32 Résultats
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nconnus des surréalistes, ces photomontages ont été oubliés quand sont revenus à la mode le surréalisme, la photographie et la carte postale ancienne. Produites entre 1908 et 1913 pour la plupart d'entres elles, ces cartes tant par leur imaginaire fantastique que par leur haute technicité méritent largement d'entrer dans l'histoire de la photographie. Les tall-tale(...)
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nconnus des surréalistes, ces photomontages ont été oubliés quand sont revenus à la mode le surréalisme, la photographie et la carte postale ancienne. Produites entre 1908 et 1913 pour la plupart d'entres elles, ces cartes tant par leur imaginaire fantastique que par leur haute technicité méritent largement d'entrer dans l'histoire de la photographie. Les tall-tale(...)
Titre:
Photomontages improbables: Tall tale post cards américaines du début du XXe siècle
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nconnus des surréalistes, ces photomontages ont été oubliés quand sont revenus à la mode le surréalisme, la photographie et la carte postale ancienne. Produites entre 1908 et 1913 pour la plupart d'entres elles, ces cartes tant par leur imaginaire fantastique que par leur haute technicité méritent largement d'entrer dans l'histoire de la photographie. Les tall-tale postcards, car tel est leur nom, sont aussi de précieux documents de la "folk culture" du Middle West américain; un monde strictement rural où l'exagération inspire bien des légendes.
Photomontages improbables: Tall tale post cards américaines du début du XXe siècle
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nconnus des surréalistes, ces photomontages ont été oubliés quand sont revenus à la mode le surréalisme, la photographie et la carte postale ancienne. Produites entre 1908 et 1913 pour la plupart d'entres elles, ces cartes tant par leur imaginaire fantastique que par leur haute technicité méritent largement d'entrer dans l'histoire de la photographie. Les tall-tale postcards, car tel est leur nom, sont aussi de précieux documents de la "folk culture" du Middle West américain; un monde strictement rural où l'exagération inspire bien des légendes.
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livres
livres
Publication:
mai 2011
mai 2011
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livres
livres
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$44.95
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Buildings inhabit and symbolize time, giving form to history and making public space an index of the past. Photographs are made of time; they are literally projections of past states of their subjects. This visually striking meditation on architecture in photography explores the intersection between these two ways of embodying the past. Photographs of buildings, Joel(...)
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Buildings inhabit and symbolize time, giving form to history and making public space an index of the past. Photographs are made of time; they are literally projections of past states of their subjects. This visually striking meditation on architecture in photography explores the intersection between these two ways of embodying the past. Photographs of buildings, Joel(...)
Titre:
The life and death of buildings: on photography and time
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Buildings inhabit and symbolize time, giving form to history and making public space an index of the past. Photographs are made of time; they are literally projections of past states of their subjects. This visually striking meditation on architecture in photography explores the intersection between these two ways of embodying the past. Photographs of buildings, Joel Smith argues, are simultaneously the agents, vehicles, and cargo of social memory.
The life and death of buildings: on photography and time
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Buildings inhabit and symbolize time, giving form to history and making public space an index of the past. Photographs are made of time; they are literally projections of past states of their subjects. This visually striking meditation on architecture in photography explores the intersection between these two ways of embodying the past. Photographs of buildings, Joel Smith argues, are simultaneously the agents, vehicles, and cargo of social memory.
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livres
livres
Publication:
juin 2011
juin 2011
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livres
livres
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$63.95
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Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. "Light Years" offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and(...)
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Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. "Light Years" offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and(...)
Titre:
Light years: conceptual art and the photograph 1964-1977
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Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. "Light Years" offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha.
Light years: conceptual art and the photograph 1964-1977
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Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. "Light Years" offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha.
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livres
livres
Publication:
janvier 2012
janvier 2012
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livres
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Streetwise: Masters of 60s Photography brings together the work of nine photographers who turned their cameras on the dramatic social transformations unfolding around them in 1960s America: Diane Arbus, Ruth-Marion Baruch, Jerry Berndt, Bruce Davidson, Lee Friedlander, Danny Lyon, Garry Winogrand and Ernest Withers. Building on Robert Frank’s The Americans, this new(...)
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Streetwise: Masters of 60s Photography brings together the work of nine photographers who turned their cameras on the dramatic social transformations unfolding around them in 1960s America: Diane Arbus, Ruth-Marion Baruch, Jerry Berndt, Bruce Davidson, Lee Friedlander, Danny Lyon, Garry Winogrand and Ernest Withers. Building on Robert Frank’s The Americans, this new(...)
Titre:
Streetwise: masters of 60s photograhy
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Streetwise: Masters of 60s Photography brings together the work of nine photographers who turned their cameras on the dramatic social transformations unfolding around them in 1960s America: Diane Arbus, Ruth-Marion Baruch, Jerry Berndt, Bruce Davidson, Lee Friedlander, Danny Lyon, Garry Winogrand and Ernest Withers. Building on Robert Frank’s The Americans, this new generation of photographers was concerned with revealing a more realistic, sometimes unpleasant and always challenging view of an America undergoing radical change as the civil rights movement and the counterculture got underway. Ranging from the “outlaw culture” of bikers and chain gangs to the rallies of the Black Panthers and the politically charged South, the subject matter of these photographers was unlike anything previously seen in American photography or indeed American history.
