244 Résultats
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livres
livres
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$42.95
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Résumé:
An increasing proportion of exhibitions are curated by artists rather than professional curators. In this ground-breaking book Alison Green provides the first critical history of visual artists curating exhibitions. The artist emerges as someone who carries a special responsibility for critiquing art’s institutions, brings considerable creativity to the craft of making(...)
$42.95
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Résumé:
An increasing proportion of exhibitions are curated by artists rather than professional curators. In this ground-breaking book Alison Green provides the first critical history of visual artists curating exhibitions. The artist emerges as someone who carries a special responsibility for critiquing art’s institutions, brings considerable creativity to the craft of making(...)
Titre:
When artists curate: contemporary art and the exhibition as medium
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$42.95
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Résumé:
An increasing proportion of exhibitions are curated by artists rather than professional curators. In this ground-breaking book Alison Green provides the first critical history of visual artists curating exhibitions. The artist emerges as someone who carries a special responsibility for critiquing art’s institutions, brings considerable creativity to the craft of making exhibitions and, through experimentation, has changed the way exhibitions are understood to be authored and experienced. But the book also establishes a curious ubiquity to the artist-curated exhibition. Rather than being exceptional or rare, artists curate all the time and in all kinds of places: in galleries and in museums, in studios, in borrowed spaces such as shopfronts or industrial buildings, in front rooms and front windows, in zoos or concert halls, on streets and in nature. Seen from the perspective of artists, showing is a part of making art. Once this idea is understood, the history of art starts to look very different.
When artists curate: contemporary art and the exhibition as medium
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$42.95
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Résumé:
An increasing proportion of exhibitions are curated by artists rather than professional curators. In this ground-breaking book Alison Green provides the first critical history of visual artists curating exhibitions. The artist emerges as someone who carries a special responsibility for critiquing art’s institutions, brings considerable creativity to the craft of making exhibitions and, through experimentation, has changed the way exhibitions are understood to be authored and experienced. But the book also establishes a curious ubiquity to the artist-curated exhibition. Rather than being exceptional or rare, artists curate all the time and in all kinds of places: in galleries and in museums, in studios, in borrowed spaces such as shopfronts or industrial buildings, in front rooms and front windows, in zoos or concert halls, on streets and in nature. Seen from the perspective of artists, showing is a part of making art. Once this idea is understood, the history of art starts to look very different.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$49.95
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Résumé:
In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew(...)
$49.95
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Résumé:
In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew(...)
Titre:
Nazi exhibition design and modernism
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$49.95
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Résumé:
In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon and reconfigured the practices and principles of modernism when designing exhibition spaces and the objects within. In this book, Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship"—attempts to elicit experiences among exhibition-goers that would pique their desire to become involved in wider processes of social and political change.
Nazi exhibition design and modernism
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$49.95
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Résumé:
In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon and reconfigured the practices and principles of modernism when designing exhibition spaces and the objects within. In this book, Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship"—attempts to elicit experiences among exhibition-goers that would pique their desire to become involved in wider processes of social and political change.
Classification:
livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$45.95
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Résumé:
Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of(...)
$45.95
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Résumé:
Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of(...)
Titre:
Curatorial activism: towards an ethics of curating
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$45.95
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Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, "Curatorial Activism" examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin’s “Women Artists” at LACMA in the mid-1970s to Jean-Hubert Martin’s “Carambolages” in 2016 at the Grand Palais in Paris.
Curatorial activism: towards an ethics of curating
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$45.95
(disponible sur commande)
Résumé:
Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year’s Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, "Curatorial Activism" examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin’s “Women Artists” at LACMA in the mid-1970s to Jean-Hubert Martin’s “Carambolages” in 2016 at the Grand Palais in Paris.
