226 Résultats
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Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of(...)
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Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of(...)
Publication:
janvier 2017
janvier 2017
Titre:
Architecture in archives: the collection of the Akademie der Künste, Berlin
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Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of the Akademie in West Berlin, the architect Hans Scharoun, that bequests from architects began to be received into the Archive. This publication offers for the first time a comprehensive overview of the archives of architects, engineers, landscape architects, architectural photographers and critics, all of which have been bequeathed to the Architectural Archive of the Akademie der Künste. All 71 archives and 80 collections are introduced with brief biographies of the original authors and descriptions denoting the nature and scope of the holdings. Friedrich Gilly from the Preußische Akademie der Künste is, among others, represented with drawings. A particular abundance of documentation reflects the era of Expressionism following the First World War with the works of Hugo Häring, Hans Scharoun, Bruno Taut, Hans and Wassili Luckhardt, Alfons Anker, Paul Goesch, Adolf Behne and Heinrich Lauterbach. The archives of Richard Ermisch, Paul Baumgarten and Thilo Schoder date back as far as the 1920s. Particular emphasis is laid upon those architects forced to emigrate after 1933, among their number Gabriel Epstein, Julius Posener, Konrad Wachsmann, Adolf Rading and Harry Rosenthal. The post-war period and the 1960s are represented by the archives of Max Taut, Walter Rossow, Dieter Oesterlen, Bernhard Pfau, Ludwig Leo, Bernhard Hermkes, Helmut Hentrich, Werner Hebebrand, Hermann Henselmann, Werner Düttmann, Friedrich Spengelin and Heinz Graffunder. Archives and collections extending into the 21st century emanate from Kurt Ackermann, Hans-Busso von Busse, Peter von Seidlein, Manfred Sack, Jörg Schlaich, Szyszkowitz + Kowalski, Haus-Rucker-Co, Valentien + Valentien and Arno Brandlhuber.
Architecture in archives: the collection of the Akademie der Künste, Berlin
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Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of the Akademie in West Berlin, the architect Hans Scharoun, that bequests from architects began to be received into the Archive. This publication offers for the first time a comprehensive overview of the archives of architects, engineers, landscape architects, architectural photographers and critics, all of which have been bequeathed to the Architectural Archive of the Akademie der Künste. All 71 archives and 80 collections are introduced with brief biographies of the original authors and descriptions denoting the nature and scope of the holdings. Friedrich Gilly from the Preußische Akademie der Künste is, among others, represented with drawings. A particular abundance of documentation reflects the era of Expressionism following the First World War with the works of Hugo Häring, Hans Scharoun, Bruno Taut, Hans and Wassili Luckhardt, Alfons Anker, Paul Goesch, Adolf Behne and Heinrich Lauterbach. The archives of Richard Ermisch, Paul Baumgarten and Thilo Schoder date back as far as the 1920s. Particular emphasis is laid upon those architects forced to emigrate after 1933, among their number Gabriel Epstein, Julius Posener, Konrad Wachsmann, Adolf Rading and Harry Rosenthal. The post-war period and the 1960s are represented by the archives of Max Taut, Walter Rossow, Dieter Oesterlen, Bernhard Pfau, Ludwig Leo, Bernhard Hermkes, Helmut Hentrich, Werner Hebebrand, Hermann Henselmann, Werner Düttmann, Friedrich Spengelin and Heinz Graffunder. Archives and collections extending into the 21st century emanate from Kurt Ackermann, Hans-Busso von Busse, Peter von Seidlein, Manfred Sack, Jörg Schlaich, Szyszkowitz + Kowalski, Haus-Rucker-Co, Valentien + Valentien and Arno Brandlhuber.
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livres
livres
Publication:
janvier 2017
janvier 2017
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livres
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to,(...)
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to,(...)
Titre:
Exhibiting the postmodern: the 1980 Venice Architecture Biennale
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. It has been in this afterlife that the exhibition came into its own.
Exhibiting the postmodern: the 1980 Venice Architecture Biennale
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. It has been in this afterlife that the exhibition came into its own.
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livres
livres
Publication:
septembre 2017
septembre 2017
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$105.00
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What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
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What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
Titre:
Thinking outside the box: the Museum Haus Konstruktiv collection
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What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
Thinking outside the box: the Museum Haus Konstruktiv collection
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What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
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livres
livres
Publication:
février 2017
février 2017
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livres
livres
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$93.99
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished(...)
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished(...)
Titre:
Designing the V: the museum as a work of art (1857-1909)
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design. The V’s first Director, Henry Cole, conceived the museum’s building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole’s expressed policy to ‘assemble a splendid collection of objects representing the application of Fine Arts to manufacture’ was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton, G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques. This book represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and provides an essential key to understanding the evolution of the museum’s early collections and identity.
Designing the V: the museum as a work of art (1857-1909)
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design. The V’s first Director, Henry Cole, conceived the museum’s building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole’s expressed policy to ‘assemble a splendid collection of objects representing the application of Fine Arts to manufacture’ was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton, G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques. This book represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and provides an essential key to understanding the evolution of the museum’s early collections and identity.
