253 Résultats
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livres
livres
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Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh(...)
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Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh(...)
Titre:
As seen: exhibitions that made architecture and design history
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Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh perspective on some of the most important exhibitions of the 20th century from America, Europe, and Japan, including This Is Tomorrow, Expo ’70, and Massive Change, this book offers a new framework for thinking about how exhibitions can function as a transformative force in the field of architecture and design.
As seen: exhibitions that made architecture and design history
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Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh perspective on some of the most important exhibitions of the 20th century from America, Europe, and Japan, including This Is Tomorrow, Expo ’70, and Massive Change, this book offers a new framework for thinking about how exhibitions can function as a transformative force in the field of architecture and design.
Classification:
livres
livres
Publication:
octobre 2017
octobre 2017
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$39.95
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Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. "The Artist as Curator: An Anthology", born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s(...)
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Résumé:
Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. "The Artist as Curator: An Anthology", born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s(...)
Titre:
The artist as curator: an anthology
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Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. "The Artist as Curator: An Anthology", born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s foremost curators and illustrated with rare documents and illustrations. Artists featured include the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broothaers; John Cage; Judy Chicago, Miriam Schapiro and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; and Andy Warhol, among other examples drawn from around the globe.
The artist as curator: an anthology
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Résumé:
Taking that ambiguous thing we call “the exhibition” as a critical medium, artists have often radically rethought conventional forms of exhibition making. "The Artist as Curator: An Anthology", born out of a series of essays originally published in Mousse, surveys seminal examples of such artist-curated exhibitions from the postwar to the present, examined by the world’s foremost curators and illustrated with rare documents and illustrations. Artists featured include the Avant-Garde Argentinian Visual Artists Group; Mel Bochner; Marcel Broothaers; John Cage; Judy Chicago, Miriam Schapiro and the CalArts Feminist Art Program; Collaborative Projects Inc. (Colab); Liam Gillick and Philippe Parreno; Group Material; Richard Hamilton and Victor Pasmore; David Hammons; Martin Kippenberger; Mark Leckey; Hélio Oiticica; Walid Raad and Akram Zaatari; Martha Rosler; and Andy Warhol, among other examples drawn from around the globe.
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livres
livres
Publication:
février 2018
février 2018
Classification:
livres
livres
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$56.95
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The study of the museum visitor has undergone a radical transformation. This collection brings together imaginative research that encourages new conclusions. Some questions involve the visitor's identity, what she brings to her museum experience. Can we gain entry into this experience? Does more technology really increase access to the objects themselves? Others probe the(...)
$56.95
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The study of the museum visitor has undergone a radical transformation. This collection brings together imaginative research that encourages new conclusions. Some questions involve the visitor's identity, what she brings to her museum experience. Can we gain entry into this experience? Does more technology really increase access to the objects themselves? Others probe the(...)
Titre:
Visiting the visitor: an enquiry into the visitor business in museums
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The study of the museum visitor has undergone a radical transformation. This collection brings together imaginative research that encourages new conclusions. Some questions involve the visitor's identity, what she brings to her museum experience. Can we gain entry into this experience? Does more technology really increase access to the objects themselves? Others probe the very nature of museum-going and exhibition making, demanding that we reexamine the traditional exhibition to reposition the visitor and her meaning-making at the center. Each author here has asked unfamiliar questions and responded with fresh answers.
Visiting the visitor: an enquiry into the visitor business in museums
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$56.95
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Résumé:
The study of the museum visitor has undergone a radical transformation. This collection brings together imaginative research that encourages new conclusions. Some questions involve the visitor's identity, what she brings to her museum experience. Can we gain entry into this experience? Does more technology really increase access to the objects themselves? Others probe the very nature of museum-going and exhibition making, demanding that we reexamine the traditional exhibition to reposition the visitor and her meaning-making at the center. Each author here has asked unfamiliar questions and responded with fresh answers.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$34.95
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Résumé:
A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a(...)
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A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a(...)
