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''An uncanny Impulse'' presents selections from the archive of Mohsen Yammine, a Lebanese journalist who has been collecting photographs from Tripoli and Northern Lebanon since 1979. These works offer a glimpse of Lebanon between 1920 and 1960.
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''An uncanny Impulse'' presents selections from the archive of Mohsen Yammine, a Lebanese journalist who has been collecting photographs from Tripoli and Northern Lebanon since 1979. These works offer a glimpse of Lebanon between 1920 and 1960.
Titre:
An uncanny impulse: The Mohsen Yammine Collection at the Arab Image Foundation
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''An uncanny Impulse'' presents selections from the archive of Mohsen Yammine, a Lebanese journalist who has been collecting photographs from Tripoli and Northern Lebanon since 1979. These works offer a glimpse of Lebanon between 1920 and 1960.
An uncanny impulse: The Mohsen Yammine Collection at the Arab Image Foundation
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''An uncanny Impulse'' presents selections from the archive of Mohsen Yammine, a Lebanese journalist who has been collecting photographs from Tripoli and Northern Lebanon since 1979. These works offer a glimpse of Lebanon between 1920 and 1960.
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livres
livres
Publication:
mars 2018
mars 2018
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
Titre:
Transbordeur, no 06
Transbordeur, no 06
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également(...)
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également(...)
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Transbordeur, no 06
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également de souligner les relations de pouvoir qui le soutiennent et le modélisent. À la fois représentation et matérialisation de rapports de domination coloniale et impérialiste ou de politiques de surveillance policière et militaire, l’image verticale est productrice d’un savoir qui forge ces rapports et les rend possibles. À l’inverse, dans une démarche militante ou citoyenne, elle peut fournir une preuve permettant d’exposer et de dénoncer la violence et l’illégalité des agressions commises par des acteurs étatiques et institutionnels.
Transbordeur, no 06
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Le numéro 6 de la revueTransbordeur revisite cette histoire de la photographie aérienne en éclairant en particulier sa dimension politique et épistémologique. Dans cette perspective, nous privilégions la notion d’« image verticale » à celle, plus générique, de vue aérienne. Cette notion permet non seulement de renvoyer à un arrangement spatial spécifique, mais également de souligner les relations de pouvoir qui le soutiennent et le modélisent. À la fois représentation et matérialisation de rapports de domination coloniale et impérialiste ou de politiques de surveillance policière et militaire, l’image verticale est productrice d’un savoir qui forge ces rapports et les rend possibles. À l’inverse, dans une démarche militante ou citoyenne, elle peut fournir une preuve permettant d’exposer et de dénoncer la violence et l’illégalité des agressions commises par des acteurs étatiques et institutionnels.
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livres
livres
Publication:
avril 2022
avril 2022
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Photographie- collections
Photographie- collections
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livres
livres
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Despite the rich discourse surrounding it and the dynamic practice that it engendered, the photographic avant-garde in Japan only existed for a brief period during the 1920s and ’30s. Yet it also contributed to the continuation of the production of radical visual arts and played a key role in the education of a post-war generation of Japanese artists who came of age in(...)
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Despite the rich discourse surrounding it and the dynamic practice that it engendered, the photographic avant-garde in Japan only existed for a brief period during the 1920s and ’30s. Yet it also contributed to the continuation of the production of radical visual arts and played a key role in the education of a post-war generation of Japanese artists who came of age in(...)
Titre:
Avant-Garde rising: The photographic vanguard in modern Japan
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Despite the rich discourse surrounding it and the dynamic practice that it engendered, the photographic avant-garde in Japan only existed for a brief period during the 1920s and ’30s. Yet it also contributed to the continuation of the production of radical visual arts and played a key role in the education of a post-war generation of Japanese artists who came of age in the 1950s and ’60s. Initially centred around Osaka and the Kansai region, the movement was inspired by contact with the work of photographers and surrealists overseas, at first through magazines and photobooks and later by touring exhibitions in Japan. This catalogue presents an impressive visual history of the movement.
