244 Résultats
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livres
livres
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''Comradeship'' collects 16 essays by the forward-thinking Slovenian curator, museum director and scholar Zdenka Badovinac (born 1958). Appointed director of Ljubljana's Museum of Modern Art in 1993 in the wake of Slovenian independence, Badovinac has become an influential voice in international conversations rethinking the geopolitics of art after the fall of communism.(...)
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Résumé:
''Comradeship'' collects 16 essays by the forward-thinking Slovenian curator, museum director and scholar Zdenka Badovinac (born 1958). Appointed director of Ljubljana's Museum of Modern Art in 1993 in the wake of Slovenian independence, Badovinac has become an influential voice in international conversations rethinking the geopolitics of art after the fall of communism.(...)
Titre:
Comradeship: curating, art, and politics in post-socialist Europe
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''Comradeship'' collects 16 essays by the forward-thinking Slovenian curator, museum director and scholar Zdenka Badovinac (born 1958). Appointed director of Ljubljana's Museum of Modern Art in 1993 in the wake of Slovenian independence, Badovinac has become an influential voice in international conversations rethinking the geopolitics of art after the fall of communism. She is a ferocious critic of unequal negotiations between East and West and a leading historian of the avant-garde art that emerged in socialist and post-socialist countries at the end of the last century. One of the longest-serving and most prominent museum directors in the region, Badovinac has pioneered radical institutional forms to create a museum responsive to the complexities of the past, and commensurate with the demands of the present.
Comradeship: curating, art, and politics in post-socialist Europe
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Résumé:
''Comradeship'' collects 16 essays by the forward-thinking Slovenian curator, museum director and scholar Zdenka Badovinac (born 1958). Appointed director of Ljubljana's Museum of Modern Art in 1993 in the wake of Slovenian independence, Badovinac has become an influential voice in international conversations rethinking the geopolitics of art after the fall of communism. She is a ferocious critic of unequal negotiations between East and West and a leading historian of the avant-garde art that emerged in socialist and post-socialist countries at the end of the last century. One of the longest-serving and most prominent museum directors in the region, Badovinac has pioneered radical institutional forms to create a museum responsive to the complexities of the past, and commensurate with the demands of the present.
Classification:
livres
livres
Publication:
avril 2019
avril 2019
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$45.00
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This publication focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the(...)
$45.00
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Résumé:
This publication focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the(...)
Titre:
Conceptual art in a curatorial perspective: between dematerialization and documentation
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This publication focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed.
Conceptual art in a curatorial perspective: between dematerialization and documentation
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$45.00
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Résumé:
This publication focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed.
Classification:
livres
livres
Publication:
mars 2019
mars 2019
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$34.95
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Résumé:
Why do design? What is design for? In a world of dwindling natural resources, exhausted social and political systems, and an overload of information there are many urgent reasons to reimagine the design discipline, and there is a growing need to look at design education. Learning and unlearning should become part of an ongoing educational practice. We need new proposals(...)
$34.95
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Why do design? What is design for? In a world of dwindling natural resources, exhausted social and political systems, and an overload of information there are many urgent reasons to reimagine the design discipline, and there is a growing need to look at design education. Learning and unlearning should become part of an ongoing educational practice. We need new proposals(...)
Titre:
Design as learning: a school of schools reader
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$34.95
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Why do design? What is design for? In a world of dwindling natural resources, exhausted social and political systems, and an overload of information there are many urgent reasons to reimagine the design discipline, and there is a growing need to look at design education. Learning and unlearning should become part of an ongoing educational practice. We need new proposals for how to organize society, how to structure our governments, how to live with, not against, the planet, how to sift fact from fiction, how to relate to each other, and frankly, how to simply survive.
Design as learning: a school of schools reader
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Why do design? What is design for? In a world of dwindling natural resources, exhausted social and political systems, and an overload of information there are many urgent reasons to reimagine the design discipline, and there is a growing need to look at design education. Learning and unlearning should become part of an ongoing educational practice. We need new proposals for how to organize society, how to structure our governments, how to live with, not against, the planet, how to sift fact from fiction, how to relate to each other, and frankly, how to simply survive.
Classification:
livres
livres
Publication:
février 2019
février 2019
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$39.95
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Résumé:
Artists and cultural practitioners from Indigenous communities around the world are increasingly in the international spotlight. As museums and curators race to consider the planetary reach of their art collections and exhibitions, this publication draws upon the challenges faced today by cultural workers, Indigenous and non-Indigenous, to engage meaningfully and(...)
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Artists and cultural practitioners from Indigenous communities around the world are increasingly in the international spotlight. As museums and curators race to consider the planetary reach of their art collections and exhibitions, this publication draws upon the challenges faced today by cultural workers, Indigenous and non-Indigenous, to engage meaningfully and(...)
Titre:
Sovereign words: indigenous art, curation and criticism
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$39.95
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Artists and cultural practitioners from Indigenous communities around the world are increasingly in the international spotlight. As museums and curators race to consider the planetary reach of their art collections and exhibitions, this publication draws upon the challenges faced today by cultural workers, Indigenous and non-Indigenous, to engage meaningfully and ethically with the histories, presents and futures of Indigenous cultural practices and world-views.
