222 Résultats
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This book sheds light on the Belgian pavilions for the World's Fairs in Paris 1937 and New York 1939-40. Both buildings were designed by teams that were headed by Henry van de Velde, one of the founding fathers of modern architecture in Belgium. After the 1939 New York World's Fair, the Belgian pavilion was re-erected on the campus of the Afro American Virginia Union(...)
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This book sheds light on the Belgian pavilions for the World's Fairs in Paris 1937 and New York 1939-40. Both buildings were designed by teams that were headed by Henry van de Velde, one of the founding fathers of modern architecture in Belgium. After the 1939 New York World's Fair, the Belgian pavilion was re-erected on the campus of the Afro American Virginia Union(...)
Titre:
Belgium at the fair : Exile on Main street, Paris, New York, Richmond
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This book sheds light on the Belgian pavilions for the World's Fairs in Paris 1937 and New York 1939-40. Both buildings were designed by teams that were headed by Henry van de Velde, one of the founding fathers of modern architecture in Belgium. After the 1939 New York World's Fair, the Belgian pavilion was re-erected on the campus of the Afro American Virginia Union University in Richmond, VA.
Belgium at the fair : Exile on Main street, Paris, New York, Richmond
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This book sheds light on the Belgian pavilions for the World's Fairs in Paris 1937 and New York 1939-40. Both buildings were designed by teams that were headed by Henry van de Velde, one of the founding fathers of modern architecture in Belgium. After the 1939 New York World's Fair, the Belgian pavilion was re-erected on the campus of the Afro American Virginia Union University in Richmond, VA.
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livres
livres
Publication:
décembre 2012
décembre 2012
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livres
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$57.95
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This is a comprehensive chronology from 1971 that illustrates the exponential rise in exhibitions of Western dress on an international scale.
$57.95
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This is a comprehensive chronology from 1971 that illustrates the exponential rise in exhibitions of Western dress on an international scale.
Publication:
octobre 2013
octobre 2013
Titre:
Exhibiting fashion: before and after 1971
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This is a comprehensive chronology from 1971 that illustrates the exponential rise in exhibitions of Western dress on an international scale.
Exhibiting fashion: before and after 1971
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This is a comprehensive chronology from 1971 that illustrates the exponential rise in exhibitions of Western dress on an international scale.
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livres
livres
Publication:
octobre 2013
octobre 2013
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livres
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$129.00
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An exhibition centre is a central focus of a city s economic life, and in many cases a unique expression of its image. For this reason, as well as offering adequate space and infrastructure, it must make a strong, clearly recognizable architectural statement. Over the past couple of decades, new technology and globalization have transformed trade fairs: today they are not(...)
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An exhibition centre is a central focus of a city s economic life, and in many cases a unique expression of its image. For this reason, as well as offering adequate space and infrastructure, it must make a strong, clearly recognizable architectural statement. Over the past couple of decades, new technology and globalization have transformed trade fairs: today they are not(...)
Titre:
Exhibition halls: construction and design manual
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An exhibition centre is a central focus of a city s economic life, and in many cases a unique expression of its image. For this reason, as well as offering adequate space and infrastructure, it must make a strong, clearly recognizable architectural statement. Over the past couple of decades, new technology and globalization have transformed trade fairs: today they are not so much markets as forums for the exchange of information and contacts. This new volume spotlights twenty-two exemplary European buildings that have overcome the resulting architectural challenges.
Exhibition halls: construction and design manual
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An exhibition centre is a central focus of a city s economic life, and in many cases a unique expression of its image. For this reason, as well as offering adequate space and infrastructure, it must make a strong, clearly recognizable architectural statement. Over the past couple of decades, new technology and globalization have transformed trade fairs: today they are not so much markets as forums for the exchange of information and contacts. This new volume spotlights twenty-two exemplary European buildings that have overcome the resulting architectural challenges.
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livres
livres
Publication:
octobre 2013
octobre 2013
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livres
livres
Titre:
A collection of specimens
A collection of specimens
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Opening this book is like peering into a cabinet of curiosities, a glass-encased world of specimens, where all manner of creatures have been meticulously preserved, arranged and classified. Entire drawers of pinned insects, a menagerie of threadbare rodents, sharks as dried husks, speckled assortments of eggs, flattened and brittle plants, lovingly wrapped birds, eerily(...)
$63.00
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Opening this book is like peering into a cabinet of curiosities, a glass-encased world of specimens, where all manner of creatures have been meticulously preserved, arranged and classified. Entire drawers of pinned insects, a menagerie of threadbare rodents, sharks as dried husks, speckled assortments of eggs, flattened and brittle plants, lovingly wrapped birds, eerily(...)
Titre:
A collection of specimens
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$63.00
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Opening this book is like peering into a cabinet of curiosities, a glass-encased world of specimens, where all manner of creatures have been meticulously preserved, arranged and classified. Entire drawers of pinned insects, a menagerie of threadbare rodents, sharks as dried husks, speckled assortments of eggs, flattened and brittle plants, lovingly wrapped birds, eerily floating reptiles, tiny skulls in glass jars, and myriad boxes of colourful minerals, shells and fossils, all with delicate, handwritten tags... the immense culmination of decades of scientific inquiry, photographed, categorised and presented in more than 150 full-colour pages.
