2414 Résultats
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livres
livres
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$78.00
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The photograph Joel Sternfeld has selected sixty representative historic or present American co-housing "utopias" or communities. A photograph of each is accompanied by a brief text that summarizes the most salient aspects of the history or organization of the community. Neither a conventional history nor a conventional book of photography, "Sweet earth" brings together(...)
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Résumé:
The photograph Joel Sternfeld has selected sixty representative historic or present American co-housing "utopias" or communities. A photograph of each is accompanied by a brief text that summarizes the most salient aspects of the history or organization of the community. Neither a conventional history nor a conventional book of photography, "Sweet earth" brings together(...)
Titre:
Joel Sternfeld : sweet earth - experimental utopias in America
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The photograph Joel Sternfeld has selected sixty representative historic or present American co-housing "utopias" or communities. A photograph of each is accompanied by a brief text that summarizes the most salient aspects of the history or organization of the community. Neither a conventional history nor a conventional book of photography, "Sweet earth" brings together what might otherwise seem disparate, individualized social phenomena and makes visible the community of communities.
Joel Sternfeld : sweet earth - experimental utopias in America
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Résumé:
The photograph Joel Sternfeld has selected sixty representative historic or present American co-housing "utopias" or communities. A photograph of each is accompanied by a brief text that summarizes the most salient aspects of the history or organization of the community. Neither a conventional history nor a conventional book of photography, "Sweet earth" brings together what might otherwise seem disparate, individualized social phenomena and makes visible the community of communities.
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livres
livres
Publication:
octobre 2005, Göttingen
octobre 2005, Göttingen
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Hiroshi Sugimoto
Hiroshi Sugimoto
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$102.00
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The series by Japanese photographer Hiroshi Sugimoto are characterized by matchless clarity and presence. His works are always an absolute embodiment of his chosen visual motif, reduced to its essence. Our monograph is the first to feature works selected from all of the series produced to date - including, of course, his most famous: Sugimoto's celebrated portraits of(...)
$102.00
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The series by Japanese photographer Hiroshi Sugimoto are characterized by matchless clarity and presence. His works are always an absolute embodiment of his chosen visual motif, reduced to its essence. Our monograph is the first to feature works selected from all of the series produced to date - including, of course, his most famous: Sugimoto's celebrated portraits of(...)
Sujet:
Monographies photo
Monographies photo
Publication:
novembre 2005, Ostfildern
novembre 2005, Ostfildern
Titre:
Hiroshi Sugimoto
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$102.00
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The series by Japanese photographer Hiroshi Sugimoto are characterized by matchless clarity and presence. His works are always an absolute embodiment of his chosen visual motif, reduced to its essence. Our monograph is the first to feature works selected from all of the series produced to date - including, of course, his most famous: Sugimoto's celebrated portraits of wax figures seem to face up to their living audiences; his "Seascapes" show us nothing less than a person's first conscious view of the ocean; the extremely long exposures of "Theaters" elevate the white, luminescent cinema screen, transforming it into a magical image of an altar; and the fascinating "Dioramas" - photographs of scientific display cases - allow us to travel with the artist far into the past to observe extinct animal species or the daily life of early man.
Hiroshi Sugimoto
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$102.00
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The series by Japanese photographer Hiroshi Sugimoto are characterized by matchless clarity and presence. His works are always an absolute embodiment of his chosen visual motif, reduced to its essence. Our monograph is the first to feature works selected from all of the series produced to date - including, of course, his most famous: Sugimoto's celebrated portraits of wax figures seem to face up to their living audiences; his "Seascapes" show us nothing less than a person's first conscious view of the ocean; the extremely long exposures of "Theaters" elevate the white, luminescent cinema screen, transforming it into a magical image of an altar; and the fascinating "Dioramas" - photographs of scientific display cases - allow us to travel with the artist far into the past to observe extinct animal species or the daily life of early man.
