248 Résultats
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
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Institution building : artists, curators, architects in the struggle for institutional space
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
Institution building : artists, curators, architects in the struggle for institutional space
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This book presents a study that conceptualizes, tests, and practically applies the spatial strategy for the European Kunsthalle. The investigation is the result of the activities incorporated into a two-year work practice from 2005 to 2007.
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livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Muséologie
Muséologie
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livres
livres
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$29.99
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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and(...)
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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and(...)
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Muséologie
Muséologie
Publication:
février 2009, Durham & London
février 2009, Durham & London
Titre:
Contested histories in public space: memory, race and nation
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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum, and high-school history textbooks in Ecuador.
Contested histories in public space: memory, race and nation
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Contested Histories in Public Space brings multiple perspectives to bear on historical narratives presented to the public in museums, monuments, texts, and festivals around the world, from Paris to Kathmandu, from the Mexican state of Oaxaca to the waterfront of Wellington, New Zealand. Paying particular attention to how race and empire are implicated in the creation and display of national narratives, the contributing historians, anthropologists, and other scholars delve into representations of contested histories at such “sites” as a British Library exhibition on the East India Company, a Rio de Janeiro shantytown known as “the cradle of samba,” the Ellis Island immigration museum, and high-school history textbooks in Ecuador.
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livres
livres
Publication:
février 2009, Durham & London
février 2009, Durham & London
Sujet:
Muséologie
Muséologie
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livres
livres
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$44.95
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for(...)
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for(...)
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Museum architecture : texts and projects by artists
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for how museums should be constructed. When discussing the increasing number of museums and exhibition spaces for modern art which have come into being in recent years, the deep-seated differences of opinion between architects and artists keep coming to the fore. The discussion seems to be almost exclusively dominated by the point of view of the architect and defined by his/her interests. The needs of the art itself are being widely neglected and the voice of the artist is simply not being heard. Donald Judd, the American sculptor and minimalist artist, once noted that museums are so rarely built on functional lines these days, the trend being more towards the creation of a showpiece for the architect. Why are painters and sculptors not asked for their input? The very obvious question was addressed by the Espace de l’art concret when in 1997, it asked a number of well-known artists to come up with ideas and projects for a museum for concrete art. They were invited to submit their ideal utopian suggestions as well as very concrete and architectural proposals and written statements. These are documented in this publication, supplemented with the material for the collection owned by the Kunsthaus in Bregenz and expanded with an extensive anthology of texts by artists on this subject. The résumé of the contributions presents a searing criticism of contemporary museum architecture by its most important users. Their voice will at last find an ear in the current architectural discussion about the new cathedrals of the post-industrial society.
Museum architecture : texts and projects by artists
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Essays, plans and projects by various artists,including Max Bill, Heinrich Dunst, Helmut Federle, Per Kirkeby, Katarina Fritsch, Erwin Heerich, Gerhard Merz, Gottfried Honegger, Walther Pichler, Ulrich Rückriem, Bernar Venet, Daniel Buren, Christoph Haerle, Peter Wigglesworth, Donald Judd, Markus Lüpertz, Arnulf Rainer, Richard Serra among others showing their ideas for how museums should be constructed. When discussing the increasing number of museums and exhibition spaces for modern art which have come into being in recent years, the deep-seated differences of opinion between architects and artists keep coming to the fore. The discussion seems to be almost exclusively dominated by the point of view of the architect and defined by his/her interests. The needs of the art itself are being widely neglected and the voice of the artist is simply not being heard. Donald Judd, the American sculptor and minimalist artist, once noted that museums are so rarely built on functional lines these days, the trend being more towards the creation of a showpiece for the architect. Why are painters and sculptors not asked for their input? The very obvious question was addressed by the Espace de l’art concret when in 1997, it asked a number of well-known artists to come up with ideas and projects for a museum for concrete art. They were invited to submit their ideal utopian suggestions as well as very concrete and architectural proposals and written statements. These are documented in this publication, supplemented with the material for the collection owned by the Kunsthaus in Bregenz and expanded with an extensive anthology of texts by artists on this subject. The résumé of the contributions presents a searing criticism of contemporary museum architecture by its most important users. Their voice will at last find an ear in the current architectural discussion about the new cathedrals of the post-industrial society.
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livres
livres
Publication:
janvier 1900, Cologne
janvier 1900, Cologne
Sujet:
Muséologie
Muséologie
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livres
livres
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$66.99
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Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and(...)
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Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and(...)
Titre:
Decentring the museum: Contemporary art institutions and colonial legacies
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Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Humboldt Forum in Berlin and the British Museum), which are engaged in debates about the colonial histories of their collections, and of small-scale art spaces (such as La Colonie in Paris or Savvy Contemporary in Berlin), which have the flexibility to initiate different kinds of conversation – for example, by programming exhibitions and events in collaboration with local diasporic communities from the global south.
