248 Résultats
Classification:
livres
livres
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$79.50
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Au sein de l'histoire de l'architecture du XXe siècle, ce livre explore l'histoire des relations internationales et de la profession d'architecte après la Seconde Guerre mondiale, en particulier au travers des grands concours d'architecture et d'urbanisme. Pris ici comme une métaphore architecturale des tensions diplomatiques de la période, les compétitions(...)
$79.50
(disponible en magasin)
Résumé:
Au sein de l'histoire de l'architecture du XXe siècle, ce livre explore l'histoire des relations internationales et de la profession d'architecte après la Seconde Guerre mondiale, en particulier au travers des grands concours d'architecture et d'urbanisme. Pris ici comme une métaphore architecturale des tensions diplomatiques de la période, les compétitions(...)
Titre:
L'apogée des concours d'architecture : L'action de l'uia 1948-1975
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$79.50
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Au sein de l'histoire de l'architecture du XXe siècle, ce livre explore l'histoire des relations internationales et de la profession d'architecte après la Seconde Guerre mondiale, en particulier au travers des grands concours d'architecture et d'urbanisme. Pris ici comme une métaphore architecturale des tensions diplomatiques de la période, les compétitions internationales connaissent un regain d'intérêts après 1945, notamment grâce à l'action de l'Union internationale des architectes (UTA).
L'apogée des concours d'architecture : L'action de l'uia 1948-1975
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$79.50
(disponible en magasin)
Résumé:
Au sein de l'histoire de l'architecture du XXe siècle, ce livre explore l'histoire des relations internationales et de la profession d'architecte après la Seconde Guerre mondiale, en particulier au travers des grands concours d'architecture et d'urbanisme. Pris ici comme une métaphore architecturale des tensions diplomatiques de la période, les compétitions internationales connaissent un regain d'intérêts après 1945, notamment grâce à l'action de l'Union internationale des architectes (UTA).
Classification:
livres
livres
Publication:
juin 2007, Paris
juin 2007, Paris
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$21.95
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Résumé:
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona(...)
$21.95
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Résumé:
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona(...)
Titre:
Paris primitive : Jacques Chirac's museum on the quai branly
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In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
Paris primitive : Jacques Chirac's museum on the quai branly
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Résumé:
In 1990 Jacques Chirac, the future president of France and a passionate fan of non-European art, met Jacques Kerchache, a maverick art collector with the lifelong ambition of displaying African sculpture in the holy temple of French culture, the Louvre. Together they began laying plans, and ten years later African fetishes were on view under the same roof as the Mona Lisa. Then, in 2006, amidst a maelstrom of controversy and hype, Chirac presided over the opening of a new museum dedicated to primitive art in the shadow of the Eiffel Tower: the Musée du Quai Branly. Paris Primitive recounts the massive reconfiguration of Paris’s museum world that resulted from Chirac’s dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society. Along with exposing the machinations that led to the MQB’s creation, Sally Price addresses the thorny questions it raises about the legacy of colonialism, the balance between aesthetic judgments and ethnographic context, and the role of institutions of art and culture in an increasingly diverse France. Anyone with a stake in the myriad political, cultural, and anthropological issues raised by the MQB will find Price’s account fascinating.
Classification:
livres
livres
Publication:
septembre 2007, Chicago London
septembre 2007, Chicago London
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$46.50
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of(...)
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of(...)
Titre:
Encounters in the Virtual Feminist Museum : time, space and the archive
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Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Encounters in the Virtual Feminist Museum : time, space and the archive
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Résumé:
Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world-renowned art historian and cultural analyst Griselda Pollock proposes a series of new encounters throught virtuel exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Classification:
livres
livres
Publication:
janvier 2008, London, New York
janvier 2008, London, New York
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$34.95
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Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the(...)
$34.95
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Résumé:
Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the(...)
Titre:
The Art Museum from Boullée to Bilbao
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Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullée in the eighteenth century to the new Guggenheim in Bilbao and beyond, it explores key aspects of museum theory and practice: ideals and mission; architecture; collecting, classification, and display; the public; commercialism; and restitution and repatriation. The only single volume to give a comprehensive account of the issues critical to museums, the book also highlights the challenges they will face in the future.