Classification:
livres
livres
Publication:
avril 2018
avril 2018
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$14.95
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Résumé:
Avec l'histoire naturelle, nous sommes, en tant qu'humains, enracinés dans le monde naturel et incités à penser en son sein, avec lui, et non pas contre lui. Nous appelons nos élus et nos dirigeants, actuels et futurs, à tenir compte de l'histoire naturelle et de tous les enjeux intellectuels, sociaux, culturels, économiques, éthiques, et vitaux, qu'elle englobe : ils(...)
$14.95
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Résumé:
Avec l'histoire naturelle, nous sommes, en tant qu'humains, enracinés dans le monde naturel et incités à penser en son sein, avec lui, et non pas contre lui. Nous appelons nos élus et nos dirigeants, actuels et futurs, à tenir compte de l'histoire naturelle et de tous les enjeux intellectuels, sociaux, culturels, économiques, éthiques, et vitaux, qu'elle englobe : ils(...)
Titre:
Manifeste du Muséum : quel futur sans nature ?
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Avec l'histoire naturelle, nous sommes, en tant qu'humains, enracinés dans le monde naturel et incités à penser en son sein, avec lui, et non pas contre lui. Nous appelons nos élus et nos dirigeants, actuels et futurs, à tenir compte de l'histoire naturelle et de tous les enjeux intellectuels, sociaux, culturels, économiques, éthiques, et vitaux, qu'elle englobe : ils sont indispensables pour penser et construire le monde de demain.
Manifeste du Muséum : quel futur sans nature ?
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$14.95
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Résumé:
Avec l'histoire naturelle, nous sommes, en tant qu'humains, enracinés dans le monde naturel et incités à penser en son sein, avec lui, et non pas contre lui. Nous appelons nos élus et nos dirigeants, actuels et futurs, à tenir compte de l'histoire naturelle et de tous les enjeux intellectuels, sociaux, culturels, économiques, éthiques, et vitaux, qu'elle englobe : ils sont indispensables pour penser et construire le monde de demain.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$87.00
(disponible sur commande)
Résumé:
This publication investigates the history of exhibiting up to the present day, from predecessors of the modern museum to 20th-century exhibition methods and curatorial positions. Text by Beatrice von Bismarck, Regine Ehleiter, Stefanie Heraeus, Johan Holten, Moritz Scheper. Conversation between Bénédicte Savoy, Johan Holten.
$87.00
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Résumé:
This publication investigates the history of exhibiting up to the present day, from predecessors of the modern museum to 20th-century exhibition methods and curatorial positions. Text by Beatrice von Bismarck, Regine Ehleiter, Stefanie Heraeus, Johan Holten, Moritz Scheper. Conversation between Bénédicte Savoy, Johan Holten.
Titre:
Exhibiting the exhibition: from the cabinet of curiosities to the curatorial situation
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$87.00
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Résumé:
This publication investigates the history of exhibiting up to the present day, from predecessors of the modern museum to 20th-century exhibition methods and curatorial positions. Text by Beatrice von Bismarck, Regine Ehleiter, Stefanie Heraeus, Johan Holten, Moritz Scheper. Conversation between Bénédicte Savoy, Johan Holten.
Exhibiting the exhibition: from the cabinet of curiosities to the curatorial situation
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$87.00
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Résumé:
This publication investigates the history of exhibiting up to the present day, from predecessors of the modern museum to 20th-century exhibition methods and curatorial positions. Text by Beatrice von Bismarck, Regine Ehleiter, Stefanie Heraeus, Johan Holten, Moritz Scheper. Conversation between Bénédicte Savoy, Johan Holten.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$47.50
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Résumé:
"The Constituent Museum" is inspired by a simple question: What would happen if museums put relationships at the center of their operations? Museums often organize their relationships with the public as "educational," but this role can be rethought. This book imagines the visitor not as a passive receiver of predefined content but as an active member of the constituent(...)
$47.50
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Résumé:
"The Constituent Museum" is inspired by a simple question: What would happen if museums put relationships at the center of their operations? Museums often organize their relationships with the public as "educational," but this role can be rethought. This book imagines the visitor not as a passive receiver of predefined content but as an active member of the constituent(...)