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livres
livres
Publication:
mars 2017
mars 2017
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livres
livres
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The focus of this large book is an 18th century Dutch cabinet from the Rijksmuseum’s furniture collection. This cabinet houses a collection of curiosities including a mini-apothecary’s shop filled with over 300 jars, pots, and bottles containing medicines. Concealed behind the rear wall of the cabinet, 55 secret drawers reveal a varied collection of over 2,000 naturalia(...)
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The focus of this large book is an 18th century Dutch cabinet from the Rijksmuseum’s furniture collection. This cabinet houses a collection of curiosities including a mini-apothecary’s shop filled with over 300 jars, pots, and bottles containing medicines. Concealed behind the rear wall of the cabinet, 55 secret drawers reveal a varied collection of over 2,000 naturalia(...)
Titre:
The collector's cabinet and miniature pharmacy
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The focus of this large book is an 18th century Dutch cabinet from the Rijksmuseum’s furniture collection. This cabinet houses a collection of curiosities including a mini-apothecary’s shop filled with over 300 jars, pots, and bottles containing medicines. Concealed behind the rear wall of the cabinet, 55 secret drawers reveal a varied collection of over 2,000 naturalia specimens – including seeds, flowers, roots, resins, ores, and a great deal more. The cabinet was probably owned by a wealthy doctor or pharmacist and its contents were intended as a curiosity, for the amusement of a select group of friends. 21st century readers will be equally impressed by this exceptional Dutch collector’s cabinet.
The collector's cabinet and miniature pharmacy
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The focus of this large book is an 18th century Dutch cabinet from the Rijksmuseum’s furniture collection. This cabinet houses a collection of curiosities including a mini-apothecary’s shop filled with over 300 jars, pots, and bottles containing medicines. Concealed behind the rear wall of the cabinet, 55 secret drawers reveal a varied collection of over 2,000 naturalia specimens – including seeds, flowers, roots, resins, ores, and a great deal more. The cabinet was probably owned by a wealthy doctor or pharmacist and its contents were intended as a curiosity, for the amusement of a select group of friends. 21st century readers will be equally impressed by this exceptional Dutch collector’s cabinet.
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livres
livres
Publication:
octobre 2017
octobre 2017
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La revue annuelle du Musée des Arts Contemporains au Grand-Hornu (MAC's) fait peau neuve avec un nouveau numéro consacré au thème du musée et de sa critique par les artistes. Dits n° 22 offre un panorama de projets artistiques contemporains et internationaux proposant une réflexion sur la notion muséale, avec Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby(...)
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La revue annuelle du Musée des Arts Contemporains au Grand-Hornu (MAC's) fait peau neuve avec un nouveau numéro consacré au thème du musée et de sa critique par les artistes. Dits n° 22 offre un panorama de projets artistiques contemporains et internationaux proposant une réflexion sur la notion muséale, avec Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby(...)
Titre:
Dits n° 22 : musées pour cible
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La revue annuelle du Musée des Arts Contemporains au Grand-Hornu (MAC's) fait peau neuve avec un nouveau numéro consacré au thème du musée et de sa critique par les artistes. Dits n° 22 offre un panorama de projets artistiques contemporains et internationaux proposant une réflexion sur la notion muséale, avec Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby Frazier, Tamar Guimarães, Jompet Kuswidananto, Wesley Meuris, Rei Naito, Ryue Nishizawa, Noah Purifoy, Dayanita Singh, Fiona Tan et Fred Wilson.
Dits n° 22 : musées pour cible
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La revue annuelle du Musée des Arts Contemporains au Grand-Hornu (MAC's) fait peau neuve avec un nouveau numéro consacré au thème du musée et de sa critique par les artistes. Dits n° 22 offre un panorama de projets artistiques contemporains et internationaux proposant une réflexion sur la notion muséale, avec Yto Barrada, Christoph Büchel, Jacques Charlier, LaToya Ruby Frazier, Tamar Guimarães, Jompet Kuswidananto, Wesley Meuris, Rei Naito, Ryue Nishizawa, Noah Purifoy, Dayanita Singh, Fiona Tan et Fred Wilson.
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livres
livres
Publication:
février 2018
février 2018
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livres
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Featuring major museums from around the world, including The Metropolitan Museum of Art, The Museum of Modern Art, the Guggenheim, the de Young Museum in San Francisco, Milwaukee Art Museum, The New Museum in New York, The Royal Ontario Museum, and the Art Gallery of Ontario. This book illustrates the national and architectural differences between each nation and how(...)
$78.00
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Featuring major museums from around the world, including The Metropolitan Museum of Art, The Museum of Modern Art, the Guggenheim, the de Young Museum in San Francisco, Milwaukee Art Museum, The New Museum in New York, The Royal Ontario Museum, and the Art Gallery of Ontario. This book illustrates the national and architectural differences between each nation and how(...)
