrounding the medium.
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livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Muséologie
Muséologie
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livres
livres
Titre:
Curating art now
Curating art now
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''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of(...)
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''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of(...)
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Curating art now
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''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections in museums to the presentation of large-scale contemporary biennials, and from collaboration with artists to presentations of work on digital platforms.
Curating art now
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''Curating Art Now'' is a timely reflection on the practice of curating and the role of the art curator during a period of rapid change. Curating has a pivotal position in the art world: it is embedded in the identity and expertise of the museum and plays an ever-increasing role in the commercial art sector too. Current curatorial practice encompasses a wide range of activities, from the care of collections in museums to the presentation of large-scale contemporary biennials, and from collaboration with artists to presentations of work on digital platforms.
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livres
livres
Publication:
novembre 2022
novembre 2022
Sujet:
Muséologie
Muséologie
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livres
livres
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$21.99
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Grounded in empirical research, 'Alternative pedagogical spaces: From utopia to institutionalization' is a critical inquiry into the establishment, development, and transformation of alternative pedagogical and social spaces. Written by Anna Colin, a former director and co-founder of Open School East, an independent art school and community space founded in London in(...)
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Grounded in empirical research, 'Alternative pedagogical spaces: From utopia to institutionalization' is a critical inquiry into the establishment, development, and transformation of alternative pedagogical and social spaces. Written by Anna Colin, a former director and co-founder of Open School East, an independent art school and community space founded in London in(...)
Titre:
Alternative pedagogical spaces: From utopia to institutionalization
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Grounded in empirical research, 'Alternative pedagogical spaces: From utopia to institutionalization' is a critical inquiry into the establishment, development, and transformation of alternative pedagogical and social spaces. Written by Anna Colin, a former director and co-founder of Open School East, an independent art school and community space founded in London in 2013, this essay-length book explores the instituting factors, organizational life cycles, and alignments and misalignments between values and practices that permeate such a project. The essay delves into the qualities and prerequisites for what Colin calls "multi-public educational organizations." It also scrutinizes the hurdles associated with the effort to remain alternative, including processes of habituation, temptation or pressure to scale up, ethos-bending fundraising exercises, and long tenure, as well as the plain desire for stability and sustainability.
Alternative pedagogical spaces: From utopia to institutionalization
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Grounded in empirical research, 'Alternative pedagogical spaces: From utopia to institutionalization' is a critical inquiry into the establishment, development, and transformation of alternative pedagogical and social spaces. Written by Anna Colin, a former director and co-founder of Open School East, an independent art school and community space founded in London in 2013, this essay-length book explores the instituting factors, organizational life cycles, and alignments and misalignments between values and practices that permeate such a project. The essay delves into the qualities and prerequisites for what Colin calls "multi-public educational organizations." It also scrutinizes the hurdles associated with the effort to remain alternative, including processes of habituation, temptation or pressure to scale up, ethos-bending fundraising exercises, and long tenure, as well as the plain desire for stability and sustainability.
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livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Muséologie
Muséologie
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livres
livres
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$24.95
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Issu d'une recherche empirique, « Espaces pédagogiques alternatifs : de l'utopie à l'institutionnalisation » enquête sur la manière dont les espaces de pédagogies alternatives se créent, se développent et se transforment. Cofondatrice de l'école d'art indépendante et espace communautaire Open School East, initié à Londres en 2013, Anna Colin en a été la directrice entre(...)
$24.95
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Issu d'une recherche empirique, « Espaces pédagogiques alternatifs : de l'utopie à l'institutionnalisation » enquête sur la manière dont les espaces de pédagogies alternatives se créent, se développent et se transforment. Cofondatrice de l'école d'art indépendante et espace communautaire Open School East, initié à Londres en 2013, Anna Colin en a été la directrice entre(...)
