A museum miscellany
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'A Museum Miscellany' celebrates the intriguing world of galleries and museums, from national institutions such as the Louvre, the British Museum, and the Metropolitan Museum of Art to niche collections such as the Lawnmower Museum and the Museum of Barbed Wire. Here you will find a cornucopia of museum-related facts, statistics, and lists, covering everything from museum(...)
A museum miscellany
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$26.95
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'A Museum Miscellany' celebrates the intriguing world of galleries and museums, from national institutions such as the Louvre, the British Museum, and the Metropolitan Museum of Art to niche collections such as the Lawnmower Museum and the Museum of Barbed Wire. Here you will find a cornucopia of museum-related facts, statistics, and lists, covering everything from museum ghosts, dangerous museum objects, and conservation beetles to treasure troves, museum heists and the Museum of London’s fatberg.
Muséologie
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'Activity-Based Teaching in the Art Museum' offers diverse perspectives on embodiment, emotions, empathy, and mindfulness to inspire imaginative, spontaneous interactions that are firmly grounded in history and theory. The authors begin by surveying the emergence of activity-based teaching in the 1960s and 1970s and move on to articulate a theory of play as the(...)
Activity-based teaching in the art museum
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'Activity-Based Teaching in the Art Museum' offers diverse perspectives on embodiment, emotions, empathy, and mindfulness to inspire imaginative, spontaneous interactions that are firmly grounded in history and theory. The authors begin by surveying the emergence of activity-based teaching in the 1960s and 1970s and move on to articulate a theory of play as the cornerstone of their methodology.
Muséologie
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In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew(...)
Nazi exhibition design and modernism
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In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon and reconfigured the practices and principles of modernism when designing exhibition spaces and the objects within. In this book, Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship"—attempts to elicit experiences among exhibition-goers that would pique their desire to become involved in wider processes of social and political change.
Muséologie
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Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of(...)
Curatorial activism: towards an ethics of curating
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Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, "Curatorial Activism" examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin’s “Women Artists” at LACMA in the mid-1970s to Jean-Hubert Martin’s “Carambolages” in 2016 at the Grand Palais in Paris.
Muséologie
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Avec l'histoire naturelle, nous sommes, en tant qu'humains, enracinés dans le monde naturel et incités à penser en son sein, avec lui, et non pas contre lui. Nous appelons nos élus et nos dirigeants, actuels et futurs, à tenir compte de l'histoire naturelle et de tous les enjeux intellectuels, sociaux, culturels, économiques, éthiques, et vitaux, qu'elle englobe : ils(...)
Manifeste du Muséum : quel futur sans nature ?
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Avec l'histoire naturelle, nous sommes, en tant qu'humains, enracinés dans le monde naturel et incités à penser en son sein, avec lui, et non pas contre lui. Nous appelons nos élus et nos dirigeants, actuels et futurs, à tenir compte de l'histoire naturelle et de tous les enjeux intellectuels, sociaux, culturels, économiques, éthiques, et vitaux, qu'elle englobe : ils sont indispensables pour penser et construire le monde de demain.
Muséologie
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This publication investigates the history of exhibiting up to the present day, from predecessors of the modern museum to 20th-century exhibition methods and curatorial positions. Text by Beatrice von Bismarck, Regine Ehleiter, Stefanie Heraeus, Johan Holten, Moritz Scheper. Conversation between Bénédicte Savoy, Johan Holten.
Exhibiting the exhibition: from the cabinet of curiosities to the curatorial situation
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This publication investigates the history of exhibiting up to the present day, from predecessors of the modern museum to 20th-century exhibition methods and curatorial positions. Text by Beatrice von Bismarck, Regine Ehleiter, Stefanie Heraeus, Johan Holten, Moritz Scheper. Conversation between Bénédicte Savoy, Johan Holten.
Muséologie
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"The Constituent Museum" is inspired by a simple question: What would happen if museums put relationships at the center of their operations? Museums often organize their relationships with the public as "educational," but this role can be rethought. This book imagines the visitor not as a passive receiver of predefined content but as an active member of the constituent(...)
The constituent museum: constellations of knowledge, politics and mediation
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"The Constituent Museum" is inspired by a simple question: What would happen if museums put relationships at the center of their operations? Museums often organize their relationships with the public as "educational," but this role can be rethought. This book imagines the visitor not as a passive receiver of predefined content but as an active member of the constituent body of the museum.
Muséologie
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Alexander Dorner's radical ideas about the purpose of museums and art, examined through his tenure as Director of the RISD Museum.
Why art museums?: the unfinished work of Alexander Dorner
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Alexander Dorner's radical ideas about the purpose of museums and art, examined through his tenure as Director of the RISD Museum.
Muséologie
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Since the turn of the 21st century, there has been a significant expansion in the field of transhistorical exhibition practice—that is, exhibitions in which objects from various art-historical periods and cultural contexts are put on display together. These juxtapositions are made in an effort to question traditional museological notions like chronology, context and(...)
The transhistorical museum: mapping the field
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Since the turn of the 21st century, there has been a significant expansion in the field of transhistorical exhibition practice—that is, exhibitions in which objects from various art-historical periods and cultural contexts are put on display together. These juxtapositions are made in an effort to question traditional museological notions like chronology, context and category in the space of the museum itself. Drawing on the expertise of a wide range of international museum professionals, "The Transhistorical Museum: Mapping the Field" considers a range of such transhistorical curatorial efforts, exploring the rationale behind these projects, the particular challenges they present and the particular rewards they can offer. This volume surveys the history and future potential of the phenomenon of the transhistorical museum.
Muséologie
Photogénie de l'exposition
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L'exposition d'œuvres d'art est caractérisée par son aspect éphémère, elle finit toujours par disparaître pour ne rester dans la mémoire qu'à travers les traces que sont les catalogues et les archives. Parmi ces archives les vues d'expositions jouent un rôle à la fois singulier, transparent et déterminant. Photographie et Exposition sont étroitement liées, toutes deux(...)
Photogénie de l'exposition
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L'exposition d'œuvres d'art est caractérisée par son aspect éphémère, elle finit toujours par disparaître pour ne rester dans la mémoire qu'à travers les traces que sont les catalogues et les archives. Parmi ces archives les vues d'expositions jouent un rôle à la fois singulier, transparent et déterminant. Photographie et Exposition sont étroitement liées, toutes deux consistent à « montrer » et surtout à « mettre en lumière». Cet ouvrage fait le point sur le nouveau statut des photographies de vues d’exposition : fonction documentaire complexe, entre archive et support de représentation, elles n’ont pas qu’une valeur testimoniale, mais s’inscrivent aussi dans le contexte postmoderne comme des outils artistiques et curatoriaux.
Muséologie