The Art Museum from Boullée to Bilbao
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Résumé:
Art museums have emerged in recent decades as the most vibrant and popular of all cultural institutions. Though art museums have never been more popular, their direction and values are now being contested as never before, both in the media and in the art world itself. This engaging thematic history of the art museum from its inception in the eighteenth century to the present offers an essential framework for understanding contemporary debates as they have evolved in Europe and the United States. From the visionary museums of Boullée in the eighteenth century to the new Guggenheim in Bilbao and beyond, it explores key aspects of museum theory and practice: ideals and mission; architecture; collecting, classification, and display; the public; commercialism; and restitution and repatriation. The only single volume to give a comprehensive account of the issues critical to museums, the book also highlights the challenges they will face in the future.
Classification:
livres
livres
Publication:
novembre 2007, Berkeley, Los Angeles
novembre 2007, Berkeley, Los Angeles
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$34.95
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Résumé:
From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics'(...)
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Résumé:
From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics'(...)
Publication:
octobre 2007, Syracuse
octobre 2007, Syracuse
Titre:
The end of innocence : The 1964-1965 New York world's fair
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From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics' assessment of the Fair as the "ugly duckling" of global expositions. Although much attention has been paid to the controversial role of Fair president Robert Moses, who tried to use the event to ensure his personal legacy, the Fair itself was for the great majority of visitors an overwhelmingly positive, often inspirational, and sometimes transcendent experience that truly delivered on its theme of "peace through understanding." Much of the Fair's popularity, Samuel suggests, stemmed from its looking backward as much as forward, offering visitors sanctuary from the cultural storm that was rapidly approaching in the mid-1960s. Opening just five months after President Kennedy's assassination, the Fair allowed millions to celebrate international brotherhood while the conflict in Vietnam came to a boil. The Fair glorified the postwar American dream of limitless optimism just as a counterculture of sex, drugs, and rock 'n' roll was coming into being. It was, in short, the last gasp of the American Dream: The End of the Innocence.
The end of innocence : The 1964-1965 New York world's fair
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$34.95
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Résumé:
From April to October in 1964 and 1965, some 52 million people from around the world flocked to the New York World's Fair, an experience that lives on in the memory of many individuals and in America's collective consciousness. Lawrence R. Samuel offers a thought-provoking portrait of this seminal event and of the cultural climate that surrounded it, countering critics' assessment of the Fair as the "ugly duckling" of global expositions. Although much attention has been paid to the controversial role of Fair president Robert Moses, who tried to use the event to ensure his personal legacy, the Fair itself was for the great majority of visitors an overwhelmingly positive, often inspirational, and sometimes transcendent experience that truly delivered on its theme of "peace through understanding." Much of the Fair's popularity, Samuel suggests, stemmed from its looking backward as much as forward, offering visitors sanctuary from the cultural storm that was rapidly approaching in the mid-1960s. Opening just five months after President Kennedy's assassination, the Fair allowed millions to celebrate international brotherhood while the conflict in Vietnam came to a boil. The Fair glorified the postwar American dream of limitless optimism just as a counterculture of sex, drugs, and rock 'n' roll was coming into being. It was, in short, the last gasp of the American Dream: The End of the Innocence.
Classification:
livres
livres
Publication:
octobre 2007, Syracuse
octobre 2007, Syracuse
Classification:
livres
livres
Prix:
$27.00
(disponible en magasin)
Résumé:
Museums, galleries, foundations, collectors, artists, viewers--how do they all come together? How is that changing? This collection of essays and some photographs from a Cologne working group called European Kunsthalle tackles the fundamental issues facing new initiatives and institutions for contemporary art. It is divided into five topics: The Problem of Location, The(...)
$27.00
(disponible en magasin)
Résumé:
Museums, galleries, foundations, collectors, artists, viewers--how do they all come together? How is that changing? This collection of essays and some photographs from a Cologne working group called European Kunsthalle tackles the fundamental issues facing new initiatives and institutions for contemporary art. It is divided into five topics: The Problem of Location, The(...)
