223 Résultats
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Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has(...)
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Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has(...)
Publication:
mai 2002, Minneapolis
mai 2002, Minneapolis
Titre:
Culture incorporated : museums, artists, and corporate sponsorships
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Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has blurred. These mergers of art, business, and museums, he argues, are examples of the worldwide privatization of cultural funding. In Culture Incorporated, Rectanus calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternatives. Rectanus exposes how sponsorship helps maintain social legitimation in a time when corporations are the target of significant criticism. He provides wide-ranging examples of artists and institutions grappling with corporate sponsorship, including artists' collaboration with sponsors, corporate sponsorship of museum exhibitions, festivals, and rock concerts, and cybersponsoring. Throughout, Rectanus analyzes the convergence of cultural institutions with global corporate politics and its influence on our culture and our communities. Mark W. Rectanus is professor of German at Iowa State University.
Culture incorporated : museums, artists, and corporate sponsorships
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Photographer Annie Leibowitz collaborates with American Express on a portrait exhibition. Absolut Vodka engages artists for their advertisements. Philip Morris mounts an "Arts Against Hunger" campaign in partnership with prominent museums. Is it art or PR, and where is the line that separates the artistic from the corporate? According to Mark Rectanus, that line has blurred. These mergers of art, business, and museums, he argues, are examples of the worldwide privatization of cultural funding. In Culture Incorporated, Rectanus calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternatives. Rectanus exposes how sponsorship helps maintain social legitimation in a time when corporations are the target of significant criticism. He provides wide-ranging examples of artists and institutions grappling with corporate sponsorship, including artists' collaboration with sponsors, corporate sponsorship of museum exhibitions, festivals, and rock concerts, and cybersponsoring. Throughout, Rectanus analyzes the convergence of cultural institutions with global corporate politics and its influence on our culture and our communities. Mark W. Rectanus is professor of German at Iowa State University.
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livres
Publication:
mai 2002, Minneapolis
mai 2002, Minneapolis
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"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite(...)
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"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite(...)
Publication:
janvier 2002, Paris
janvier 2002, Paris
Titre:
Le patrimoine à l'ère du document numérique : du musée virtuel au musée médiathèque
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"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite résonnance avec le régime d'industrialisation culturelle qui règle la fréquentation du patrimoine. Mais au-delà, c'est bien du devenir de l'institution muséale dont il est question. Plutôt que de prédire la disparition de l'institution au profit de son avatar virtuel, on choisit d'ancrer ici l'interrogation dans l'histoire des relations qui unissent l'oeuvre d'art et le musée, depuis deux siècles. L'extrême plasticité du musée est mise à jour : ne serait-il pas apte à conserver et légitimer les propositions d'un art numérique aussi délocalisé soit-il? Déjà rôdé à l'absorption d'oeuvres reproductibles, de traces ou d'intentions, le musée d'art contemporain déjoue perpétuellement sa fin prévisible. Cette fois-ci la métamorphose le porte du côté de la médiathèque. Le devenir du musée se nourrit d'une perception essentiellement documentaire du patrimoine artistique. Incorporé aux industries de la mémoire, le musée nous projette désormais dans un passé actualisé et un présent pérenne."
Le patrimoine à l'ère du document numérique : du musée virtuel au musée médiathèque
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"Prenant appui sur les politiques institutionnelles, l'auteur montre comment le musée virtuel résulte en fait d'une interprétation du support numérique qui en hypostasie la portée spectaculaire au lieu d'en favoriser l'appréhension documentaire. Le musée virtuel réaliserait ainsi la parfaite concrétisation des objectifs économiques et éducatifs du musée, en parfaite résonnance avec le régime d'industrialisation culturelle qui règle la fréquentation du patrimoine. Mais au-delà, c'est bien du devenir de l'institution muséale dont il est question. Plutôt que de prédire la disparition de l'institution au profit de son avatar virtuel, on choisit d'ancrer ici l'interrogation dans l'histoire des relations qui unissent l'oeuvre d'art et le musée, depuis deux siècles. L'extrême plasticité du musée est mise à jour : ne serait-il pas apte à conserver et légitimer les propositions d'un art numérique aussi délocalisé soit-il? Déjà rôdé à l'absorption d'oeuvres reproductibles, de traces ou d'intentions, le musée d'art contemporain déjoue perpétuellement sa fin prévisible. Cette fois-ci la métamorphose le porte du côté de la médiathèque. Le devenir du musée se nourrit d'une perception essentiellement documentaire du patrimoine artistique. Incorporé aux industries de la mémoire, le musée nous projette désormais dans un passé actualisé et un présent pérenne."
