Taro Hirano: foreclosure
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Taro Hirano (1973) is a photographer and skater living in Tokyo. Foreclosure is a continuation of his work first published in his photo book Pool from 2005 (Little More), a collection of landscape-style photos of pools in America. Taro always thought pool skating was just one of the old ways of skating, but after encountering a pool skater it changed his(...)
Taro Hirano: foreclosure
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Taro Hirano (1973) is a photographer and skater living in Tokyo. Foreclosure is a continuation of his work first published in his photo book Pool from 2005 (Little More), a collection of landscape-style photos of pools in America. Taro always thought pool skating was just one of the old ways of skating, but after encountering a pool skater it changed his perspective. Taro and Hina Hirano are the founders of No.12 Gallery in Shibuyaku, Tokyo. With contacts made in private life and at work, both in Japan and abroad, they provides an exhibitional space for his friends from various fields of artistic practice.
Monographies photo
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Todd Hido: witness number 7
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As guest editor of Witness Number 7, Todd Hido creates a relationship between his own photographs of vacant interiors of foreclosed homes - the first time this series has been published as a group - with portraits made by Leon Borensztein during the 1980s. Hido's images contain traces and impressions of lives previously having been lived in the now-empty homes. His potent(...)
Todd Hido: witness number 7
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As guest editor of Witness Number 7, Todd Hido creates a relationship between his own photographs of vacant interiors of foreclosed homes - the first time this series has been published as a group - with portraits made by Leon Borensztein during the 1980s. Hido's images contain traces and impressions of lives previously having been lived in the now-empty homes. His potent and surreal photographs of empty spaces evoke a longing for the time when things were better in those homes. What went wrong? Who used to lived there? Borensztein, an immigrant from Poland, visited homes and businesses in the suburbs of Stockton, Fresno and Bakersfield, photographing his subjects in front of a generic backdrop to create a rich sociological document. In Witness Number 7, Borensztein's subjects stand in metaphorically for the families evicted from Hido's foreclosed homes. The book closes with what Hido describes as a slowly cooked stew of books a 40-page run of images documented off the pages of certain books in his library that have influenced Hido's work during the past 20 years, curated into a narrative of echos and inspirations.
livres
janvier 2009
Monographies photo
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'Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and(...)
Lee Friedlander: witness number six
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'Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist'. - from the text by Maria Friedlander. Witness Number 6 provides a portrait - in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander - of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS s Witness series.
livres
janvier 2009
Monographies photo
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Sasha Bezzubov : wildfire
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"Wildfire", Sasha Bezzubov's first monograph, is comprised of 32 large-scale photographs of the aftermath of forest fires in California. Using the genre of landscape photography, a tradition born with, and used to celebrate, industrial expansion, these photographs evidence the fragility of the man-made as it is transformed into dreamscapes of apocalyptic proportions.
Sasha Bezzubov : wildfire
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"Wildfire", Sasha Bezzubov's first monograph, is comprised of 32 large-scale photographs of the aftermath of forest fires in California. Using the genre of landscape photography, a tradition born with, and used to celebrate, industrial expansion, these photographs evidence the fragility of the man-made as it is transformed into dreamscapes of apocalyptic proportions.
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janvier 2009
Monographies photo
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The green of this notebook
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John Divola’s The Green of this Notebook is an artist’s book based on Jean-Paul Sartre’s Being and Nothingness in which Sartre attempted, in the abstract, to examine the essential nature of being – and in doing so, he repeatedly illustrates his ideas with experiential examples. In The Green of this Notebook, Divola presents a series of related double pages. The images on(...)
The green of this notebook
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John Divola’s The Green of this Notebook is an artist’s book based on Jean-Paul Sartre’s Being and Nothingness in which Sartre attempted, in the abstract, to examine the essential nature of being – and in doing so, he repeatedly illustrates his ideas with experiential examples. In The Green of this Notebook, Divola presents a series of related double pages. The images on the left are pages from Sartre’s book, with Sartre’s examples highlighted. On the right are photographs that have been made to correspond to the example. The Green of this Notebook is limited to 500 numbered copies.
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janvier 2009
Monographies photo
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This is the first extensive survey catalogue of the work of artist Ian Wallace—a key figure in the extraordinary artistic ferment of Vancouver, a pioneer and theorist of its internationally regarded tradition of photo-conceptualism, and a teacher and colleague of such luminaries as Jeff Wall, Rodney Graham, and Stan Douglas. Energized by the dialectic tensions between(...)
Ian Wallace: a literature of images
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This is the first extensive survey catalogue of the work of artist Ian Wallace—a key figure in the extraordinary artistic ferment of Vancouver, a pioneer and theorist of its internationally regarded tradition of photo-conceptualism, and a teacher and colleague of such luminaries as Jeff Wall, Rodney Graham, and Stan Douglas. Energized by the dialectic tensions between monochrome painting and documentary or staged photography, between the emblematic sites of street, studio and nature, Wallace’s practice fosters engagement with the persistent impulses of vanguard modernism.
Monographies photo
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Bas Princen Rotterdam
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that Witte de With extended to Bas Princen to develop a photographic concept for the invitations and brochures that would be published in the 2006 – 07 season.
Monographies photo
janvier 2008, Rotterdam
Bas Princen Rotterdam
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that Witte de With extended to Bas Princen to develop a photographic concept for the invitations and brochures that would be published in the 2006 – 07 season.
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janvier 2008, Rotterdam
Monographies photo
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Restricted Areas brings together the results from a nine year project looking at some of the key military bases in Eastern Germany that lie abandoned following the fall of the Iron Curtain and withdrawal of the Soviet Armed forces.
Monographies photo
janvier 2008, Manchester
Angus Boulton: restricted areas
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Restricted Areas brings together the results from a nine year project looking at some of the key military bases in Eastern Germany that lie abandoned following the fall of the Iron Curtain and withdrawal of the Soviet Armed forces.
Monographies photo
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Realized entire to London with the collaboration of photographers Andreu Llorens and Roberto Beretta. This book combine design and photography.
The quick brown fox jumps over a lazy dog
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Realized entire to London with the collaboration of photographers Andreu Llorens and Roberto Beretta. This book combine design and photography.
Monographies photo
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Photographer : Arni Haraldsson Acknowledgements : Lorna Brown This postcards are published by Vancouver, Artspeak, in the occasion of the exhibition Up & Down : Downtown Eastside Architecture, 15 March - 19 April 2003. This collection pairs photographs of artworks with new works of criticism by artists and writers whose pratices share similar concers.
Up & down: downtown eastside architecture
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Photographer : Arni Haraldsson Acknowledgements : Lorna Brown This postcards are published by Vancouver, Artspeak, in the occasion of the exhibition Up & Down : Downtown Eastside Architecture, 15 March - 19 April 2003. This collection pairs photographs of artworks with new works of criticism by artists and writers whose pratices share similar concers.
Monographies photo