Titre:
Cultures of the curatorial 3: Hospitality. Hosting relations in exhibitions
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A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a curatorial situation operates in the space between an unconditional acceptance of the other and exclusions legitimized through various rules and regulations. This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees. The contributions in this volume, by international curators, artists, critics, and theoreticians, deal with conditions of decontextualization and displacement, encounters between the local and the foreign, as well as the satisfaction of basic human needs.
Cultures of the curatorial 3: Hospitality. Hosting relations in exhibitions
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A curatorial situation is always one of hospitality. It implies invitations to artists, artworks, curators, audiences, and institutions; people and objects are received, welcomed, and temporarily brought together. It offers resources for material and physical support while also responding to a need for recognition, respect, or attention. Finally, and very importantly, a curatorial situation operates in the space between an unconditional acceptance of the other and exclusions legitimized through various rules and regulations. This publication analyzes, from the perspective of hospitality, the curatorial within the current sociopolitical context through key topics concerning immigration, conditions along borders, and accommodations for refugees. The contributions in this volume, by international curators, artists, critics, and theoreticians, deal with conditions of decontextualization and displacement, encounters between the local and the foreign, as well as the satisfaction of basic human needs.
Classification:
livres
livres
Publication:
juillet 2016
juillet 2016
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$44.00
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In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects(...)
$44.00
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Résumé:
In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects(...)
Publication:
mai 2016
mai 2016
Titre:
Collective for a socialist architecture: proletarian building exhibition 1931
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In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects participating in the German Building Exhibition and CIAM, they cast architecture as an instrument of power, questioned capitalist solutions to the housing question, and unveiled planning approaches imported from the then-Soviet Union. A full facsimile of the exhibition manifesto/catalog and exhibition panels is featured in addition to contributing essays by contemporary architects, writers and educators, and the Collectives’ Annual Report including a proposed work program and statement of intent. Historical photos are interspersed throughout providing a full reconstruction of this significant architectural and sociopolitical event.
Collective for a socialist architecture: proletarian building exhibition 1931
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In an empty factory unit tucked away in Berlin’s Köpenicker Strasse, The Proletarian Building Exhibition was mounted with the humblest of resources in 1931. It marked the first action by a group of revolutionary architects, builders, and students forming the Kollektiv für sozialistisches Bauen under the architect Arthur Korn. Taking aim at modernist architects participating in the German Building Exhibition and CIAM, they cast architecture as an instrument of power, questioned capitalist solutions to the housing question, and unveiled planning approaches imported from the then-Soviet Union. A full facsimile of the exhibition manifesto/catalog and exhibition panels is featured in addition to contributing essays by contemporary architects, writers and educators, and the Collectives’ Annual Report including a proposed work program and statement of intent. Historical photos are interspersed throughout providing a full reconstruction of this significant architectural and sociopolitical event.
Classification:
livres
livres
Publication:
mai 2016
mai 2016
Classification:
livres
livres
Titre:
Management of art galleries
Management of art galleries
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$35.00
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Résumé:
What makes a commercial art gallery successful? How do galleries get their marketing right? Which potential customer group is the most attractive? How best should galleries approach new markets while still serving their existing audiences? Based on the results of an anonymous survey sent to 8,000 art dealers in the US, UK, and Germany, Magnus Resch's insightful(...)
$35.00
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What makes a commercial art gallery successful? How do galleries get their marketing right? Which potential customer group is the most attractive? How best should galleries approach new markets while still serving their existing audiences? Based on the results of an anonymous survey sent to 8,000 art dealers in the US, UK, and Germany, Magnus Resch's insightful(...)
Titre:
Management of art galleries
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$35.00
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Résumé:
What makes a commercial art gallery successful? How do galleries get their marketing right? Which potential customer group is the most attractive? How best should galleries approach new markets while still serving their existing audiences? Based on the results of an anonymous survey sent to 8,000 art dealers in the US, UK, and Germany, Magnus Resch's insightful examination of the business of selling art is a compelling read that is both aspirational and practical in its approach.