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livres
livres
Publication:
novembre 2005, Ostfildern
novembre 2005, Ostfildern
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Gregory Crewdson, 1985-2005
Gregory Crewdson, 1985-2005
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All of Gregory Crewdson's great photographs in one volume - including his latest series, "Beneath the roses".
$78.00
(disponible sur commande)
Résumé:
All of Gregory Crewdson's great photographs in one volume - including his latest series, "Beneath the roses".
Sujet:
Monographies photo
Monographies photo
Publication:
novembre 2005, Ostfildern
novembre 2005, Ostfildern
Titre:
Gregory Crewdson, 1985-2005
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All of Gregory Crewdson's great photographs in one volume - including his latest series, "Beneath the roses".
Gregory Crewdson, 1985-2005
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$78.00
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All of Gregory Crewdson's great photographs in one volume - including his latest series, "Beneath the roses".
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livres
livres
Publication:
novembre 2005, Ostfildern
novembre 2005, Ostfildern
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$49.95
(disponible en magasin)
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In compelling, often stunning black-and-white photographs, The Weather and a Place to Live portrays the manmade landscape of the western United States. Here we come face to face with the surreal intersection of the American appetite for suburban development and the resistant, rolling, arid country of the desert West. Steven B. Smith’s extraordinary photographs take us(...)
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In compelling, often stunning black-and-white photographs, The Weather and a Place to Live portrays the manmade landscape of the western United States. Here we come face to face with the surreal intersection of the American appetite for suburban development and the resistant, rolling, arid country of the desert West. Steven B. Smith’s extraordinary photographs take us(...)
Titre:
Steven B. Smith. The weather and a place to live: photographs of the suburban west
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In compelling, often stunning black-and-white photographs, The Weather and a Place to Live portrays the manmade landscape of the western United States. Here we come face to face with the surreal intersection of the American appetite for suburban development and the resistant, rolling, arid country of the desert West. Steven B. Smith’s extraordinary photographs take us into the contemporary reality of sprawling suburbs reconfiguring what was once vast, unpopulated territory. With arresting concision and an unblinking eye, Smith shows how a new frontier is being won, and suggests too how it may be lost in its very emergence.
Steven B. Smith. The weather and a place to live: photographs of the suburban west
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$49.95
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In compelling, often stunning black-and-white photographs, The Weather and a Place to Live portrays the manmade landscape of the western United States. Here we come face to face with the surreal intersection of the American appetite for suburban development and the resistant, rolling, arid country of the desert West. Steven B. Smith’s extraordinary photographs take us into the contemporary reality of sprawling suburbs reconfiguring what was once vast, unpopulated territory. With arresting concision and an unblinking eye, Smith shows how a new frontier is being won, and suggests too how it may be lost in its very emergence.
Classification:
livres
livres
Publication:
novembre 2005
novembre 2005
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$49.95
(disponible en magasin)
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In "An American lens", Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene-at a series of significant moments in his career. These close-ups(...)
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In "An American lens", Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene-at a series of significant moments in his career. These close-ups(...)
Titre:
An American lens : scenes from Alfred Stieglitz's New York Secession
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In "An American lens", Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene-at a series of significant moments in his career. These close-ups offer a more intense and expanded understanding of the subject than the familiar long view. Bochner uses these scenes to recreate for today's readers the birth of modernism in America-what it was like to be an audience for the art of the early avant-garde. Moving from frame to frame, he shows us, for example, a single photograph by Stieglitz of a snowy night in 1893 and a short description by Stephen Crane of just such a snowfall; the preparation, the reception, and the aftermath of the famous Armory Show of modern art in 1913; Gertrude Stein's portraits in prose; New York at the dawn of Dada, with Paul Strand, Francis Picabia, and others; and the intersecting paths of Mina Loy, William Carlos Williams, and Marcel Duchamp in 1917. Bochner also examines Stieglitz's three great photographic series: his photographs of Georgia O'Keeffe, of clouds, and of skyscrapers. These sections of the book include many Stieglitz photos, including some rarely seen portraits of O'Keeffe. Stieglitz as impresario and artist achieved an almost mythical status, which some recent critics have worked to deflate-casting him, for example, as Svengali to Georgia O'Keeffe's spellbound Trilby. Engaging in neither idolatry nor demolition, Bochner looks instead for the truth about the man and the myth. The scenes from American art in "An American lens" create a new version of Stieglitz's biography, allowing us to reread his life and the life of his times by focusing intently on what is visible and not so visible in the art he left behind.
