273 Résultats
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livres
livres
Titre:
Photo/montage in print
Photo/montage in print
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Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Hoch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the(...)
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Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Hoch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the(...)
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Photo/montage in print
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$83.00
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Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Hoch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the Austro-Hungarian Empire collapsed. For these artists, namely Polish and Czech, photomontage manifested itself in a Surrealist approach to cut-and-paste imagery that emphasized its potential for visual poetry. "Photo/Montage in Print" traces the explosion of photomontage art in book cover design and illustrated magazines in the interwar period. Documenting the remarkable contributions of Czech artists in the creation of the visual language of modern print media, the publication includes some of the leading artists of the Czech avant garde such as Karel Teige, Jindrich Styrsky, Toyen, Ladislav Sutnar and Frantisek Muzika.
Photo/montage in print
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Photomontage was pioneered as a technique in central Europe in the 1910s, where it flourished as an art form through the end of World War II. While German artists such as John Heartfield, Max Ernst and Hannah Hoch used the medium to respond to the atrocities of war, other areas of Europe were simultaneously experiencing a newfound political autonomy as the Austro-Hungarian Empire collapsed. For these artists, namely Polish and Czech, photomontage manifested itself in a Surrealist approach to cut-and-paste imagery that emphasized its potential for visual poetry. "Photo/Montage in Print" traces the explosion of photomontage art in book cover design and illustrated magazines in the interwar period. Documenting the remarkable contributions of Czech artists in the creation of the visual language of modern print media, the publication includes some of the leading artists of the Czech avant garde such as Karel Teige, Jindrich Styrsky, Toyen, Ladislav Sutnar and Frantisek Muzika.
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livres
livres
Publication:
septembre 2011
septembre 2011
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$74.00
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A comprehensive look at the work of 100 contemporary photographers who capture the impact of human activity on natural landscapes. The Altered Landscape is a provocative collection of photographs representing a wide range of artists, techniques, visual styles, subjects, and ideological positions.Contributors are Lucy Lippard, Geoff Manaugh and WJT Mitchell.
$74.00
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A comprehensive look at the work of 100 contemporary photographers who capture the impact of human activity on natural landscapes. The Altered Landscape is a provocative collection of photographs representing a wide range of artists, techniques, visual styles, subjects, and ideological positions.Contributors are Lucy Lippard, Geoff Manaugh and WJT Mitchell.
Titre:
The altered landscape: photographs of a changing environment
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A comprehensive look at the work of 100 contemporary photographers who capture the impact of human activity on natural landscapes. The Altered Landscape is a provocative collection of photographs representing a wide range of artists, techniques, visual styles, subjects, and ideological positions.Contributors are Lucy Lippard, Geoff Manaugh and WJT Mitchell.
The altered landscape: photographs of a changing environment
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A comprehensive look at the work of 100 contemporary photographers who capture the impact of human activity on natural landscapes. The Altered Landscape is a provocative collection of photographs representing a wide range of artists, techniques, visual styles, subjects, and ideological positions.Contributors are Lucy Lippard, Geoff Manaugh and WJT Mitchell.
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livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
Titre:
La Tour Eiffel
La Tour Eiffel
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La Tour Eiffel est un livre double qui réunit le texte de Roland Barthes et les photographies d’'André Martin. Symbole de Paris pour le monde entier, ce monument que l’'on voit de partout, nous propose lui-même en retour un regard panoramique pour contempler la ville et en faire la conquête. Édifice longtemps décrié, pleinement et ouvertement inutile, il est d'’abord un(...)
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La Tour Eiffel est un livre double qui réunit le texte de Roland Barthes et les photographies d’'André Martin. Symbole de Paris pour le monde entier, ce monument que l’'on voit de partout, nous propose lui-même en retour un regard panoramique pour contempler la ville et en faire la conquête. Édifice longtemps décrié, pleinement et ouvertement inutile, il est d'’abord un(...)
