Picturing the invisible
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Published in memory of the Great East Japan Earthquake, tsunami, and nuclear disaster, ‘'Picturing the Invisible'’ explores the realities of life in the wake of this seismic event, which shook Japan to its core. Even today, vast swathes of land remain uninhabitable. More than 35,000 people are unable to return to their homes, and many more choose not to, concerned that(...)
Picturing the invisible
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Published in memory of the Great East Japan Earthquake, tsunami, and nuclear disaster, ‘'Picturing the Invisible'’ explores the realities of life in the wake of this seismic event, which shook Japan to its core. Even today, vast swathes of land remain uninhabitable. More than 35,000 people are unable to return to their homes, and many more choose not to, concerned that life in Fukushima may not be as safe as the government claims. Edited by Makoto Takahashi, the book brings together seven photographers working in the affected territories: Takashi Arai, Rebecca Bathory, Thom Davies, Masamichi Kagaya and Satoshi Mori, Yoi Kawakubo, Giles Price, and Lieko Shiga.
Photographie- collections
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The Black Arts Movement brought together writers, filmmakers, and visual artists who were exploring ways of using art to advance civil rights and Black self-determination. This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to(...)
Photography and the Black Arts movement, 1955-1985
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The Black Arts Movement brought together writers, filmmakers, and visual artists who were exploring ways of using art to advance civil rights and Black self-determination. This book examines the vital role of photography in the evolution of the Black Arts Movement, revealing how photographs operated across art, community building, journalism, and political messaging to contribute to the development of a distinctly Black art and culture. The book’s essays by distinguished scholars focus on topics such as women and the movement, community, activism, and Black photojournalism. Taking an expansive approach, the authors consider the complex connections between American artists and the African diaspora and the dynamic interchange of pan-African ideas that propelled the movement. Authoritative and beautifully illustrated, this is the definitive volume on photography and the Black Arts Movement.
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Photographie et écologie
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Dès son essor, la photographie est inextricablement liée à l'écologie – par sa matérialité et par ce qu'elle donne à voir. Ce livre présente quinze artistes qui tissent des liens avec des écosystèmes en mouvement. À travers cinq chapitres organisés autour de registres émotionnels, l'autrice met en perspective ces pratiques artistiques contemporaines avec l'histoire du(...)
Photographie et écologie
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Dès son essor, la photographie est inextricablement liée à l'écologie – par sa matérialité et par ce qu'elle donne à voir. Ce livre présente quinze artistes qui tissent des liens avec des écosystèmes en mouvement. À travers cinq chapitres organisés autour de registres émotionnels, l'autrice met en perspective ces pratiques artistiques contemporaines avec l'histoire du médium photographique. Elle propose une entrée en matière, une invitation au dialogue, une mise en relation sensible et critique des images et de l'écologie. La collection « Superscripte » propose des textes introductifs et synthétiques sur des pratiques photographiques contemporaines dans toutes leur diversité, par le prisme d'une notion unique – l'exposition, la violence ou l'image-objet. En conjuguant des ouvrages écrits par des artistes, des chercheurs et chercheuses ou des critiques, il s'agit de valoriser les subjectivités personnelles et les compétences qui découlent des différentes manières de penser les images. Imaginée pour les photographes, les historien·ne·s de l'art ou un public amateur, cette série souhaite donner les clés pour appréhender certaines thématiques ou formes photographiques, omniprésentes dans la culture visuelle d'aujourd'hui.
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livres
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Before the invention of photography, civil engineers employed topographic artists to record the progression of their projects. Termed "record pictures," these illustrations followed the tradition of the Dutch topographical landscapes of the 17th century, combining the qualities of detail and clarity with the objectivity of technical drawings. As such, record pictures had(...)
janvier 2004, Göttingen, Germany
Record pictures : photographs from the archives of the Institution of Civil Engineers
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Before the invention of photography, civil engineers employed topographic artists to record the progression of their projects. Termed "record pictures," these illustrations followed the tradition of the Dutch topographical landscapes of the 17th century, combining the qualities of detail and clarity with the objectivity of technical drawings. As such, record pictures had a scientific rather than an artistic purpose, just as most photography did in its infancy. Photography’s prime value was historically regarded as its ability to make highly detailed, objective (and relatively inexpensive) records. Industry was quick to harness the new medium to make record pictures. Significantly, one of the founders of Britain’s Photographic Society was a leading civil engineer. This original application gave rise to a genre of landscape photography that has not been properly recognized. Record Pictures: Photographs from the Archive of the Institution of Civil Engineers represents the photographic jewels of arguably the finest collection in Britain. Spanning a period of 75 years from the mid-19th century, the book contains previously unpublished examples drawn from across Europe, Africa, Australasia, the Far East, and Latin America. Record pictures are the unacknowledged foundation of the history of photography. In his introductory essay, Michael Collins demonstrates how this fundamental approach continues unchanged, only now it is no longer industry that applies these principles but such eminent artists as Bernd & Hilla Becher and Thomas Struth, proponents of contemporary art photography.