Titre:
Espace pédagogiques alternatifs : De l'utopie à l'institutionnalisation
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Issu d'une recherche empirique, « Espaces pédagogiques alternatifs : de l'utopie à l'institutionnalisation » enquête sur la manière dont les espaces de pédagogies alternatives se créent, se développent et se transforment. Cofondatrice de l'école d'art indépendante et espace communautaire Open School East, initié à Londres en 2013, Anna Colin en a été la directrice entre 2013 et 2021. Elle explore dans cet ouvrage les facteurs permettant l'implantation de structures, leurs cycles de vie, ainsi que le décalage possible entre les pratiques et les valeurs qui les font exister. L'enquête analyse les caractéristiques et les prérequis à ce que Colin appelle « les établissements pédagogiques multi-publics ». Elle se penche également sur les situations épineuses qui guettent les projets résolument alternatifs : processus d'habituation, tentation ou nécessité de s'agrandir, collectes de fonds qui malmènent l'éthique de travail, longévité, ou le simple désir de parvenir à la viabilité et à la stabilité.
Espace pédagogiques alternatifs : De l'utopie à l'institutionnalisation
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Issu d'une recherche empirique, « Espaces pédagogiques alternatifs : de l'utopie à l'institutionnalisation » enquête sur la manière dont les espaces de pédagogies alternatives se créent, se développent et se transforment. Cofondatrice de l'école d'art indépendante et espace communautaire Open School East, initié à Londres en 2013, Anna Colin en a été la directrice entre 2013 et 2021. Elle explore dans cet ouvrage les facteurs permettant l'implantation de structures, leurs cycles de vie, ainsi que le décalage possible entre les pratiques et les valeurs qui les font exister. L'enquête analyse les caractéristiques et les prérequis à ce que Colin appelle « les établissements pédagogiques multi-publics ». Elle se penche également sur les situations épineuses qui guettent les projets résolument alternatifs : processus d'habituation, tentation ou nécessité de s'agrandir, collectes de fonds qui malmènent l'éthique de travail, longévité, ou le simple désir de parvenir à la viabilité et à la stabilité.
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livres
livres
Publication:
janvier 2025
janvier 2025
Sujet:
Muséologie
Muséologie
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livres
livres
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Architectural design and the curatorial share a non-disciplinary background, and aim to assemble diverse forms of knowledge rather than specializing. Inherently transdisciplinary, then, they are at odds with the increasing division of labor in all fields of knowledge and practice. In the face of professionalization, which limits our capacity to intervene comprehensively,(...)
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Architectural design and the curatorial share a non-disciplinary background, and aim to assemble diverse forms of knowledge rather than specializing. Inherently transdisciplinary, then, they are at odds with the increasing division of labor in all fields of knowledge and practice. In the face of professionalization, which limits our capacity to intervene comprehensively,(...)
Titre:
Curatorial design: A place between
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Architectural design and the curatorial share a non-disciplinary background, and aim to assemble diverse forms of knowledge rather than specializing. Inherently transdisciplinary, then, they are at odds with the increasing division of labor in all fields of knowledge and practice. In the face of professionalization, which limits our capacity to intervene comprehensively, design and the curatorial challenge specialization and produce relational knowledge. They intend to create an in-between place, as together they form a novel practice that—in combining heterogenous forms of knowledge—takes center stage rather than serving as a moderator or mediator of sorts. What unites them is the assertion of a relational form, the autonomy of which consists precisely in teasing out relations between different elements. What happens to architectural design when it consciously enters a relationship with the curatorial? The book is aimed at practitioners and educators in the field of architecture and design, as well as curators and exhibition makers. It contains three photo series by Armin Linke that accompany the three sections of the book: "Public School for Architecture", "Total Reconstruction," and "Designing for Co-Habitation."
Curatorial design: A place between
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Architectural design and the curatorial share a non-disciplinary background, and aim to assemble diverse forms of knowledge rather than specializing. Inherently transdisciplinary, then, they are at odds with the increasing division of labor in all fields of knowledge and practice. In the face of professionalization, which limits our capacity to intervene comprehensively, design and the curatorial challenge specialization and produce relational knowledge. They intend to create an in-between place, as together they form a novel practice that—in combining heterogenous forms of knowledge—takes center stage rather than serving as a moderator or mediator of sorts. What unites them is the assertion of a relational form, the autonomy of which consists precisely in teasing out relations between different elements. What happens to architectural design when it consciously enters a relationship with the curatorial? The book is aimed at practitioners and educators in the field of architecture and design, as well as curators and exhibition makers. It contains three photo series by Armin Linke that accompany the three sections of the book: "Public School for Architecture", "Total Reconstruction," and "Designing for Co-Habitation."
