248 Résultats
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livres
livres
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$134.95
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Résumé:
This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
$134.95
(disponible sur commande)
Résumé:
This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
Titre:
The museum is open: towards a transnational history of museums 1750-1940
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$134.95
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Résumé:
This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
The museum is open: towards a transnational history of museums 1750-1940
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$134.95
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Résumé:
This volume highlights the museum as a product of transnational processes of exchange, focusing on the period from ca. 1750 to 1940.
Classification:
livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Muséologie
Muséologie
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livres
livres
Titre:
Self-organised
Self-organised
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$26.00
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
$26.00
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Titre:
Self-organised
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$26.00
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Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Self-organised
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$26.00
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Résumé:
Artists, curators and critics discuss empirical and theoretical approaches from Europe, Africa and South and North America on how self-organization today oscillates between the self and the group, self-imposed bureaucratization and flexibility, aestheticization and activism.
Classification:
livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$32.50
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Résumé:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the(...)
$32.50
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Résumé:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the(...)
Titre:
Ten fundamental questions of curating
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$32.50
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Résumé:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the Process? How About Pleasure?
Ten fundamental questions of curating
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$32.50
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Résumé:
In Ten Fundamental Questions of Curating ten contemporary curators pose and then propose answers to a series of key questions related to curating, art and exhibition making today: What Is a Curator? What Is the Public? What Is Art? What About Collecting? What Is an Exhibition? Why Mediate Art? What To Do with the Contemporary? What About Responsibility? What Is the Process? How About Pleasure?
Classification:
livres
livres
Publication:
novembre 2013
novembre 2013
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$84.95
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Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have(...)
$84.95
(disponible sur commande)
Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have(...)
Titre:
It's all mediating: outlining and incorparating the roles of curating and education in the exhibition context
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$84.95
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Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have developed into separate professions and have become the responsibility of specialised staff.
It's all mediating: outlining and incorparating the roles of curating and education in the exhibition context
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$84.95
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Résumé:
This publication explores the two core functions of museums: exhibiting of the content and educational activities directed to audiences. These areas of activity - both committed to "mediating" between art and its audience - have existed since the birth of the public museum, but, as the result of professionalisation and specialisation of the museum field, they have developed into separate professions and have become the responsibility of specialised staff.
Classification:
livres
livres
Publication:
janvier 2014
janvier 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$15.00
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Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
$15.00
(disponible sur commande)
Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons(...)
Titre:
Pigeons on the grass atlas: contemporary curators talk about the field
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$15.00
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A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
Pigeons on the grass atlas: contemporary curators talk about the field
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$15.00
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Résumé:
A roster of curators, affectionately dubbed "pigeons," were invited to respond to an evolving list of questions, what the editors called a "pigeonnaire," about their approach to their work. This pigeonnaire probed such topics as influences, daily practice, artist–curator relationships and the curator’s responsibility to society. Over the course of a year, the pigeons dropped by with their answers, and the editors then strung together the questions and answers in a continuous narrative that reads something like the transcript of a large meeting, providing a portrait of common ground and fissures in the field of curating now.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$25.00
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Résumé:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and(...)
$25.00
(disponible sur commande)
Résumé:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and(...)
Titre:
Radical museology: or what's contemporary in museums of contemporary art?
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$25.00
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Résumé:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and diverse history, to question the present and to realize a different future. She discusses creative solutions implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana. This book is a manifesto for the importance of a politicized representation of the contemporary in today’s art.
Radical museology: or what's contemporary in museums of contemporary art?
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$25.00
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Résumé:
In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and diverse history, to question the present and to realize a different future. She discusses creative solutions implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana. This book is a manifesto for the importance of a politicized representation of the contemporary in today’s art.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Prix:
$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of(...)
Titre:
Institutional time: a critique of studio art education
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$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
Institutional time: a critique of studio art education
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Prix:
$46.00
(disponible en magasin)
Résumé:
Judy Chicago provides an autobiographical look at higher education in art. How should women—and men—be prepared for a career in today’s art world? For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching expériences. Founder of the first program dedicated to feminist art, at California State University, Fresno, in 1970, she went on to initiate the Feminist Art Program at California Institute of the Arts with artist Miriam Schapiro, the first program at a major art school to specifically address the needs of female art students. Creator of the celebrated The Dinner Party, a monumental art installation now on permanent display at the Brooklyn Museum, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education.