A collection of specimens
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Opening this book is like peering into a cabinet of curiosities, a glass-encased world of specimens, where all manner of creatures have been meticulously preserved, arranged and classified. Entire drawers of pinned insects, a menagerie of threadbare rodents, sharks as dried husks, speckled assortments of eggs, flattened and brittle plants, lovingly wrapped birds, eerily floating reptiles, tiny skulls in glass jars, and myriad boxes of colourful minerals, shells and fossils, all with delicate, handwritten tags... the immense culmination of decades of scientific inquiry, photographed, categorised and presented in more than 150 full-colour pages.
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livres
livres
Publication:
juillet 2013
juillet 2013
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livres
livres
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$65.00
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on(...)
$65.00
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Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on(...)
Publication:
août 2016
août 2016
Titre:
Art Cologne 1967-2016: the first art fair
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$65.00
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Résumé:
Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on September 12, 1967, in Gürzenich, the City of Cologne’s gothic banqueting hall, and was to change the international art market forever. How revolutionary this first fair was can only be understood today by means of the immediate reactions at the time, which were recorded in a flood of media reports. With a wealth of documents and illustrations, this weighty volume traces the history of the fair in chronological order.
Art Cologne 1967-2016: the first art fair
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$65.00
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Résumé:
Now into its 50th edition, after its historical beginnings as Kunstmarkt Köln ’67, Art Cologne is still one of the most important art fairs in the world. And it still has its roots in Kunstmarkt Köln ’67, as a fair for classic modernism, postwar and contemporary art. Originated by the Cologne gallery owners Hein Stünke and Rudolf Zwirner, Kunstmarkt Köln ’67 opened on September 12, 1967, in Gürzenich, the City of Cologne’s gothic banqueting hall, and was to change the international art market forever. How revolutionary this first fair was can only be understood today by means of the immediate reactions at the time, which were recorded in a flood of media reports. With a wealth of documents and illustrations, this weighty volume traces the history of the fair in chronological order.
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livres
livres
Publication:
août 2016
août 2016
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Tate Modern opened its doors in 2000, since when it has become the most popular modern and contemporary art attraction in the world, now welcoming more than 5 million visitors a year. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a(...)
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Tate Modern opened its doors in 2000, since when it has become the most popular modern and contemporary art attraction in the world, now welcoming more than 5 million visitors a year. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a(...)
Publication:
novembre 2016
novembre 2016
Titre:
Tate Modern: building a museum for the 21st century. Herzog & de Meuron
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Tate Modern opened its doors in 2000, since when it has become the most popular modern and contemporary art attraction in the world, now welcoming more than 5 million visitors a year. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a rare affinity with contemporary art. With the second major phase of the building now complete, Tate Modern presents a striking combination of the raw and the refined, of found industrial spaces and dazzling contemporary architecture. This is the definitive book of the building, and tells vividly the story of Tate Modern and the building of a twenty-first-century museum.
Tate Modern: building a museum for the 21st century. Herzog & de Meuron
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Résumé:
Tate Modern opened its doors in 2000, since when it has become the most popular modern and contemporary art attraction in the world, now welcoming more than 5 million visitors a year. Working with the shell of the former Bankside Power Station, internationally acclaimed architects Herzog & de Meuron created a gallery of singular power and beauty, whose spaces articulate a rare affinity with contemporary art. With the second major phase of the building now complete, Tate Modern presents a striking combination of the raw and the refined, of found industrial spaces and dazzling contemporary architecture. This is the definitive book of the building, and tells vividly the story of Tate Modern and the building of a twenty-first-century museum.
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livres
livres
Publication:
novembre 2016
novembre 2016
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livres
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$91.00
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Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that 'globalism' was incubated in a century of international art contests and(...)
$91.00
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Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that 'globalism' was incubated in a century of international art contests and(...)
Titre:
The global work of art: world's fairs, biennials, and the aesthetics of experience
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$91.00
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Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that 'globalism' was incubated in a century of international art contests and today constitutes an important tactic for artists.
The global work of art: world's fairs, biennials, and the aesthetics of experience
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$91.00
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Résumé:
Global biennials have proliferated in the contemporary art world, but artists’ engagement with large-scale international exhibitions has a much longer history that has influenced the present in important ways. Going back to the earliest world’s fairs in the nineteenth century, this book argues that 'globalism' was incubated in a century of international art contests and today constitutes an important tactic for artists.
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livres
livres
Publication:
juin 2017
juin 2017
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livres
livres
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$100.95
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Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of(...)
$100.95
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Résumé:
Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of(...)
