255 Résultats
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Museum directors are beginning to question the role of their museums in the production of knowledge and participation, in creating links between the present and the past. Museum education has evolved as a practice in its own right, questioning, expanding, and transforming exhibitions and institutions. How does museum work change if we conceive of curating and education as(...)
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Museum directors are beginning to question the role of their museums in the production of knowledge and participation, in creating links between the present and the past. Museum education has evolved as a practice in its own right, questioning, expanding, and transforming exhibitions and institutions. How does museum work change if we conceive of curating and education as(...)
Titre:
Contemporary curating and museum education
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Museum directors are beginning to question the role of their museums in the production of knowledge and participation, in creating links between the present and the past. Museum education has evolved as a practice in its own right, questioning, expanding, and transforming exhibitions and institutions. How does museum work change if we conceive of curating and education as an integrated practice? In this anthology, scholars employed at a range of museums address this question.
Contemporary curating and museum education
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Museum directors are beginning to question the role of their museums in the production of knowledge and participation, in creating links between the present and the past. Museum education has evolved as a practice in its own right, questioning, expanding, and transforming exhibitions and institutions. How does museum work change if we conceive of curating and education as an integrated practice? In this anthology, scholars employed at a range of museums address this question.
Classification:
livres
livres
Publication:
février 2016
février 2016
Sujet:
Muséologie
Muséologie
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livres
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How many times have you heard the term “curate” in the past few years? But what exactly does it mean? Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale. With an emphasis on the "now" and the most recent exhibitions, this book(...)
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How many times have you heard the term “curate” in the past few years? But what exactly does it mean? Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale. With an emphasis on the "now" and the most recent exhibitions, this book(...)
Titre:
The new curator: researcher, commisioner, keeper, interpreter, producer, collaborator
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How many times have you heard the term “curate” in the past few years? But what exactly does it mean? Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale. With an emphasis on the "now" and the most recent exhibitions, this book examines the variety and richness of curating practices today, from public commissions such as Art Angel to experimental projects such as the Ghetto Biennale in Haiti, or the Rhizome digital archive.
The new curator: researcher, commisioner, keeper, interpreter, producer, collaborator
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How many times have you heard the term “curate” in the past few years? But what exactly does it mean? Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale. With an emphasis on the "now" and the most recent exhibitions, this book examines the variety and richness of curating practices today, from public commissions such as Art Angel to experimental projects such as the Ghetto Biennale in Haiti, or the Rhizome digital archive.
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livres
livres
Publication:
avril 2016
avril 2016
Sujet:
Muséologie
Muséologie
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livres
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
Titre:
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
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livres
livres
Publication:
août 2012
août 2012
Sujet:
Muséologie
Muséologie
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livres
livres
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Pourquoi un second Louvre ? Pour renouveler le regard porté sur les œuvres et la manière de les présenter. Un défi que l'agence d'architecture japonaise Sanaa (Kazuyo Sejima et Ryûe Nishizawa) a relevé de façon subtile et inventive.
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Pourquoi un second Louvre ? Pour renouveler le regard porté sur les œuvres et la manière de les présenter. Un défi que l'agence d'architecture japonaise Sanaa (Kazuyo Sejima et Ryûe Nishizawa) a relevé de façon subtile et inventive.
Titre:
Louvre-Lens : l'esprit du lieu
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Pourquoi un second Louvre ? Pour renouveler le regard porté sur les œuvres et la manière de les présenter. Un défi que l'agence d'architecture japonaise Sanaa (Kazuyo Sejima et Ryûe Nishizawa) a relevé de façon subtile et inventive.
Louvre-Lens : l'esprit du lieu
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Pourquoi un second Louvre ? Pour renouveler le regard porté sur les œuvres et la manière de les présenter. Un défi que l'agence d'architecture japonaise Sanaa (Kazuyo Sejima et Ryûe Nishizawa) a relevé de façon subtile et inventive.
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livres
livres
Publication:
septembre 2013
septembre 2013
Sujet:
Muséologie
Muséologie
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livres
livres
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$25.00
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Résumé:
Cet ouvrage propose une analyse détaillée des dynamiques à l'œuvre dans les organisations artistiques et de la façon par laquelle ceux qui sont à leur tête ont choisi de répondre aux défis qui leur étaient lancés. Cette réflexion est soutenue par le témoignage d'importants leaders de la scène culturelle qui ont su garantir le succès de leur organisation : Nathalie Bondil,(...)
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Cet ouvrage propose une analyse détaillée des dynamiques à l'œuvre dans les organisations artistiques et de la façon par laquelle ceux qui sont à leur tête ont choisi de répondre aux défis qui leur étaient lancés. Cette réflexion est soutenue par le témoignage d'importants leaders de la scène culturelle qui ont su garantir le succès de leur organisation : Nathalie Bondil,(...)
Publication:
septembre 2013
septembre 2013
Titre:
Art et gestion de l'art: leadership et institutions culturelles
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Cet ouvrage propose une analyse détaillée des dynamiques à l'œuvre dans les organisations artistiques et de la façon par laquelle ceux qui sont à leur tête ont choisi de répondre aux défis qui leur étaient lancés. Cette réflexion est soutenue par le témoignage d'importants leaders de la scène culturelle qui ont su garantir le succès de leur organisation : Nathalie Bondil, directrice du Musée des beaux-arts de Montréal depuis 2007 ; Philippe de Montebello, directeur du Metropolitan Muséum of Art de New York de 1977 à 2008 ; et Stéphane Lissner, directeur de la Scala de Milan depuis 2005 et jusqu'en 2015.
Art et gestion de l'art: leadership et institutions culturelles
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Cet ouvrage propose une analyse détaillée des dynamiques à l'œuvre dans les organisations artistiques et de la façon par laquelle ceux qui sont à leur tête ont choisi de répondre aux défis qui leur étaient lancés. Cette réflexion est soutenue par le témoignage d'importants leaders de la scène culturelle qui ont su garantir le succès de leur organisation : Nathalie Bondil, directrice du Musée des beaux-arts de Montréal depuis 2007 ; Philippe de Montebello, directeur du Metropolitan Muséum of Art de New York de 1977 à 2008 ; et Stéphane Lissner, directeur de la Scala de Milan depuis 2005 et jusqu'en 2015.
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livres
livres
Publication:
septembre 2013
septembre 2013
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livres
livres
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$134.95
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This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
$134.95
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This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
Titre:
The museum is open: towards a transnational history of museums 1750-1940
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This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
The museum is open: towards a transnational history of museums 1750-1940
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This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
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livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Self-organised
Self-organised
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Titre:
Self-organised
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Self-organised
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
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livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Muséologie
Muséologie
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livres
livres
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In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the(...)
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In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the(...)
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Ten fundamental questions of curating
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In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the Process? How About Pleasure?
Ten fundamental questions of curating
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In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the Process? How About Pleasure?
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livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$84.95
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Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have(...)
$84.95
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Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have(...)
Titre:
It's all mediating: outlining and incorparating the roles of curating and education in the exhibition context
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This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have developed into separate professions and have become the responsibility of specialised staff.
It's all mediating: outlining and incorparating the roles of curating and education in the exhibition context
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$84.95
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Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have developed into separate professions and have become the responsibility of specialised staff.
Classification:
livres
livres
Publication:
janvier 2014
janvier 2014
Sujet:
Muséologie
Muséologie
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livres
livres
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Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
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Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
Titre:
Pigeons on the grass atlas: contemporary curators talk about the field
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A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
Pigeons on the grass atlas: contemporary curators talk about the field
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Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Muséologie
Muséologie