Publication:
décembre 2011
décembre 2011
Titre:
La Tour Eiffel
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La Tour Eiffel est un livre double qui réunit le texte de Roland Barthes et les photographies d’'André Martin. Symbole de Paris pour le monde entier, ce monument que l’'on voit de partout, nous propose lui-même en retour un regard panoramique pour contempler la ville et en faire la conquête. Édifice longtemps décrié, pleinement et ouvertement inutile, il est d'’abord un objet d’une grande prouesse technique, un signe d'’audace et de modernité qui est devenu au fil du temps une oeuvre artistique, une dentelle de fer, signe de légèreté et, par sa verticalité, de l'’impossible tentative de l'’homme pour atteindre le ciel.
La Tour Eiffel
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La Tour Eiffel est un livre double qui réunit le texte de Roland Barthes et les photographies d’'André Martin. Symbole de Paris pour le monde entier, ce monument que l’'on voit de partout, nous propose lui-même en retour un regard panoramique pour contempler la ville et en faire la conquête. Édifice longtemps décrié, pleinement et ouvertement inutile, il est d'’abord un objet d’une grande prouesse technique, un signe d'’audace et de modernité qui est devenu au fil du temps une oeuvre artistique, une dentelle de fer, signe de légèreté et, par sa verticalité, de l'’impossible tentative de l'’homme pour atteindre le ciel.
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livres
livres
Publication:
décembre 2011
décembre 2011
Classification:
livres
livres
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$108.00
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Depuis les années 60, la photographie publicitaire s’affiche sur les murs de nos villes et les pages des magazines. Gabriel Bauret revient sur les campagnes publicitaires qui ont marqué les cinquante dernières années et analyse le travail de ceux qui se sont distingués par leur originalité, leur créativité, ainsi qu’un style immédiatement reconnaissable : Richard Avedon,(...)
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Depuis les années 60, la photographie publicitaire s’affiche sur les murs de nos villes et les pages des magazines. Gabriel Bauret revient sur les campagnes publicitaires qui ont marqué les cinquante dernières années et analyse le travail de ceux qui se sont distingués par leur originalité, leur créativité, ainsi qu’un style immédiatement reconnaissable : Richard Avedon,(...)
Titre:
La photographie publicitaire: 50 ans de création
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Depuis les années 60, la photographie publicitaire s’affiche sur les murs de nos villes et les pages des magazines. Gabriel Bauret revient sur les campagnes publicitaires qui ont marqué les cinquante dernières années et analyse le travail de ceux qui se sont distingués par leur originalité, leur créativité, ainsi qu’un style immédiatement reconnaissable : Richard Avedon, Guy Bourdin, Jean-Paul Goude, Jean-François Jonvelle, Dominique Issermann, Peter Lindbergh, Sacha, Jeanloup Sieff, Annie Leibovitz, Sarah Moon ou encore Oliviero Toscani… Une rétrospective sur un genre à part entière qui façonne notre imaginaire collectif, qui, par sa force de diffusion influence notre perception de la société.
La photographie publicitaire: 50 ans de création
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Depuis les années 60, la photographie publicitaire s’affiche sur les murs de nos villes et les pages des magazines. Gabriel Bauret revient sur les campagnes publicitaires qui ont marqué les cinquante dernières années et analyse le travail de ceux qui se sont distingués par leur originalité, leur créativité, ainsi qu’un style immédiatement reconnaissable : Richard Avedon, Guy Bourdin, Jean-Paul Goude, Jean-François Jonvelle, Dominique Issermann, Peter Lindbergh, Sacha, Jeanloup Sieff, Annie Leibovitz, Sarah Moon ou encore Oliviero Toscani… Une rétrospective sur un genre à part entière qui façonne notre imaginaire collectif, qui, par sa force de diffusion influence notre perception de la société.
Classification:
livres
livres
Publication:
janvier 2012
janvier 2012
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
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$33.95
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed(...)
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed(...)
Publication:
avril 2012
avril 2012
Titre:
Utopia dystopia : construction and destruction in photography and collage
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium. This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Hoch, Arata Isozaki, El Lissitzky, Carter Mull, Laszlo Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others.
