254 Résultats
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Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of late nineteenth and early twentieth-century Russia.
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Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of late nineteenth and early twentieth-century Russia.
Titre:
Avant-garde museology. E-Flux classics
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Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of late nineteenth and early twentieth-century Russia.
Avant-garde museology. E-Flux classics
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Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of late nineteenth and early twentieth-century Russia.
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livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Muséologie
Muséologie
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livres
livres
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$44.95
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“Soft power” emerged as a concept in the late twentieth century to describe international relations based not on military or economic strength, but on influence. While the resources of “hard power” are tangible—force and finance—soft power resources include ideas, knowledge, values, and culture, as well as the ability to persuade. This volume discusses soft power from the(...)
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“Soft power” emerged as a concept in the late twentieth century to describe international relations based not on military or economic strength, but on influence. While the resources of “hard power” are tangible—force and finance—soft power resources include ideas, knowledge, values, and culture, as well as the ability to persuade. This volume discusses soft power from the(...)
Titre:
Cities, museums and soft power
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“Soft power” emerged as a concept in the late twentieth century to describe international relations based not on military or economic strength, but on influence. While the resources of “hard power” are tangible—force and finance—soft power resources include ideas, knowledge, values, and culture, as well as the ability to persuade. This volume discusses soft power from the vantage point of museums and demonstrates how they are quietly changing the world. With contributions by thirteen experts from ten countries, Cities, Museums and Soft Power reveals the world’s 80,000 museums to be sleeping giants. Two major characteristics of soft power—the rise of cities and the role of civil society—are pushing museums from the margins toward the center as these institutions serve as education hubs, employers, magnets for creative industries, and engines of economic development. Meanwhile, the growth of technological networks and connectivity has enabled this soft power to spread even farther and deeper across the Internet and groups of people. Whether cozy and local or internationally renowned, museums possess a cultural strength that extends far beyond their walls.
Cities, museums and soft power
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“Soft power” emerged as a concept in the late twentieth century to describe international relations based not on military or economic strength, but on influence. While the resources of “hard power” are tangible—force and finance—soft power resources include ideas, knowledge, values, and culture, as well as the ability to persuade. This volume discusses soft power from the vantage point of museums and demonstrates how they are quietly changing the world. With contributions by thirteen experts from ten countries, Cities, Museums and Soft Power reveals the world’s 80,000 museums to be sleeping giants. Two major characteristics of soft power—the rise of cities and the role of civil society—are pushing museums from the margins toward the center as these institutions serve as education hubs, employers, magnets for creative industries, and engines of economic development. Meanwhile, the growth of technological networks and connectivity has enabled this soft power to spread even farther and deeper across the Internet and groups of people. Whether cozy and local or internationally renowned, museums possess a cultural strength that extends far beyond their walls.
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livres
livres
Publication:
août 2015
août 2015
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
The artist as curator
The artist as curator
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In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. One effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore(...)
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Résumé:
In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. One effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore(...)
Titre:
The artist as curator
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$60.95
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In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. One effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore the many ways that artists have introduced new curatorial ways of thinking and talking about artistic culture.
The artist as curator
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Résumé:
In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. One effect of this has been a growing place for artists as curators, and in The Artist as Curator Celina Jeffery brings together a group of scholars and artists to explore the many ways that artists have introduced new curatorial ways of thinking and talking about artistic culture.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Muséologie
Muséologie
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livres
livres
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Curators of architecture exhibitions are often concerned with the problem of how to present objects that ultimately cannot be brought into the exhibition space. Such shows are often difficult for lay audiences to interpret little focus is placed on communication. However, there are also architecture exhibits that concentrate on communicating an experience, making it(...)
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Curators of architecture exhibitions are often concerned with the problem of how to present objects that ultimately cannot be brought into the exhibition space. Such shows are often difficult for lay audiences to interpret little focus is placed on communication. However, there are also architecture exhibits that concentrate on communicating an experience, making it(...)