An American lens : scenes from Alfred Stieglitz's New York Secession
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Résumé:
In "An American lens", Jay Bochner looks at a series of milestones in the development of the American avant-garde that capture a pivotal period in artistic consciousness. He focuses on the multiple roles of Alfred Stieglitz-as influential gallery owner, photographer, and impresario of the emerging art scene-at a series of significant moments in his career. These close-ups offer a more intense and expanded understanding of the subject than the familiar long view. Bochner uses these scenes to recreate for today's readers the birth of modernism in America-what it was like to be an audience for the art of the early avant-garde. Moving from frame to frame, he shows us, for example, a single photograph by Stieglitz of a snowy night in 1893 and a short description by Stephen Crane of just such a snowfall; the preparation, the reception, and the aftermath of the famous Armory Show of modern art in 1913; Gertrude Stein's portraits in prose; New York at the dawn of Dada, with Paul Strand, Francis Picabia, and others; and the intersecting paths of Mina Loy, William Carlos Williams, and Marcel Duchamp in 1917. Bochner also examines Stieglitz's three great photographic series: his photographs of Georgia O'Keeffe, of clouds, and of skyscrapers. These sections of the book include many Stieglitz photos, including some rarely seen portraits of O'Keeffe. Stieglitz as impresario and artist achieved an almost mythical status, which some recent critics have worked to deflate-casting him, for example, as Svengali to Georgia O'Keeffe's spellbound Trilby. Engaging in neither idolatry nor demolition, Bochner looks instead for the truth about the man and the myth. The scenes from American art in "An American lens" create a new version of Stieglitz's biography, allowing us to reread his life and the life of his times by focusing intently on what is visible and not so visible in the art he left behind.
Classification:
livres
livres
Publication:
octobre 2005, Cambridge, London
octobre 2005, Cambridge, London
Sujet:
Monographies photo
Monographies photo
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livres
livres
Prix:
$51.95
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Résumé:
Trees capture our imagination because they are rooted solidly in the earth but point ethereally toward the sky. They occupy a dimension that has as much to do with time and patience as with place and landscape. They are vertical beings to whom we attribute qualities both divine and human. Since 1991, photographer Barbara Bosworth has been on a quest to photograph(...)
$51.95
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Résumé:
Trees capture our imagination because they are rooted solidly in the earth but point ethereally toward the sky. They occupy a dimension that has as much to do with time and patience as with place and landscape. They are vertical beings to whom we attribute qualities both divine and human. Since 1991, photographer Barbara Bosworth has been on a quest to photograph(...)