Decentring the museum: Contemporary art institutions and colonial legacies
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Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Humboldt Forum in Berlin and the British Museum), which are engaged in debates about the colonial histories of their collections, and of small-scale art spaces (such as La Colonie in Paris or Savvy Contemporary in Berlin), which have the flexibility to initiate different kinds of conversation – for example, by programming exhibitions and events in collaboration with local diasporic communities from the global south.
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livres
livres
Publication:
décembre 2023
décembre 2023
Sujet:
Muséologie
Muséologie
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livres
livres
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$62.00
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Résumé:
Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics,(...)
$62.00
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Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics,(...)
Titre:
AI in museums: Reflections, perspectives and applications
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$62.00
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Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics, chatbots, automatic translations and tailor-made text generation. With a decidedly interdisciplinary approach, the volume brings together a wide range of critical reflections, practical perspectives and concrete applications of artificial intelligence in museums, and provides an overview of the current state of the debate.
AI in museums: Reflections, perspectives and applications
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$62.00
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Artificial intelligence is becoming an increasingly important topic in the cultural sector. While museums have long focused on building digital object databases, the existing data can now become a field of application for machine learning, deep learning and foundation model approaches. This goes hand in hand with new artistic practices, curation tools, visitor analytics, chatbots, automatic translations and tailor-made text generation. With a decidedly interdisciplinary approach, the volume brings together a wide range of critical reflections, practical perspectives and concrete applications of artificial intelligence in museums, and provides an overview of the current state of the debate.
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livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Muséologie
Muséologie
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livres
livres
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$46.99
(disponible en magasin)
Résumé:
''The Art Institution of Tomorrow'' is a unique manifesto for raising the standard of institutional practices across the world. It suggests that existing art institutions are not equipped to deal with the radical social, economic and environmental change we are living through and engage with advancement in the arts, and that unless they re-focus on their core purpose and(...)
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''The Art Institution of Tomorrow'' is a unique manifesto for raising the standard of institutional practices across the world. It suggests that existing art institutions are not equipped to deal with the radical social, economic and environmental change we are living through and engage with advancement in the arts, and that unless they re-focus on their core purpose and(...)
Titre:
The art institution of tomorrow: Reinventing the model
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''The Art Institution of Tomorrow'' is a unique manifesto for raising the standard of institutional practices across the world. It suggests that existing art institutions are not equipped to deal with the radical social, economic and environmental change we are living through and engage with advancement in the arts, and that unless they re-focus on their core purpose and fundamentally transform their organisational structure and operational models, they will start to lose their relevance and influence.
The art institution of tomorrow: Reinventing the model
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''The Art Institution of Tomorrow'' is a unique manifesto for raising the standard of institutional practices across the world. It suggests that existing art institutions are not equipped to deal with the radical social, economic and environmental change we are living through and engage with advancement in the arts, and that unless they re-focus on their core purpose and fundamentally transform their organisational structure and operational models, they will start to lose their relevance and influence.
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livres
livres
Publication:
décembre 2024
décembre 2024
Sujet:
Muséologie
Muséologie
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livres
livres
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$13.50
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"1. The tropics is a state of mind. A different perception of space, time and geography that resists neoliberalism’s efficiency, overproduction, overconsumption, and over accumulation."
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"1. The tropics is a state of mind. A different perception of space, time and geography that resists neoliberalism’s efficiency, overproduction, overconsumption, and over accumulation."
Titre:
Manual for exhibition making in the Tropics #125
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"1. The tropics is a state of mind. A different perception of space, time and geography that resists neoliberalism’s efficiency, overproduction, overconsumption, and over accumulation."
Manual for exhibition making in the Tropics #125
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"1. The tropics is a state of mind. A different perception of space, time and geography that resists neoliberalism’s efficiency, overproduction, overconsumption, and over accumulation."
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livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Muséologie
Muséologie
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livres
livres
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$32.95
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art(...)
$32.95
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art(...)
Titre:
New media in the white cube and beyond
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$32.95
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art world's customary methods of presentation and documentation as well as its approach to collection and preservation. Edited and introduced by Christiane Paul and featuring contributions by prominent practitioners—institutional and independent curators, theorists, and conservators—this volume charts developments in an exciting field and addresses the conceptual, philosophical, and practical issues of both curating and presenting new-media art.