Sovereign words: indigenous art, curation and criticism
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Artists and cultural practitioners from Indigenous communities around the world are increasingly in the international spotlight. As museums and curators race to consider the planetary reach of their art collections and exhibitions, this publication draws upon the challenges faced today by cultural workers, Indigenous and non-Indigenous, to engage meaningfully and ethically with the histories, presents and futures of Indigenous cultural practices and world-views.
Classification:
livres
livres
Publication:
mai 2019
mai 2019
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$36.95
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Depuis 40 ans, la France connaît un boom des musées et des expositions blockbusters qui va de pair avec un accroissement continu de la fréquentation des publics. Les défis et les enjeux sont grands pour les musées aujourd'hui, dans un contexte où les logiques marchandes sont toujours plus poussées. Or, les musées restent avant tout des lieux de diffusion de la(...)
$36.95
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Depuis 40 ans, la France connaît un boom des musées et des expositions blockbusters qui va de pair avec un accroissement continu de la fréquentation des publics. Les défis et les enjeux sont grands pour les musées aujourd'hui, dans un contexte où les logiques marchandes sont toujours plus poussées. Or, les musées restent avant tout des lieux de diffusion de la(...)
Titre:
Les musées sont-ils condamnés à séduire ?
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Depuis 40 ans, la France connaît un boom des musées et des expositions blockbusters qui va de pair avec un accroissement continu de la fréquentation des publics. Les défis et les enjeux sont grands pour les musées aujourd'hui, dans un contexte où les logiques marchandes sont toujours plus poussées. Or, les musées restent avant tout des lieux de diffusion de la connaissance qui réinventent continuellement leurs formes et leurs supports de médiation. Multimédias, cartels, audioguides ou fascicules d'aide à la visite peuplent l'espace muséal et façonnent le discours muséographique, qui n'est au fond que l'expression d'un point de vue sur une question (d'art, de société, scientifique) et une manière d'accompagner les visiteurs dans leur exploration des collections. « Les musées sont-ils condamnés à séduire ? Et autres écrits muséologiques » est un recueil de textes de Daniel Jacobi faisant l'inventaire de 40 ans de recherche.
Les musées sont-ils condamnés à séduire ?
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Depuis 40 ans, la France connaît un boom des musées et des expositions blockbusters qui va de pair avec un accroissement continu de la fréquentation des publics. Les défis et les enjeux sont grands pour les musées aujourd'hui, dans un contexte où les logiques marchandes sont toujours plus poussées. Or, les musées restent avant tout des lieux de diffusion de la connaissance qui réinventent continuellement leurs formes et leurs supports de médiation. Multimédias, cartels, audioguides ou fascicules d'aide à la visite peuplent l'espace muséal et façonnent le discours muséographique, qui n'est au fond que l'expression d'un point de vue sur une question (d'art, de société, scientifique) et une manière d'accompagner les visiteurs dans leur exploration des collections. « Les musées sont-ils condamnés à séduire ? Et autres écrits muséologiques » est un recueil de textes de Daniel Jacobi faisant l'inventaire de 40 ans de recherche.
Classification:
livres
livres
Publication:
mars 2017
mars 2017
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
A museum miscellany
A museum miscellany
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$26.95
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'A Museum Miscellany' celebrates the intriguing world of galleries and museums, from national institutions such as the Louvre, the British Museum, and the Metropolitan Museum of Art to niche collections such as the Lawnmower Museum and the Museum of Barbed Wire. Here you will find a cornucopia of museum-related facts, statistics, and lists, covering everything from museum(...)
$26.95
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'A Museum Miscellany' celebrates the intriguing world of galleries and museums, from national institutions such as the Louvre, the British Museum, and the Metropolitan Museum of Art to niche collections such as the Lawnmower Museum and the Museum of Barbed Wire. Here you will find a cornucopia of museum-related facts, statistics, and lists, covering everything from museum(...)
Titre:
A museum miscellany
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$26.95
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'A Museum Miscellany' celebrates the intriguing world of galleries and museums, from national institutions such as the Louvre, the British Museum, and the Metropolitan Museum of Art to niche collections such as the Lawnmower Museum and the Museum of Barbed Wire. Here you will find a cornucopia of museum-related facts, statistics, and lists, covering everything from museum ghosts, dangerous museum objects, and conservation beetles to treasure troves, museum heists and the Museum of London’s fatberg.
A museum miscellany
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$26.95
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'A Museum Miscellany' celebrates the intriguing world of galleries and museums, from national institutions such as the Louvre, the British Museum, and the Metropolitan Museum of Art to niche collections such as the Lawnmower Museum and the Museum of Barbed Wire. Here you will find a cornucopia of museum-related facts, statistics, and lists, covering everything from museum ghosts, dangerous museum objects, and conservation beetles to treasure troves, museum heists and the Museum of London’s fatberg.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$44.00
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'Activity-Based Teaching in the Art Museum' offers diverse perspectives on embodiment, emotions, empathy, and mindfulness to inspire imaginative, spontaneous interactions that are firmly grounded in history and theory. The authors begin by surveying the emergence of activity-based teaching in the 1960s and 1970s and move on to articulate a theory of play as the(...)
