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Located in the Czech Republic's Beskid Mountains, the pristine Mionsi Forest has long attracted the attention of artists in the region. Photographer Rudolf Janda was one of the first to discover this enchanting landscape in the 1930s; later, landscape photographers including Petr Helbich, Jan Byrtus, Roman Burda and Josef Sudek followed.
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Located in the Czech Republic's Beskid Mountains, the pristine Mionsi Forest has long attracted the attention of artists in the region. Photographer Rudolf Janda was one of the first to discover this enchanting landscape in the 1930s; later, landscape photographers including Petr Helbich, Jan Byrtus, Roman Burda and Josef Sudek followed.
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Mionsi : prales virgin forest
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Located in the Czech Republic's Beskid Mountains, the pristine Mionsi Forest has long attracted the attention of artists in the region. Photographer Rudolf Janda was one of the first to discover this enchanting landscape in the 1930s; later, landscape photographers including Petr Helbich, Jan Byrtus, Roman Burda and Josef Sudek followed.
Mionsi : prales virgin forest
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Located in the Czech Republic's Beskid Mountains, the pristine Mionsi Forest has long attracted the attention of artists in the region. Photographer Rudolf Janda was one of the first to discover this enchanting landscape in the 1930s; later, landscape photographers including Petr Helbich, Jan Byrtus, Roman Burda and Josef Sudek followed.
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livres
livres
Publication:
mars 2011
mars 2011
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Photographie- collections
Photographie- collections
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livres
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$77.00
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural(...)
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural(...)
Titre:
A new view: Architecture photography from the National Museums in Berlin
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural photography.
A new view: Architecture photography from the National Museums in Berlin
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Across 18 chapters and 340 photographs, this volume presents a survey of the architectural photography holdings of Berlin's Ethnological Museum, Egyptian Museum, Museum for Asian Art and Art Library. Previously seen only by specialists, these photographs, which portray buildings from the ancient to the modern, constitute an impressive and ambitious survey of architectural photography.
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livres
livres
Publication:
mars 2011
mars 2011
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Photographie- collections
Photographie- collections
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livres
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$96.95
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated(...)
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated(...)
Titre:
Art and the early photographic album
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated travel guides and archaeological reports. While such albums have often been valued for documentary purposes, their broader role in the institutional development of art has, until now, been overlooked. The first book on the subject, this collection of twelve essays explores topics such as how the acclaim of artists like Rubens grew because their paintings reproduced so well in photographs, how Michelangelo's Sistine Chapel frescoes were given a new public identity by the photographer's choice of striking details never explored in traditional prints, and other important ways in which photographically illustrated publications influenced the experience and the history of art.
Art and the early photographic album
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One of the most prized categories of early photography was the reproduction of artworks, a role in which photographs largely replaced engravings in book imagery during the mid-19th century. Photographs of paintings, sculptures, and other works were compiled in albums, ranging from surveys of museum collections and catalogues of works by single artists to illustrated travel guides and archaeological reports. While such albums have often been valued for documentary purposes, their broader role in the institutional development of art has, until now, been overlooked. The first book on the subject, this collection of twelve essays explores topics such as how the acclaim of artists like Rubens grew because their paintings reproduced so well in photographs, how Michelangelo's Sistine Chapel frescoes were given a new public identity by the photographer's choice of striking details never explored in traditional prints, and other important ways in which photographically illustrated publications influenced the experience and the history of art.
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livres
livres
Publication:
avril 2011
avril 2011
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Photographie- collections
Photographie- collections
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This thought-provoking collection of photographic landscapes explores the connection between land and national identity.Is Europe a union in name only? How does the land we live on contribute to our culture? How does it divide or unite a collection of cultures? These important questions are at the root of this pictorial examination of Europe’s heterogeneous landscape.(...)
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This thought-provoking collection of photographic landscapes explores the connection between land and national identity.Is Europe a union in name only? How does the land we live on contribute to our culture? How does it divide or unite a collection of cultures? These important questions are at the root of this pictorial examination of Europe’s heterogeneous landscape.(...)
Titre:
European landscape photography
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This thought-provoking collection of photographic landscapes explores the connection between land and national identity.Is Europe a union in name only? How does the land we live on contribute to our culture? How does it divide or unite a collection of cultures? These important questions are at the root of this pictorial examination of Europe’s heterogeneous landscape. This book brings together images from 27 European Union nations and from prominent artists such as Olafur Eliasson (Denmark), Andreas Gursky (Germany), Carl De Keyzer (Belgium), Massimo Vitali (Italy), and Celine Clanet (France). The book shows how landscape photography in particular offers critical insights into the characteristics of a place, inviting viewers, through a subjective lens, to form their own feelings toward that place. Organized into three broad geographic zones, it offers depictions of Europe’s wonderfully varied geography — shorelines and fjords, mountains and plains, farmland and urban centers — as it seeks to understand the source of the continent’s diversity and unity.
European landscape photography
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This thought-provoking collection of photographic landscapes explores the connection between land and national identity.Is Europe a union in name only? How does the land we live on contribute to our culture? How does it divide or unite a collection of cultures? These important questions are at the root of this pictorial examination of Europe’s heterogeneous landscape. This book brings together images from 27 European Union nations and from prominent artists such as Olafur Eliasson (Denmark), Andreas Gursky (Germany), Carl De Keyzer (Belgium), Massimo Vitali (Italy), and Celine Clanet (France). The book shows how landscape photography in particular offers critical insights into the characteristics of a place, inviting viewers, through a subjective lens, to form their own feelings toward that place. Organized into three broad geographic zones, it offers depictions of Europe’s wonderfully varied geography — shorelines and fjords, mountains and plains, farmland and urban centers — as it seeks to understand the source of the continent’s diversity and unity.