Titre:
Displayed spaces: new means of architecture presentation through exhibitions
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Curators of architecture exhibitions are often concerned with the problem of how to present objects that ultimately cannot be brought into the exhibition space. Such shows are often difficult for lay audiences to interpret little focus is placed on communication. However, there are also architecture exhibits that concentrate on communicating an experience, making it possible to build an intense relationship between the audience and the content on display. The result of a research project organized in 2013 by the faculty of Design and Art of the Free University of Bozen Bolzano, Displayed Spaces focuses on the question of how spaces might communicate architectural ideas in a redevelopment project and its accompanying exhibition proposed for the city of Bolzano, Italy.
Displayed spaces: new means of architecture presentation through exhibitions
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Curators of architecture exhibitions are often concerned with the problem of how to present objects that ultimately cannot be brought into the exhibition space. Such shows are often difficult for lay audiences to interpret little focus is placed on communication. However, there are also architecture exhibits that concentrate on communicating an experience, making it possible to build an intense relationship between the audience and the content on display. The result of a research project organized in 2013 by the faculty of Design and Art of the Free University of Bozen Bolzano, Displayed Spaces focuses on the question of how spaces might communicate architectural ideas in a redevelopment project and its accompanying exhibition proposed for the city of Bolzano, Italy.
Classification:
livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Exhibition design
Exhibition design
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Good exhibition design involves more than the presentation of art, objects and ideas, and also more than the mere transmission of information: A successful and compelling concept must tell a story and contribute to a deeper understanding. It must not only allow but initiate and inspire communication and interaction between the exhibit and the observer. The(...)
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Good exhibition design involves more than the presentation of art, objects and ideas, and also more than the mere transmission of information: A successful and compelling concept must tell a story and contribute to a deeper understanding. It must not only allow but initiate and inspire communication and interaction between the exhibit and the observer. The(...)
Titre:
Exhibition design
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$69.00
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Good exhibition design involves more than the presentation of art, objects and ideas, and also more than the mere transmission of information: A successful and compelling concept must tell a story and contribute to a deeper understanding. It must not only allow but initiate and inspire communication and interaction between the exhibit and the observer. The interdisciplinary fusion of architecture, design, digital media, and scenography enables almost unlimited creativity. The permanent and temporary projects presented in this volume include museums, art exhibitions, and installations as well as the presentation of products at fair booths and showrooms. All concepts behind the projects are distinguished by creative design ideas and their elaboration.
Exhibition design
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$69.00
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Good exhibition design involves more than the presentation of art, objects and ideas, and also more than the mere transmission of information: A successful and compelling concept must tell a story and contribute to a deeper understanding. It must not only allow but initiate and inspire communication and interaction between the exhibit and the observer. The interdisciplinary fusion of architecture, design, digital media, and scenography enables almost unlimited creativity. The permanent and temporary projects presented in this volume include museums, art exhibitions, and installations as well as the presentation of products at fair booths and showrooms. All concepts behind the projects are distinguished by creative design ideas and their elaboration.
Classification:
livres
livres
Publication:
juillet 2014
juillet 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$37.95
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Résumé:
What can we learn about nationalism by looking at a country’s cultural institutions? How do the history and culture of particular cities help explain how museums represent diversity? Artifacts and Allegiances takes us around the world to tell the compelling story of how museums today are making sense of immigration and globalization. Based on firsthand conversations with(...)
$37.95
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Résumé:
What can we learn about nationalism by looking at a country’s cultural institutions? How do the history and culture of particular cities help explain how museums represent diversity? Artifacts and Allegiances takes us around the world to tell the compelling story of how museums today are making sense of immigration and globalization. Based on firsthand conversations with(...)
Titre:
Artifacts and allegiances: how museums put the nation and the world on display
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$37.95
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What can we learn about nationalism by looking at a country’s cultural institutions? How do the history and culture of particular cities help explain how museums represent diversity? Artifacts and Allegiances takes us around the world to tell the compelling story of how museums today are making sense of immigration and globalization. Based on firsthand conversations with museum directors, curators, and policymakers; descriptions of current and future exhibitions; and inside stories about the famous paintings and iconic objects that define collections across the globe, this work provides a close-up view of how different kinds of institutions balance nationalism and cosmopolitanism. By comparing museums in Europe, the United States, Asia, and the Middle East, Peggy Levitt offers a fresh perspective on the role of the museum in shaping citizens. Taken together, these accounts tell the fascinating story of a sea change underway in the museum world at large.
