Anthony Hernandez: Forever
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'Forever' comprises photographs taken in the downtown area of Los Angeles and the poorer neighbourhoods of Compton, Watts and South Central, made between 2007–2012. The work traces the movements of the homeless, in images which take up the point of view of the homeless person. So, rather than photographing the material trace – a chair or bed – Hernandez photographs what(...)
Anthony Hernandez: Forever
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'Forever' comprises photographs taken in the downtown area of Los Angeles and the poorer neighbourhoods of Compton, Watts and South Central, made between 2007–2012. The work traces the movements of the homeless, in images which take up the point of view of the homeless person. So, rather than photographing the material trace – a chair or bed – Hernandez photographs what might be might seen and observed from the street itself.
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Ravens
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Consistently proclaimed as one of the most important photobooks in the history of the medium, 'Ravens' by Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo(...)
Ravens
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Consistently proclaimed as one of the most important photobooks in the history of the medium, 'Ravens' by Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates 'Ravens' in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.
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Kevin Lear: A glass darkly
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Kevin Lear's photographs are an intense poetic meditation on urban spaces in Kent and London, dating from 1971 until the 1990s Often shot at twilight, the works transform everyday street landscapes into sculptural forms. The photographs are imbued with a foreboding and unease, offering alien scenes of a world made unfamiliar by the photographer’s lens.
Kevin Lear: A glass darkly
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Kevin Lear's photographs are an intense poetic meditation on urban spaces in Kent and London, dating from 1971 until the 1990s Often shot at twilight, the works transform everyday street landscapes into sculptural forms. The photographs are imbued with a foreboding and unease, offering alien scenes of a world made unfamiliar by the photographer’s lens.
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In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. 'Nothing’s in Vain' is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. The sequence of images careens between street scenes, portraits,(...)
Emmanuelle Andrianjafy: Nothing's in vain
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In 2011, Malagasy photographer Emmanuelle Andrianjafy arrived in the port city of Dakar, situated on the westernmost African coast, overlooking the Atlantic Ocean. 'Nothing’s in Vain' is Adrianjafy’s response to the experience of uprooting to the Senegalese capital, a city as vibrant as it is disorientating. The sequence of images careens between street scenes, portraits, landscapes, and close-up details, recreating her fluctuating experience of the multiple faces of the city.
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An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered(...)
Domon Ken: master of Japanese realism
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An unsurpassed master of postwar Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man’s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered the supreme master of Japanese photography as well as the main exponent of realism as the only approach possible. Over the years he honed his craft, shifting from propaganda photography during the war to photography as a life’s mission, in search of his own Japan: a fascinating and silent Japan of ancient temples, Buddhist sculptures, puppet theaters (where he took refuge during the war); the seductive and expressive faces of celebrities alongside the modest ones of street urchins; the poorest Japan of mining villages; and finally his most disturbing and modern work, portraying Hiroshima and its unhealed wounds.
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Stephen Shore
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Published to accompany the first comprehensive survey of Stephen Shore’s work in the US, this catalog reflects the full range of his contribution, including the gelatin silver prints he made as a teenager (and sold to The Museum of Modern Art); Shore's photographs of the scene at Andy Warhol’s Factory, in New York; the color images he made during cross-country road trips(...)
Stephen Shore
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Published to accompany the first comprehensive survey of Stephen Shore’s work in the US, this catalog reflects the full range of his contribution, including the gelatin silver prints he made as a teenager (and sold to The Museum of Modern Art); Shore's photographs of the scene at Andy Warhol’s Factory, in New York; the color images he made during cross-country road trips in the 1970s; his recent explorations of Israel, the West Bank and Ukraine; and his current work on digital platforms, including Instagram.
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Josef Albers in Mexico
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“Mexico is truly the promised land of abstract art,” Josef Albers wrote to his former Bauhaus colleague Vasily Kandinsky in 1936. Josef Albers in Mexico reveals the profound link between the art and architecture of ancient Mesoamerica and Albers’ abstract works on canvas and paper. With his wife, the artist Anni Albers, Albers toured pre-Columbian archeological sites and(...)
Josef Albers in Mexico
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“Mexico is truly the promised land of abstract art,” Josef Albers wrote to his former Bauhaus colleague Vasily Kandinsky in 1936. Josef Albers in Mexico reveals the profound link between the art and architecture of ancient Mesoamerica and Albers’ abstract works on canvas and paper. With his wife, the artist Anni Albers, Albers toured pre-Columbian archeological sites and monuments during his 12 or more trips to Mexico and other Latin American countries between 1935 and 1968. On each visit, Albers took black-and-white photographs of pyramids, shrines, sanctuaries and landscapes, which he later assembled into rarely seen photo collages. The resulting works demonstrate Albers’ continued formal experimentation with geometry, this time accentuating a pre-Columbian aesthetic.
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Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot(...)
William Henry Fox Talbot and the promise of photography
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Accompanying an exhibition at Carnegie Museum of Art in Pittsburgh opening in November 2017, this book brings together more than 30 photographs by Talbot that demonstrate his wide-ranging interests, including nature, still-life, portraiture, architecture and landscape. Some of these images are previously unpublished. Through thematic groupings elucidated by noted Talbot scholar Larry Schaaf, the book reveals the photographer’s early striving to test the boundaries of his medium at a historic moment when art and science intersected. With its luminous reproductions of Talbot’s fragile works, this publication demonstrates that, in its earliest days, photography required a form of magic-making and innovation that continues to inspire people today.
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In 1988, Josef Koudelka published what was to become one of his most famous and canonical series: Exiles. These black-and-white images described the travels and everyday life of the peoples he encountered while roaming Europe. Josef Koudelka: The Making of Exiles is an exploration of the genesis and the making of this photographic journey.
Josef Koudelka: The making of exiles
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In 1988, Josef Koudelka published what was to become one of his most famous and canonical series: Exiles. These black-and-white images described the travels and everyday life of the peoples he encountered while roaming Europe. Josef Koudelka: The Making of Exiles is an exploration of the genesis and the making of this photographic journey.
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Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island numerous times, and making more than 25,000 images. Immersing herself in Cuba’s history, literature, and politics, she photographed interiors of homes and businesses, city streets, rural landscapes, signs and billboards, and, most of all, the people,(...)
Tria Giovan : the Cuba archive
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Tria Giovan first traveled to Cuba in 1990. Over the next six years she took twelve month-long trips, traversing the island numerous times, and making more than 25,000 images. Immersing herself in Cuba’s history, literature, and politics, she photographed interiors of homes and businesses, city streets, rural landscapes, signs and billboards, and, most of all, the people, creating a compelling body of work that captures the subtleties and layered complexities of day-to-day Cuba born from complete engagement and informed perspective.
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