Utopia dystopia : construction and destruction in photography and collage
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From the time of its invention, photography has enabled artists not only to capture the world around them but also to create worlds of their own. "Utopia/Dystopia" investigates how artists from the late 19th century to the present have used photographic fragments or techniques to represent political, social, or cultural states of utopia or dystopia. Artists have employed a number of strategies to this end, such as cutting, fragmenting, and puncturing images as well as reassembling those culled from ready-made materials or giving a subject multiple exposures. The resulting photographs, photocollages, photomontages, and other creations question the validity of seamless pictorial images, and attempt to dismantle the notion of photography as an objective medium. This publication features approximately forty-five exemplary works by artists such as Herbert Bayer, John Heartfield, Hannah Hoch, Arata Isozaki, El Lissitzky, Carter Mull, Laszlo Moholy-Nagy, Vik Muniz, Man Ray, Okanoue Toshiko, and many others.
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livres
livres
Publication:
avril 2012
avril 2012
Classification:
livres
livres
Titre:
More Americain photographs
More Americain photographs
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In More American Photographs, 12 contemporary photographers were commissioned to travel the United States, documenting its land and people. These new works are presented alongside historical images by original FSA photographers such as Dorothea Lange in a catalogue whose design was inspired by Walker Evans’ seminal book American Photographs. Participating(...)
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In More American Photographs, 12 contemporary photographers were commissioned to travel the United States, documenting its land and people. These new works are presented alongside historical images by original FSA photographers such as Dorothea Lange in a catalogue whose design was inspired by Walker Evans’ seminal book American Photographs. Participating(...)
Titre:
More Americain photographs
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In More American Photographs, 12 contemporary photographers were commissioned to travel the United States, documenting its land and people. These new works are presented alongside historical images by original FSA photographers such as Dorothea Lange in a catalogue whose design was inspired by Walker Evans’ seminal book American Photographs. Participating photographers include Walead Beshty, Esther Bubley, Larry Clark, Roe Ethridge, Walker Evans, Katy Grannan, William E. Jones, Dorothea Lange, Russell Lee, Sharon Lockhart, Catherine Opie, Gordon Parks, Martha Rosler, Collier Schorr, Ben Shahn, Stephen Shore, Alec Soth, Hank Willis Thomas and Marion Post Wolcott.
More Americain photographs
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In More American Photographs, 12 contemporary photographers were commissioned to travel the United States, documenting its land and people. These new works are presented alongside historical images by original FSA photographers such as Dorothea Lange in a catalogue whose design was inspired by Walker Evans’ seminal book American Photographs. Participating photographers include Walead Beshty, Esther Bubley, Larry Clark, Roe Ethridge, Walker Evans, Katy Grannan, William E. Jones, Dorothea Lange, Russell Lee, Sharon Lockhart, Catherine Opie, Gordon Parks, Martha Rosler, Collier Schorr, Ben Shahn, Stephen Shore, Alec Soth, Hank Willis Thomas and Marion Post Wolcott.
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livres
livres
Publication:
mars 2012
mars 2012
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Titre:
Photography for architects
Photography for architects
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$65.00
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Since its invention, photography has been used to mediate the perception of architecture, for both educational and practical architectural purposes. Winfried Nerdinger's "Photography for Architects "draws on the unrivaled photo collection of the Munich Architekturmuseum to take a broad look at the relation of photography to architecture. The volume is composed of two(...)
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Since its invention, photography has been used to mediate the perception of architecture, for both educational and practical architectural purposes. Winfried Nerdinger's "Photography for Architects "draws on the unrivaled photo collection of the Munich Architekturmuseum to take a broad look at the relation of photography to architecture. The volume is composed of two(...)
Titre:
Photography for architects
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Since its invention, photography has been used to mediate the perception of architecture, for both educational and practical architectural purposes. Winfried Nerdinger's "Photography for Architects "draws on the unrivaled photo collection of the Munich Architekturmuseum to take a broad look at the relation of photography to architecture. The volume is composed of two sections: in the first, Nerdinger examines key architectural motifs and forms, in photographs from the 1850s to the present; in the second section, he demonstrates the potential applications of photography during the design phase.