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livres
Publication:
janvier 2002, Paris
janvier 2002, Paris
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livres
Titre:
L'avenir des musées
L'avenir des musées
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Actes du colloque organisé au musée du Louvre les 23, 24, et 25 mars, 2000.
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Actes du colloque organisé au musée du Louvre les 23, 24, et 25 mars, 2000.
Titre:
L'avenir des musées
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Actes du colloque organisé au musée du Louvre les 23, 24, et 25 mars, 2000.
L'avenir des musées
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Actes du colloque organisé au musée du Louvre les 23, 24, et 25 mars, 2000.
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livres
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janvier 2002, Paris
janvier 2002, Paris
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$39.95
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A summary of the Austrian contribution to the 7th International Exhibition of Architecture of the Biennale di Venezia 2000, this book presents the projects, background information, a complete transcript of the discussion at the symposium, a selection of visitors' statements as well as biographies of the architects and experts that took part.
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A summary of the Austrian contribution to the 7th International Exhibition of Architecture of the Biennale di Venezia 2000, this book presents the projects, background information, a complete transcript of the discussion at the symposium, a selection of visitors' statements as well as biographies of the architects and experts that took part.
Titre:
Area of tolerance for peace and freedom of the arts - against racism and xenophobia
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A summary of the Austrian contribution to the 7th International Exhibition of Architecture of the Biennale di Venezia 2000, this book presents the projects, background information, a complete transcript of the discussion at the symposium, a selection of visitors' statements as well as biographies of the architects and experts that took part.
Area of tolerance for peace and freedom of the arts - against racism and xenophobia
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A summary of the Austrian contribution to the 7th International Exhibition of Architecture of the Biennale di Venezia 2000, this book presents the projects, background information, a complete transcript of the discussion at the symposium, a selection of visitors' statements as well as biographies of the architects and experts that took part.
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livres
Publication:
janvier 1900, Vienna
janvier 1900, Vienna
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In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions,Staniszewski documents and(...)
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In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions,Staniszewski documents and(...)
Publication:
octobre 2001, Cambridge, Mass.
octobre 2001, Cambridge, Mass.
Titre:
Power of display : a history of the exhibition installations at the museum of modern art
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In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions,Staniszewski documents and deciphers an essential chapter of twentieth-century art and culture and provides a historical and theoretical framework for a primary area of contemporary aesthetic practice--installation-based art. Among the artists, designers, architects, and curators whose installations the author features are Dennis Adams, Alfred H. Barr, Jr., Herbert Bayer, René d'Harnoncourt, Ray and Charles Eames, Hans Haacke, David Hammons, Philip Johnson, Frederick Kiesler, Barbara Kruger, Louise Lawler, El Lissitzky, Adrian Piper, Lilly Reich, William Rubin, Paul Rudolph, Edward Steichen, Giuseppe Terragni, and Kirk Varnedoe.
Power of display : a history of the exhibition installations at the museum of modern art
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In this examination of installation design as an aesthetic medium and cultural practice, Staniszewski offers the first history of exhibitions at the most powerful and influential modern art museum--The Museum of Modern Art in New York. Focusing on over two hundred photographs of the visually rich but overlooked history of exhibitions,Staniszewski documents and deciphers an essential chapter of twentieth-century art and culture and provides a historical and theoretical framework for a primary area of contemporary aesthetic practice--installation-based art. Among the artists, designers, architects, and curators whose installations the author features are Dennis Adams, Alfred H. Barr, Jr., Herbert Bayer, René d'Harnoncourt, Ray and Charles Eames, Hans Haacke, David Hammons, Philip Johnson, Frederick Kiesler, Barbara Kruger, Louise Lawler, El Lissitzky, Adrian Piper, Lilly Reich, William Rubin, Paul Rudolph, Edward Steichen, Giuseppe Terragni, and Kirk Varnedoe.
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livres
livres
Publication:
octobre 2001, Cambridge, Mass.
octobre 2001, Cambridge, Mass.