Publication:
janvier 2017
janvier 2017
Titre:
Architecture in archives: the collection of the Akademie der Künste, Berlin
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Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of the Akademie in West Berlin, the architect Hans Scharoun, that bequests from architects began to be received into the Archive. This publication offers for the first time a comprehensive overview of the archives of architects, engineers, landscape architects, architectural photographers and critics, all of which have been bequeathed to the Architectural Archive of the Akademie der Künste. All 71 archives and 80 collections are introduced with brief biographies of the original authors and descriptions denoting the nature and scope of the holdings. Friedrich Gilly from the Preußische Akademie der Künste is, among others, represented with drawings. A particular abundance of documentation reflects the era of Expressionism following the First World War with the works of Hugo Häring, Hans Scharoun, Bruno Taut, Hans and Wassili Luckhardt, Alfons Anker, Paul Goesch, Adolf Behne and Heinrich Lauterbach. The archives of Richard Ermisch, Paul Baumgarten and Thilo Schoder date back as far as the 1920s. Particular emphasis is laid upon those architects forced to emigrate after 1933, among their number Gabriel Epstein, Julius Posener, Konrad Wachsmann, Adolf Rading and Harry Rosenthal. The post-war period and the 1960s are represented by the archives of Max Taut, Walter Rossow, Dieter Oesterlen, Bernhard Pfau, Ludwig Leo, Bernhard Hermkes, Helmut Hentrich, Werner Hebebrand, Hermann Henselmann, Werner Düttmann, Friedrich Spengelin and Heinz Graffunder. Archives and collections extending into the 21st century emanate from Kurt Ackermann, Hans-Busso von Busse, Peter von Seidlein, Manfred Sack, Jörg Schlaich, Szyszkowitz + Kowalski, Haus-Rucker-Co, Valentien + Valentien and Arno Brandlhuber.
Architecture in archives: the collection of the Akademie der Künste, Berlin
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$100.95
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Résumé:
Master builders have been granted membership of the Akademie der Künste since 1696, the year of its foundation. The earliest materials within the Archive documenting the art of architecture date back to the end of the 18th century and give testimony to the pursuits of tutors and pupils at the Akademie. It was not until the end of the 1950s under the post-war president of the Akademie in West Berlin, the architect Hans Scharoun, that bequests from architects began to be received into the Archive. This publication offers for the first time a comprehensive overview of the archives of architects, engineers, landscape architects, architectural photographers and critics, all of which have been bequeathed to the Architectural Archive of the Akademie der Künste. All 71 archives and 80 collections are introduced with brief biographies of the original authors and descriptions denoting the nature and scope of the holdings. Friedrich Gilly from the Preußische Akademie der Künste is, among others, represented with drawings. A particular abundance of documentation reflects the era of Expressionism following the First World War with the works of Hugo Häring, Hans Scharoun, Bruno Taut, Hans and Wassili Luckhardt, Alfons Anker, Paul Goesch, Adolf Behne and Heinrich Lauterbach. The archives of Richard Ermisch, Paul Baumgarten and Thilo Schoder date back as far as the 1920s. Particular emphasis is laid upon those architects forced to emigrate after 1933, among their number Gabriel Epstein, Julius Posener, Konrad Wachsmann, Adolf Rading and Harry Rosenthal. The post-war period and the 1960s are represented by the archives of Max Taut, Walter Rossow, Dieter Oesterlen, Bernhard Pfau, Ludwig Leo, Bernhard Hermkes, Helmut Hentrich, Werner Hebebrand, Hermann Henselmann, Werner Düttmann, Friedrich Spengelin and Heinz Graffunder. Archives and collections extending into the 21st century emanate from Kurt Ackermann, Hans-Busso von Busse, Peter von Seidlein, Manfred Sack, Jörg Schlaich, Szyszkowitz + Kowalski, Haus-Rucker-Co, Valentien + Valentien and Arno Brandlhuber.
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livres
livres
Publication:
janvier 2017
janvier 2017
Classification:
livres
livres
Prix:
$45.00
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Résumé:
The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to,(...)
$45.00
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Résumé:
The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to,(...)
Titre:
Exhibiting the postmodern: the 1980 Venice Architecture Biennale
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. It has been in this afterlife that the exhibition came into its own.
Exhibiting the postmodern: the 1980 Venice Architecture Biennale
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The first Venice Biennale of Architecture in 1980 was one of those events whose later reputation far exceeds the amount of attention it attracted at the time. Although attended by a relatively modest number of people, the Biennale has come to be seen as a defining moment and a turning point in relation to the history of architectural postmodernism. Routinely referred to, often with an assumed familiarity, by people who forget that they never actually saw it themselves, the exhibition has acquired a formidable “afterlife,” as Léa-Catherine Szacka calls it. It has been in this afterlife that the exhibition came into its own.
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livres
livres
Publication:
septembre 2017
septembre 2017
Classification:
livres
livres
Prix:
$105.00
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Résumé:
What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
$105.00
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Résumé:
What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
Titre:
Thinking outside the box: the Museum Haus Konstruktiv collection
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$105.00
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What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
Thinking outside the box: the Museum Haus Konstruktiv collection
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$105.00
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What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
Classification:
livres
livres
Publication:
février 2017
février 2017
