255 Résultats
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''Self-Institution/Terminology Audit'' is a collection of profiles and lexicons documenting artistic practices that operate as self-declared institutions. It examines the act of self-institution as both a conceptual and operational approach, focusing on how these practices structure themselves and engage with their contexts. Initiated by the Office for Joint(...)
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''Self-Institution/Terminology Audit'' is a collection of profiles and lexicons documenting artistic practices that operate as self-declared institutions. It examines the act of self-institution as both a conceptual and operational approach, focusing on how these practices structure themselves and engage with their contexts. Initiated by the Office for Joint(...)
Titre:
Self-Institution: Terminology Audit
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''Self-Institution/Terminology Audit'' is a collection of profiles and lexicons documenting artistic practices that operate as self-declared institutions. It examines the act of self-institution as both a conceptual and operational approach, focusing on how these practices structure themselves and engage with their contexts. Initiated by the Office for Joint Administrative Intelligence (O.J.A.I.), this publication investigates artist offices, bureaus, departments, ministries, societies, centres, and other explicitly institutional invocations. The Terminology Audit reveals language and jargon unique to each practice. The case studies, currently active in the field, represent a broad range of approaches, including research-based, performance-driven, pragmatic, materially motivated, counter-institutional, esoteric, and absurd facsimiles of institutionhood.
Self-Institution: Terminology Audit
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''Self-Institution/Terminology Audit'' is a collection of profiles and lexicons documenting artistic practices that operate as self-declared institutions. It examines the act of self-institution as both a conceptual and operational approach, focusing on how these practices structure themselves and engage with their contexts. Initiated by the Office for Joint Administrative Intelligence (O.J.A.I.), this publication investigates artist offices, bureaus, departments, ministries, societies, centres, and other explicitly institutional invocations. The Terminology Audit reveals language and jargon unique to each practice. The case studies, currently active in the field, represent a broad range of approaches, including research-based, performance-driven, pragmatic, materially motivated, counter-institutional, esoteric, and absurd facsimiles of institutionhood.
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livres
livres
Publication:
septembre 2025
septembre 2025
Sujet:
Muséologie
Muséologie
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livres
livres
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$75.00
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Résumé:
Museums are flourishing across the globe: in recent decades, no other architectural form has witnessed such remarkable growth and diversification. In an era when the digital revolution enables us to preserve our shared memory and artistic heritage without the constraints of physical space, this phenomenon might seem like an unnecessary indulgence. Yet, by examining new(...)
$75.00
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Résumé:
Museums are flourishing across the globe: in recent decades, no other architectural form has witnessed such remarkable growth and diversification. In an era when the digital revolution enables us to preserve our shared memory and artistic heritage without the constraints of physical space, this phenomenon might seem like an unnecessary indulgence. Yet, by examining new(...)
Titre:
Architecture for Culture: Rethinking Museums
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Museums are flourishing across the globe: in recent decades, no other architectural form has witnessed such remarkable growth and diversification. In an era when the digital revolution enables us to preserve our shared memory and artistic heritage without the constraints of physical space, this phenomenon might seem like an unnecessary indulgence. Yet, by examining new icons and rereading historical examples"Architecture for Culture" shows why museums remain essential. They serve as the repositories for the encyclopedia of 21st-century knowledge, help make our cities legible and ensure that art remains a vibrant presence in the spaces where we live. The museum is revealed as a venue where architecture refines its discourse on method, identity, and urban context; it is also a dynamic laboratory for the continuous development of a new cultural policy—one that must address itself to a planetary audience.
Architecture for Culture: Rethinking Museums
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Museums are flourishing across the globe: in recent decades, no other architectural form has witnessed such remarkable growth and diversification. In an era when the digital revolution enables us to preserve our shared memory and artistic heritage without the constraints of physical space, this phenomenon might seem like an unnecessary indulgence. Yet, by examining new icons and rereading historical examples"Architecture for Culture" shows why museums remain essential. They serve as the repositories for the encyclopedia of 21st-century knowledge, help make our cities legible and ensure that art remains a vibrant presence in the spaces where we live. The museum is revealed as a venue where architecture refines its discourse on method, identity, and urban context; it is also a dynamic laboratory for the continuous development of a new cultural policy—one that must address itself to a planetary audience.
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livres
livres
Publication:
septembre 2025
septembre 2025
Sujet:
Muséologie
Muséologie
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livres
livres
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This publication collects and preserves the ideas put forward during the symposium "A Model: Reimagining Museums," which took place at Mudam – The Contemporary Art Museum of Luxembourg, in June 2024.?The convening explored the mission of museums today and examined how contemporary institutions can continue to serve as sources of culture, preservation, education, and(...)