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2005, Cambridge
septembre 2005, Cambridge
Titre:
Trees : national champions / photographs by Barbara Bosworth
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Trees capture our imagination because they are rooted solidly in the earth but point ethereally toward the sky. They occupy a dimension that has as much to do with time and patience as with place and landscape. They are vertical beings to whom we attribute qualities both divine and human. Since 1991, photographer Barbara Bosworth has been on a quest to photograph America's "champion" trees - trees that are the biggest of their species, as recorded in the National Register of Big Trees, a list established and maintained by the nonprofit conservation organization American Forests. She has traveled down highways and up back roads, walked through forests and across clear-cut land, sometimes led by local tree enthusiasts, sometimes alone, to photograph trees that are remarkable not only for their size but for their endurance. Bosworth finds champion trees in backyards, fields, and forests, near roadways, power lines, and sidewalks. Her photographs document the trees' magnificence but also show how they are markers of a changing landscape. The yellow poplar, for example, stands on the fringes of a suburban housing development, in the center of a park for the enjoyment and relaxation of residents. The western red cedar stands alone in the middle of a clear-cut, saved from logging only because it is recorded in the Register as the biggest of its kind. The trees and their surroundings tell us about our relationship with nature and the land. Bosworth captures the ineffable grace and dignity of trees with clarity and directness: the green ash that shades a midwestern crossroads, the common pear that blooms in a Washington field, and the Florida strangler fig with its mass of entwining aerial roots. Her photographs, panoramic views taken with an 8 x 10 camera, show the immensity of the largest species and the hidden triumphs of the smallest. Some trees are dethroned each year because of sickness or destruction, but more often simpy because a new and bigger specimen is discovered; only three trees from the original Register in 1940 are still living today. Bosworth's 70 photographs of champion trees are not only a collection of tree portraits but the story of an American adventure as well. With a foreword by Roger Conover and essays by Douglas R. Nickel and John R. Stilgoe.
Trees : national champions / photographs by Barbara Bosworth
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Trees capture our imagination because they are rooted solidly in the earth but point ethereally toward the sky. They occupy a dimension that has as much to do with time and patience as with place and landscape. They are vertical beings to whom we attribute qualities both divine and human. Since 1991, photographer Barbara Bosworth has been on a quest to photograph America's "champion" trees - trees that are the biggest of their species, as recorded in the National Register of Big Trees, a list established and maintained by the nonprofit conservation organization American Forests. She has traveled down highways and up back roads, walked through forests and across clear-cut land, sometimes led by local tree enthusiasts, sometimes alone, to photograph trees that are remarkable not only for their size but for their endurance. Bosworth finds champion trees in backyards, fields, and forests, near roadways, power lines, and sidewalks. Her photographs document the trees' magnificence but also show how they are markers of a changing landscape. The yellow poplar, for example, stands on the fringes of a suburban housing development, in the center of a park for the enjoyment and relaxation of residents. The western red cedar stands alone in the middle of a clear-cut, saved from logging only because it is recorded in the Register as the biggest of its kind. The trees and their surroundings tell us about our relationship with nature and the land. Bosworth captures the ineffable grace and dignity of trees with clarity and directness: the green ash that shades a midwestern crossroads, the common pear that blooms in a Washington field, and the Florida strangler fig with its mass of entwining aerial roots. Her photographs, panoramic views taken with an 8 x 10 camera, show the immensity of the largest species and the hidden triumphs of the smallest. Some trees are dethroned each year because of sickness or destruction, but more often simpy because a new and bigger specimen is discovered; only three trees from the original Register in 1940 are still living today. Bosworth's 70 photographs of champion trees are not only a collection of tree portraits but the story of an American adventure as well. With a foreword by Roger Conover and essays by Douglas R. Nickel and John R. Stilgoe.
Classification:
livres
livres
Publication:
septembre 2005, Cambridge
septembre 2005, Cambridge
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Simryn Gill : Standing still
Simryn Gill : Standing still
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There can be beauty in abandonment. During her visits to South-East Asia between 2000 and 2003, Simryn Gill photographed ambitious architectural projects that were abandoned before their completion. Here in rich, sultry tones, are the remains of sculptural structures merging back into the lush environment that surrounds them. The ruins are at once lonely and(...)
$41.95
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There can be beauty in abandonment. During her visits to South-East Asia between 2000 and 2003, Simryn Gill photographed ambitious architectural projects that were abandoned before their completion. Here in rich, sultry tones, are the remains of sculptural structures merging back into the lush environment that surrounds them. The ruins are at once lonely and(...)