Avant-Garde rising: The photographic vanguard in modern Japan
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Despite the rich discourse surrounding it and the dynamic practice that it engendered, the photographic avant-garde in Japan only existed for a brief period during the 1920s and ’30s. Yet it also contributed to the continuation of the production of radical visual arts and played a key role in the education of a post-war generation of Japanese artists who came of age in the 1950s and ’60s. Initially centred around Osaka and the Kansai region, the movement was inspired by contact with the work of photographers and surrealists overseas, at first through magazines and photobooks and later by touring exhibitions in Japan. This catalogue presents an impressive visual history of the movement.
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livres
livres
Publication:
août 2022
août 2022
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Photographie- collections
Photographie- collections
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livres
livres
Titre:
More Americain photographs
More Americain photographs
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In More American Photographs, 12 contemporary photographers were commissioned to travel the United States, documenting its land and people. These new works are presented alongside historical images by original FSA photographers such as Dorothea Lange in a catalogue whose design was inspired by Walker Evans’ seminal book American Photographs. Participating(...)
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In More American Photographs, 12 contemporary photographers were commissioned to travel the United States, documenting its land and people. These new works are presented alongside historical images by original FSA photographers such as Dorothea Lange in a catalogue whose design was inspired by Walker Evans’ seminal book American Photographs. Participating(...)
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More Americain photographs
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In More American Photographs, 12 contemporary photographers were commissioned to travel the United States, documenting its land and people. These new works are presented alongside historical images by original FSA photographers such as Dorothea Lange in a catalogue whose design was inspired by Walker Evans’ seminal book American Photographs. Participating photographers include Walead Beshty, Esther Bubley, Larry Clark, Roe Ethridge, Walker Evans, Katy Grannan, William E. Jones, Dorothea Lange, Russell Lee, Sharon Lockhart, Catherine Opie, Gordon Parks, Martha Rosler, Collier Schorr, Ben Shahn, Stephen Shore, Alec Soth, Hank Willis Thomas and Marion Post Wolcott.
More Americain photographs
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In More American Photographs, 12 contemporary photographers were commissioned to travel the United States, documenting its land and people. These new works are presented alongside historical images by original FSA photographers such as Dorothea Lange in a catalogue whose design was inspired by Walker Evans’ seminal book American Photographs. Participating photographers include Walead Beshty, Esther Bubley, Larry Clark, Roe Ethridge, Walker Evans, Katy Grannan, William E. Jones, Dorothea Lange, Russell Lee, Sharon Lockhart, Catherine Opie, Gordon Parks, Martha Rosler, Collier Schorr, Ben Shahn, Stephen Shore, Alec Soth, Hank Willis Thomas and Marion Post Wolcott.
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livres
livres
Publication:
mars 2012
mars 2012
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Photographie- collections
Photographie- collections
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livres
livres
Titre:
Photography for architects
Photography for architects
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Since its invention, photography has been used to mediate the perception of architecture, for both educational and practical architectural purposes. Winfried Nerdinger's "Photography for Architects "draws on the unrivaled photo collection of the Munich Architekturmuseum to take a broad look at the relation of photography to architecture. The volume is composed of two(...)
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Since its invention, photography has been used to mediate the perception of architecture, for both educational and practical architectural purposes. Winfried Nerdinger's "Photography for Architects "draws on the unrivaled photo collection of the Munich Architekturmuseum to take a broad look at the relation of photography to architecture. The volume is composed of two(...)
Titre:
Photography for architects
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Since its invention, photography has been used to mediate the perception of architecture, for both educational and practical architectural purposes. Winfried Nerdinger's "Photography for Architects "draws on the unrivaled photo collection of the Munich Architekturmuseum to take a broad look at the relation of photography to architecture. The volume is composed of two sections: in the first, Nerdinger examines key architectural motifs and forms, in photographs from the 1850s to the present; in the second section, he demonstrates the potential applications of photography during the design phase.
Photography for architects
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Since its invention, photography has been used to mediate the perception of architecture, for both educational and practical architectural purposes. Winfried Nerdinger's "Photography for Architects "draws on the unrivaled photo collection of the Munich Architekturmuseum to take a broad look at the relation of photography to architecture. The volume is composed of two sections: in the first, Nerdinger examines key architectural motifs and forms, in photographs from the 1850s to the present; in the second section, he demonstrates the potential applications of photography during the design phase.