$27.95
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Résumé:
This publication collects and preserves the ideas put forward during the symposium "A Model: Reimagining Museums," which took place at Mudam – The Contemporary Art Museum of Luxembourg, in June 2024.?The convening explored the mission of museums today and examined how contemporary institutions can continue to serve as sources of culture, preservation, education, and(...)
Titre:
The institutution and its intentions
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This publication collects and preserves the ideas put forward during the symposium "A Model: Reimagining Museums," which took place at Mudam – The Contemporary Art Museum of Luxembourg, in June 2024.?The convening explored the mission of museums today and examined how contemporary institutions can continue to serve as sources of culture, preservation, education, and community in the future. The symposium marked the final chapter of a broader program dedicated to examining the museum as a model. The series was introduced by "A Model," a three-part exhibition curated by Bettina Steinbrügge that reflected on the role of the museum in the twenty-first century, reaffirming the need to consider the institutions a dynamic, living place, sensitive and receptive to contemporary debates. It also considered the possibilities that arise when museum collections are reimagined as active and performative environments. More than thirty artists were involved – some conceiving new commissions, others responding to works in Mudam’s collection.
The institutution and its intentions
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Résumé:
This publication collects and preserves the ideas put forward during the symposium "A Model: Reimagining Museums," which took place at Mudam – The Contemporary Art Museum of Luxembourg, in June 2024.?The convening explored the mission of museums today and examined how contemporary institutions can continue to serve as sources of culture, preservation, education, and community in the future. The symposium marked the final chapter of a broader program dedicated to examining the museum as a model. The series was introduced by "A Model," a three-part exhibition curated by Bettina Steinbrügge that reflected on the role of the museum in the twenty-first century, reaffirming the need to consider the institutions a dynamic, living place, sensitive and receptive to contemporary debates. It also considered the possibilities that arise when museum collections are reimagined as active and performative environments. More than thirty artists were involved – some conceiving new commissions, others responding to works in Mudam’s collection.
Classification:
livres
livres
Publication:
avril 2026
avril 2026
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$44.00
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Résumé:
Que se passe-t-il quand l’école sort de ses murs? Et si les visites aux musées pouvaient enseigner autant qu’un cours? À mi-chemin entre salle de classe et lieu de culture, le musée constitue un espace d’apprentissage vivant, où l’on peut explorer, réfléchir et apprendre autrement. Mais comment faire dialoguer ces deux univers? Et que peut-on en tirer pour repenser(...)
$44.00
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Que se passe-t-il quand l’école sort de ses murs? Et si les visites aux musées pouvaient enseigner autant qu’un cours? À mi-chemin entre salle de classe et lieu de culture, le musée constitue un espace d’apprentissage vivant, où l’on peut explorer, réfléchir et apprendre autrement. Mais comment faire dialoguer ces deux univers? Et que peut-on en tirer pour repenser(...)
Titre:
L'éducation muséale au Québec : Transmettre et apprendre autrement
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Que se passe-t-il quand l’école sort de ses murs? Et si les visites aux musées pouvaient enseigner autant qu’un cours? À mi-chemin entre salle de classe et lieu de culture, le musée constitue un espace d’apprentissage vivant, où l’on peut explorer, réfléchir et apprendre autrement. Mais comment faire dialoguer ces deux univers? Et que peut-on en tirer pour repenser l’éducation d’aujourd’hui? Dans « L’éducation muséale au Québec : transmettre et apprendre autrement », Anik Meunier et Michel Allard retracent l’évolution de ces liens parfois méconnus, nourris par plus de 40 ans de recherche au sein du Groupe de recherche sur l’éducation et les musées (GREM). Des classes qui s’installent au musée, des projets conçus avec des adolescents et adolescentes, des modèles pédagogiques concrets : ce livre met en lumière des approches qui transforment l’expérience éducative.
L'éducation muséale au Québec : Transmettre et apprendre autrement
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Que se passe-t-il quand l’école sort de ses murs? Et si les visites aux musées pouvaient enseigner autant qu’un cours? À mi-chemin entre salle de classe et lieu de culture, le musée constitue un espace d’apprentissage vivant, où l’on peut explorer, réfléchir et apprendre autrement. Mais comment faire dialoguer ces deux univers? Et que peut-on en tirer pour repenser l’éducation d’aujourd’hui? Dans « L’éducation muséale au Québec : transmettre et apprendre autrement », Anik Meunier et Michel Allard retracent l’évolution de ces liens parfois méconnus, nourris par plus de 40 ans de recherche au sein du Groupe de recherche sur l’éducation et les musées (GREM). Des classes qui s’installent au musée, des projets conçus avec des adolescents et adolescentes, des modèles pédagogiques concrets : ce livre met en lumière des approches qui transforment l’expérience éducative.
