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While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry(...)
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Résumé:
While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
novembre 2004, London
novembre 2004, London
Titre:
The photobook : a history, volume 1
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Résumé:
While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry Badger, "The Photobook" provides a comprehensive overview of the development of the photobook, from its inception at the dawn of photography in the early nineteenth century through to the radical Japanese photobooks of the 1960s and 70s, by way of the modernist and propaganda books of the 1930s and 40s. In his introduction, Badger argues that the photobook is one of the most significant photographic genres due to the extent of its distribution and level of availability, and contests the traditional notion that the history of photography is best represented by the original print. This study provides an important corrective to the traditional history of photography. The selection of photographers made by Badger and Parr challenges the popular canon, and their survey of the history of the photobook reveals a secret web of influence and interrelationships between photographers and photographic movements around the world. The book is divided into a series of thematic and broadly chronological chapters, each featuring a general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show around 200 of the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown. Volume One also features an illuminating and provocative introduction, ‘The Photobook: Between the Film and the Novel’ by Badger, which is accompanied by a preface written by Parr.
The photobook : a history, volume 1
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Résumé:
While the history of photography is a well-established canon, much less critical attention has been directed at the phenomenon of the photobook, which for many photographers is perhaps the most significant vehicle for the display of their work and the communication of their vision to a mass audience. In the first of two volumes, both co-edited by Martin Parr and Gerry Badger, "The Photobook" provides a comprehensive overview of the development of the photobook, from its inception at the dawn of photography in the early nineteenth century through to the radical Japanese photobooks of the 1960s and 70s, by way of the modernist and propaganda books of the 1930s and 40s. In his introduction, Badger argues that the photobook is one of the most significant photographic genres due to the extent of its distribution and level of availability, and contests the traditional notion that the history of photography is best represented by the original print. This study provides an important corrective to the traditional history of photography. The selection of photographers made by Badger and Parr challenges the popular canon, and their survey of the history of the photobook reveals a secret web of influence and interrelationships between photographers and photographic movements around the world. The book is divided into a series of thematic and broadly chronological chapters, each featuring a general introductory text providing background information and highlighting the dominant political and artistic influences on the photobook in the period, followed by more detailed discussion of the individual photobooks. The chapter texts are followed by spreads and images from over 200 books, which provide the central means of telling the history of the photobook. Chosen by Parr and Badger, these illustrations show around 200 of the most artistically and culturally important photobooks in three dimensions, with the cover or jacket and a selection of spreads from the book shown. Volume One also features an illuminating and provocative introduction, ‘The Photobook: Between the Film and the Novel’ by Badger, which is accompanied by a preface written by Parr.
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livres
livres
Publication:
novembre 2004, London
novembre 2004, London
Sujet:
Photographie- collections
Photographie- collections
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livres
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They(...)
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They(...)
Publication:
mai 2004, Los Angeles
mai 2004, Los Angeles
Titre:
Photographers of genius at the Getty
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Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They advanced the art of photography and in the process brought about changes in the history of art. These artists include well-known photographers such as Gustave Le Gray, Julia Margaret Cameron, Eugène Atget, Alfred Stieglitz, August Sander, André Kertész, Man Ray, Edward Weston, Brassaï, Henri Cartier-Bresson, Manuel Alvarez Bravo, Walker Evans, Dorothea Lange, Weegee, and Diane Arbus. Others will be new even to experts. For example, early innovators Girault de Prangey, Anna Atkins, Camille Silvy, Henry Bosse, and the Langenheim brothers have been rediscovered in recent years, bringing to light the importance of their particular contributions to the history of art and photography. Each artist is represented in the book by three related images and interpretive remarks by Naef. Illustrations include selections from Atget's signature views of Paris, Stieglitz's portrait of Georgia O'Keeffe, Weston's distinctive nudes, and Arbus's images of women.
