224 Résultats
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L'entrepôt : Musée Bordeaux
L'entrepôt : Musée Bordeaux
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Construit au début du XIXe siècle, au moment où le port de Bordeaux cherche une seconde vie, l'entrepôt Lainé a abrité les épices et les marchandises précieuses ramenées des colonies pendant plus d'un siècle. Désaffecté, menacé de destruction, il est heureusement racheté par la ville de Bordeaux en 1973 pour devenir un lieu à vocation culturelle. Une nouvelle(...)
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Construit au début du XIXe siècle, au moment où le port de Bordeaux cherche une seconde vie, l'entrepôt Lainé a abrité les épices et les marchandises précieuses ramenées des colonies pendant plus d'un siècle. Désaffecté, menacé de destruction, il est heureusement racheté par la ville de Bordeaux en 1973 pour devenir un lieu à vocation culturelle. Une nouvelle(...)
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L'entrepôt : Musée Bordeaux
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Construit au début du XIXe siècle, au moment où le port de Bordeaux cherche une seconde vie, l'entrepôt Lainé a abrité les épices et les marchandises précieuses ramenées des colonies pendant plus d'un siècle. Désaffecté, menacé de destruction, il est heureusement racheté par la ville de Bordeaux en 1973 pour devenir un lieu à vocation culturelle. Une nouvelle page de son histoire commence alors. Réaménagé par les architectes Pistre & Valode et Andrée Putman qui lui rendent son aspect d'origine, l'entrepôt devient musée d'art contemporain, offrant aux artistes une architecture épurée.
L'entrepôt : Musée Bordeaux
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Construit au début du XIXe siècle, au moment où le port de Bordeaux cherche une seconde vie, l'entrepôt Lainé a abrité les épices et les marchandises précieuses ramenées des colonies pendant plus d'un siècle. Désaffecté, menacé de destruction, il est heureusement racheté par la ville de Bordeaux en 1973 pour devenir un lieu à vocation culturelle. Une nouvelle page de son histoire commence alors. Réaménagé par les architectes Pistre & Valode et Andrée Putman qui lui rendent son aspect d'origine, l'entrepôt devient musée d'art contemporain, offrant aux artistes une architecture épurée.
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livres
livres
Publication:
avril 2000, Paris
avril 2000, Paris
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livres
livres
Titre:
Museums and memory
Museums and memory
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Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history. The essays in this volume consider museums from personal experience and historical study, and from the memories of museum visitors, curators, and(...)
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Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history. The essays in this volume consider museums from personal experience and historical study, and from the memories of museum visitors, curators, and(...)
Titre:
Museums and memory
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Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history. The essays in this volume consider museums from personal experience and historical study, and from the memories of museum visitors, curators, and scholars. Representing a variety of fields—history, anthropology, art history, and museum scholarship—the contributors discuss museums across disciplinary boundaries that have separated art museums from natural history museums or local history museums from national galleries. The essays range widely over time (from the Renaissance to the second half of the twentieth century), and place (China, Japan, the United States, and Germany), in exhibitions explored (photography, Native American history, and “Jurassic technology”), and institution (the Chinese Imperial Collection, Renaissance curiosity cabinets, and modern art museums). Memory operates thematically among the essays in diverse and provocative ways. The papers are organized according to three suggestive themes: experimental ways of theorizing and designing contemporary museums with an explicit interest in history and memory; discussions of personal encounters with historical exhibits; and the professional risks at stake for collectors and curators who shape the institutional presentation of history and memory. The contributors are Susan A. Crane, Wolfgang Ernst, Michael Fehr, Paula Findlen, Tamara Hamlish, Alexis Joachimides, Suzanne Marchand, Julia A. Thomas, and Diana Drake Wilson.
Museums and memory
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Museums today are more than familiar cultural institutions and showplaces of accumulated objects; they are the sites of interaction between personal and collective identities, between memory and history. The essays in this volume consider museums from personal experience and historical study, and from the memories of museum visitors, curators, and scholars. Representing a variety of fields—history, anthropology, art history, and museum scholarship—the contributors discuss museums across disciplinary boundaries that have separated art museums from natural history museums or local history museums from national galleries. The essays range widely over time (from the Renaissance to the second half of the twentieth century), and place (China, Japan, the United States, and Germany), in exhibitions explored (photography, Native American history, and “Jurassic technology”), and institution (the Chinese Imperial Collection, Renaissance curiosity cabinets, and modern art museums). Memory operates thematically among the essays in diverse and provocative ways. The papers are organized according to three suggestive themes: experimental ways of theorizing and designing contemporary museums with an explicit interest in history and memory; discussions of personal encounters with historical exhibits; and the professional risks at stake for collectors and curators who shape the institutional presentation of history and memory. The contributors are Susan A. Crane, Wolfgang Ernst, Michael Fehr, Paula Findlen, Tamara Hamlish, Alexis Joachimides, Suzanne Marchand, Julia A. Thomas, and Diana Drake Wilson.
