2330 Résultats
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livres
livres
Titre:
Sugimoto : architecture
Sugimoto : architecture
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$82.50
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
$82.50
(disponible sur commande)
Résumé:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
Sujet:
Monographies photo
Monographies photo
Publication:
mars 2003, New York
mars 2003, New York
Titre:
Sugimoto : architecture
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$82.50
(disponible sur commande)
Résumé:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
Sugimoto : architecture
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$82.50
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Résumé:
Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
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livres
livres
Publication:
mars 2003, New York
mars 2003, New York
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Situating El Lissitzky
Situating El Lissitzky
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Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the(...)
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Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the(...)
Titre:
Situating El Lissitzky
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Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the following decade. Taking readers into the thick of current debates about Lissitzky's artistic personae, Situating El Lissitzky reconstructs aspects of his elusive identity across different periods, places, and media. Following an introduction in which Nancy Perloff distills and draws together the volume's eight essays, Christina Lodder, Éva Forgács, and Maria Gough offer revisionist accounts of Lissitzky's years as an international constructivist and exhibition designer in Europe. John E. Bowlt then investigates the role of handicraft and the symbol of the hand in Lissitzky's artistic production, and Leah Dickerman and Margarita Tupitsyn elucidate the interplay between physicality and opticality at different stages in Lissitzky's development as a photographer. Finally, T. J. Clark and Peter Nisbet address the disconcerting balance of aesthetic value and political expediency in Lissitzky's overtly Communist art. The result is a kaleidoscopic portrait of Lissitzky as Bolshevik visionary, craftsman, modernist, internationalist, and Soviet propagandist.
Situating El Lissitzky
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Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the following decade. Taking readers into the thick of current debates about Lissitzky's artistic personae, Situating El Lissitzky reconstructs aspects of his elusive identity across different periods, places, and media. Following an introduction in which Nancy Perloff distills and draws together the volume's eight essays, Christina Lodder, Éva Forgács, and Maria Gough offer revisionist accounts of Lissitzky's years as an international constructivist and exhibition designer in Europe. John E. Bowlt then investigates the role of handicraft and the symbol of the hand in Lissitzky's artistic production, and Leah Dickerman and Margarita Tupitsyn elucidate the interplay between physicality and opticality at different stages in Lissitzky's development as a photographer. Finally, T. J. Clark and Peter Nisbet address the disconcerting balance of aesthetic value and political expediency in Lissitzky's overtly Communist art. The result is a kaleidoscopic portrait of Lissitzky as Bolshevik visionary, craftsman, modernist, internationalist, and Soviet propagandist.
Classification:
livres
livres
Publication:
août 2003, Los Angeles
août 2003, Los Angeles
Sujet:
Monographies photo
Monographies photo
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livres
livres
Prix:
$86.95
(disponible en magasin)
Résumé:
"Manufactured landscapes", organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian.
$86.95
(disponible en magasin)
Résumé:
"Manufactured landscapes", organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian.
Titre:
Manufactured landscapes : the photographs of Edward Burtynsky
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$86.95
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Résumé:
"Manufactured landscapes", organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian.
Manufactured landscapes : the photographs of Edward Burtynsky
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Prix:
$86.95
(disponible en magasin)
Résumé:
"Manufactured landscapes", organized by the National Gallery of Canada, is the first major retrospective of Edward Burtynsky's work. This fully illustrated catalogue of the exhibition includes essays by Lori Pauli, Mark Haworth-Booth, and Kenneth Baker, and an interview with the artist by Michael Torosian.
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livres
livres
Publication:
avril 2003, New Haven / London / Ottawa
avril 2003, New Haven / London / Ottawa
Sujet:
Monographies photo
Monographies photo
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livres
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$25.95
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The 100 block of Vancouver's West Hastings Street is the gateway to one of the most contested and controversial inner-city neighborhoods in North America – Vancouver’s infamous and impoverished downtown eastside. Lining the south side of the block are Edwardian-era buildings which have born the brunt of shifting market forces over the years. Developed in the wake of(...)