Photographers of genius at the Getty
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Résumé:
Celebrating twenty years of collecting photographs at the Getty Museum, "Photographers of Genius at the Getty" and the exhibition it accompanies spotlight the genius of thirty-eight seminal photographers selected from the hundreds of artists represented in the collection. The innovative pioneers presented here span the early nineteenth to mid-twentieth centuries. They advanced the art of photography and in the process brought about changes in the history of art. These artists include well-known photographers such as Gustave Le Gray, Julia Margaret Cameron, Eugène Atget, Alfred Stieglitz, August Sander, André Kertész, Man Ray, Edward Weston, Brassaï, Henri Cartier-Bresson, Manuel Alvarez Bravo, Walker Evans, Dorothea Lange, Weegee, and Diane Arbus. Others will be new even to experts. For example, early innovators Girault de Prangey, Anna Atkins, Camille Silvy, Henry Bosse, and the Langenheim brothers have been rediscovered in recent years, bringing to light the importance of their particular contributions to the history of art and photography. Each artist is represented in the book by three related images and interpretive remarks by Naef. Illustrations include selections from Atget's signature views of Paris, Stieglitz's portrait of Georgia O'Keeffe, Weston's distinctive nudes, and Arbus's images of women.
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livres
livres
Publication:
mai 2004, Los Angeles
mai 2004, Los Angeles
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livres
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From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments(...)
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From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments(...)
Publication:
février 2004, San Francisco
février 2004, San Francisco
Titre:
Reverie and reality : nineteenth-century photographs of India from the Ehrenfeld Collection
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Résumé:
From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments of Egypt, Greece, and Italy were added the mysterious and exotic attractions of India. In "Reverie and Reality", a visual history of India in the 19th century unfolds. Images by some of the earliest and most significant practitioners of the medium will be on view in this exhibition, including Linnaeus Tripe, Samuel Bourne, John Murray, and the Indian Lala Din Dayal. The subject matter ranges from famous architectural monuments to images of the natural landscape. The variety of humanity that inhabited this country during the time period is recorded in a series of photographs that range from scenes of daily life in villages to sumptuous and formal visits of foreign royalty. Essays accompany the lavish illustrations in this catalogue to the exhibition drawing on images from the Ehrenfeld Collection.
Reverie and reality : nineteenth-century photographs of India from the Ehrenfeld Collection
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Résumé:
From its beginnings in the 1840s, one of the earliest uses of photography was to use the camera to record and distribute images of exotic countries or locales. These photographs provided a glimpse of the world to a curious public, few of whom could ever hope to visit those places in person. In addition to such obvious photographic destinations as the temples and monuments of Egypt, Greece, and Italy were added the mysterious and exotic attractions of India. In "Reverie and Reality", a visual history of India in the 19th century unfolds. Images by some of the earliest and most significant practitioners of the medium will be on view in this exhibition, including Linnaeus Tripe, Samuel Bourne, John Murray, and the Indian Lala Din Dayal. The subject matter ranges from famous architectural monuments to images of the natural landscape. The variety of humanity that inhabited this country during the time period is recorded in a series of photographs that range from scenes of daily life in villages to sumptuous and formal visits of foreign royalty. Essays accompany the lavish illustrations in this catalogue to the exhibition drawing on images from the Ehrenfeld Collection.
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livres
livres
Publication:
février 2004, San Francisco
février 2004, San Francisco
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livres
livres
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Sous le titre « Mascarades : L’attrait de la métamorphose », la 18e édition de MOMENTA Biennale de l’image présente 23 artistes dont les projets activent des processus de transformation, de mimétisme et de mutation. Son ambition : exposer les dynamiques de visibilité et d’invisibilité façonnant les relations entre soi et l’autre, entre l’humain et son environnement, que(...)
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Sous le titre « Mascarades : L’attrait de la métamorphose », la 18e édition de MOMENTA Biennale de l’image présente 23 artistes dont les projets activent des processus de transformation, de mimétisme et de mutation. Son ambition : exposer les dynamiques de visibilité et d’invisibilité façonnant les relations entre soi et l’autre, entre l’humain et son environnement, que(...)