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livres
livres
Publication:
avril 2012
avril 2012
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Photographie- collections
Photographie- collections
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livres
livres
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
Titre:
Frontiers of another nature: pictures from Iceland
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
Frontiers of another nature: pictures from Iceland
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
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livres
livres
Publication:
février 2012
février 2012
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$39.95
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Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange,(...)
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Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange,(...)
Titre:
Aperture magazine anthology: the minor white years, 1952–1976
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Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in diverse photographic styles, myriad themes and subjects (including a strong streak of spirituality in diverse forms) and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. Several articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a portfolio of covers, as well as a selection of the colophons (short statements or quotes) that appeared at the front of each magazine.
Aperture magazine anthology: the minor white years, 1952–1976
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Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in diverse photographic styles, myriad themes and subjects (including a strong streak of spirituality in diverse forms) and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. Several articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a portfolio of covers, as well as a selection of the colophons (short statements or quotes) that appeared at the front of each magazine.
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livres
livres
Publication:
juin 2012
juin 2012
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livres
livres
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive(...)
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive(...)
Titre:
Adam Broomberg & Oliver Chanarin : people in trouble pushed to the ground
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive occupies a small room on the first floor at 23 Donegal Street and contains over 14,000 black-and-white contact sheets, documenting the Troubles in Northern Ireland. These are photographs taken by professional photo-journalists and 'civilian' photographers, chronicling protests, funerals and acts of terrorism as well as the more ordinary stuff of life: drinking tea; kissing girls; watching trains. Belfast Exposed was founded in 1983 as a response to concern over the careful control of images depicting British military activity during the Troubles. The marks on the surface of the contact strips – across the image itself – allude to the presence of many visitors. These include successive archivists, who have ordered, catalogued and re-catalogued this jumble of images. For many years the archive was also made available to members of the public, and sometimes they would deface their own image with a marker pen, ink or scissors. So, in addition to the marks made by generations of archivists, photo editors, legal aides and activists, the traces of these very personal obliterations are also visible. They are the gestures of those who wished to remain anonymous.
Adam Broomberg & Oliver Chanarin : people in trouble pushed to the ground
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive occupies a small room on the first floor at 23 Donegal Street and contains over 14,000 black-and-white contact sheets, documenting the Troubles in Northern Ireland. These are photographs taken by professional photo-journalists and 'civilian' photographers, chronicling protests, funerals and acts of terrorism as well as the more ordinary stuff of life: drinking tea; kissing girls; watching trains. Belfast Exposed was founded in 1983 as a response to concern over the careful control of images depicting British military activity during the Troubles. The marks on the surface of the contact strips – across the image itself – allude to the presence of many visitors. These include successive archivists, who have ordered, catalogued and re-catalogued this jumble of images. For many years the archive was also made available to members of the public, and sometimes they would deface their own image with a marker pen, ink or scissors. So, in addition to the marks made by generations of archivists, photo editors, legal aides and activists, the traces of these very personal obliterations are also visible. They are the gestures of those who wished to remain anonymous.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
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$26.00
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Résumé:
The extensive range of posters, collages, maquettes, postcards, magazines, and books featured in this exhibition catalogue attests to the enormous influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde artists during these two decades. Essays in this publication examine(...)
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The extensive range of posters, collages, maquettes, postcards, magazines, and books featured in this exhibition catalogue attests to the enormous influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde artists during these two decades. Essays in this publication examine(...)
Titre:
Photomontage between the wars : 1918-1939
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The extensive range of posters, collages, maquettes, postcards, magazines, and books featured in this exhibition catalogue attests to the enormous influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde artists during these two decades. Essays in this publication examine contemporary texts that the practice of photomontage inspired, and explore those qualities of photomontage that led to what was arguably the most important exhibition devoted to this artistic technique at the Kunstgewerbemuseum in Berlin in 1931. The present volume includes a facsimile reproduction and translation of the catalogue published on the occasion of that exhibition. In addition to a brief chronology, the interested reader will also find a selection of text - some scarcely familiar today - by authors of various nationalities that sheds further light on the practice. Produced to accompany the exhibition in Spain and available in North America for the first time, this entirely English-language publication offers an overview of the birth of the photomontage process specifically in Germany and the Soviet Union in the 1920s.