Titre:
Simryn Gill : Standing still
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There can be beauty in abandonment. During her visits to South-East Asia between 2000 and 2003, Simryn Gill photographed ambitious architectural projects that were abandoned before their completion. Here in rich, sultry tones, are the remains of sculptural structures merging back into the lush environment that surrounds them. The ruins are at once lonely and excruciatingly beautiful.
Simryn Gill : Standing still
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There can be beauty in abandonment. During her visits to South-East Asia between 2000 and 2003, Simryn Gill photographed ambitious architectural projects that were abandoned before their completion. Here in rich, sultry tones, are the remains of sculptural structures merging back into the lush environment that surrounds them. The ruins are at once lonely and excruciatingly beautiful.
Classification:
livres
livres
Publication:
janvier 1900, Cologne
janvier 1900, Cologne
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Peter Bialobrezeski : Heimat
Peter Bialobrezeski : Heimat
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$66.00
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Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a(...)
$66.00
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Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 1900, Ostfildern
janvier 1900, Ostfildern
Titre:
Peter Bialobrezeski : Heimat
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$66.00
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Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a home means having roots, which is not the same as being rooted to the spot." And since he is more interested in images than in places, "Heimat" is "not a book about Germany as homeland per se." Rather, it creates a fixed image of "a personalized bit of visual and cultural history." Bialobrzeski's photographs act as projection surfaces for modern man's yearning for nature-an homage to German Romanticism and at the same time bow to the works of contemporary American color photographers.
Peter Bialobrezeski : Heimat
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Bialobrzeski spent over two years traveling through Germany. "Heimat", which is German for "homeland," is the result of his journey. For Germans "Heimat" is a rather difficult term which embodies conflicting tendencies: destiny or coincidence, sentimental kitsch for pensioners and revisionists, and lost paradise or childhood trauma. In Bialobrzeski's own words, "Having a home means having roots, which is not the same as being rooted to the spot." And since he is more interested in images than in places, "Heimat" is "not a book about Germany as homeland per se." Rather, it creates a fixed image of "a personalized bit of visual and cultural history." Bialobrzeski's photographs act as projection surfaces for modern man's yearning for nature-an homage to German Romanticism and at the same time bow to the works of contemporary American color photographers.
Classification:
livres
livres
Publication:
janvier 1900, Ostfildern
janvier 1900, Ostfildern
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$50.00
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Daring, bold, dramatic, towering, impossibly glamorous: this is how we imagine New York in its golden age, and this is how Samuel H. Gottscho, the preeminent architectural photographer of his generation, captured it. Through his lens, New York of the 1930s became the quintessential modern metropolis, a round-the-clock city in which night was as charismatic as day.(...)
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Résumé:
Daring, bold, dramatic, towering, impossibly glamorous: this is how we imagine New York in its golden age, and this is how Samuel H. Gottscho, the preeminent architectural photographer of his generation, captured it. Through his lens, New York of the 1930s became the quintessential modern metropolis, a round-the-clock city in which night was as charismatic as day.(...)
Titre:
The mythic city : photographs of New York by Samuel H. Gottscho, 1925-1940
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Daring, bold, dramatic, towering, impossibly glamorous: this is how we imagine New York in its golden age, and this is how Samuel H. Gottscho, the preeminent architectural photographer of his generation, captured it. Through his lens, New York of the 1930s became the quintessential modern metropolis, a round-the-clock city in which night was as charismatic as day. Rigorously editing out the Depression-weary city's more seamy aspects—its tenement slums, breadlines, and soup kitchens—Gottscho presented a dreamlike Gotham of skyscrapers and penthouse luxury that literally and figuratively glowed with glamour's sheen. His gimlet eye focused on the bold interplay of sun and shadow, dramatizing the chiseled forms of Manhattan's signature skyline and bridges. The Empire State and Chrysler buildings, Rockefeller Center, the Plaza, the George Washington Bridge—Gottscho brought them all to sparkling life. In this book, historian Donald Albrecht presents 175 of Gottscho's images of the city, from the Battery to Harlem. An introductory essay tells the story of this photographer, describing his working methods and philosophy, while placing his work in the broader context of photographic history.