Titre:
The constituent museum: constellations of knowledge, politics and mediation
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$47.50
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Résumé:
"The Constituent Museum" is inspired by a simple question: What would happen if museums put relationships at the center of their operations? Museums often organize their relationships with the public as "educational," but this role can be rethought. This book imagines the visitor not as a passive receiver of predefined content but as an active member of the constituent body of the museum.
The constituent museum: constellations of knowledge, politics and mediation
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Prix:
$47.50
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Résumé:
"The Constituent Museum" is inspired by a simple question: What would happen if museums put relationships at the center of their operations? Museums often organize their relationships with the public as "educational," but this role can be rethought. This book imagines the visitor not as a passive receiver of predefined content but as an active member of the constituent body of the museum.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$52.00
(disponible sur commande)
Résumé:
Alexander Dorner's radical ideas about the purpose of museums and art, examined through his tenure as Director of the RISD Museum.
$52.00
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Résumé:
Alexander Dorner's radical ideas about the purpose of museums and art, examined through his tenure as Director of the RISD Museum.
Titre:
Why art museums?: the unfinished work of Alexander Dorner
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$52.00
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Résumé:
Alexander Dorner's radical ideas about the purpose of museums and art, examined through his tenure as Director of the RISD Museum.
Why art museums?: the unfinished work of Alexander Dorner
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$52.00
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Résumé:
Alexander Dorner's radical ideas about the purpose of museums and art, examined through his tenure as Director of the RISD Museum.
Classification:
livres
livres
Publication:
septembre 2018
septembre 2018
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$45.00
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Résumé:
Since the turn of the 21st century, there has been a significant expansion in the field of transhistorical exhibition practice—that is, exhibitions in which objects from various art-historical periods and cultural contexts are put on display together. These juxtapositions are made in an effort to question traditional museological notions like chronology, context and(...)
$45.00
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Résumé:
Since the turn of the 21st century, there has been a significant expansion in the field of transhistorical exhibition practice—that is, exhibitions in which objects from various art-historical periods and cultural contexts are put on display together. These juxtapositions are made in an effort to question traditional museological notions like chronology, context and(...)
Titre:
The transhistorical museum: mapping the field
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$45.00
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Résumé:
Since the turn of the 21st century, there has been a significant expansion in the field of transhistorical exhibition practice—that is, exhibitions in which objects from various art-historical periods and cultural contexts are put on display together. These juxtapositions are made in an effort to question traditional museological notions like chronology, context and category in the space of the museum itself. Drawing on the expertise of a wide range of international museum professionals, "The Transhistorical Museum: Mapping the Field" considers a range of such transhistorical curatorial efforts, exploring the rationale behind these projects, the particular challenges they present and the particular rewards they can offer. This volume surveys the history and future potential of the phenomenon of the transhistorical museum.
The transhistorical museum: mapping the field
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$45.00
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Résumé:
Since the turn of the 21st century, there has been a significant expansion in the field of transhistorical exhibition practice—that is, exhibitions in which objects from various art-historical periods and cultural contexts are put on display together. These juxtapositions are made in an effort to question traditional museological notions like chronology, context and category in the space of the museum itself. Drawing on the expertise of a wide range of international museum professionals, "The Transhistorical Museum: Mapping the Field" considers a range of such transhistorical curatorial efforts, exploring the rationale behind these projects, the particular challenges they present and the particular rewards they can offer. This volume surveys the history and future potential of the phenomenon of the transhistorical museum.
Classification:
livres
livres
Publication:
juin 2018
juin 2018
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
Photogénie de l'exposition
Photogénie de l'exposition
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L'exposition d'œuvres d'art est caractérisée par son aspect éphémère, elle finit toujours par disparaître pour ne rester dans la mémoire qu'à travers les traces que sont les catalogues et les archives. Parmi ces archives les vues d'expositions jouent un rôle à la fois singulier, transparent et déterminant. Photographie et Exposition sont étroitement liées, toutes deux(...)