Classification:
livres
livres
Publication:
octobre 2025
octobre 2025
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
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Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original(...)
$43.95
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Résumé:
Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original(...)
Sujet:
Muséologie
Muséologie
Publication:
septembre 2005, Cambridge, Mass.
septembre 2005, Cambridge, Mass.
Titre:
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
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Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original essays, unpublished images, and texts that not only document the different Manifesta exhibits but also examine the cultural, curatorial, and political terrain of the Europe from which they sprang. Including contributions from philosophers, historians, and anthropologists, interviews with architect Rem Koolhaas and historian Jacques Le Goff, and essays by such curators and writers as Okwui Enwezor, Boris Groys, Maria Hlavajova, and Hans Ulrich Obrist, the collection traces the cultural and political developments of Europe in the 1990s. It reflects the debates incited by exhibitions such as "Magiciens de la terre", Documenta, and "After the wall" and explores the changing roles of curators and artists in the new geo-political context. The issues discussed include the effect of communism's collapse on Eastern Europe, the role of biennials in the context of globalization, and the ephemerality of exhibitions versus the permanence of the museum. The book's second section traces the history of Manifesta, from its conceptual foundations and contributions to artistic practices of the 1990s to the relationship of a roving biennial to themes of multiculturalism, migration and diaspora. At a moment when biennials continue to proliferate worldwide, "The Manifesta decade" takes Manifesta as a case study to look critically at the landscape from which new exhibition paradigms have emerged. The book's 100 images, both color and black and white, include unpublished installation shots of each Manifesta exhibition.
The Manifesta decade : debates on contemporary art exhibitions and biennials in post-wall Europe
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Résumé:
Manifesta, the first itinerant European biennial for contemporary art, emerged in a post-wall, globalizing Europe. Founded in 1993, it organized traveling exhibitions aimed at providing a new framework for cultural exchange and collaboration between artists and curators from across the continent. "The Manifesta decade" marks Manifesta's ten years of exhibits with original essays, unpublished images, and texts that not only document the different Manifesta exhibits but also examine the cultural, curatorial, and political terrain of the Europe from which they sprang. Including contributions from philosophers, historians, and anthropologists, interviews with architect Rem Koolhaas and historian Jacques Le Goff, and essays by such curators and writers as Okwui Enwezor, Boris Groys, Maria Hlavajova, and Hans Ulrich Obrist, the collection traces the cultural and political developments of Europe in the 1990s. It reflects the debates incited by exhibitions such as "Magiciens de la terre", Documenta, and "After the wall" and explores the changing roles of curators and artists in the new geo-political context. The issues discussed include the effect of communism's collapse on Eastern Europe, the role of biennials in the context of globalization, and the ephemerality of exhibitions versus the permanence of the museum. The book's second section traces the history of Manifesta, from its conceptual foundations and contributions to artistic practices of the 1990s to the relationship of a roving biennial to themes of multiculturalism, migration and diaspora. At a moment when biennials continue to proliferate worldwide, "The Manifesta decade" takes Manifesta as a case study to look critically at the landscape from which new exhibition paradigms have emerged. The book's 100 images, both color and black and white, include unpublished installation shots of each Manifesta exhibition.
Classification:
livres
livres
Publication:
septembre 2005, Cambridge, Mass.
septembre 2005, Cambridge, Mass.
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$24.95
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What begins as a meditation on "the museum" becomes, in this book, a far-reaching critical examination of how art history and museums have guided and controlled not only the way we look at art but the ways in which we understand modernity itself. Originally delivered as the 2001 Slade Lectures in the Fine Arts at Oxford University, the book makes its deeply complex(...)
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Résumé:
What begins as a meditation on "the museum" becomes, in this book, a far-reaching critical examination of how art history and museums have guided and controlled not only the way we look at art but the ways in which we understand modernity itself. Originally delivered as the 2001 Slade Lectures in the Fine Arts at Oxford University, the book makes its deeply complex(...)
