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"Art and its institutions" is a reader on current institutional conditions and the role of institutions within artistic processes. With essays by authors and academics such as Beatrice von Bismarck, Andrea Fraser, Simon Sheikh and Jan Verwoert, this book examines the interests of the various institutions involved in the creation of art, and explore the impact these(...)
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Résumé:
"Art and its institutions" is a reader on current institutional conditions and the role of institutions within artistic processes. With essays by authors and academics such as Beatrice von Bismarck, Andrea Fraser, Simon Sheikh and Jan Verwoert, this book examines the interests of the various institutions involved in the creation of art, and explore the impact these(...)
Titre:
Art and its institutions : current conflicts, critique and collaborations
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"Art and its institutions" is a reader on current institutional conditions and the role of institutions within artistic processes. With essays by authors and academics such as Beatrice von Bismarck, Andrea Fraser, Simon Sheikh and Jan Verwoert, this book examines the interests of the various institutions involved in the creation of art, and explore the impact these institutions have on the contemporary art world. It covers topics including the impact of the decline of the welfare state on art institutions; the social and physical architecture of art institutions in Nordic states and Eastern Europe; a critical re-evaluation of the institutional critique of the 70s and 90s and the introduction of new models of critique in current artistic practice. The book also documents and discusses two exhibition projects, and examine their relationship to the conflicts and desires provoked by institutions.
Art and its institutions : current conflicts, critique and collaborations
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Résumé:
"Art and its institutions" is a reader on current institutional conditions and the role of institutions within artistic processes. With essays by authors and academics such as Beatrice von Bismarck, Andrea Fraser, Simon Sheikh and Jan Verwoert, this book examines the interests of the various institutions involved in the creation of art, and explore the impact these institutions have on the contemporary art world. It covers topics including the impact of the decline of the welfare state on art institutions; the social and physical architecture of art institutions in Nordic states and Eastern Europe; a critical re-evaluation of the institutional critique of the 70s and 90s and the introduction of new models of critique in current artistic practice. The book also documents and discusses two exhibition projects, and examine their relationship to the conflicts and desires provoked by institutions.
Classification:
livres
livres
Publication:
février 2006, London
février 2006, London
Sujet:
Muséologie
Muséologie
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livres
livres
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$42.00
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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to(...)
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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to(...)
Titre:
Museums after modernism: strategies of engagement
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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered.
Museums after modernism: strategies of engagement
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$42.00
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Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered.
Classification:
livres
livres
Publication:
mars 2007, Oxford
mars 2007, Oxford
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$56.00
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Résumé:
At no other point in their modern history have museums undergone such radical reshaping as in recent years. Challenges to create inclusive and accessible spaces open to appropriation and responsive to contemporary agendas have resulted in new architectural forms for museums, inside and out. "Reshaping museum space" pulls together the views of an international group of(...)
$56.00
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At no other point in their modern history have museums undergone such radical reshaping as in recent years. Challenges to create inclusive and accessible spaces open to appropriation and responsive to contemporary agendas have resulted in new architectural forms for museums, inside and out. "Reshaping museum space" pulls together the views of an international group of(...)
Titre:
Reshaping museum space : architecture, design, exhibitions.
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At no other point in their modern history have museums undergone such radical reshaping as in recent years. Challenges to create inclusive and accessible spaces open to appropriation and responsive to contemporary agendas have resulted in new architectural forms for museums, inside and out. "Reshaping museum space" pulls together the views of an international group of museum professionals, architects, designers and academics highlighting the complexity, significance and malleability of museum space and provides reflections upon recent developments in museum architecture and exhibition design. The problems of navigating the often contradictory agendas and aspirations of the broad range of professionals and stakeholders involved in any new project are discussed in various chapters that concentrate on the process of architectural and spatial reshaping. Contributors review recent new build, expansion and exhibition projects questioning the types of museum space required at the beginning of the 21st century and highlighting a range of possibilities for creative museum design.
Reshaping museum space : architecture, design, exhibitions.