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livres
livres
Publication:
juin 2000, Stanford
juin 2000, Stanford
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Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias(...)
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Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias(...)
Titre:
Fair America: world's fairs in the United States
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Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias of civilization,” the expositions impressed tens of millions of fairgoers with model environments and utopian visions. Setting more than 30 world’s fairs from 1853 to 1984 in their historical context, the authors show that the expositions reflected and influenced not only the ideals but also the cultural tensions of their times. As mainstays rather than mere ornaments of American life, world’s fairs created national support for such issues as the social reunification of North and South after the Civil War, U.S. imperial expansion at the turn of the 20th-century, consumer optimism during the Great Depression, and the essential unity of humankind in a nuclear age.
Fair America: world's fairs in the United States
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Since their inception with New York's Crystal Palace Exhibition in the mid-nineteenth century, world's fairs have introduced Americans to “exotic” pleasures such as belly dancing and the Ferris Wheel; pathbreaking technologies such as telephones and X rays; and futuristic architectural, landscaping, and transportation schemes. Billed by their promoters as “encyclopedias of civilization,” the expositions impressed tens of millions of fairgoers with model environments and utopian visions. Setting more than 30 world’s fairs from 1853 to 1984 in their historical context, the authors show that the expositions reflected and influenced not only the ideals but also the cultural tensions of their times. As mainstays rather than mere ornaments of American life, world’s fairs created national support for such issues as the social reunification of North and South after the Civil War, U.S. imperial expansion at the turn of the 20th-century, consumer optimism during the Great Depression, and the essential unity of humankind in a nuclear age.
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livres
livres
Publication:
mars 2000
mars 2000
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livres
livres
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$11.50
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An edited transcript of the third BALTIC international seminar, Curating New Media focuses on the relationship of new media art to the institution. Curators, artists and academics share their perspectives on the curating, collecting, commissioning and presenting of computer-based art in one of the first books to be published specifically on this subject.
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An edited transcript of the third BALTIC international seminar, Curating New Media focuses on the relationship of new media art to the institution. Curators, artists and academics share their perspectives on the curating, collecting, commissioning and presenting of computer-based art in one of the first books to be published specifically on this subject.
Publication:
janvier 1900, Gateshead, England
janvier 1900, Gateshead, England
Titre:
Curating new media : third BALTIC International Seminar, 2001
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An edited transcript of the third BALTIC international seminar, Curating New Media focuses on the relationship of new media art to the institution. Curators, artists and academics share their perspectives on the curating, collecting, commissioning and presenting of computer-based art in one of the first books to be published specifically on this subject.
Curating new media : third BALTIC International Seminar, 2001
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An edited transcript of the third BALTIC international seminar, Curating New Media focuses on the relationship of new media art to the institution. Curators, artists and academics share their perspectives on the curating, collecting, commissioning and presenting of computer-based art in one of the first books to be published specifically on this subject.
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livres
livres
Publication:
janvier 1900, Gateshead, England
janvier 1900, Gateshead, England
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Cet ouvrage ouvre les portes des plus grands musées d’Europe qui, dans toute la diversité de leur conception et de leurs collections, ont eu pour volonté commune d’offrir une histoire des arts et des cultures. L’on découvrira les collections encyclopédiques du Vatican, les sculptures classiques de la cour du Belvédère, les collections impériales russes des palais de(...)
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Cet ouvrage ouvre les portes des plus grands musées d’Europe qui, dans toute la diversité de leur conception et de leurs collections, ont eu pour volonté commune d’offrir une histoire des arts et des cultures. L’on découvrira les collections encyclopédiques du Vatican, les sculptures classiques de la cour du Belvédère, les collections impériales russes des palais de(...)