Titre:
Brain of the earth's body : art, museums and the phantasms of modernity
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What begins as a meditation on "the museum" becomes, in this book, a far-reaching critical examination of how art history and museums have guided and controlled not only the way we look at art but the ways in which we understand modernity itself. Originally delivered as the 2001 Slade Lectures in the Fine Arts at Oxford University, the book makes its deeply complex argument remarkably accessible and powerfully clear. Concentrating on a period from the beginning of the nineteenth century to the beginning of the twentieth, Donald Preziosi presents case studies of major institutions that, he argues, have defined--and are still defining--the possible limits of museological and art historical theory and practice. These include Sir John Soane's Museum in London, preserved in its 1837 state; the Crystal Palace Exhibition of 1851; and four museums founded by Europeans in Egypt in the late nineteenth century, which divided up that country's history into "ethnically marked" aesthetic hierarchies and genealogies that accorded with Europe's construction of itself as the present of the world's past, and the "brain of the earth's body." Through this epistemological and institutional archaeology, Preziosi unearths the outlines of the more radical Enlightenment project that academic art history, professional museology, and art criticism have rendered marginal or invisible. Finally, he sketches a new theory about art, artifice, and visual signification in the cracks and around the margins of the "secular theologisms" of the globalized imperial capital called modernity.
Brain of the earth's body : art, museums and the phantasms of modernity
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Résumé:
What begins as a meditation on "the museum" becomes, in this book, a far-reaching critical examination of how art history and museums have guided and controlled not only the way we look at art but the ways in which we understand modernity itself. Originally delivered as the 2001 Slade Lectures in the Fine Arts at Oxford University, the book makes its deeply complex argument remarkably accessible and powerfully clear. Concentrating on a period from the beginning of the nineteenth century to the beginning of the twentieth, Donald Preziosi presents case studies of major institutions that, he argues, have defined--and are still defining--the possible limits of museological and art historical theory and practice. These include Sir John Soane's Museum in London, preserved in its 1837 state; the Crystal Palace Exhibition of 1851; and four museums founded by Europeans in Egypt in the late nineteenth century, which divided up that country's history into "ethnically marked" aesthetic hierarchies and genealogies that accorded with Europe's construction of itself as the present of the world's past, and the "brain of the earth's body." Through this epistemological and institutional archaeology, Preziosi unearths the outlines of the more radical Enlightenment project that academic art history, professional museology, and art criticism have rendered marginal or invisible. Finally, he sketches a new theory about art, artifice, and visual signification in the cracks and around the margins of the "secular theologisms" of the globalized imperial capital called modernity.
Classification:
livres
livres
Publication:
juillet 2003, Minneapolis
juillet 2003, Minneapolis
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also(...)
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also(...)
Sujet:
Muséologie
Muséologie
Publication:
mars 2008, Berlin, Dijon, New York, Manchester
mars 2008, Berlin, Dijon, New York, Manchester
Titre:
Harald Szeemann Individual Methodology
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Résumé:
We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann's death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann's collaborator for many years. Two of Szeemann's most ambitious exhibitions are presented as case studies: Documenta V (1972) and L'Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann's exhibitions and a selection of his writings complete this exhaustive survey.
Harald Szeemann Individual Methodology
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann's death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann's collaborator for many years. Two of Szeemann's most ambitious exhibitions are presented as case studies: Documenta V (1972) and L'Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann's exhibitions and a selection of his writings complete this exhaustive survey.
Classification:
livres
livres
Publication:
mars 2008, Berlin, Dijon, New York, Manchester
mars 2008, Berlin, Dijon, New York, Manchester
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Hans Ulrich Obrist : Everything you always wanted to know about curating (but were afraid to ask)
Hans Ulrich Obrist : Everything you always wanted to know about curating (but were afraid to ask)
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Everything you ever wanted to know about Hans Ulrich Obrist butwere afraid to ask has now been asked, revealing the truth from the beginning of his career as a young curator in his Zurich kitchen to his recent position as co-director of the Serpentine in London. This book is a "production of reality conversations", otherwise known as interviews. It undertakes the(...)
$27.00
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Résumé:
Everything you ever wanted to know about Hans Ulrich Obrist butwere afraid to ask has now been asked, revealing the truth from the beginning of his career as a young curator in his Zurich kitchen to his recent position as co-director of the Serpentine in London. This book is a "production of reality conversations", otherwise known as interviews. It undertakes the(...)
