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This book examines the work of US-born photographer Yasuhiro Ishimoto (1921–2012) through its connections to Chicago, where he lived for over a decade and returned to repeatedly throughout his life. Long celebrated in Japan as one of the most influential photographers of the twentieth century, Ishimoto also maintained deep ties to his adopted home city of Chicago, where(...)
Yasuhiro Ishimoto: Someday, Chicago
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This book examines the work of US-born photographer Yasuhiro Ishimoto (1921–2012) through its connections to Chicago, where he lived for over a decade and returned to repeatedly throughout his life. Long celebrated in Japan as one of the most influential photographers of the twentieth century, Ishimoto also maintained deep ties to his adopted home city of Chicago, where he arrived in 1945 after having been imprisoned in a US internment camp during WWII. It was in Chicago that he developed his uniquely modernist vision in two key ways. First, he created works that engaged in important conversation with that of Laszlo Moholy-Nagy, Harry Callahan, Aaron Siskind, and others at the historic Institute of Design. Second, he immersed himself directly in the city's neighborhoods, where he captured important social changes reflective of broader shifts elsewhere in the US.
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City Lust is a timely dialogue between words and images about a crucial moment in our recent history: the apotheosis of globalization and its current unraveling. In this book, Charlie Koolhaas—an artist, photographer, and writer—takes us to London, Guangzhou, Lagos, Dubai, and Houston, cities in which she has either lived or worked. Her personal and humorous account(...)
Charlie Koolhaas: City lust, a personalized journey through globalised economy
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City Lust is a timely dialogue between words and images about a crucial moment in our recent history: the apotheosis of globalization and its current unraveling. In this book, Charlie Koolhaas—an artist, photographer, and writer—takes us to London, Guangzhou, Lagos, Dubai, and Houston, cities in which she has either lived or worked. Her personal and humorous account explores the rapid changes taking place in these culturally vastly different metropolises that are being united by the influences of global trade and the evolution of a shared global culture. A captivating combination of photographic documentary and written testimony, City Lust portrays a global landscape that contradicts the current pessimism—to reveal unexpected creativities, connections, and collective references that emerge despite huge global and economic divides.
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The past decade has seen a well-deserved revival of interest in the books of travel writer Patrick Leigh Fermor. Now it’s time that his wife, Joan Leigh Fermor (1912–2003), gets her due—as one of the greatest photographers of her generation. In her lifetime, Leigh Fermor was hailed—and hired—by John Betjemen and Cyril Connelly, and she was recognized as a powerful(...)
The photographs of Joan Leigh Fermor
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The past decade has seen a well-deserved revival of interest in the books of travel writer Patrick Leigh Fermor. Now it’s time that his wife, Joan Leigh Fermor (1912–2003), gets her due—as one of the greatest photographers of her generation. In her lifetime, Leigh Fermor was hailed—and hired—by John Betjemen and Cyril Connelly, and she was recognized as a powerful recorder of the London Blitz. But the true scale of her achievement was only realized after her death, when a treasure trove of photographs was discovered documenting the landscape and culture of Greece between 1945 and 1960. Through Leigh Fermor’s fundamentally democratic lens, we meet Cretan shepherds, Meteoran monastics, and Macedonian bear tamers. She brings the same intimate eye to architecture, while showing just as much facility in the panoramas of landscape—all clearly animated by a love of Greece.
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In 1984, Giovanni Chiaramonte photographed Álvaro Siza's building in Berlin, on whose façade some young people had written Bonjour Tristesse. The image was published on the cover of the magazine Lotus International. The following year, Siza and Chiaramonte met in Évora, on the occasion of a new series by the Italian photographer featuring the buildings of the great(...)
Siza. Chiaramonte. The measure of the west: a representation of travel
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In 1984, Giovanni Chiaramonte photographed Álvaro Siza's building in Berlin, on whose façade some young people had written Bonjour Tristesse. The image was published on the cover of the magazine Lotus International. The following year, Siza and Chiaramonte met in Évora, on the occasion of a new series by the Italian photographer featuring the buildings of the great Portuguese architect. It marked the beginning of a long friendship and a shared reflection on architecture, photography, and urban life. "The Measure of the West" presents a selection of fifty-seven drawings by Siza and forty photographs taken by Chiaramonte in cities around the world.
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Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. In this gorgeously produced volume—the Japanese edition of which was selected by photographer Todd Hido as one of Photo-eye online bookstore's Best Books of 2017—some 200 works, from early street photographs and images(...)
Monographies photo
août 2018
Saul Leiter: all about Saul Leiter
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Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. In this gorgeously produced volume—the Japanese edition of which was selected by photographer Todd Hido as one of Photo-eye online bookstore's Best Books of 2017—some 200 works, from early street photographs and images for advertising to nudes and paintings, cover Leiter's career from the 1940s onward. These are accompanied by quotations from the artist himself that express his singular worldview.