$29.95
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Résumé:
L'exposition d'œuvres d'art est caractérisée par son aspect éphémère, elle finit toujours par disparaître pour ne rester dans la mémoire qu'à travers les traces que sont les catalogues et les archives. Parmi ces archives les vues d'expositions jouent un rôle à la fois singulier, transparent et déterminant. Photographie et Exposition sont étroitement liées, toutes deux(...)
Titre:
Photogénie de l'exposition
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$29.95
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Résumé:
L'exposition d'œuvres d'art est caractérisée par son aspect éphémère, elle finit toujours par disparaître pour ne rester dans la mémoire qu'à travers les traces que sont les catalogues et les archives. Parmi ces archives les vues d'expositions jouent un rôle à la fois singulier, transparent et déterminant. Photographie et Exposition sont étroitement liées, toutes deux consistent à « montrer » et surtout à « mettre en lumière». Cet ouvrage fait le point sur le nouveau statut des photographies de vues d’exposition : fonction documentaire complexe, entre archive et support de représentation, elles n’ont pas qu’une valeur testimoniale, mais s’inscrivent aussi dans le contexte postmoderne comme des outils artistiques et curatoriaux.
Photogénie de l'exposition
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$29.95
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Résumé:
L'exposition d'œuvres d'art est caractérisée par son aspect éphémère, elle finit toujours par disparaître pour ne rester dans la mémoire qu'à travers les traces que sont les catalogues et les archives. Parmi ces archives les vues d'expositions jouent un rôle à la fois singulier, transparent et déterminant. Photographie et Exposition sont étroitement liées, toutes deux consistent à « montrer » et surtout à « mettre en lumière». Cet ouvrage fait le point sur le nouveau statut des photographies de vues d’exposition : fonction documentaire complexe, entre archive et support de représentation, elles n’ont pas qu’une valeur testimoniale, mais s’inscrivent aussi dans le contexte postmoderne comme des outils artistiques et curatoriaux.
Classification:
livres
livres
Publication:
août 2018
août 2018
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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Prix:
$39.95
(disponible en magasin)
Résumé:
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests(...)
$39.95
(disponible en magasin)
Résumé:
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests(...)
Titre:
Tear gas epiphanies: protest, culture, museums
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$39.95
(disponible en magasin)
Résumé:
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests at museums are understudied, they are far from anomalous. "Tear Gas Epiphanies" traces the as-yet-untold story of political action at museums in Canada from the early twentieth century to the present. The book looks at how museums do or do not archive protest ephemera, examining a range of responses to actions taking place at their thresholds, from active encouragement to belligerent dismissal. Drawing together extensive primary-source research and analysis, Robertson questions widespread perceptions of museums, strongly arguing for a reconsideration of their role in contemporary society that takes into account political conflict and protest as key ingredients in museum life.
Tear gas epiphanies: protest, culture, museums
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Prix:
$39.95
(disponible en magasin)
Résumé:
Museums are frequently sites of struggle and negotiation. They are key cultural institutions that occupy an oftentimes uncomfortable place at the crossroads of the arts, culture, various levels of government, corporate ventures, and the public. Because of this, museums are targeted by political action but can also provide support for contentious politics. Though protests at museums are understudied, they are far from anomalous. "Tear Gas Epiphanies" traces the as-yet-untold story of political action at museums in Canada from the early twentieth century to the present. The book looks at how museums do or do not archive protest ephemera, examining a range of responses to actions taking place at their thresholds, from active encouragement to belligerent dismissal. Drawing together extensive primary-source research and analysis, Robertson questions widespread perceptions of museums, strongly arguing for a reconsideration of their role in contemporary society that takes into account political conflict and protest as key ingredients in museum life.
Classification:
livres
livres
Publication:
juin 2019
juin 2019
Sujet:
Muséologie
Muséologie