Publication:
septembre 2023
septembre 2023
Titre:
L'atttrait de la métamorphose. Momenta Biennale 2023
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Sous le titre « Mascarades : L’attrait de la métamorphose », la 18e édition de MOMENTA Biennale de l’image présente 23 artistes dont les projets activent des processus de transformation, de mimétisme et de mutation. Son ambition : exposer les dynamiques de visibilité et d’invisibilité façonnant les relations entre soi et l’autre, entre l’humain et son environnement, que celui-ci soit végétal, animal ou technologique. Cette publication réunit les présentations de chacune des expositions, un essai sur le potentiel métamorphique de la « conscience-peau » par Anne Anlin Cheng, une suite photographique inédite de Chris Curreri ainsi qu’un texte de la commissaire Ji-Yoon Han qui propose une réflexion sur la notion d’image à travers le prisme de la thématique.
L'atttrait de la métamorphose. Momenta Biennale 2023
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Sous le titre « Mascarades : L’attrait de la métamorphose », la 18e édition de MOMENTA Biennale de l’image présente 23 artistes dont les projets activent des processus de transformation, de mimétisme et de mutation. Son ambition : exposer les dynamiques de visibilité et d’invisibilité façonnant les relations entre soi et l’autre, entre l’humain et son environnement, que celui-ci soit végétal, animal ou technologique. Cette publication réunit les présentations de chacune des expositions, un essai sur le potentiel métamorphique de la « conscience-peau » par Anne Anlin Cheng, une suite photographique inédite de Chris Curreri ainsi qu’un texte de la commissaire Ji-Yoon Han qui propose une réflexion sur la notion d’image à travers le prisme de la thématique.
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livres
livres
Publication:
septembre 2023
septembre 2023
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livres
livres
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$134.95
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Véritable plongée dans la photographie dès son invention et hors des frontières de l’Europe, cet ouvrage propose une histoire polyphonique des débuts de la photographie mondiale. Richement illustré, alternant découpages géographiques et thématiques transcontinentales, Mondes photographiques, histoires des débuts invite une cinquantaine d’auteurs des cinq continents à(...)
$134.95
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Résumé:
Véritable plongée dans la photographie dès son invention et hors des frontières de l’Europe, cet ouvrage propose une histoire polyphonique des débuts de la photographie mondiale. Richement illustré, alternant découpages géographiques et thématiques transcontinentales, Mondes photographiques, histoires des débuts invite une cinquantaine d’auteurs des cinq continents à(...)
Titre:
Mondes photographiques, histoires des débuts
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Véritable plongée dans la photographie dès son invention et hors des frontières de l’Europe, cet ouvrage propose une histoire polyphonique des débuts de la photographie mondiale. Richement illustré, alternant découpages géographiques et thématiques transcontinentales, Mondes photographiques, histoires des débuts invite une cinquantaine d’auteurs des cinq continents à mettre en récit des expériences du médium et à redessiner des parcours de photographes souvent méconnus, qu’ils soient voyageurs ou originaires des pays abordés. Le lecteur y découvrira l’extraordinaire diversité des pratiques et des usages de la photographie à compter du XIXe siècle en différents lieux du monde.
Mondes photographiques, histoires des débuts
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Véritable plongée dans la photographie dès son invention et hors des frontières de l’Europe, cet ouvrage propose une histoire polyphonique des débuts de la photographie mondiale. Richement illustré, alternant découpages géographiques et thématiques transcontinentales, Mondes photographiques, histoires des débuts invite une cinquantaine d’auteurs des cinq continents à mettre en récit des expériences du médium et à redessiner des parcours de photographes souvent méconnus, qu’ils soient voyageurs ou originaires des pays abordés. Le lecteur y découvrira l’extraordinaire diversité des pratiques et des usages de la photographie à compter du XIXe siècle en différents lieux du monde.