Classification:
livres
livres
Publication:
mars 2025
mars 2025
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$45.95
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Résumé:
"Learning to see" is an engaging and profound account of how professional artists and designers create and how they teach others to do it. Keith Sawyer, a leading creativity researcher, spent over ten years interviewing a hundred professors who've taught in 50 different colleges, universities, and institutes. He also interviewed students to learn about the personal(...)
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"Learning to see" is an engaging and profound account of how professional artists and designers create and how they teach others to do it. Keith Sawyer, a leading creativity researcher, spent over ten years interviewing a hundred professors who've taught in 50 different colleges, universities, and institutes. He also interviewed students to learn about the personal(...)
Titre:
Learning to see: Inside the world's leading art and design schools
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"Learning to see" is an engaging and profound account of how professional artists and designers create and how they teach others to do it. Keith Sawyer, a leading creativity researcher, spent over ten years interviewing a hundred professors who've taught in 50 different colleges, universities, and institutes. He also interviewed students to learn about the personal transformation they go through as they learn to see and think like successful creative professionals. Learning to See describes project assignments and studio class sessions in over 20 different disciplines, revealing the shared essence of art and design.
Learning to see: Inside the world's leading art and design schools
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"Learning to see" is an engaging and profound account of how professional artists and designers create and how they teach others to do it. Keith Sawyer, a leading creativity researcher, spent over ten years interviewing a hundred professors who've taught in 50 different colleges, universities, and institutes. He also interviewed students to learn about the personal transformation they go through as they learn to see and think like successful creative professionals. Learning to See describes project assignments and studio class sessions in over 20 different disciplines, revealing the shared essence of art and design.
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livres
livres
Publication:
avril 2025
avril 2025
Sujet:
Muséologie
Muséologie
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livres
livres
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$27.00
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Le développement des collections est un aspect discret du travail en musée. Invisible aux yeux du public, il joue un rôle central dans la définition et la transmission du patrimoine collectif. Ce livre explore le collectionnement dans les musées de société et en décrit le ronronnement quotidien. Se dégageant des discours institutionnels, cet ouvrage met de l’avant la(...)
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Le développement des collections est un aspect discret du travail en musée. Invisible aux yeux du public, il joue un rôle central dans la définition et la transmission du patrimoine collectif. Ce livre explore le collectionnement dans les musées de société et en décrit le ronronnement quotidien. Se dégageant des discours institutionnels, cet ouvrage met de l’avant la(...)
Titre:
Collections et collectionnement: Une ethnologie du quotidien muséal
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Le développement des collections est un aspect discret du travail en musée. Invisible aux yeux du public, il joue un rôle central dans la définition et la transmission du patrimoine collectif. Ce livre explore le collectionnement dans les musées de société et en décrit le ronronnement quotidien. Se dégageant des discours institutionnels, cet ouvrage met de l’avant la perspective des acteurs responsables des collections et interroge notre rapport aux objets qui y sont conservés. Cette ethnologie du quotidien muséal repose sur une enquête de terrain menée dans trois musées de société au Québec : le Musée de la civilisation à Québec, le Musée POP à Trois-Rivières et l’Écomusée du fier monde à Montréal. Elle dépeint la collection à la fois comme un outil permettant aux musées de se définir, comme une expérience professionnelle, comme un espace de négociation et comme un objet aux contours continuellement redessinés. Sous cet angle, la collection muséale devient un processus de qualification dynamique de la culture matérielle ancré dans un quotidien fait de normes, de pratiques, d’expériences, de relations, de contraintes et de questionnements.