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The 100 block of Vancouver's West Hastings Street is the gateway to one of the most contested and controversial inner-city neighborhoods in North America – Vancouver’s infamous and impoverished downtown eastside. Lining the south side of the block are Edwardian-era buildings which have born the brunt of shifting market forces over the years. Developed in the wake of(...)
Titre:
Stan Douglas : Every building on 100 West Hastings
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The 100 block of Vancouver's West Hastings Street is the gateway to one of the most contested and controversial inner-city neighborhoods in North America – Vancouver’s infamous and impoverished downtown eastside. Lining the south side of the block are Edwardian-era buildings which have born the brunt of shifting market forces over the years. Developed in the wake of Vancouver’s "emergence" as the terminus for the country’s national railroad, the buildings in the area have been in decline since the 1930s, when the locus of the city’s commerce began moving. But the "story" of the 100 block is not strictly one of global market forces, nor does it belong to those who, through whatever political stripe, lay claim to it. The book is based on a monumental-sized digital print of the 100 block of West Hastings Street by Stan Douglas who utilized current technologies to create a 16'×3' panorama of epic scope, photographing each building and compositing the individual prints to assume a fantastic, impossible perspective; which is reproduced in the book as a removable full-colour poster, 5½" tall and 30½" wide. Essays by Denise Olekszijuk, Nicholas Blomley, and Neil Smith use Douglas’s photograph as a template for assessing the state of Vancouver’s contested downtown eastside; its moral, economic and social implications. Ultimately, how can art affect society in a meaningful way? Scattered throughout the book are additional images highlighting Vancouver’s history as well as work from other artistic ventures that informed Douglas’s project. This book unravels the dynamics of history and sociology, combined with photography and art, to create a compelling and visually arresting document that informs our understanding of what makes a neighbourhood.
Stan Douglas : Every building on 100 West Hastings
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$25.95
(disponible sur commande)
Résumé:
The 100 block of Vancouver's West Hastings Street is the gateway to one of the most contested and controversial inner-city neighborhoods in North America – Vancouver’s infamous and impoverished downtown eastside. Lining the south side of the block are Edwardian-era buildings which have born the brunt of shifting market forces over the years. Developed in the wake of Vancouver’s "emergence" as the terminus for the country’s national railroad, the buildings in the area have been in decline since the 1930s, when the locus of the city’s commerce began moving. But the "story" of the 100 block is not strictly one of global market forces, nor does it belong to those who, through whatever political stripe, lay claim to it. The book is based on a monumental-sized digital print of the 100 block of West Hastings Street by Stan Douglas who utilized current technologies to create a 16'×3' panorama of epic scope, photographing each building and compositing the individual prints to assume a fantastic, impossible perspective; which is reproduced in the book as a removable full-colour poster, 5½" tall and 30½" wide. Essays by Denise Olekszijuk, Nicholas Blomley, and Neil Smith use Douglas’s photograph as a template for assessing the state of Vancouver’s contested downtown eastside; its moral, economic and social implications. Ultimately, how can art affect society in a meaningful way? Scattered throughout the book are additional images highlighting Vancouver’s history as well as work from other artistic ventures that informed Douglas’s project. This book unravels the dynamics of history and sociology, combined with photography and art, to create a compelling and visually arresting document that informs our understanding of what makes a neighbourhood.
Classification:
livres
livres
Publication:
décembre 2002, Vancouver
décembre 2002, Vancouver
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$29.95
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Résumé:
Exposition du 15 novembre au 2 février 2003 au Musée Zadkine, Paris.
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Résumé:
Exposition du 15 novembre au 2 février 2003 au Musée Zadkine, Paris.
Titre:
Sophie Riestelhueber : le Luxembourg
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Résumé:
Exposition du 15 novembre au 2 février 2003 au Musée Zadkine, Paris.
Sophie Riestelhueber : le Luxembourg
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Exposition du 15 novembre au 2 février 2003 au Musée Zadkine, Paris.
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livres
livres
Publication:
janvier 2003, Paris
janvier 2003, Paris
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Ori Gersht : afterglow
Ori Gersht : afterglow
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$58.00
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Résumé:
Ori Gersht's photographic journey are a visual meditation on history, time and mortality. From bleak landscapes of the Judea desert to deserted Polish concentration camps; from 360-degree views of empty international soccer stadiums to colourful modernist facades of English schools, Ori Gersht creates a hauting vision of human life in places that many have forgotten to look at.