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livres
livres
Publication:
novembre 2023
novembre 2023
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$105.00
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Résumé:
''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A.(...)
$105.00
(disponible en magasin)
Résumé:
''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A.(...)
Sujet:
Photographie- collections
Photographie- collections
Publication:
mars 2024
mars 2024
Titre:
I'm so happy you are here: Japanese women photographers from the 1950s to now
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$105.00
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''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.
I'm so happy you are here: Japanese women photographers from the 1950s to now
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$105.00
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Résumé:
''I’m so happy you are here'' presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.
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livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$141.00
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Massive industrial halls, dirty overalls, spinning gears and smoking chimneys: "Factory photo-books: The self-representation of the factory in photographic publications" is the definitive overview of an extraordinary genre spanning from 1890 to 1987. From the invention of the medium, businesses recognized the power of photography as a marketing tool. Companies(...)
$141.00
(disponible en magasin)
Résumé:
Massive industrial halls, dirty overalls, spinning gears and smoking chimneys: "Factory photo-books: The self-representation of the factory in photographic publications" is the definitive overview of an extraordinary genre spanning from 1890 to 1987. From the invention of the medium, businesses recognized the power of photography as a marketing tool. Companies(...)
Titre:
Factory photo-books: The self-representation of the factory in photographic publications
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$141.00
(disponible en magasin)
Résumé:
Massive industrial halls, dirty overalls, spinning gears and smoking chimneys: "Factory photo-books: The self-representation of the factory in photographic publications" is the definitive overview of an extraordinary genre spanning from 1890 to 1987. From the invention of the medium, businesses recognized the power of photography as a marketing tool. Companies commissioned photobooks in order to showcase their quality, innovativeness and progressiveness. The books went out into the world as promotional gifts for clients, investors, local public figures and employees. Meanwhile, factories themselves created promotional photobooks to extol their own production value and recruit new business. These gigantic centers for production employed designers, printers and photographers at the top of their field, including Margaret Bourke-White, Piet Zwart, Bruno Munari, Alvin Langdon Coburn, André Kertész, Albert Renger-Patzsch, Jacob Tuggener, Robert Doisneau, Paul Schuitema, Jurriaan Schrofer and Eugenio Carmi. The ambition to portray the firms in unique ways often led to amazing experiments with book forms, photography and graphic design.
Factory photo-books: The self-representation of the factory in photographic publications
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$141.00
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Massive industrial halls, dirty overalls, spinning gears and smoking chimneys: "Factory photo-books: The self-representation of the factory in photographic publications" is the definitive overview of an extraordinary genre spanning from 1890 to 1987. From the invention of the medium, businesses recognized the power of photography as a marketing tool. Companies commissioned photobooks in order to showcase their quality, innovativeness and progressiveness. The books went out into the world as promotional gifts for clients, investors, local public figures and employees. Meanwhile, factories themselves created promotional photobooks to extol their own production value and recruit new business. These gigantic centers for production employed designers, printers and photographers at the top of their field, including Margaret Bourke-White, Piet Zwart, Bruno Munari, Alvin Langdon Coburn, André Kertész, Albert Renger-Patzsch, Jacob Tuggener, Robert Doisneau, Paul Schuitema, Jurriaan Schrofer and Eugenio Carmi. The ambition to portray the firms in unique ways often led to amazing experiments with book forms, photography and graphic design.
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livres
livres
Publication:
mars 2024
mars 2024
Sujet:
Photographie- collections
Photographie- collections
Classification:
livres
livres
Titre:
Image ecology
Image ecology
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A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists(...)
$65.00
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Résumé:
A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists(...)
Titre:
Image ecology
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$65.00
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A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists featured employ experimental and traditional historical processes as well as new technologies. "Image ecology" dissects photography as an ecological practice, a medium that is defined as much by the nexus of material, labor, energy and waste that its production and circulation require as by what it represents. Featuring an extensive essay by environmental historian Jason W. Moore, and contributions by over a dozen international writers, the book even unpacks its own production process: from material supply chains and working conditions to wrapping and postage.