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livres
livres
Publication:
septembre 2012
septembre 2012
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Photographie- collections
Photographie- collections
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$99.00
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On Common Ground is a photographic history of spatial development in post-war Switzerland illustrated through 250 images with complementing essays.
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On Common Ground is a photographic history of spatial development in post-war Switzerland illustrated through 250 images with complementing essays.
Titre:
On common ground : Photographs of spatial development in suburban regions and in the Alps, since 1945
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On Common Ground is a photographic history of spatial development in post-war Switzerland illustrated through 250 images with complementing essays.
On common ground : Photographs of spatial development in suburban regions and in the Alps, since 1945
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On Common Ground is a photographic history of spatial development in post-war Switzerland illustrated through 250 images with complementing essays.
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livres
Publication:
octobre 2012
octobre 2012
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Photographie- collections
Photographie- collections
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livres
Titre:
The unphotographable
The unphotographable
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile(...)
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile(...)
Titre:
The unphotographable
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
The unphotographable
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The Unphotographable is published to coincide with an exhibition of the same name at Fraenkel Gallery in San Francisco, presenting photographs by anonymous amateurs alongside those of artists such as Diane Arbus, Bruce Conner, Liz Deschenes, Adam Fuss, Man Ray, Christian Marclay, Ralph Eugene Meatyard, Alfred Stieglitz and Hiroshi Sugimoto. Jules-Bernard Luys and Émile David are represented by a photograph taken toward the end of the nineteenth century, of fluidic emission from the fingers of two hands; Richard Misrach captures a sandstorm in California in 1976; and Conner is represented by "Angel Light," one of the Angels series of dramatic, life-sized photograms he created in 1973-75, and which explore the disjunction between vision and phenomenological experience. Since opening in 1979, Fraenkel Gallery has presented close to 300 exhibitions exploring photography and its interrelations with the other arts, and The Unphotographable is one of its most ambitious projects to date. The catalogue is edited with an essay by Jeffrey Fraenkel, and includes 50 images in color.
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livres
livres
Publication:
mars 2013
mars 2013
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
Titre:
VU : the story of a magazine
VU : the story of a magazine
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the(...)
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the(...)
Titre:
VU : the story of a magazine
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the reader an insight into how the modern media came into being, as well as offering a snapshot of an entire era.
VU : the story of a magazine
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This book pays tribute to VU’s fundamental contribution to press photography, showing how photographers and publishers became aware of the potential of the medium. Themed picture sections explore the most notable features of VU : striking page layouts, fascinating photo stories, stunning cover designs, chilling images from Nazi Germany, and more. This anthology gives the reader an insight into how the modern media came into being, as well as offering a snapshot of an entire era.
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livres
livres
Publication:
décembre 2009
décembre 2009
Sujet:
Photographie- collections
Photographie- collections
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$66.00
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
Titre:
Newtown Creek: a photographic survey of New York's industrial waterway
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
Newtown Creek: a photographic survey of New York's industrial waterway
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Photographie- collections
Photographie- collections
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livres
livres
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$49.00
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they(...)
Publication:
février 2010
février 2010
Titre:
19th Century French photography
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
19th Century French photography
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The range of photographic vision in the National Gallery’s collection of 19th Century French photographs is vast. The collection extends from topographical photographers who made little pretense to art but, because of the sensitivity and skill produced work that transcends the original purpose, to those who considered themselves as artists and the photographs they produced as art. With over 200 illustrations, this abundantly illustrated publication features an original essay on the development of photography in 19th Century France as well as sixty-six individual presentations. Among the dozens of photographers discussed are Eugène Atget, Edouard Baldus, Maxime Du Camp, Gustave Le Gray, Charles Nègre, and Auguste Salzmann. James Borcoman is the Curator Emeritus of Photographs for the National Gallery and the author of several books including monographs on Eugène Atget and Yousuf Karsh. After Modernist Photographs from the National Gallery of Canada, this is the second publication in a series devoted to the Gallery's photography collection.
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livres
livres
Publication:
février 2010
février 2010
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livres
livres
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$90.00
(disponible en magasin)
Résumé:
Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews(...)
$90.00
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews(...)
Titre:
Starburst: color photography in America 1970-1980
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews of sources from the 1970s, and with an abundance of images, this survey makes a thorough assessment of this paradigm shift in the history of art photography.
Starburst: color photography in America 1970-1980
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Starburst examines the first great practitioners of artistic color photography in the United States: Eggleston, Shore, Levitt, Meyerowitz, plus Joel Sternfeld, William Christenberry, John Divola, Mitch Epstein, Jan Groover, Robert Heinecken, Barbara Kasten, Les Krims, Richard Misrach, John Pfahl, Leo Rubinfien, Neal Slavin, Eve Sonneman and many more. Grounded in reviews of sources from the 1970s, and with an abundance of images, this survey makes a thorough assessment of this paradigm shift in the history of art photography.
Classification:
livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Photographie- collections
Photographie- collections