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$110.00
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This book provides a representative documentation of all aspects relating to the building of the MuseumsQuartier complex in Vienna.
$110.00
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Résumé:
This book provides a representative documentation of all aspects relating to the building of the MuseumsQuartier complex in Vienna.
Publication:
novembre 2001, New York
novembre 2001, New York
Titre:
MuseumsQuartier Wien : the architecture
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$110.00
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This book provides a representative documentation of all aspects relating to the building of the MuseumsQuartier complex in Vienna.
MuseumsQuartier Wien : the architecture
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$110.00
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This book provides a representative documentation of all aspects relating to the building of the MuseumsQuartier complex in Vienna.
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livres
Publication:
novembre 2001, New York
novembre 2001, New York
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livres
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$44.95
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This book guides museums on how to create the highest quality experience possible for their visitors. Creating an environment that supports visitor engagement with collections means examining every stage of the visit, from the initial impetus to go to a particular institution, to front-of-house management, interpretive approach and qualitative analysis afterwards. This(...)
$44.95
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Résumé:
This book guides museums on how to create the highest quality experience possible for their visitors. Creating an environment that supports visitor engagement with collections means examining every stage of the visit, from the initial impetus to go to a particular institution, to front-of-house management, interpretive approach and qualitative analysis afterwards. This(...)
Publication:
septembre 2005, London, New York
septembre 2005, London, New York
Titre:
The engaging museum : developing museums for visitor involvement
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This book guides museums on how to create the highest quality experience possible for their visitors. Creating an environment that supports visitor engagement with collections means examining every stage of the visit, from the initial impetus to go to a particular institution, to front-of-house management, interpretive approach and qualitative analysis afterwards. This holistic approach will be immensely helpful to museums in meeting the needs and expectations of visitors and building their audience base. Because "The engaging museum" offers a set of principles that can be adapted to any museum in any location, it will be a valuable resource for institutions of every shape and size.
The engaging museum : developing museums for visitor involvement
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$44.95
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Résumé:
This book guides museums on how to create the highest quality experience possible for their visitors. Creating an environment that supports visitor engagement with collections means examining every stage of the visit, from the initial impetus to go to a particular institution, to front-of-house management, interpretive approach and qualitative analysis afterwards. This holistic approach will be immensely helpful to museums in meeting the needs and expectations of visitors and building their audience base. Because "The engaging museum" offers a set of principles that can be adapted to any museum in any location, it will be a valuable resource for institutions of every shape and size.
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livres
livres
Publication:
septembre 2005, London, New York
septembre 2005, London, New York
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livres
livres
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$55.95
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Paris a organisé pendant près d'un siècle des expositions qui rencontrèrent un succès universel.Vouée à un thème différent, chaque manifestation est une ode à l'innovation, un jeu d'illusions, une fête effervescente dont il nous reste de multiples témoins : transports en commun, nouveaux quartiers, perspectives, axes de circulation et monuments emblématiques. Avec cet(...)
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Paris a organisé pendant près d'un siècle des expositions qui rencontrèrent un succès universel.Vouée à un thème différent, chaque manifestation est une ode à l'innovation, un jeu d'illusions, une fête effervescente dont il nous reste de multiples témoins : transports en commun, nouveaux quartiers, perspectives, axes de circulation et monuments emblématiques. Avec cet(...)
Titre:
Les expositions universelles à Paris de 1855 à 1937
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Paris a organisé pendant près d'un siècle des expositions qui rencontrèrent un succès universel.Vouée à un thème différent, chaque manifestation est une ode à l'innovation, un jeu d'illusions, une fête effervescente dont il nous reste de multiples témoins : transports en commun, nouveaux quartiers, perspectives, axes de circulation et monuments emblématiques. Avec cet ouvrage qui célèbre le 150e anniversaire de la première Exposition universelle, l'Action artistique de la Ville de Paris met en valeur l'influence de ces manifestations sur la paysage parisien et sur l'évolution des arts, ainsi que la volonté de la France de se placer à l'avant-garde de son époque.