Titre:
Under Construction : perspectives on institutional practice
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$27.00
(disponible en magasin)
Résumé:
Museums, galleries, foundations, collectors, artists, viewers--how do they all come together? How is that changing? This collection of essays and some photographs from a Cologne working group called European Kunsthalle tackles the fundamental issues facing new initiatives and institutions for contemporary art. It is divided into five topics: The Problem of Location, The Process of Societal Transformation, Cultural Economies, Curatorial Concepts, and, most ambitiously of all, The Way in Which the Art System Operates. Articles and discussion transcripts include "The Crisis of the Audience," "The Cultural Politics of Institutions," "Smuggling: A Curatorial Model," "The Power and Powerlessness of the Private Collector" and Liam Gillick's "Revised Construction of One."
Under Construction : perspectives on institutional practice
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Prix:
$27.00
(disponible en magasin)
Résumé:
Museums, galleries, foundations, collectors, artists, viewers--how do they all come together? How is that changing? This collection of essays and some photographs from a Cologne working group called European Kunsthalle tackles the fundamental issues facing new initiatives and institutions for contemporary art. It is divided into five topics: The Problem of Location, The Process of Societal Transformation, Cultural Economies, Curatorial Concepts, and, most ambitiously of all, The Way in Which the Art System Operates. Articles and discussion transcripts include "The Crisis of the Audience," "The Cultural Politics of Institutions," "Smuggling: A Curatorial Model," "The Power and Powerlessness of the Private Collector" and Liam Gillick's "Revised Construction of One."
Classification:
livres
livres
Publication:
avril 2007, Cologne
avril 2007, Cologne
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$56.50
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In 1879, Carpentry and Building magazine launched its first house design competition for a cheap house. Forty-two competitions, eighty-six winning designs, and a slew of near winners and losers resulted in a body of work that offers an entire history of an architectural culture. The competitions represented a vital period of transition in delineating roles and(...)
$56.50
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Résumé:
In 1879, Carpentry and Building magazine launched its first house design competition for a cheap house. Forty-two competitions, eighty-six winning designs, and a slew of near winners and losers resulted in a body of work that offers an entire history of an architectural culture. The competitions represented a vital period of transition in delineating roles and(...)
Titre:
Cheap and tasteful dwellings: design competitions and the convenient interior, 1879-1909
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$56.50
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In 1879, Carpentry and Building magazine launched its first house design competition for a cheap house. Forty-two competitions, eighty-six winning designs, and a slew of near winners and losers resulted in a body of work that offers an entire history of an architectural culture. The competitions represented a vital period of transition in delineating roles and responsibilities of architectural services and building trades. The contests helped to define the training, education, and values of “practical architects” and to solidify house-planning ideals. The lives and work of ordinary architects who competed in Carpentry and Building contests offer a reinterpretation of architectural professionalization in this time period.
Cheap and tasteful dwellings: design competitions and the convenient interior, 1879-1909
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$56.50
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Résumé:
In 1879, Carpentry and Building magazine launched its first house design competition for a cheap house. Forty-two competitions, eighty-six winning designs, and a slew of near winners and losers resulted in a body of work that offers an entire history of an architectural culture. The competitions represented a vital period of transition in delineating roles and responsibilities of architectural services and building trades. The contests helped to define the training, education, and values of “practical architects” and to solidify house-planning ideals. The lives and work of ordinary architects who competed in Carpentry and Building contests offer a reinterpretation of architectural professionalization in this time period.
Classification:
livres
livres
Publication:
septembre 2005, Knoxville
septembre 2005, Knoxville
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$46.99
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Résumé:
"Biennials: The exhibitions we love to hate" examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice.(...)
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"Biennials: The exhibitions we love to hate" examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice.(...)