Collections et collectionnement: Une ethnologie du quotidien muséal
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Le développement des collections est un aspect discret du travail en musée. Invisible aux yeux du public, il joue un rôle central dans la définition et la transmission du patrimoine collectif. Ce livre explore le collectionnement dans les musées de société et en décrit le ronronnement quotidien. Se dégageant des discours institutionnels, cet ouvrage met de l’avant la perspective des acteurs responsables des collections et interroge notre rapport aux objets qui y sont conservés. Cette ethnologie du quotidien muséal repose sur une enquête de terrain menée dans trois musées de société au Québec : le Musée de la civilisation à Québec, le Musée POP à Trois-Rivières et l’Écomusée du fier monde à Montréal. Elle dépeint la collection à la fois comme un outil permettant aux musées de se définir, comme une expérience professionnelle, comme un espace de négociation et comme un objet aux contours continuellement redessinés. Sous cet angle, la collection muséale devient un processus de qualification dynamique de la culture matérielle ancré dans un quotidien fait de normes, de pratiques, d’expériences, de relations, de contraintes et de questionnements.
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livres
livres
Publication:
mars 2025
mars 2025
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$44.95
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for(...)
$44.95
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for(...)
Titre:
Museum architecture : texts and projects by artists
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for how museums should be constructed. When discussing the increasing number of museums and exhibition spaces for modern art which have come into being in recent years, the deep-seated differences of opinion between architects and artists keep coming to the fore. The discussion seems to be almost exclusively dominated by the point of view of the architect and defined by his/her interests. The needs of the art itself are being widely neglected and the voice of the artist is simply not being heard. Donald Judd, the American sculptor and minimalist artist, once noted that museums are so rarely built on functional lines these days, the trend being more towards the creation of a showpiece for the architect. Why are painters and sculptors not asked for their input? The very obvious question was addressed by the Espace de l’art concret when in 1997, it asked a number of well-known artists to come up with ideas and projects for a museum for concrete art. They were invited to submit their ideal utopian suggestions as well as very concrete and architectural proposals and written statements. These are documented in this publication, supplemented with the material for the collection owned by the Kunsthaus in Bregenz and expanded with an extensive anthology of texts by artists on this subject. The résumé of the contributions presents a searing criticism of contemporary museum architecture by its most important users. Their voice will at last find an ear in the current architectural discussion about the new cathedrals of the post-industrial society.
Museum architecture : texts and projects by artists
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for how museums should be constructed. When discussing the increasing number of museums and exhibition spaces for modern art which have come into being in recent years, the deep-seated differences of opinion between architects and artists keep coming to the fore. The discussion seems to be almost exclusively dominated by the point of view of the architect and defined by his/her interests. The needs of the art itself are being widely neglected and the voice of the artist is simply not being heard. Donald Judd, the American sculptor and minimalist artist, once noted that museums are so rarely built on functional lines these days, the trend being more towards the creation of a showpiece for the architect. Why are painters and sculptors not asked for their input? The very obvious question was addressed by the Espace de l’art concret when in 1997, it asked a number of well-known artists to come up with ideas and projects for a museum for concrete art. They were invited to submit their ideal utopian suggestions as well as very concrete and architectural proposals and written statements. These are documented in this publication, supplemented with the material for the collection owned by the Kunsthaus in Bregenz and expanded with an extensive anthology of texts by artists on this subject. The résumé of the contributions presents a searing criticism of contemporary museum architecture by its most important users. Their voice will at last find an ear in the current architectural discussion about the new cathedrals of the post-industrial society.
Classification:
livres
livres
Publication:
janvier 1900, Cologne
janvier 1900, Cologne
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$66.99
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Résumé:
Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and(...)
$66.99
(disponible en magasin)
Résumé:
Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and(...)
Titre:
Decentring the museum: Contemporary art institutions and colonial legacies
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Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Humboldt Forum in Berlin and the British Museum), which are engaged in debates about the colonial histories of their collections, and of small-scale art spaces (such as La Colonie in Paris or Savvy Contemporary in Berlin), which have the flexibility to initiate different kinds of conversation – for example, by programming exhibitions and events in collaboration with local diasporic communities from the global south.
Decentring the museum: Contemporary art institutions and colonial legacies
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$66.99
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Résumé:
Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Humboldt Forum in Berlin and the British Museum), which are engaged in debates about the colonial histories of their collections, and of small-scale art spaces (such as La Colonie in Paris or Savvy Contemporary in Berlin), which have the flexibility to initiate different kinds of conversation – for example, by programming exhibitions and events in collaboration with local diasporic communities from the global south.
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livres
livres
Publication:
décembre 2023
décembre 2023
Sujet:
Muséologie
Muséologie