Classification:
livres
livres
Publication:
mars 2014
mars 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$25.95
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Résumé:
Pur produit de l'Occident qui s'exporte aujourd'hui avec fracas, le musée est en réalité une institution coupée de la vie, qui s'est constituée en mythologie, voire en uchronie (monde privé d'histoire). S'il témoigne de notre besoin d'une référence identitaire stable, il n'en est pas moins en porte-à-faux avec les réalités sociales contemporaines. Doit-il fermer ses(...)
$25.95
(disponible sur commande)
Résumé:
Pur produit de l'Occident qui s'exporte aujourd'hui avec fracas, le musée est en réalité une institution coupée de la vie, qui s'est constituée en mythologie, voire en uchronie (monde privé d'histoire). S'il témoigne de notre besoin d'une référence identitaire stable, il n'en est pas moins en porte-à-faux avec les réalités sociales contemporaines. Doit-il fermer ses(...)
Titre:
Mythologie du musée : de l'uchronie à l'utopie
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$25.95
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Pur produit de l'Occident qui s'exporte aujourd'hui avec fracas, le musée est en réalité une institution coupée de la vie, qui s'est constituée en mythologie, voire en uchronie (monde privé d'histoire). S'il témoigne de notre besoin d'une référence identitaire stable, il n'en est pas moins en porte-à-faux avec les réalités sociales contemporaines. Doit-il fermer ses portes ou peut-il se rénover ? Dans le sillage des différentes utopies proposées à la fin du XXe siècle, les récents musées de société tentent d'échapper à toute forme de dogmatisme en pratiquant l'ouverture et la mise en question délibérée.
Mythologie du musée : de l'uchronie à l'utopie
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$25.95
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Résumé:
Pur produit de l'Occident qui s'exporte aujourd'hui avec fracas, le musée est en réalité une institution coupée de la vie, qui s'est constituée en mythologie, voire en uchronie (monde privé d'histoire). S'il témoigne de notre besoin d'une référence identitaire stable, il n'en est pas moins en porte-à-faux avec les réalités sociales contemporaines. Doit-il fermer ses portes ou peut-il se rénover ? Dans le sillage des différentes utopies proposées à la fin du XXe siècle, les récents musées de société tentent d'échapper à toute forme de dogmatisme en pratiquant l'ouverture et la mise en question délibérée.
Classification:
livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
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$24.95
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Résumé:
This publication offers a reappraisal of archives and a look at the challenges they face in a time when issues of freedom of information, privacy, technology, and digitization are increasingly important. The contributors argue that archives are essential to contemporary debates about public policy and make a case for more status, funding, and influence within public(...)
$24.95
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Résumé:
This publication offers a reappraisal of archives and a look at the challenges they face in a time when issues of freedom of information, privacy, technology, and digitization are increasingly important. The contributors argue that archives are essential to contemporary debates about public policy and make a case for more status, funding, and influence within public(...)
Titre:
Better off forgetting? Essays on archives, public policy, and collective memory
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$24.95
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Résumé:
This publication offers a reappraisal of archives and a look at the challenges they face in a time when issues of freedom of information, privacy, technology, and digitization are increasingly important. The contributors argue that archives are essential to contemporary debates about public policy and make a case for more status, funding, and influence within public bureaucracies. While stimulating debate about our rapidly changing information environment, this book focus on the continuing role of archives in gathering and preserving our collective memory.
Better off forgetting? Essays on archives, public policy, and collective memory
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$24.95
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Résumé:
This publication offers a reappraisal of archives and a look at the challenges they face in a time when issues of freedom of information, privacy, technology, and digitization are increasingly important. The contributors argue that archives are essential to contemporary debates about public policy and make a case for more status, funding, and influence within public bureaucracies. While stimulating debate about our rapidly changing information environment, this book focus on the continuing role of archives in gathering and preserving our collective memory.
Classification:
livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
What is exhibition design?
What is exhibition design?
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$28.00
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Résumé:
What is Exhibition Design? provides a diverse portfolio of cutting-edge work from designers and studios around the world.
$28.00
(disponible sur commande)
Résumé:
What is Exhibition Design? provides a diverse portfolio of cutting-edge work from designers and studios around the world.
Titre:
What is exhibition design?
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$28.00
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Résumé:
What is Exhibition Design? provides a diverse portfolio of cutting-edge work from designers and studios around the world.
What is exhibition design?
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Prix:
$28.00
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Résumé:
What is Exhibition Design? provides a diverse portfolio of cutting-edge work from designers and studios around the world.
Classification:
livres
livres
Publication:
août 2010
août 2010
Sujet:
Muséologie
Muséologie