livres
janvier 2004, Göttingen, Germany
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By collecting and documenting her passport photographs over some 60 years, the woman in this book demarcated her life in black and white. It is difficult to imagine a more minimalist autobiography, a lifetime compressed into just 75 extremely similar photographs.
octobre 2007, Amsterdam
Erik Kessels: In almost every picture
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By collecting and documenting her passport photographs over some 60 years, the woman in this book demarcated her life in black and white. It is difficult to imagine a more minimalist autobiography, a lifetime compressed into just 75 extremely similar photographs.
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Edward burtyunsky, Weng Fen, Rinko Kawauchi, Seung Woo Back, Yoichi Nagano, Tim Lee, Marc Baruth, Nathalie Grenzhaeuser, Signe Vad, Kyung Duk Kim
Foil_Iann vol. 1 2007 contemporary art photography in Asia
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Edward burtyunsky, Weng Fen, Rinko Kawauchi, Seung Woo Back, Yoichi Nagano, Tim Lee, Marc Baruth, Nathalie Grenzhaeuser, Signe Vad, Kyung Duk Kim
$62.00
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Snapshots, passenger lists, itineraries, and postcards: From Cairo to Burma and back again, authors Barbara Levine and Kirsten Jensen transport readers back to the dawn of world travel when the middle class toured the world for the first time. In beautifully designed pages Around the World traces the development of the travel photo album. The book features a wealth of(...)
janvier 2008, New York
Around the world: The grand tour in photo albums
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Snapshots, passenger lists, itineraries, and postcards: From Cairo to Burma and back again, authors Barbara Levine and Kirsten Jensen transport readers back to the dawn of world travel when the middle class toured the world for the first time. In beautifully designed pages Around the World traces the development of the travel photo album. The book features a wealth of turn-of-the-twentieth-century photographs and ephemera, evoking the pleasures of a time when the surroundings were taken in slowly and travel was an art of itself.
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three(...)
Events of the social: portraiture and collective agency
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This book is a comprehensive investigation into photographic works by artists from the African continent and its diaspora. Taking the politics of the “colonial gaze” as its starting point, Events of the Social looks at the diverse complexity of the nineteenth-century archive through a selection of vintage portraits, cartes de visite, postcards and album pages. Three generations of African artists from the 1940s till now then chart the changing features of African societies through portraiture, exploring notions of the self, gender, sexuality, race, social status and politics. The book also examines landscape and the built environment, showing how architecture and spatial planning convey social order and ideology while reflecting experiences of migration, colonialism, war and industrialization. Another group of artists, born after the mid-1970s, explores issues of social identity, lineage, questions of belonging and personal experiences.
Photographie- collections
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''Exposing the Maya'' focuses on the works of Désiré Charnay, Alice and Augustus Le Plongeon, Teobert Maler, Alfred Maudslay and Adela Breton, all of whom were masters of their craft and travelled extensively to sites in Mexico and Central America. The over 100 selected images in this volume, together with nearly 40 additional contextual images featuring sketches from(...)
Exposing the Maya: Early archaeological photography in the Americas
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''Exposing the Maya'' focuses on the works of Désiré Charnay, Alice and Augustus Le Plongeon, Teobert Maler, Alfred Maudslay and Adela Breton, all of whom were masters of their craft and travelled extensively to sites in Mexico and Central America. The over 100 selected images in this volume, together with nearly 40 additional contextual images featuring sketches from travel journals, hand-colored drawings, prints, and maps, are combined with the photographers’ own words found in their published writings, journals and letters to provide insight into their methods, context for their images, and to capture the realities of field work in Mesoamerica.
Photographie- collections
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''Recaptioning Congo'' places the colonial Congo's photography history in new perspectives. Six writers and everyday Congolese urban voices take an African-centered look at imperial archival images and provide them with creative, contemporary and/or literary 'captions'. The book, linked to an exhibition in the photography museum FOMU Antwerp, is based upon the extensive(...)
Recaptioning Congo: African stories and colonial pictures
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''Recaptioning Congo'' places the colonial Congo's photography history in new perspectives. Six writers and everyday Congolese urban voices take an African-centered look at imperial archival images and provide them with creative, contemporary and/or literary 'captions'. The book, linked to an exhibition in the photography museum FOMU Antwerp, is based upon the extensive research of the photographic history of colonial Congo (1885 - 1960), conducted by Dr. Sandrine Colard. It contains a wealth of revealing images that highlight the relationship between past and present, Africa and Europe and Belgium and Congo.
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