Management of art galleries
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$35.00
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Résumé:
What makes a commercial art gallery successful? How do galleries get their marketing right? Which potential customer group is the most attractive? How best should galleries approach new markets while still serving their existing audiences? Based on the results of an anonymous survey sent to 8,000 art dealers in the US, UK, and Germany, Magnus Resch's insightful examination of the business of selling art is a compelling read that is both aspirational and practical in its approach.
Classification:
livres
livres
Publication:
novembre 2016
novembre 2016
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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This seventh volume in Afterall’s Exhibitions Histories series focuses on the radical project ‘an Exhibit’ (at the ICA, London in 1957), which emerged from a decade of testing the formats and possibilities of exhibition-making. A collaboration between two artists, Richard Hamilton and Victor Pasmore, and a critic and curator, Lawrence Alloway, the show was(...)
$34.95
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Résumé:
This seventh volume in Afterall’s Exhibitions Histories series focuses on the radical project ‘an Exhibit’ (at the ICA, London in 1957), which emerged from a decade of testing the formats and possibilities of exhibition-making. A collaboration between two artists, Richard Hamilton and Victor Pasmore, and a critic and curator, Lawrence Alloway, the show was(...)
Titre:
Exhibition, design, participation: 'an exhibit' 1957 and related projects
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$34.95
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This seventh volume in Afterall’s Exhibitions Histories series focuses on the radical project ‘an Exhibit’ (at the ICA, London in 1957), which emerged from a decade of testing the formats and possibilities of exhibition-making. A collaboration between two artists, Richard Hamilton and Victor Pasmore, and a critic and curator, Lawrence Alloway, the show was simultaneously an investigation into abstract environmental forms and a participatory experiment that would fundamentally transform the role of the viewer.
Exhibition, design, participation: 'an exhibit' 1957 and related projects
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$34.95
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Résumé:
This seventh volume in Afterall’s Exhibitions Histories series focuses on the radical project ‘an Exhibit’ (at the ICA, London in 1957), which emerged from a decade of testing the formats and possibilities of exhibition-making. A collaboration between two artists, Richard Hamilton and Victor Pasmore, and a critic and curator, Lawrence Alloway, the show was simultaneously an investigation into abstract environmental forms and a participatory experiment that would fundamentally transform the role of the viewer.
Classification:
livres
livres
Publication:
août 2016
août 2016
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$28.95
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The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some(...)
$28.95
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Résumé:
The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some(...)
Titre:
The return of curiosity: what museums are good for in the 21st century
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The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some of our most important cultural institutions and the vital function they serve as stewards of human and natural history. Reflecting on art galleries, science and history institutions, and collections all around the world, Nicholas Thomas argues that, in times marked by incredible insecurity and turbulence, museums help us sustain and enrich society. Moreover, they stimulate us to think in new ways about our world, compelling our curiosity and showing us the importance of understanding one another. Thomas looks at museums not simply as storehouses of old things but as the products of meaningful relationships between curators, the public, history, and culture. These relationships, he shows, don’t always go smoothly, but they do always offer new insights into the many ways we value—and try to preserve—the world we live in.
The return of curiosity: what museums are good for in the 21st century
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$28.95
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Résumé:
The Spy Museum, the Vacuum Cleaner Museum, the National Mustard Museum—not to mention the Art Institute, the Museum of Modern Art, and the Getty Center: museums have never been more robust, curating just about everything there is and assuming a new prominence in public life. The Return of Curiosity explores museums in the modern age, offering a fresh perspective on some of our most important cultural institutions and the vital function they serve as stewards of human and natural history. Reflecting on art galleries, science and history institutions, and collections all around the world, Nicholas Thomas argues that, in times marked by incredible insecurity and turbulence, museums help us sustain and enrich society. Moreover, they stimulate us to think in new ways about our world, compelling our curiosity and showing us the importance of understanding one another. Thomas looks at museums not simply as storehouses of old things but as the products of meaningful relationships between curators, the public, history, and culture. These relationships, he shows, don’t always go smoothly, but they do always offer new insights into the many ways we value—and try to preserve—the world we live in.