Artifacts and allegiances: how museums put the nation and the world on display
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$37.95
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Résumé:
What can we learn about nationalism by looking at a country’s cultural institutions? How do the history and culture of particular cities help explain how museums represent diversity? Artifacts and Allegiances takes us around the world to tell the compelling story of how museums today are making sense of immigration and globalization. Based on firsthand conversations with museum directors, curators, and policymakers; descriptions of current and future exhibitions; and inside stories about the famous paintings and iconic objects that define collections across the globe, this work provides a close-up view of how different kinds of institutions balance nationalism and cosmopolitanism. By comparing museums in Europe, the United States, Asia, and the Middle East, Peggy Levitt offers a fresh perspective on the role of the museum in shaping citizens. Taken together, these accounts tell the fascinating story of a sea change underway in the museum world at large.
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livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Theater of exhibitions
Theater of exhibitions
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$32.00
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Curator Jens Hoffman's Theater of Exhibitions considers the plight of art after the end of art and asks whether inherited frameworks of making, theorizing and exhibiting art still apply to contemporary practice. Are exhibitions still an appropriate form of assembly and embodied ritual in our 21st-century global society?
$32.00
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Résumé:
Curator Jens Hoffman's Theater of Exhibitions considers the plight of art after the end of art and asks whether inherited frameworks of making, theorizing and exhibiting art still apply to contemporary practice. Are exhibitions still an appropriate form of assembly and embodied ritual in our 21st-century global society?
Titre:
Theater of exhibitions
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$32.00
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Résumé:
Curator Jens Hoffman's Theater of Exhibitions considers the plight of art after the end of art and asks whether inherited frameworks of making, theorizing and exhibiting art still apply to contemporary practice. Are exhibitions still an appropriate form of assembly and embodied ritual in our 21st-century global society?
Theater of exhibitions
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$32.00
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Résumé:
Curator Jens Hoffman's Theater of Exhibitions considers the plight of art after the end of art and asks whether inherited frameworks of making, theorizing and exhibiting art still apply to contemporary practice. Are exhibitions still an appropriate form of assembly and embodied ritual in our 21st-century global society?
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$34.95
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Résumé:
The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illustrate how the roles of curators and audiences can be redefined in light of new media art’s characteristics. Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists’ practice.
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The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illustrate how the roles of curators and audiences can be redefined in light of new media art’s characteristics. Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists’ practice.
Titre:
Rethinking curating : art after new media
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$34.95
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The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illustrate how the roles of curators and audiences can be redefined in light of new media art’s characteristics. Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists’ practice.
Rethinking curating : art after new media
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$34.95
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Résumé:
The authors, both of whom have extensive experience as curators, offer numerous examples of artworks and exhibitions to illustrate how the roles of curators and audiences can be redefined in light of new media art’s characteristics. Rethinking Curating offers curators a route through the hype around platforms and autonomous zones by following the lead of current artists’ practice.
Classification:
livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$39.95
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Exhibiting Architecture: A Paradox? a collection of essays that were an outgrowth of the eponymous symposium at the school in fall 2013 was recently published by Yale School of Architecture. The forum was convened by associate professor Eeva-Liisa Pelkonen, David Andrew Tasman and curator Carson Chan. This publication includes essays that explore the difficulties of(...)
$39.95
(disponible en magasin)
Résumé:
Exhibiting Architecture: A Paradox? a collection of essays that were an outgrowth of the eponymous symposium at the school in fall 2013 was recently published by Yale School of Architecture. The forum was convened by associate professor Eeva-Liisa Pelkonen, David Andrew Tasman and curator Carson Chan. This publication includes essays that explore the difficulties of(...)
Titre:
Exhibiting Architecture: A Paradox?