Titre:
Museums: The Reflections Series
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Featuring major museums from around the world, including The Metropolitan Museum of Art, The Museum of Modern Art, the Guggenheim, the de Young Museum in San Francisco, Milwaukee Art Museum, The New Museum in New York, The Royal Ontario Museum, and the Art Gallery of Ontario. This book illustrates the national and architectural differences between each nation and how they choose to cherish their heritage The Reflections series by ROADS is a visual exploration of the spaces and buildings that mirror the cultures in which they play such a crucial part.
Museums: The Reflections Series
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Featuring major museums from around the world, including The Metropolitan Museum of Art, The Museum of Modern Art, the Guggenheim, the de Young Museum in San Francisco, Milwaukee Art Museum, The New Museum in New York, The Royal Ontario Museum, and the Art Gallery of Ontario. This book illustrates the national and architectural differences between each nation and how they choose to cherish their heritage The Reflections series by ROADS is a visual exploration of the spaces and buildings that mirror the cultures in which they play such a crucial part.
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livres
livres
Publication:
mars 2016
mars 2016
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livres
livres
Titre:
Le pavillon Pierre Lassonde
Le pavillon Pierre Lassonde
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Cet album présente le nouveau pavillon Pierre Lassonde du Musée national des beaux-arts du Québec. De conception ingénieuse, le bâtiment réalisé par la réputée firme OMA (Office for Metropolitan Architecture) et Provencher_Roy Architectes propose une expérience architecturale intégrant l'environnement naturel et bâti pour créer une véritable ouvre en soi.
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Cet album présente le nouveau pavillon Pierre Lassonde du Musée national des beaux-arts du Québec. De conception ingénieuse, le bâtiment réalisé par la réputée firme OMA (Office for Metropolitan Architecture) et Provencher_Roy Architectes propose une expérience architecturale intégrant l'environnement naturel et bâti pour créer une véritable ouvre en soi.
Publication:
juillet 2016
juillet 2016
Titre:
Le pavillon Pierre Lassonde
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Cet album présente le nouveau pavillon Pierre Lassonde du Musée national des beaux-arts du Québec. De conception ingénieuse, le bâtiment réalisé par la réputée firme OMA (Office for Metropolitan Architecture) et Provencher_Roy Architectes propose une expérience architecturale intégrant l'environnement naturel et bâti pour créer une véritable ouvre en soi.
Le pavillon Pierre Lassonde
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Cet album présente le nouveau pavillon Pierre Lassonde du Musée national des beaux-arts du Québec. De conception ingénieuse, le bâtiment réalisé par la réputée firme OMA (Office for Metropolitan Architecture) et Provencher_Roy Architectes propose une expérience architecturale intégrant l'environnement naturel et bâti pour créer une véritable ouvre en soi.
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livres
livres
Publication:
juillet 2016
juillet 2016
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$65.00
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on(...)
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on(...)
Publication:
août 2016
août 2016
Titre:
Art Cologne 1967-2016: the first art fair
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on September 12, 1967, in Gürzenich, the City of Cologne’s gothic banqueting hall, and was to change the international art market forever. How revolutionary this first fair was can only be understood today by means of the immediate reactions at the time, which were recorded in a flood of media reports. With a wealth of documents and illustrations, this weighty volume traces the history of the fair in chronological order.
Art Cologne 1967-2016: the first art fair
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on September 12, 1967, in Gürzenich, the City of Cologne’s gothic banqueting hall, and was to change the international art market forever. How revolutionary this first fair was can only be understood today by means of the immediate reactions at the time, which were recorded in a flood of media reports. With a wealth of documents and illustrations, this weighty volume traces the history of the fair in chronological order.
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livres
livres
Publication:
août 2016
août 2016
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livres
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Tate Modern opened its doors in 2000, since when it has become the most popular modern and contemporary art attraction in the world, now welcoming more than 5 million visitors a year. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a(...)
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Tate Modern opened its doors in 2000, since when it has become the most popular modern and contemporary art attraction in the world, now welcoming more than 5 million visitors a year. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a(...)
Publication:
novembre 2016
novembre 2016
Titre:
Tate Modern: building a museum for the 21st century. Herzog & de Meuron
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Tate Modern opened its doors in 2000, since when it has become the most popular modern and contemporary art attraction in the world, now welcoming more than 5 million visitors a year. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a rare affinity with contemporary art. With the second major phase of the building now complete, Tate Modern presents a striking combination of the raw and the refined, of found industrial spaces and dazzling contemporary architecture. This is the definitive book of the building, and tells vividly the story of Tate Modern and the building of a twenty-first-century museum.
Tate Modern: building a museum for the 21st century. Herzog & de Meuron
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Tate Modern opened its doors in 2000, since when it has become the most popular modern and contemporary art attraction in the world, now welcoming more than 5 million visitors a year. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a rare affinity with contemporary art. With the second major phase of the building now complete, Tate Modern presents a striking combination of the raw and the refined, of found industrial spaces and dazzling contemporary architecture. This is the definitive book of the building, and tells vividly the story of Tate Modern and the building of a twenty-first-century museum.
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livres
livres
Publication:
novembre 2016
novembre 2016