Les expositions universelles à Paris de 1855 à 1937
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Paris a organisé pendant près d'un siècle des expositions qui rencontrèrent un succès universel.Vouée à un thème différent, chaque manifestation est une ode à l'innovation, un jeu d'illusions, une fête effervescente dont il nous reste de multiples témoins : transports en commun, nouveaux quartiers, perspectives, axes de circulation et monuments emblématiques. Avec cet ouvrage qui célèbre le 150e anniversaire de la première Exposition universelle, l'Action artistique de la Ville de Paris met en valeur l'influence de ces manifestations sur la paysage parisien et sur l'évolution des arts, ainsi que la volonté de la France de se placer à l'avant-garde de son époque.
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livres
livres
Publication:
octobre 2005, Paris
octobre 2005, Paris
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livres
livres
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$52.50
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This book covers the design and construction of the Castilla and León Museum of Contemporary Art (MUSAC). From the onset, Mansilla +Tuñón architects faced the challenge of creating an immense space that could house exhibitions and events and that would simultaneously become a frame of reference for the leisure and cultural activity of the city of León. The book is(...)
$52.50
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Résumé:
This book covers the design and construction of the Castilla and León Museum of Contemporary Art (MUSAC). From the onset, Mansilla +Tuñón architects faced the challenge of creating an immense space that could house exhibitions and events and that would simultaneously become a frame of reference for the leisure and cultural activity of the city of León. The book is(...)
Titre:
MUSAC Museo de Arte Contemporàneo de Castilla y Leon: El edifico The Building
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This book covers the design and construction of the Castilla and León Museum of Contemporary Art (MUSAC). From the onset, Mansilla +Tuñón architects faced the challenge of creating an immense space that could house exhibitions and events and that would simultaneously become a frame of reference for the leisure and cultural activity of the city of León. The book is structured in three parts: building concept and theory; the plans of the building and images of its evolution during the two years the building work took; and lastly an extended look at the space as seen through the eyes of four contemporary artists.
MUSAC Museo de Arte Contemporàneo de Castilla y Leon: El edifico The Building
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$52.50
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This book covers the design and construction of the Castilla and León Museum of Contemporary Art (MUSAC). From the onset, Mansilla +Tuñón architects faced the challenge of creating an immense space that could house exhibitions and events and that would simultaneously become a frame of reference for the leisure and cultural activity of the city of León. The book is structured in three parts: building concept and theory; the plans of the building and images of its evolution during the two years the building work took; and lastly an extended look at the space as seen through the eyes of four contemporary artists.
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livres
livres
Publication:
septembre 2004, Leon
septembre 2004, Leon
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livres
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The winners of the two categories of the 2005 Mies van der Rohe architecture prize 2005 are both Dutch, and in these two projects from the same culture we can appreciate the fruits of the Netherlands' policy in support of young architects. The projects in question are the Netherlands embassy in Berlin by OMA, and the Basket Bar by NL Architects in the category of(...)
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The winners of the two categories of the 2005 Mies van der Rohe architecture prize 2005 are both Dutch, and in these two projects from the same culture we can appreciate the fruits of the Netherlands' policy in support of young architects. The projects in question are the Netherlands embassy in Berlin by OMA, and the Basket Bar by NL Architects in the category of(...)
Publication:
septembre 2005, Barcelona
septembre 2005, Barcelona
Titre:
European Union prize for contemporary architecture ; Mies van der Rohe award 2005
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$50.95
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The winners of the two categories of the 2005 Mies van der Rohe architecture prize 2005 are both Dutch, and in these two projects from the same culture we can appreciate the fruits of the Netherlands' policy in support of young architects. The projects in question are the Netherlands embassy in Berlin by OMA, and the Basket Bar by NL Architects in the category of Emerging architect special mention. This publication illustrates these two winning projects, together with the other 32 shortlisted schemes, with plans, photos and explanatory texts by the architects.
European Union prize for contemporary architecture ; Mies van der Rohe award 2005
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$50.95
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The winners of the two categories of the 2005 Mies van der Rohe architecture prize 2005 are both Dutch, and in these two projects from the same culture we can appreciate the fruits of the Netherlands' policy in support of young architects. The projects in question are the Netherlands embassy in Berlin by OMA, and the Basket Bar by NL Architects in the category of Emerging architect special mention. This publication illustrates these two winning projects, together with the other 32 shortlisted schemes, with plans, photos and explanatory texts by the architects.
Classification:
livres
livres
Publication:
septembre 2005, Barcelona
septembre 2005, Barcelona