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At no other point in their modern history have museums undergone such radical reshaping as in recent years. Challenges to create inclusive and accessible spaces open to appropriation and responsive to contemporary agendas have resulted in new architectural forms for museums, inside and out. "Reshaping museum space" pulls together the views of an international group of museum professionals, architects, designers and academics highlighting the complexity, significance and malleability of museum space and provides reflections upon recent developments in museum architecture and exhibition design. The problems of navigating the often contradictory agendas and aspirations of the broad range of professionals and stakeholders involved in any new project are discussed in various chapters that concentrate on the process of architectural and spatial reshaping. Contributors review recent new build, expansion and exhibition projects questioning the types of museum space required at the beginning of the 21st century and highlighting a range of possibilities for creative museum design.
Classification:
livres
livres
Publication:
juin 2005, New York
juin 2005, New York
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$29.95
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
Titre:
Institution building : artists, curators, architects in the struggle for institutional space
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
Institution building : artists, curators, architects in the struggle for institutional space
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
Classification:
livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$29.99
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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and(...)
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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and(...)
Sujet:
Muséologie
Muséologie
Publication:
février 2009, Durham & London
février 2009, Durham & London
Titre:
Contested histories in public space: memory, race and nation
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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum, and high-school history textbooks in Ecuador.
Contested histories in public space: memory, race and nation
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Résumé:
Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum, and high-school history textbooks in Ecuador.
Classification:
livres
livres
Publication:
février 2009, Durham & London
février 2009, Durham & London
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$115.00
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Résumé:
The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript(...)
$115.00
(disponible en magasin)
Résumé:
The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript(...)
Publication:
décembre 2008, Vienna, Los Angeles
décembre 2008, Vienna, Los Angeles
Titre:
The ideal museum ; practical art in metals and hard materials
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$115.00
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Résumé:
The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript pages in facsimile.
The ideal museum ; practical art in metals and hard materials
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$115.00
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Résumé:
The German architect and theorist Gottfried Semper was a founder of Modernism. Forced to leave Dresden in 1849, he composed this important manifesto on the phenomenology of materials and the systematization of the ideal museum while in exile. Published in transcription for the first time, with original line breaks, this volume includes all drawings and some manuscript pages in facsimile.
Classification:
livres
livres
Publication:
décembre 2008, Vienna, Los Angeles
décembre 2008, Vienna, Los Angeles
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livres
livres
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$32.99
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Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il(...)
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Résumé:
Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il(...)
Titre:
White cube, l'espace de la galerie et son idéologie
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Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il développe également une véritable dramaturgie de la perception, où l'espace d'exposition est le laboratoire d'un art qui ne se conçoit plus sans sa relation au spectateur.
White cube, l'espace de la galerie et son idéologie
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Première traduction française d'un ouvrage incontournable de la théorie de l'art. Ici est rassemblé les quatre essais initialement publiés entre 1976 et 1981, une postface véhémente publiée en 1986 et un cinquième essai qui en constitue la conclusion. L'auteur identifie dans ces essais le cube blanc de la galerie comme pôle complémentaire du tableau moderniste, il développe également une véritable dramaturgie de la perception, où l'espace d'exposition est le laboratoire d'un art qui ne se conçoit plus sans sa relation au spectateur.
Classification:
livres
livres
Publication:
décembre 2008, Zürich
décembre 2008, Zürich
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$35.95
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Résumé:
This book examines trends in the display of art since the mid-twentieth century, focusing particularly on institutional issues. The contributors present a series of case studies that illuminate the practices of museums, galleries, and exhibitions in Western Europe and the United States and that encourage reflection on the experience of the spectator. The first(...)
$35.95
(disponible sur commande)
Résumé:
This book examines trends in the display of art since the mid-twentieth century, focusing particularly on institutional issues. The contributors present a series of case studies that illuminate the practices of museums, galleries, and exhibitions in Western Europe and the United States and that encourage reflection on the experience of the spectator. The first(...)
Titre:
Contemporary cultures of display
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This book examines trends in the display of art since the mid-twentieth century, focusing particularly on institutional issues. The contributors present a series of case studies that illuminate the practices of museums, galleries, and exhibitions in Western Europe and the United States and that encourage reflection on the experience of the spectator. The first section of the book considers the traditional sanctum of art, the museum, and how approaches to display have changed as modern museums have sought to become accessible to new audiences. In the second section, case studies address issues surrounding temporary exhibitions, their dominance of the display of art today, and the implications of this for artists, spectators, and the institutions that stage such exhibitions. The third section considers the wider social context in which art is displayed today and discusses the widespread reliance on urban regeneration projects, with special reference to modern art museums, and the place of heritage in Britain, specifically the cult of the country house. The book concludes with an exploration of the art world in contemporary Ireland and the role of Irish institutions in the production and reception of art.