$58.00
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Résumé:
Ori Gersht's photographic journey are a visual meditation on history, time and mortality. From bleak landscapes of the Judea desert to deserted Polish concentration camps; from 360-degree views of empty international soccer stadiums to colourful modernist facades of English schools, Ori Gersht creates a hauting vision of human life in places that many have forgotten to look at.
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2002, London / Tel Aviv
septembre 2002, London / Tel Aviv
Titre:
Ori Gersht : afterglow
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$58.00
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Résumé:
Ori Gersht's photographic journey are a visual meditation on history, time and mortality. From bleak landscapes of the Judea desert to deserted Polish concentration camps; from 360-degree views of empty international soccer stadiums to colourful modernist facades of English schools, Ori Gersht creates a hauting vision of human life in places that many have forgotten to look at.
Ori Gersht : afterglow
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$58.00
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Résumé:
Ori Gersht's photographic journey are a visual meditation on history, time and mortality. From bleak landscapes of the Judea desert to deserted Polish concentration camps; from 360-degree views of empty international soccer stadiums to colourful modernist facades of English schools, Ori Gersht creates a hauting vision of human life in places that many have forgotten to look at.
Classification:
livres
livres
Publication:
septembre 2002, London / Tel Aviv
septembre 2002, London / Tel Aviv
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Ettore Sottsass : metaphores
Ettore Sottsass : metaphores
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$99.95
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Résumé:
Dans ce carnet intime, Ettore Sotsass laisse entrevoir ce qu’a été son expérience créatrice de la fin des années soixante au début des années soixante-dix. De cette période très féconde au plan artistique tant pour lui que pour bien d’autres artistes, Ettore Sotsass publie pour la première fois des projets et des photographies prises aux États-Unis, en Italie et en(...)
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Dans ce carnet intime, Ettore Sotsass laisse entrevoir ce qu’a été son expérience créatrice de la fin des années soixante au début des années soixante-dix. De cette période très féconde au plan artistique tant pour lui que pour bien d’autres artistes, Ettore Sotsass publie pour la première fois des projets et des photographies prises aux États-Unis, en Italie et en(...)
Sujet:
Monographies photo
Monographies photo
Publication:
janvier 2003, Paris
janvier 2003, Paris
Titre:
Ettore Sottsass : metaphores
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$99.95
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Résumé:
Dans ce carnet intime, Ettore Sotsass laisse entrevoir ce qu’a été son expérience créatrice de la fin des années soixante au début des années soixante-dix. De cette période très féconde au plan artistique tant pour lui que pour bien d’autres artistes, Ettore Sotsass publie pour la première fois des projets et des photographies prises aux États-Unis, en Italie et en Espagne, entre 1968 et 1976. Soigneusement sélectionnées par ses soins, les pièces sont présentées dans le cadre d’une histoire par laquelle l’artiste convoque sa mémoire et dialogue avec son passé. Ce journal personnel en images permet d’accéder à l’univers culturel complexe de Sotsass et d’approcher son processus de création.
Ettore Sottsass : metaphores
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Résumé:
Dans ce carnet intime, Ettore Sotsass laisse entrevoir ce qu’a été son expérience créatrice de la fin des années soixante au début des années soixante-dix. De cette période très féconde au plan artistique tant pour lui que pour bien d’autres artistes, Ettore Sotsass publie pour la première fois des projets et des photographies prises aux États-Unis, en Italie et en Espagne, entre 1968 et 1976. Soigneusement sélectionnées par ses soins, les pièces sont présentées dans le cadre d’une histoire par laquelle l’artiste convoque sa mémoire et dialogue avec son passé. Ce journal personnel en images permet d’accéder à l’univers culturel complexe de Sotsass et d’approcher son processus de création.
Classification:
livres
livres
Publication:
janvier 2003, Paris
janvier 2003, Paris
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
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$54.00
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Résumé:
New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New(...)
$54.00
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Résumé:
New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New(...)