Titre:
Grands musées d'Europe : le rêve du musée universel
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Cet ouvrage ouvre les portes des plus grands musées d’Europe qui, dans toute la diversité de leur conception et de leurs collections, ont eu pour volonté commune d’offrir une histoire des arts et des cultures. L’on découvrira les collections encyclopédiques du Vatican, les sculptures classiques de la cour du Belvédère, les collections impériales russes des palais de l’Ermitage, les collections des Habsbourg réunies au Kunsthistorisches Museum de Vienne, les collections des Bourbons conservées au musée du Prado. L’on verra dans le musée du Louvre et dans le British Museum, la réalisation du rêve napoléonien de musée universel. Dans le projet d’une citadelle de la culture, l’on reconnaîtra le système muséal prussien installé sur la Museumsinsel de Berlin, et, plus circonscrit, le Rijskmuseum d’Amsterdam. Huit chapitres et un corpus photographique pour connaître l’historique de ces musées, la genèse et l’évolution des collections, pour cheminer à travers ces lieux emblématiques qui accueillent des chefs-d’œuvre de l’Histoire. Introduction d'Antonio Paolucci. Rédaction scientifique de Valerio Terraroli.
Grands musées d'Europe : le rêve du musée universel
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Cet ouvrage ouvre les portes des plus grands musées d’Europe qui, dans toute la diversité de leur conception et de leurs collections, ont eu pour volonté commune d’offrir une histoire des arts et des cultures. L’on découvrira les collections encyclopédiques du Vatican, les sculptures classiques de la cour du Belvédère, les collections impériales russes des palais de l’Ermitage, les collections des Habsbourg réunies au Kunsthistorisches Museum de Vienne, les collections des Bourbons conservées au musée du Prado. L’on verra dans le musée du Louvre et dans le British Museum, la réalisation du rêve napoléonien de musée universel. Dans le projet d’une citadelle de la culture, l’on reconnaîtra le système muséal prussien installé sur la Museumsinsel de Berlin, et, plus circonscrit, le Rijskmuseum d’Amsterdam. Huit chapitres et un corpus photographique pour connaître l’historique de ces musées, la genèse et l’évolution des collections, pour cheminer à travers ces lieux emblématiques qui accueillent des chefs-d’œuvre de l’Histoire. Introduction d'Antonio Paolucci. Rédaction scientifique de Valerio Terraroli.
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livres
livres
Publication:
juin 2003, Milan
juin 2003, Milan
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livres
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$58.95
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The theme of the first Rotterdam International Architecture Biennial was mobility--as it relates to the city and the landscape, and the design culture that comes with it. Held between May and July 2003, the biennial brought together numerous universities, architects, urbanists, spatial planners and designers to swap experiences and discuss new strategies for giving shape(...)
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The theme of the first Rotterdam International Architecture Biennial was mobility--as it relates to the city and the landscape, and the design culture that comes with it. Held between May and July 2003, the biennial brought together numerous universities, architects, urbanists, spatial planners and designers to swap experiences and discuss new strategies for giving shape(...)
Publication:
août 2003, Rotterdam
août 2003, Rotterdam
Titre:
Mobility : a room with a view. International Architecture Biennale Rotterdam.
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The theme of the first Rotterdam International Architecture Biennial was mobility--as it relates to the city and the landscape, and the design culture that comes with it. Held between May and July 2003, the biennial brought together numerous universities, architects, urbanists, spatial planners and designers to swap experiences and discuss new strategies for giving shape to (car) mobility. This unique book shows the results of this international research in its various forms: statistics, photography, text, visual collage and design proposals. These together give a tangible and insightful look at the mobile cultures found in a wide range of cities and countries, from Mexico City, Hong Kong and Guangzhou, to Djakarta, Budapest, the Ruhr Valley, Beirut, Los Angeles, Tokyo, Peking and Holland. The aim of the publication is twofold. On the one hand, to understand infrastructures and motorway culture by studying their different cultural and geographical contexts. On the other, to draw up an agenda for the future, one that establishes the role to be played by various design disciplines. This research and publication endeavor is the fruit of a collaboration between the universities of Wuppertal, Aachen, Berlin, California, Monterrey (Mexico), Tokyo, Hong Kong, Peking, Beirut, Budapest, Bandung and Delft.
Mobility : a room with a view. International Architecture Biennale Rotterdam.
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The theme of the first Rotterdam International Architecture Biennial was mobility--as it relates to the city and the landscape, and the design culture that comes with it. Held between May and July 2003, the biennial brought together numerous universities, architects, urbanists, spatial planners and designers to swap experiences and discuss new strategies for giving shape to (car) mobility. This unique book shows the results of this international research in its various forms: statistics, photography, text, visual collage and design proposals. These together give a tangible and insightful look at the mobile cultures found in a wide range of cities and countries, from Mexico City, Hong Kong and Guangzhou, to Djakarta, Budapest, the Ruhr Valley, Beirut, Los Angeles, Tokyo, Peking and Holland. The aim of the publication is twofold. On the one hand, to understand infrastructures and motorway culture by studying their different cultural and geographical contexts. On the other, to draw up an agenda for the future, one that establishes the role to be played by various design disciplines. This research and publication endeavor is the fruit of a collaboration between the universities of Wuppertal, Aachen, Berlin, California, Monterrey (Mexico), Tokyo, Hong Kong, Peking, Beirut, Budapest, Bandung and Delft.