Titre:
Biennials: The exhibitions we love to hate
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"Biennials: The exhibitions we love to hate" examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined some of the more traditional art media, such as painting, drawing or sculpture. They have been responsible for substantially reshaping the contemporary art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums’ acquisitions and exhibitions. Rafal Niemojewski, Director of the Biennial Foundation, deftly unpicks the critical discussion and controversy surrounding contemporary biennials. Branded by some critics as showcases of neo-liberalism run amok, in which culture has become synonymous with the dollar-generating leisure industry, biennials have also been associated with the production of monumental artworks which are both highly consumable and photogenic (Instagrammable). The exhibitions we love to hate? This engaging publication makes an essential contribution to a fascinating cultural debate.
Biennials: The exhibitions we love to hate
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$46.99
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Résumé:
"Biennials: The exhibitions we love to hate" examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined some of the more traditional art media, such as painting, drawing or sculpture. They have been responsible for substantially reshaping the contemporary art world and disrupting the existing value chain of the art market, which now relies on biennials as much as it does on major museums’ acquisitions and exhibitions. Rafal Niemojewski, Director of the Biennial Foundation, deftly unpicks the critical discussion and controversy surrounding contemporary biennials. Branded by some critics as showcases of neo-liberalism run amok, in which culture has become synonymous with the dollar-generating leisure industry, biennials have also been associated with the production of monumental artworks which are both highly consumable and photogenic (Instagrammable). The exhibitions we love to hate? This engaging publication makes an essential contribution to a fascinating cultural debate.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$34.50
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Résumé:
As museums worldwide shuttered in 2020 because of the coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped(...)
$34.50
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Résumé:
As museums worldwide shuttered in 2020 because of the coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped(...)
Titre:
The future of the museum: 28 Dialogues
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As museums worldwide shuttered in 2020 because of the coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight conversations in this book explores a particular topic of relevance to art institutions today and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention.
The future of the museum: 28 Dialogues
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$34.50
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Résumé:
As museums worldwide shuttered in 2020 because of the coronavirus, New York-based cultural strategist András Szántó conducted a series of interviews with an international group of museum leaders. In a moment when economic, political, and cultural shifts are signaling the start of a new era, the directors speak candidly about the historical limitations and untapped potential of art museums. Each of the twenty-eight conversations in this book explores a particular topic of relevance to art institutions today and tomorrow. What emerges from the series of in-depth conversations is a composite portrait of a generation of museum leaders working to make institutions more open, democratic, inclusive, experimental and experiential, technologically savvy, culturally polyphonic, attuned to the needs of their visitors and communities, and concerned with addressing the defining issues of the societies around them. The dialogues offer glimpses of how museums around the globe are undergoing an accelerated phase of reappraisal and reinvention.
Classification:
livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$39.95
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Résumé:
Gathering together fresh perspectives from 28 leading art and museum figures—including artists, architects, curators, and museum directors—from all over the world, this collection of interviews and contributions shares idiosyncratic views, feedback, and visions of what is and what should or should not be a museum in the 21stcentury, both inherently and in our(...)
$39.95
(disponible sur commande)
Résumé:
Gathering together fresh perspectives from 28 leading art and museum figures—including artists, architects, curators, and museum directors—from all over the world, this collection of interviews and contributions shares idiosyncratic views, feedback, and visions of what is and what should or should not be a museum in the 21stcentury, both inherently and in our(...)
Titre:
Museum of the future: Now what?
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$39.95
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Gathering together fresh perspectives from 28 leading art and museum figures—including artists, architects, curators, and museum directors—from all over the world, this collection of interviews and contributions shares idiosyncratic views, feedback, and visions of what is and what should or should not be a museum in the 21stcentury, both inherently and in our fast-changing cultural ecosystem. Showing the diversity of today’s thinking about the museum, this tome constitutes a valuable handbook to navigate its ever-evolving landscape.
Museum of the future: Now what?
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
Gathering together fresh perspectives from 28 leading art and museum figures—including artists, architects, curators, and museum directors—from all over the world, this collection of interviews and contributions shares idiosyncratic views, feedback, and visions of what is and what should or should not be a museum in the 21stcentury, both inherently and in our fast-changing cultural ecosystem. Showing the diversity of today’s thinking about the museum, this tome constitutes a valuable handbook to navigate its ever-evolving landscape.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Muséologie
Muséologie