Photography for architects
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Since its invention, photography has been used to mediate the perception of architecture, for both educational and practical architectural purposes. Winfried Nerdinger's "Photography for Architects "draws on the unrivaled photo collection of the Munich Architekturmuseum to take a broad look at the relation of photography to architecture. The volume is composed of two sections: in the first, Nerdinger examines key architectural motifs and forms, in photographs from the 1850s to the present; in the second section, he demonstrates the potential applications of photography during the design phase.
Classification:
livres
livres
Publication:
avril 2012
avril 2012
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
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$60.00
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
Titre:
Frontiers of another nature: pictures from Iceland
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
Frontiers of another nature: pictures from Iceland
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
Classification:
livres
livres
Publication:
février 2012
février 2012
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Prix:
$39.95
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Résumé:
Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange,(...)
$39.95
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Résumé:
Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange,(...)
Titre:
Aperture magazine anthology: the minor white years, 1952–1976
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Résumé:
Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in diverse photographic styles, myriad themes and subjects (including a strong streak of spirituality in diverse forms) and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. Several articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a portfolio of covers, as well as a selection of the colophons (short statements or quotes) that appeared at the front of each magazine.
Aperture magazine anthology: the minor white years, 1952–1976
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Published on the occasion of its sixtieth anniversary, this is the first anthology of Aperture magazine. It provides a selection of the best critical writing from the first 25 years of the magazine--the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in diverse photographic styles, myriad themes and subjects (including a strong streak of spirituality in diverse forms) and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. Several articles are reproduced in facsimile, and the publication is enlivened throughout by other features, including a portfolio of covers, as well as a selection of the colophons (short statements or quotes) that appeared at the front of each magazine.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Classification:
livres
livres
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$55.00
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Résumé:
People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive(...)
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive(...)
Titre:
Adam Broomberg & Oliver Chanarin : people in trouble pushed to the ground
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive occupies a small room on the first floor at 23 Donegal Street and contains over 14,000 black-and-white contact sheets, documenting the Troubles in Northern Ireland. These are photographs taken by professional photo-journalists and 'civilian' photographers, chronicling protests, funerals and acts of terrorism as well as the more ordinary stuff of life: drinking tea; kissing girls; watching trains. Belfast Exposed was founded in 1983 as a response to concern over the careful control of images depicting British military activity during the Troubles. The marks on the surface of the contact strips – across the image itself – allude to the presence of many visitors. These include successive archivists, who have ordered, catalogued and re-catalogued this jumble of images. For many years the archive was also made available to members of the public, and sometimes they would deface their own image with a marker pen, ink or scissors. So, in addition to the marks made by generations of archivists, photo editors, legal aides and activists, the traces of these very personal obliterations are also visible. They are the gestures of those who wished to remain anonymous.
Adam Broomberg & Oliver Chanarin : people in trouble pushed to the ground
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People in trouble laughing pushed to the ground. Soldiers leaning, pointing, reaching. Woman sweeping. Balloons escaping. Coffin descending. Boys standing. Grieving. Chair balancing. Children smoking. Embracing. Creatures barking. Cars burning. Helicopters hovering. Faces. Human figures. Shapes. Birds. Structures left standing and falling... The Belfast Exposed Archive occupies a small room on the first floor at 23 Donegal Street and contains over 14,000 black-and-white contact sheets, documenting the Troubles in Northern Ireland. These are photographs taken by professional photo-journalists and 'civilian' photographers, chronicling protests, funerals and acts of terrorism as well as the more ordinary stuff of life: drinking tea; kissing girls; watching trains. Belfast Exposed was founded in 1983 as a response to concern over the careful control of images depicting British military activity during the Troubles. The marks on the surface of the contact strips – across the image itself – allude to the presence of many visitors. These include successive archivists, who have ordered, catalogued and re-catalogued this jumble of images. For many years the archive was also made available to members of the public, and sometimes they would deface their own image with a marker pen, ink or scissors. So, in addition to the marks made by generations of archivists, photo editors, legal aides and activists, the traces of these very personal obliterations are also visible. They are the gestures of those who wished to remain anonymous.
Classification:
livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Photographie- collections
Photographie- collections