Photomontage between the wars : 1918-1939
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The extensive range of posters, collages, maquettes, postcards, magazines, and books featured in this exhibition catalogue attests to the enormous influence of photomontage in politics, social protest, and advertising, while also demonstrating the popularity of the technique among avant-garde artists during these two decades. Essays in this publication examine contemporary texts that the practice of photomontage inspired, and explore those qualities of photomontage that led to what was arguably the most important exhibition devoted to this artistic technique at the Kunstgewerbemuseum in Berlin in 1931. The present volume includes a facsimile reproduction and translation of the catalogue published on the occasion of that exhibition. In addition to a brief chronology, the interested reader will also find a selection of text - some scarcely familiar today - by authors of various nationalities that sheds further light on the practice. Produced to accompany the exhibition in Spain and available in North America for the first time, this entirely English-language publication offers an overview of the birth of the photomontage process specifically in Germany and the Soviet Union in the 1920s.
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livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Titre:
La ville écrite
La ville écrite
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La collection de photographies privilégie une approche thématique, transversale, voire poétique, de la photographie moderne et contemporaine, illustrée d'une soixantaine d'oeuvres choisies parmi les 70000 que compte la collection photographique du Centre Pompidou, l'une des plus importantes sur le plan international. La ville écrite. L'histoire de la photographie est(...)
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La collection de photographies privilégie une approche thématique, transversale, voire poétique, de la photographie moderne et contemporaine, illustrée d'une soixantaine d'oeuvres choisies parmi les 70000 que compte la collection photographique du Centre Pompidou, l'une des plus importantes sur le plan international. La ville écrite. L'histoire de la photographie est(...)
Titre:
La ville écrite
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La collection de photographies privilégie une approche thématique, transversale, voire poétique, de la photographie moderne et contemporaine, illustrée d'une soixantaine d'oeuvres choisies parmi les 70000 que compte la collection photographique du Centre Pompidou, l'une des plus importantes sur le plan international. La ville écrite. L'histoire de la photographie est traversée par l'histoire de l'écriture et vice versa. Depuis les premiers relevés photographiques des hiéroglyphes égyptiens jusqu'aux graffitis urbains, en passant par les néons publicitaires qui éclairent la nuit des grandes villes, l'écrit hante la photographie. L'image photographique a aussi, à l'inverse, profondément modifié notre regard sur l'écriture. A l'époque moderne, la ville est devenue un immense réservoir de signes, une page sur laquelle s'inscrit notre histoire quotidienne, poétique ou politique. Des surréalistes à Andreas Gursky, de Brassaï à William Klein, c'est à cette lecture urbaine que nous invite ce livre.
La ville écrite
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La collection de photographies privilégie une approche thématique, transversale, voire poétique, de la photographie moderne et contemporaine, illustrée d'une soixantaine d'oeuvres choisies parmi les 70000 que compte la collection photographique du Centre Pompidou, l'une des plus importantes sur le plan international. La ville écrite. L'histoire de la photographie est traversée par l'histoire de l'écriture et vice versa. Depuis les premiers relevés photographiques des hiéroglyphes égyptiens jusqu'aux graffitis urbains, en passant par les néons publicitaires qui éclairent la nuit des grandes villes, l'écrit hante la photographie. L'image photographique a aussi, à l'inverse, profondément modifié notre regard sur l'écriture. A l'époque moderne, la ville est devenue un immense réservoir de signes, une page sur laquelle s'inscrit notre histoire quotidienne, poétique ou politique. Des surréalistes à Andreas Gursky, de Brassaï à William Klein, c'est à cette lecture urbaine que nous invite ce livre.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Photographie- collections
Photographie- collections