Titre:
Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
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$54.00
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Résumé:
New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New York’s water system is also sublime – from its acres of bucolic land to its glimmering steel mechanizations, "Waterworks" captures the beauty and mystery of the system that is so essential to so many. Photographer Stanley Greenberg began photographing these spectacular sites in 1992 after years of petitioning the authorities to gain access to them. Since then he has traveled to places as varied as dams in remote regions of upstate New York and tunnels 800 feet below the streets of Brooklyn. He finished his shooting in the spring of 2001, just before the events of 9/11 closed most of these sites to all access. In "Waterworks", Greenberg reveals the now hidden liquid city in stunning duotones. An introduction by Matthew Gandy covers the history, technology, and culture of the system.
Stanley Greenberg : waterworks - a photographic journey through New York's hidden water system
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$54.00
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Résumé:
New York’s water system is staggering – it provides 1.3 billion gallons of water a day to over 9 million people from 200 square miles of watershed. Its aqueducts, reservoirs, tunnels, gatehouses, and tanks have been continually under construction since the 1830s, and its current – and largest – tunnel project will not be completed until 2020. But more significantly, New York’s water system is also sublime – from its acres of bucolic land to its glimmering steel mechanizations, "Waterworks" captures the beauty and mystery of the system that is so essential to so many. Photographer Stanley Greenberg began photographing these spectacular sites in 1992 after years of petitioning the authorities to gain access to them. Since then he has traveled to places as varied as dams in remote regions of upstate New York and tunnels 800 feet below the streets of Brooklyn. He finished his shooting in the spring of 2001, just before the events of 9/11 closed most of these sites to all access. In "Waterworks", Greenberg reveals the now hidden liquid city in stunning duotones. An introduction by Matthew Gandy covers the history, technology, and culture of the system.
Classification:
livres
livres
Publication:
avril 2003, New York
avril 2003, New York
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$70.00
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Résumé:
Published on the occasion of the exhibitionat the Kunsthus Bregenz, this beautiful book includes new work, as well as installation views.
$70.00
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Résumé:
Published on the occasion of the exhibitionat the Kunsthus Bregenz, this beautiful book includes new work, as well as installation views.
Sujet:
Monographies photo
Monographies photo
Publication:
novembre 2002, Köln
novembre 2002, Köln
Titre:
Hiroshi Sugimoto : architecture of time
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$70.00
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Résumé:
Published on the occasion of the exhibitionat the Kunsthus Bregenz, this beautiful book includes new work, as well as installation views.
Hiroshi Sugimoto : architecture of time
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$70.00
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Résumé:
Published on the occasion of the exhibitionat the Kunsthus Bregenz, this beautiful book includes new work, as well as installation views.
Classification:
livres
livres
Publication:
novembre 2002, Köln
novembre 2002, Köln
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Arbres inédits d'Atget
Arbres inédits d'Atget
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$199.95
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Un long travail de repérage et de classement des photographies anciennes conservées au département des Estampes et de la Photographie de la Bibliothèque nationale de Paris, a permis de redécouvrir récemment un ensemble de trente-neuf photographies d'Eugène Atget, des études d'arbres du parc de Saint-Cloud.
$199.95
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Résumé:
Un long travail de repérage et de classement des photographies anciennes conservées au département des Estampes et de la Photographie de la Bibliothèque nationale de Paris, a permis de redécouvrir récemment un ensemble de trente-neuf photographies d'Eugène Atget, des études d'arbres du parc de Saint-Cloud.
Titre:
Arbres inédits d'Atget
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$199.95
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Un long travail de repérage et de classement des photographies anciennes conservées au département des Estampes et de la Photographie de la Bibliothèque nationale de Paris, a permis de redécouvrir récemment un ensemble de trente-neuf photographies d'Eugène Atget, des études d'arbres du parc de Saint-Cloud.
Arbres inédits d'Atget
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$199.95
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Résumé:
Un long travail de repérage et de classement des photographies anciennes conservées au département des Estampes et de la Photographie de la Bibliothèque nationale de Paris, a permis de redécouvrir récemment un ensemble de trente-neuf photographies d'Eugène Atget, des études d'arbres du parc de Saint-Cloud.
Classification:
livres
livres
Publication:
octobre 2002, Paris
octobre 2002, Paris
Sujet:
Monographies photo
Monographies photo