Streetwise: masters of 60s photograhy
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Streetwise: Masters of 60s Photography brings together the work of nine photographers who turned their cameras on the dramatic social transformations unfolding around them in 1960s America: Diane Arbus, Ruth-Marion Baruch, Jerry Berndt, Bruce Davidson, Lee Friedlander, Danny Lyon, Garry Winogrand and Ernest Withers. Building on Robert Frank’s The Americans, this new generation of photographers was concerned with revealing a more realistic, sometimes unpleasant and always challenging view of an America undergoing radical change as the civil rights movement and the counterculture got underway. Ranging from the “outlaw culture” of bikers and chain gangs to the rallies of the Black Panthers and the politically charged South, the subject matter of these photographers was unlike anything previously seen in American photography or indeed American history.
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livres
livres
Publication:
avril 2012
avril 2012
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian(...)
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian(...)
Titre:
Peripheral visions : italian photography in context, 1950's - present
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian cities. This thematic interpretation conveys the incredibly vital and diverse range of expressions that have unfolded in Italian photography over the past five decades. Published for a 2012 exhibition at Hunter College, The City University of New York, Peripheral Visions includes works by Marina Ballo Charmet, Olivo Barbieri, Gabriele Basilico, Gianni Berengo Gardin, Mario Carrieri, Vincenzo Castella, Cesare Colombo, Mario Cresci, Paola Di Bello, Luigi Ghirri, Guido Guidi, Alessandro Imbriaco, Francesco Jodice, Mimmo Jodice, Armin Linke, Maurizio Montagna, Paolo Monti, Ugo Mulas, Walter Niedermayr, Franco Vaccari and Massimo Vitali.
Peripheral visions : italian photography in context, 1950's - present
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This book presents works by a number of major Italian photographers who have explored aspects of their native land that are rarely depicted elsewhere. The photographs range from social documentary works of the 1950s to the conceptual photography of the 1970s, more personal explorations and travelogues of the 1980s and contemporary photographic remappings of Italian cities. This thematic interpretation conveys the incredibly vital and diverse range of expressions that have unfolded in Italian photography over the past five decades. Published for a 2012 exhibition at Hunter College, The City University of New York, Peripheral Visions includes works by Marina Ballo Charmet, Olivo Barbieri, Gabriele Basilico, Gianni Berengo Gardin, Mario Carrieri, Vincenzo Castella, Cesare Colombo, Mario Cresci, Paola Di Bello, Luigi Ghirri, Guido Guidi, Alessandro Imbriaco, Francesco Jodice, Mimmo Jodice, Armin Linke, Maurizio Montagna, Paolo Monti, Ugo Mulas, Walter Niedermayr, Franco Vaccari and Massimo Vitali.
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livres
livres
Publication:
mai 2012
mai 2012
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livres
livres
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$60.00
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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
Publication:
mars 2013
mars 2013
Titre:
Color rush: american color photography from Stieglitz to Sherman
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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
Color rush: american color photography from Stieglitz to Sherman
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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists.
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livres
livres
Publication:
mars 2013
mars 2013
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livres
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$26.50
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
Publication:
avril 2013
avril 2013
Titre:
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
Bending the frame : photojournalism, documentary, and the citizen
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In Bending the Frame, Fred Ritchin examines the complex relations between social justice and photojournalism in today's oversaturated political and media climates.
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livres
livres
Publication:
avril 2013
avril 2013
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An illustrated directory of experimental, Dada, and in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists.
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An illustrated directory of experimental, Dada, and in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists.
Titre:
Ghosts of the black chamber: Experimental, Dada, and Surrealist photography 1918-1948
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An illustrated directory of experimental, Dada, and in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists.
Ghosts of the black chamber: Experimental, Dada, and Surrealist photography 1918-1948
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An illustrated directory of experimental, Dada, and in particular, Surrealist photography from 1918-1948, containing over 200 photographic images by some 50 revolutionary artists.
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livres
livres
Publication:
novembre 2010
novembre 2010
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American Modern explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures. It identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art,(...)
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American Modern explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures. It identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art,(...)
Publication:
octobre 2010
octobre 2010
Titre:
American Modern: Documentary photography by Abbott, Evans, and Bourke-White
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American Modern explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures. It identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art, and international theories of photography all intersected to establish the now-dominant documentary style.
American Modern: Documentary photography by Abbott, Evans, and Bourke-White
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American Modern explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures. It identifies the points where Abbott, Evans, and Bourke-White connected, diverged, and competed, and demonstrates how commercial and governmental commissions, the influence of mass media, the establishment of public institutions of modern art, and international theories of photography all intersected to establish the now-dominant documentary style.
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livres
livres
Publication:
octobre 2010
octobre 2010
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livres
livres
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$66.00
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how(...)
$66.00
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how(...)
Publication:
août 2010
août 2010
Titre:
The original copy: photography of sculpture, 1839 to today
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how photography informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies.
The original copy: photography of sculpture, 1839 to today
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This publication presents a critical examination of the intersections between photography and sculpture, exploring how one medium has become implicated in the understanding of the other. Through a selection of nearly 300 pictures by more than 100 artists from the nineteenth century to the present, it looks at how and why sculpture became a photographic subject and how photography informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies.
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livres
livres
Publication:
août 2010
août 2010