New media in the white cube and beyond
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$32.95
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This anthology addresses the challenges of curating, presenting, and preserving new-media art—artworks that use digital technologies as media and emphasize process over object. As an art form that is inherently time based, dynamic, interactive, collaborative, customizable, and variable, new-media art resists objectification. It boldly challenges the traditional art world's customary methods of presentation and documentation as well as its approach to collection and preservation. Edited and introduced by Christiane Paul and featuring contributions by prominent practitioners—institutional and independent curators, theorists, and conservators—this volume charts developments in an exciting field and addresses the conceptual, philosophical, and practical issues of both curating and presenting new-media art.
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livres
livres
Publication:
octobre 2008
octobre 2008
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livres
livres
Titre:
A brief history of curating
A brief history of curating
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$33.95
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This publication is dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist: Anne d'Harnoncourt, Werner Hofman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hultén, and Harald Szeemann are gathered together in this volume. The contributions map the(...)
$33.95
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This publication is dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist: Anne d'Harnoncourt, Werner Hofman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hultén, and Harald Szeemann are gathered together in this volume. The contributions map the(...)
Titre:
A brief history of curating
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$33.95
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This publication is dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist: Anne d'Harnoncourt, Werner Hofman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hultén, and Harald Szeemann are gathered together in this volume. The contributions map the development of the curatorial field, from early independent curating in the 1960s and 1970s and the experimental institutional programs developed in Europe and in the USA at this time, through Documenta and the development of biennales.
A brief history of curating
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This publication is dedicated to pioneering curators and presents a unique collection of interviews by Hans Ulrich Obrist: Anne d'Harnoncourt, Werner Hofman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hultén, and Harald Szeemann are gathered together in this volume. The contributions map the development of the curatorial field, from early independent curating in the 1960s and 1970s and the experimental institutional programs developed in Europe and in the USA at this time, through Documenta and the development of biennales.
Classification:
livres
livres
Publication:
septembre 2008, Zürich
septembre 2008, Zürich
Sujet:
Muséologie
Muséologie
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livres
livres
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$20.00
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Edité par l'Institut du patrimoine, UQAM. Incluant des contributions de John Impert (Restitution of Art amd Antiquities: What are the implications of Holocaust restitution for museums that collect antiquities?), Marie-Hélène Foisy (Quelle place pour les publications d'exposition dans les musées?), Laurie Guillemette (L'écrit dans l'exposition; Analyses et études de cas),(...)
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Edité par l'Institut du patrimoine, UQAM. Incluant des contributions de John Impert (Restitution of Art amd Antiquities: What are the implications of Holocaust restitution for museums that collect antiquities?), Marie-Hélène Foisy (Quelle place pour les publications d'exposition dans les musées?), Laurie Guillemette (L'écrit dans l'exposition; Analyses et études de cas),(...)
Titre:
Muséologies: les cahiers d'études supérieures, volume 2, avril 2008
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Edité par l'Institut du patrimoine, UQAM. Incluant des contributions de John Impert (Restitution of Art amd Antiquities: What are the implications of Holocaust restitution for museums that collect antiquities?), Marie-Hélène Foisy (Quelle place pour les publications d'exposition dans les musées?), Laurie Guillemette (L'écrit dans l'exposition; Analyses et études de cas), Geneviève Provencher-St-Cyr (L'action coopérative. Une proposition d'ancrage des musées dans la vie régionale), John Porter - directuer du Musée national des beaux-arts du Québec (Entrevue un), Marc Mayer - directeur du Musée d'art contemporain de Montréal (Entrevue deux), Virginie Soulier , Ève-Lyne Cayouette-Ashby, Émilie Allain, Nellie Demers(Colloque étudiant en muséologie de l'UQAM et de l'UDEM: Le rôle social du musée), Mathieu Dormaels (Rôle social des musées: une autre 'nouvelle' muséologie)
Muséologies: les cahiers d'études supérieures, volume 2, avril 2008
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Edité par l'Institut du patrimoine, UQAM. Incluant des contributions de John Impert (Restitution of Art amd Antiquities: What are the implications of Holocaust restitution for museums that collect antiquities?), Marie-Hélène Foisy (Quelle place pour les publications d'exposition dans les musées?), Laurie Guillemette (L'écrit dans l'exposition; Analyses et études de cas), Geneviève Provencher-St-Cyr (L'action coopérative. Une proposition d'ancrage des musées dans la vie régionale), John Porter - directuer du Musée national des beaux-arts du Québec (Entrevue un), Marc Mayer - directeur du Musée d'art contemporain de Montréal (Entrevue deux), Virginie Soulier , Ève-Lyne Cayouette-Ashby, Émilie Allain, Nellie Demers(Colloque étudiant en muséologie de l'UQAM et de l'UDEM: Le rôle social du musée), Mathieu Dormaels (Rôle social des musées: une autre 'nouvelle' muséologie)
Classification:
livres
livres
Publication:
avril 2008, Montréal
avril 2008, Montréal