The mythic city : photographs of New York by Samuel H. Gottscho, 1925-1940
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Résumé:
Daring, bold, dramatic, towering, impossibly glamorous: this is how we imagine New York in its golden age, and this is how Samuel H. Gottscho, the preeminent architectural photographer of his generation, captured it. Through his lens, New York of the 1930s became the quintessential modern metropolis, a round-the-clock city in which night was as charismatic as day. Rigorously editing out the Depression-weary city's more seamy aspects—its tenement slums, breadlines, and soup kitchens—Gottscho presented a dreamlike Gotham of skyscrapers and penthouse luxury that literally and figuratively glowed with glamour's sheen. His gimlet eye focused on the bold interplay of sun and shadow, dramatizing the chiseled forms of Manhattan's signature skyline and bridges. The Empire State and Chrysler buildings, Rockefeller Center, the Plaza, the George Washington Bridge—Gottscho brought them all to sparkling life. In this book, historian Donald Albrecht presents 175 of Gottscho's images of the city, from the Battery to Harlem. An introductory essay tells the story of this photographer, describing his working methods and philosophy, while placing his work in the broader context of photographic history.
Classification:
livres
livres
Publication:
octobre 2005, New York
octobre 2005, New York
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$67.95
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Published by Aperture in 1982 and long unavailable, Stephen Shore’s legendary Uncommon Places has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore’s large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition. Uncommon(...)
$67.95
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Résumé:
Published by Aperture in 1982 and long unavailable, Stephen Shore’s legendary Uncommon Places has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore’s large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition. Uncommon(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 1900, New York
janvier 1900, New York
Titre:
Stephen Shore : uncommon places, the complete works
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Published by Aperture in 1982 and long unavailable, Stephen Shore’s legendary Uncommon Places has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore’s large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition. Uncommon Places: The Complete Works presents a definitive collection of the original series, much of it never before published or exhibited. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated version of America via highway and camera. Approaching his subjects with cool objectivity, Shore’s images retain precise internal systems of gestures in composition and light through which the objects before his lens assume both an archetypal aura and an ambiguously personal importance. In contrast to Shore’s signature landscapes with which “Un-common Places” is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits. As a new generation of artists expands on the projects of the New Topographic and New Color photographers of the seventies—Thomas Struth (whose first book was titled Unconscious Places), Andreas Gursky, and Catherine Opie among them—Uncommon Places: The Complete Works provides a timely opportunity to reexamine the diverse implications of Shore’s project and offers a fundamental primer for the last thirty years of large-format color photography.
Stephen Shore : uncommon places, the complete works
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Résumé:
Published by Aperture in 1982 and long unavailable, Stephen Shore’s legendary Uncommon Places has influenced a generation of photographers. Among the first artists to take color beyond advertising and fashion photography, Shore’s large-format color work on the American vernacular landscape stands at the root of what has become a vital photographic tradition. Uncommon Places: The Complete Works presents a definitive collection of the original series, much of it never before published or exhibited. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated version of America via highway and camera. Approaching his subjects with cool objectivity, Shore’s images retain precise internal systems of gestures in composition and light through which the objects before his lens assume both an archetypal aura and an ambiguously personal importance. In contrast to Shore’s signature landscapes with which “Un-common Places” is often associated, this expanded survey reveals equally remarkable collections of interiors and portraits. As a new generation of artists expands on the projects of the New Topographic and New Color photographers of the seventies—Thomas Struth (whose first book was titled Unconscious Places), Andreas Gursky, and Catherine Opie among them—Uncommon Places: The Complete Works provides a timely opportunity to reexamine the diverse implications of Shore’s project and offers a fundamental primer for the last thirty years of large-format color photography.
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Monographies photo
Monographies photo