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Berlin-based photographer Jean Molitor has been traveling around the world since 2009, tracking the legacy of the Bauhaus. A century after the founding of the school, several generations of architects have confronted or been reared on the innovations of Bauhaus architecture. Trailblazers, allies and heirs to modernism are united by an architectural language generally(...)
Jean Molitor: Bau1haus. Modernism around the globe
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Berlin-based photographer Jean Molitor has been traveling around the world since 2009, tracking the legacy of the Bauhaus. A century after the founding of the school, several generations of architects have confronted or been reared on the innovations of Bauhaus architecture. Trailblazers, allies and heirs to modernism are united by an architectural language generally described as "Bauhaus." In his Bau1haus project, Molitor focuses on the aesthetics of Bauhaus-influenced architecture across the globe; his pictures make it possible to perceive the continuity of the school's legacy and its architectural language across cultures in a clear fashion.
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Pigalle people
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Paris, 1978. Jane Evelyn Atwood, jeune Américaine, arpente les rues de Pigalle après un tout premier reportage photographique dédié aux prostituées de la ville. C'est le quartier des transsexuels, avec ses bars pour habitués, sa chaleur, ses joies et sa violence. Un jour la photographe voit deux transsexuels entrer dans un immeuble. Elle les suit. Ils la laissent les(...)
Pigalle people
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Paris, 1978. Jane Evelyn Atwood, jeune Américaine, arpente les rues de Pigalle après un tout premier reportage photographique dédié aux prostituées de la ville. C'est le quartier des transsexuels, avec ses bars pour habitués, sa chaleur, ses joies et sa violence. Un jour la photographe voit deux transsexuels entrer dans un immeuble. Elle les suit. Ils la laissent les photographier. C'est là que ce livre commence. Les images qu'il rassemble seront réalisées sur une période d'un peu plus d'un an, confirmant ce que seront désormais les principes de l'oeuvre de Jane Evelyn Atwood : temps long, immersion, respect et empathie. Et l'univers de la nuit, qui la fascine. Ce livre plein de compassion et de lucidité raconte un Pigalle désormais disparu, emporté par le sida et le changement d'époque.
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Que ce soit des enfants jouant dans les terrains vagues de son quartier – Porte de Saint Cloud –, la ville de Paris, son quotidien, son métro, ses marchés aux puces... Sabine Weiss pose un regard à la fois doux et compréhensif sur les habitants, à la recherche des beautés simples, des moments suspendus, de repos ou de rêverie. Ses photographies sont pleines de lumière, de(...)
Sabine Weiss : les villes, la rue, l'autre
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Que ce soit des enfants jouant dans les terrains vagues de son quartier – Porte de Saint Cloud –, la ville de Paris, son quotidien, son métro, ses marchés aux puces... Sabine Weiss pose un regard à la fois doux et compréhensif sur les habitants, à la recherche des beautés simples, des moments suspendus, de repos ou de rêverie. Ses photographies sont pleines de lumière, de jeux d’ombres et de flous. De la même manière, que cela soit à Moscou ou à New-York, un des sujets toujours présent chez la photographe est la rue, la vie urbaine, l’individu versus la foule des métropoles.
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Capturing the spirit of protest and parade, ''Public Matters'' brings together photographs made by Janet Delaney in Reagan-era San Francisco. Celebrating multiculturalism and collective struggles for social justice, ''Public Matters'' surfaces at a juncture when the message of building bridges is needed now more than ever.
Janet Delaney: Public matters
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Capturing the spirit of protest and parade, ''Public Matters'' brings together photographs made by Janet Delaney in Reagan-era San Francisco. Celebrating multiculturalism and collective struggles for social justice, ''Public Matters'' surfaces at a juncture when the message of building bridges is needed now more than ever.
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Shomei Tomatsu
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Casting a cold eye on postwar Japan, the raw, grainy and impressionistic photography of Shomei Tomatsu practically defined Japanese photography in the second half of the 20th century, greatly influencing Daido Moriyama, Nobuyoshi Araki and Takuma Nakihara. His best-known images are his portraits of people and street scenes from the 1950s, when the country struggled to(...)
Shomei Tomatsu
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Casting a cold eye on postwar Japan, the raw, grainy and impressionistic photography of Shomei Tomatsu practically defined Japanese photography in the second half of the 20th century, greatly influencing Daido Moriyama, Nobuyoshi Araki and Takuma Nakihara. His best-known images are his portraits of people and street scenes from the 1950s, when the country struggled to recover from World War II and US military presence was ubiquitous; his photographs of 1960s Japan; and throughout his career, his images of Okinawa, where he died in 2012. Tomatsu's most famous single photograph is probably Melted Bottle, Nagasaki, 1961, which depicts a beer bottle rendered grotesquely biomorphic by the nuclear blast that devastated Nagasaki on August 9, 1945. The American photographer and writer Leo Rubinfien described Tomatsu's Nagasaki images as "sad, haggard facts," noting that "beneath the surface there was a grief so great that any overt expression of sympathy would have been an insult."
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