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livres
livres
Publication:
août 2003, Rotterdam
août 2003, Rotterdam
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livres
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$49.00
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The(...)
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The(...)
Titre:
Max Bill's view of things: Die gute form, an exhibition 1949
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The show caused some upset in Switzerland and fueled heated debates abroad. But it also exerted a wide-reaching influence-for example, on the way in which consumer goods were perceived.
Max Bill's view of things: Die gute form, an exhibition 1949
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The show caused some upset in Switzerland and fueled heated debates abroad. But it also exerted a wide-reaching influence-for example, on the way in which consumer goods were perceived.
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livres
livres
Publication:
juin 2013
juin 2013
Classification:
livres
livres
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$100.00
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay(...)
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay(...)
Titre:
Biennials and beyond: exhibitions that made art history, 1962-2002
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay and concise overviews of each exhibition by art historian Bruce Altshuler, Biennials and Beyond is a unique sourcebook that offers direct access to the most influential exhibitions of the last 50 years.
Biennials and beyond: exhibitions that made art history, 1962-2002
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay and concise overviews of each exhibition by art historian Bruce Altshuler, Biennials and Beyond is a unique sourcebook that offers direct access to the most influential exhibitions of the last 50 years.
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livres
livres
Publication:
avril 2013
avril 2013
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livres
livres
Titre:
Stedelijk architecture
Stedelijk architecture
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Grand celebrations marked the reopening of Amsterdam’s Stedelijk Museum in September 2012, following a renovation that took eight years. Published for the occasion, Stedelijk Architecture examines the renovation, in photographs by the photographer Iwan Baan, plus floor plans, cross sections and details of the new structure. Architecture critic Hans Ibelings relates the(...)
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Grand celebrations marked the reopening of Amsterdam’s Stedelijk Museum in September 2012, following a renovation that took eight years. Published for the occasion, Stedelijk Architecture examines the renovation, in photographs by the photographer Iwan Baan, plus floor plans, cross sections and details of the new structure. Architecture critic Hans Ibelings relates the(...)
Publication:
mars 2013
mars 2013
Titre:
Stedelijk architecture
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Grand celebrations marked the reopening of Amsterdam’s Stedelijk Museum in September 2012, following a renovation that took eight years. Published for the occasion, Stedelijk Architecture examines the renovation, in photographs by the photographer Iwan Baan, plus floor plans, cross sections and details of the new structure. Architecture critic Hans Ibelings relates the museum’s history from the 1895 inauguration of the original building to the completion of the extension.
Stedelijk architecture
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Grand celebrations marked the reopening of Amsterdam’s Stedelijk Museum in September 2012, following a renovation that took eight years. Published for the occasion, Stedelijk Architecture examines the renovation, in photographs by the photographer Iwan Baan, plus floor plans, cross sections and details of the new structure. Architecture critic Hans Ibelings relates the museum’s history from the 1895 inauguration of the original building to the completion of the extension.
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livres
livres
Publication:
mars 2013
mars 2013
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livres
livres
Titre:
New exhibition design 02
New exhibition design 02
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$89.00
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The book offers an up-to-date and comprehensive insight into state-of-the-art design and planning of exhibitions by presenting more than 80 project examples of renowned international designers from Germany to Korea, from Japan to the USA and Canada, from Norway to Italy.
$89.00
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The book offers an up-to-date and comprehensive insight into state-of-the-art design and planning of exhibitions by presenting more than 80 project examples of renowned international designers from Germany to Korea, from Japan to the USA and Canada, from Norway to Italy.
Titre:
New exhibition design 02
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$89.00
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The book offers an up-to-date and comprehensive insight into state-of-the-art design and planning of exhibitions by presenting more than 80 project examples of renowned international designers from Germany to Korea, from Japan to the USA and Canada, from Norway to Italy.
New exhibition design 02
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The book offers an up-to-date and comprehensive insight into state-of-the-art design and planning of exhibitions by presenting more than 80 project examples of renowned international designers from Germany to Korea, from Japan to the USA and Canada, from Norway to Italy.
Classification:
livres
livres
Publication:
décembre 2010
décembre 2010