$44.00
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'Activity-Based Teaching in the Art Museum' offers diverse perspectives on embodiment, emotions, empathy, and mindfulness to inspire imaginative, spontaneous interactions that are firmly grounded in history and theory. The authors begin by surveying the emergence of activity-based teaching in the 1960s and 1970s and move on to articulate a theory of play as the(...)
Titre:
Activity-based teaching in the art museum
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$44.00
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'Activity-Based Teaching in the Art Museum' offers diverse perspectives on embodiment, emotions, empathy, and mindfulness to inspire imaginative, spontaneous interactions that are firmly grounded in history and theory. The authors begin by surveying the emergence of activity-based teaching in the 1960s and 1970s and move on to articulate a theory of play as the cornerstone of their methodology.
Activity-based teaching in the art museum
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'Activity-Based Teaching in the Art Museum' offers diverse perspectives on embodiment, emotions, empathy, and mindfulness to inspire imaginative, spontaneous interactions that are firmly grounded in history and theory. The authors begin by surveying the emergence of activity-based teaching in the 1960s and 1970s and move on to articulate a theory of play as the cornerstone of their methodology.
Classification:
livres
livres
Publication:
janvier 2020
janvier 2020
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$55.95
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In this volume, an international, interdisciplinary group of writers discuss what it means to be global — or to be local — in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of(...)
$55.95
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Résumé:
In this volume, an international, interdisciplinary group of writers discuss what it means to be global — or to be local — in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of(...)
Titre:
Curating after the global: roadmaps for the present
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$55.95
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In this volume, an international, interdisciplinary group of writers discuss what it means to be global — or to be local — in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe.
Curating after the global: roadmaps for the present
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$55.95
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In this volume, an international, interdisciplinary group of writers discuss what it means to be global — or to be local — in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$32.00
(disponible sur commande)
Résumé:
What does it mean to be HUO? What does it mean to be a curator? Is there anything less interesting to me (or you?) than selecting artists for exhibitions? In an era of, let's call it, “boutique” art shows, the issue seems about as relevant as Diet Coke. But if anything, Hans is the Real Thing. Hans is Coca-Cola. In this book you'll find personal, anecdotal remarks on(...)
$32.00
(disponible sur commande)
Résumé:
What does it mean to be HUO? What does it mean to be a curator? Is there anything less interesting to me (or you?) than selecting artists for exhibitions? In an era of, let's call it, “boutique” art shows, the issue seems about as relevant as Diet Coke. But if anything, Hans is the Real Thing. Hans is Coca-Cola. In this book you'll find personal, anecdotal remarks on(...)
Titre:
An exhibition always hides another exhibition: texts on Hans Ulrich Obrist
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$32.00
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Résumé:
What does it mean to be HUO? What does it mean to be a curator? Is there anything less interesting to me (or you?) than selecting artists for exhibitions? In an era of, let's call it, “boutique” art shows, the issue seems about as relevant as Diet Coke. But if anything, Hans is the Real Thing. Hans is Coca-Cola. In this book you'll find personal, anecdotal remarks on HUO's character, republished texts, and portraits (by artists including Alex Katz) that give context to the questions that frame the book: “Who is HUO?” and “What does HUO do?” More so, “What has he done?” If the art world were to seek out a supreme leader who was benevolent, kind, and fair, HUO would be it.
An exhibition always hides another exhibition: texts on Hans Ulrich Obrist
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$32.00
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Résumé:
What does it mean to be HUO? What does it mean to be a curator? Is there anything less interesting to me (or you?) than selecting artists for exhibitions? In an era of, let's call it, “boutique” art shows, the issue seems about as relevant as Diet Coke. But if anything, Hans is the Real Thing. Hans is Coca-Cola. In this book you'll find personal, anecdotal remarks on HUO's character, republished texts, and portraits (by artists including Alex Katz) that give context to the questions that frame the book: “Who is HUO?” and “What does HUO do?” More so, “What has he done?” If the art world were to seek out a supreme leader who was benevolent, kind, and fair, HUO would be it.
Classification:
livres
livres
Publication:
décembre 2019
décembre 2019
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$46.50
(disponible sur commande)
Résumé:
This volume gathers and expands upon the results of the research project "Theater, Garden, Bestiary: A Materialist History of Exhibitions," held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art(...)
$46.50
(disponible sur commande)
Résumé:
This volume gathers and expands upon the results of the research project "Theater, Garden, Bestiary: A Materialist History of Exhibitions," held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art(...)
Titre:
Theater, garden, bestiary: a materialist history of exhibitions
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$46.50
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Résumé:
This volume gathers and expands upon the results of the research project "Theater, Garden, Bestiary: A Materialist History of Exhibitions," held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site.
Theater, garden, bestiary: a materialist history of exhibitions
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$46.50
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Résumé:
This volume gathers and expands upon the results of the research project "Theater, Garden, Bestiary: A Materialist History of Exhibitions," held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Sujet:
Muséologie
Muséologie