Image ecology
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A survey of contemporary image-making, "Image ecology" marks the beginning of a long-term consideration of nature and ecology in current fine art photography through shows at C/O Berlin. In an attempt to document the systemic causes of the climate crisis, the works included in this volume explore their own material and social conditions. The 12 contemporary artists featured employ experimental and traditional historical processes as well as new technologies. "Image ecology" dissects photography as an ecological practice, a medium that is defined as much by the nexus of material, labor, energy and waste that its production and circulation require as by what it represents. Featuring an extensive essay by environmental historian Jason W. Moore, and contributions by over a dozen international writers, the book even unpacks its own production process: from material supply chains and working conditions to wrapping and postage.
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livres
livres
Publication:
mai 2024
mai 2024
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$72.00
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How has humanity’s relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of "Widening the lens: Photography, ecology, and the contemporary landscape", a publication inspired by a generation of contemporary artists who have(...)
$72.00
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Résumé:
How has humanity’s relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of "Widening the lens: Photography, ecology, and the contemporary landscape", a publication inspired by a generation of contemporary artists who have(...)
Titre:
Widening the lens: Photography, ecology, and the contemporary landscape
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$72.00
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Résumé:
How has humanity’s relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of "Widening the lens: Photography, ecology, and the contemporary landscape", a publication inspired by a generation of contemporary artists who have endeavored to chart the past, present and potential futures of photography and the landscape. Through a collection of essays, poetry and newly commissioned artwork, "Widening the lens" aims to ignite renewed ecological awareness through visual representations of the environment that reveal underlying historical, social, geological and political processes.
Widening the lens: Photography, ecology, and the contemporary landscape
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$72.00
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Résumé:
How has humanity’s relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of "Widening the lens: Photography, ecology, and the contemporary landscape", a publication inspired by a generation of contemporary artists who have endeavored to chart the past, present and potential futures of photography and the landscape. Through a collection of essays, poetry and newly commissioned artwork, "Widening the lens" aims to ignite renewed ecological awareness through visual representations of the environment that reveal underlying historical, social, geological and political processes.
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livres
livres
Publication:
décembre 2024
décembre 2024
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$57.00
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Since the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable(...)
$57.00
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Since the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable(...)
Titre:
A world in common: Contemporary African photography
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$57.00
(disponible en magasin)
Résumé:
Since the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable from the discourses of post-colonialism. Challenging these dominant images of exoticism and otherness, this book illustrates how photography has allowed artists to reimagine African histories through the lens of the present, to shape our understanding of the contemporary realities we face. Bringing together a diverse range of artists and thinkers to present varied perspectives on issues such as cultural heritage and restitution, spirituality, urbanism and climate change, it reveals how innovative contemporary photography challenges perceptions of history, culture and identity.
A world in common: Contemporary African photography
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Prix:
$57.00
(disponible en magasin)
Résumé:
Since the invention of photography in the nineteenth century, Africa has been defined largely by Western images of its cultures and traditions. From the colonial carte de visite and ethnographic archive to the rise of studio portraiture and social documents of racial surveillance, the fraught relationship between Africa and the photographic lens has become inseparable from the discourses of post-colonialism. Challenging these dominant images of exoticism and otherness, this book illustrates how photography has allowed artists to reimagine African histories through the lens of the present, to shape our understanding of the contemporary realities we face. Bringing together a diverse range of artists and thinkers to present varied perspectives on issues such as cultural heritage and restitution, spirituality, urbanism and climate change, it reveals how innovative contemporary photography challenges perceptions of history, culture and identity.
Classification:
livres
livres
Publication:
juillet 2023
juillet 2023
Sujet:
Photographie- collections
Photographie- collections