Contemporary cultures of display
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$35.95
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Résumé:
This book examines trends in the display of art since the mid-twentieth century, focusing particularly on institutional issues. The contributors present a series of case studies that illuminate the practices of museums, galleries, and exhibitions in Western Europe and the United States and that encourage reflection on the experience of the spectator. The first section of the book considers the traditional sanctum of art, the museum, and how approaches to display have changed as modern museums have sought to become accessible to new audiences. In the second section, case studies address issues surrounding temporary exhibitions, their dominance of the display of art today, and the implications of this for artists, spectators, and the institutions that stage such exhibitions. The third section considers the wider social context in which art is displayed today and discusses the widespread reliance on urban regeneration projects, with special reference to modern art museums, and the place of heritage in Britain, specifically the cult of the country house. The book concludes with an exploration of the art world in contemporary Ireland and the role of Irish institutions in the production and reception of art.
Classification:
livres
livres
Publication:
novembre 1999, New Haven
novembre 1999, New Haven
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$43.95
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Résumé:
Every city has at least one, and great cities often have more. From the Louvre to the Bilbao Guggenheim, the museum has had a long-standing relationship with the city. This ground-breaking volume examines the meaning of museum architecture in the urban environment, considering important issues such as forms of civic representation, urban regeneration, cultural tourism and(...)
$43.95
(disponible sur commande)
Résumé:
Every city has at least one, and great cities often have more. From the Louvre to the Bilbao Guggenheim, the museum has had a long-standing relationship with the city. This ground-breaking volume examines the meaning of museum architecture in the urban environment, considering important issues such as forms of civic representation, urban regeneration, cultural tourism and(...)
Titre:
The architecture of the museum : symbolic structures, urban contexts
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$43.95
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Résumé:
Every city has at least one, and great cities often have more. From the Louvre to the Bilbao Guggenheim, the museum has had a long-standing relationship with the city. This ground-breaking volume examines the meaning of museum architecture in the urban environment, considering important issues such as forms of civic representation, urban regeneration, cultural tourism and the museumification of the city itself. Bringing together an international group of distinguished scholars from a range of disciplines, this volume bridges the gap between museum studies and traditional architectural history. The contributors explore the conceptual architectural frameworks that govern the museum's diverse symbolic structures and focus attention on the complex ways in which museums function in the city. Ranging from the 17th century to the present day, the detailed and thoroughly researched case studies are drawn from Great Britain, continental Europe, South America and Australia.
The architecture of the museum : symbolic structures, urban contexts
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$43.95
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Résumé:
Every city has at least one, and great cities often have more. From the Louvre to the Bilbao Guggenheim, the museum has had a long-standing relationship with the city. This ground-breaking volume examines the meaning of museum architecture in the urban environment, considering important issues such as forms of civic representation, urban regeneration, cultural tourism and the museumification of the city itself. Bringing together an international group of distinguished scholars from a range of disciplines, this volume bridges the gap between museum studies and traditional architectural history. The contributors explore the conceptual architectural frameworks that govern the museum's diverse symbolic structures and focus attention on the complex ways in which museums function in the city. Ranging from the 17th century to the present day, the detailed and thoroughly researched case studies are drawn from Great Britain, continental Europe, South America and Australia.
Classification:
livres
livres
Publication:
novembre 2000, Manchester
novembre 2000, Manchester
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$42.95
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Résumé:
Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she(...)
$42.95
(disponible sur commande)
Résumé:
Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she(...)
Titre:
Museums and the interpretation of visual culture
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$42.95
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Résumé:
Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she addresses the production of knowledge though exhibitions; and finally touching on psychology she explores the experience of museum visitors.
Museums and the interpretation of visual culture
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$42.95
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Résumé:
Using a wide number of case studies Eilean Hooper-Greenhill uses a multi-disciplinary approach to analyzing museums. Drawing on material culture studies and art history she studies the collections and how they were collected; using cultural studies and sociology she examines the social and cultural role of museums today and in the past; applying deduction theory she addresses the production of knowledge though exhibitions; and finally touching on psychology she explores the experience of museum visitors.
Classification:
livres
livres
Publication:
février 2001, New York
février 2001, New York
Sujet:
Muséologie
Muséologie