Classification:
livres
livres
Publication:
août 2016
août 2016
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$105.00
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Résumé:
The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn’t possible until very recently. This collection of essays takes(...)
$105.00
(disponible sur commande)
Résumé:
The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn’t possible until very recently. This collection of essays takes(...)
Titre:
Museums in a digital culture: how art and heritage became meaningful
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$105.00
(disponible sur commande)
Résumé:
The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn’t possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorize the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?
Museums in a digital culture: how art and heritage became meaningful
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Prix:
$105.00
(disponible sur commande)
Résumé:
The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn’t possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorize the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Architecture without walls
Architecture without walls
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$23.00
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The texts included in this book present five architectural designs realized by Vera Buhß, Giacomo Gianetta, Konstantin Schimanowski, Katharina Schmidt, and Sum-Sum Shen. Instead of being generated and displayed in graphic media and approaching the object of design visually, these architectural environments have been conceived through auditory and literary practices. The(...)
$23.00
(disponible sur commande)
Résumé:
The texts included in this book present five architectural designs realized by Vera Buhß, Giacomo Gianetta, Konstantin Schimanowski, Katharina Schmidt, and Sum-Sum Shen. Instead of being generated and displayed in graphic media and approaching the object of design visually, these architectural environments have been conceived through auditory and literary practices. The(...)
Titre:
Architecture without walls
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$23.00
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Résumé:
The texts included in this book present five architectural designs realized by Vera Buhß, Giacomo Gianetta, Konstantin Schimanowski, Katharina Schmidt, and Sum-Sum Shen. Instead of being generated and displayed in graphic media and approaching the object of design visually, these architectural environments have been conceived through auditory and literary practices. The designs presented in this book provide accessibility to new architectural entities not by showing their constructive conditions of emergence, but instead by describing the emergent qualities that configure them as environments. Alex Arteaga’s research integrates aesthetic and philosophical practices relating to the emergence of sense and knowledge, architectural and art practices through phenomenological and enactivist approaches. He studied piano, music theory, composition, electroacoustic music, and architecture in Berlin and Barcelona, and received a PhD in philosophy from the Humboldt University. He heads the Auditory Architecture Research at the Berlin University of the Arts. Boris Hassenstein runs his architectural studio based in Berlin. A strong focus of his work is set on the aspects of construction as a process and collaboration in the genesis of architecture. He studied architecture in Berlin. Currently he teaches at the MA Sound Studies and Sonic Arts at the Berlin University of the Arts and is a member of the Auditory Architecture Research Unit at the Berlin University of the Arts.
Architecture without walls
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$23.00
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Résumé:
The texts included in this book present five architectural designs realized by Vera Buhß, Giacomo Gianetta, Konstantin Schimanowski, Katharina Schmidt, and Sum-Sum Shen. Instead of being generated and displayed in graphic media and approaching the object of design visually, these architectural environments have been conceived through auditory and literary practices. The designs presented in this book provide accessibility to new architectural entities not by showing their constructive conditions of emergence, but instead by describing the emergent qualities that configure them as environments. Alex Arteaga’s research integrates aesthetic and philosophical practices relating to the emergence of sense and knowledge, architectural and art practices through phenomenological and enactivist approaches. He studied piano, music theory, composition, electroacoustic music, and architecture in Berlin and Barcelona, and received a PhD in philosophy from the Humboldt University. He heads the Auditory Architecture Research at the Berlin University of the Arts. Boris Hassenstein runs his architectural studio based in Berlin. A strong focus of his work is set on the aspects of construction as a process and collaboration in the genesis of architecture. He studied architecture in Berlin. Currently he teaches at the MA Sound Studies and Sonic Arts at the Berlin University of the Arts and is a member of the Auditory Architecture Research Unit at the Berlin University of the Arts.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Muséologie
Muséologie