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Prix:
$39.95
(disponible en magasin)
Résumé:
Exhibiting Architecture: A Paradox? a collection of essays that were an outgrowth of the eponymous symposium at the school in fall 2013 was recently published by Yale School of Architecture. The forum was convened by associate professor Eeva-Liisa Pelkonen, David Andrew Tasman and curator Carson Chan. This publication includes essays that explore the difficulties of exhibiting something as large and complex as a building or a city, and how to communicate something as elusive as an architectural experience that unfolds in space and time. It includes essays by Barry Bergdoll, Mari Lending, Romy Golan, Wallis Miller, Simon Sadler, Craig Buckley, among others, and two round table discussions with curators and practitioners.
Exhibiting Architecture: A Paradox?
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Prix:
$39.95
(disponible en magasin)
Résumé:
Exhibiting Architecture: A Paradox? a collection of essays that were an outgrowth of the eponymous symposium at the school in fall 2013 was recently published by Yale School of Architecture. The forum was convened by associate professor Eeva-Liisa Pelkonen, David Andrew Tasman and curator Carson Chan. This publication includes essays that explore the difficulties of exhibiting something as large and complex as a building or a city, and how to communicate something as elusive as an architectural experience that unfolds in space and time. It includes essays by Barry Bergdoll, Mari Lending, Romy Golan, Wallis Miller, Simon Sadler, Craig Buckley, among others, and two round table discussions with curators and practitioners.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$42.95
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Résumé:
Les mutations récentes de l’art contemporain conduisent à l’apparition d’un nouveau personnage sur la scène de l’art, le curateur, dont les champs d’intervention et modes d’action se distinguent sans cesse plus de ceux traditionnellement attribués aux commissaires d’exposition. En effet, le curateur ne se contente pas d’être au service des artistes ou des institutions(...)
$42.95
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Résumé:
Les mutations récentes de l’art contemporain conduisent à l’apparition d’un nouveau personnage sur la scène de l’art, le curateur, dont les champs d’intervention et modes d’action se distinguent sans cesse plus de ceux traditionnellement attribués aux commissaires d’exposition. En effet, le curateur ne se contente pas d’être au service des artistes ou des institutions(...)
Titre:
L'invention du curateur : mutations dans l'art contemporain
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Les mutations récentes de l’art contemporain conduisent à l’apparition d’un nouveau personnage sur la scène de l’art, le curateur, dont les champs d’intervention et modes d’action se distinguent sans cesse plus de ceux traditionnellement attribués aux commissaires d’exposition. En effet, le curateur ne se contente pas d’être au service des artistes ou des institutions culturelles : il entend participer à la création et à l’extension de celle-ci au-delà des limites qui lui sont habituellement assignées. Le curateur peut de ce fait occuper différents rôles, parfois simultanément : artiste, activiste, programmateur, critique, conservateur… Il incarne ainsi un « travailleur culturel » d’un nouveau genre, qui n’est pas entièrement du côté de la création et pas non plus complètement du côté de la réception ou de la transmission de l’art. Dès lors qu’il s’intéresse davantage à des processus, dispositifs ou relations plutôt qu’à des objets autonomisés, sa responsabilité ne se limite plus au domaine de l’art et cherche à s’inscrire dans l’espace public.
L'invention du curateur : mutations dans l'art contemporain
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Prix:
$42.95
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Résumé:
Les mutations récentes de l’art contemporain conduisent à l’apparition d’un nouveau personnage sur la scène de l’art, le curateur, dont les champs d’intervention et modes d’action se distinguent sans cesse plus de ceux traditionnellement attribués aux commissaires d’exposition. En effet, le curateur ne se contente pas d’être au service des artistes ou des institutions culturelles : il entend participer à la création et à l’extension de celle-ci au-delà des limites qui lui sont habituellement assignées. Le curateur peut de ce fait occuper différents rôles, parfois simultanément : artiste, activiste, programmateur, critique, conservateur… Il incarne ainsi un « travailleur culturel » d’un nouveau genre, qui n’est pas entièrement du côté de la création et pas non plus complètement du côté de la réception ou de la transmission de l’art. Dès lors qu’il s’intéresse davantage à des processus, dispositifs ou relations plutôt qu’à des objets autonomisés, sa responsabilité ne se limite plus au domaine de l’art et cherche à s’inscrire dans l’espace public.
Classification:
livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Muséologie
Muséologie