Titre:
Hans Ulrich Obrist : Everything you always wanted to know about curating (but were afraid to ask)
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$27.00
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Everything you ever wanted to know about Hans Ulrich Obrist butwere afraid to ask has now been asked, revealing the truth from the beginning of his career as a young curator in his Zurich kitchen to his recent position as co-director of the Serpentine in London. This book is a "production of reality conversations", otherwise known as interviews. It undertakes the impossible: pinning down this peripatetic curator, and affirming the wisdom of an artist who told Obrist "don't go" when he contemplated leaving the art world for other fields. Interviews by Jean Max Colard, Robert Fleck, Jefferson Hack, Nav Haq, Sophia Krzys Acord, Brendan McGetrick, Ingo Niermann, Paul O'Neill,Philippe Parreno & Alex Poots, Juri Steiner, Gavin Wade, et al. Foreword by Tino Sehgal, afterword by Yona Friedman.
Hans Ulrich Obrist : Everything you always wanted to know about curating (but were afraid to ask)
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Résumé:
Everything you ever wanted to know about Hans Ulrich Obrist butwere afraid to ask has now been asked, revealing the truth from the beginning of his career as a young curator in his Zurich kitchen to his recent position as co-director of the Serpentine in London. This book is a "production of reality conversations", otherwise known as interviews. It undertakes the impossible: pinning down this peripatetic curator, and affirming the wisdom of an artist who told Obrist "don't go" when he contemplated leaving the art world for other fields. Interviews by Jean Max Colard, Robert Fleck, Jefferson Hack, Nav Haq, Sophia Krzys Acord, Brendan McGetrick, Ingo Niermann, Paul O'Neill,Philippe Parreno & Alex Poots, Juri Steiner, Gavin Wade, et al. Foreword by Tino Sehgal, afterword by Yona Friedman.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Institutional critique
Institutional critique
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$29.00
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Résumé:
This contemporary reassessment of the Institutional Critique movement, launched in the late 1960s by artists including Michael Asher and Hans Haacke, grew out of a symposium held at the Los Angeles County Museum of Art. It looks at Institutional Critique's central aim, the exposure and ironization of the structures and logic of museums and art galleries, and recent(...)
$29.00
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Résumé:
This contemporary reassessment of the Institutional Critique movement, launched in the late 1960s by artists including Michael Asher and Hans Haacke, grew out of a symposium held at the Los Angeles County Museum of Art. It looks at Institutional Critique's central aim, the exposure and ironization of the structures and logic of museums and art galleries, and recent(...)
Titre:
Institutional critique
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$29.00
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Résumé:
This contemporary reassessment of the Institutional Critique movement, launched in the late 1960s by artists including Michael Asher and Hans Haacke, grew out of a symposium held at the Los Angeles County Museum of Art. It looks at Institutional Critique's central aim, the exposure and ironization of the structures and logic of museums and art galleries, and recent developments that engage with and echo it. IC has been raised again by Andrea Fraser, Renee Green and Fred Wilson, among others, and has been vigorously reoriented in recent years to address issues such as globalization. Contributors include Alexander Alberro, Mike Kelley, Hans Haacke, Lauri Firstenberg, Andrea Fraser, Renee Green and others.
Institutional critique
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$29.00
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Résumé:
This contemporary reassessment of the Institutional Critique movement, launched in the late 1960s by artists including Michael Asher and Hans Haacke, grew out of a symposium held at the Los Angeles County Museum of Art. It looks at Institutional Critique's central aim, the exposure and ironization of the structures and logic of museums and art galleries, and recent developments that engage with and echo it. IC has been raised again by Andrea Fraser, Renee Green and Fred Wilson, among others, and has been vigorously reoriented in recent years to address issues such as globalization. Contributors include Alexander Alberro, Mike Kelley, Hans Haacke, Lauri Firstenberg, Andrea Fraser, Renee Green and others.
Classification:
livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Curating Subjects
Curating Subjects
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$36.00
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Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic(...)
$36.00
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Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic(...)
Titre:
Curating Subjects
Actions:
Prix:
$36.00
(disponible sur commande)
Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic conversation that is at once informative, entertaining, and often revealing.
Curating Subjects
Actions:
Prix:
$36.00
(disponible sur commande)
Résumé:
This book is a welcome addition to he growing literature about exhibition making. Moving away from autobiographical, first person narratives, Curating Subjects instead invites its broad range of contributors to comment upon the curatorial endeavours of others. Conflating and colliding the past and the present with possible futures this book unfolds as an idiosyncratic conversation that is at once informative, entertaining, and often revealing.
Classification:
livres
livres
Publication:
octobre 2011, London
octobre 2011, London
Sujet:
Muséologie
Muséologie
