2423 Résultats
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"Temporary discomfort" documents Davos, Genoa, New York and Evian/Geneva in a transitory state of emergency lock-down during the global economic summits (2001–2003). It combines different photographical genres: landscape photography, photojournalism and police photography, though here with the camera lens turned back at the security forces. But instead of street fighting(...)
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"Temporary discomfort" documents Davos, Genoa, New York and Evian/Geneva in a transitory state of emergency lock-down during the global economic summits (2001–2003). It combines different photographical genres: landscape photography, photojournalism and police photography, though here with the camera lens turned back at the security forces. But instead of street fighting(...)
Titre:
Temporary discomfort chapter I-V
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"Temporary discomfort" documents Davos, Genoa, New York and Evian/Geneva in a transitory state of emergency lock-down during the global economic summits (2001–2003). It combines different photographical genres: landscape photography, photojournalism and police photography, though here with the camera lens turned back at the security forces. But instead of street fighting and handshakes, Jules Spinatsch shows winter nights in Davos, complete with floodlighted barbedwire labyrinths. He shows Genova, a fortress empty as the Mediterranean noonday sky. We see freight containers, symbols for world trade, that are used as barricades against its foes. He invites us to scrutinize the streets in New York at night: road blocks, tents, and mobile transmission units: that seem surreally empty. He photographs the sleepy waking of the security guards. Spinatsch examines the waiting for the big event that appears as meticulously planned, down to the last detail.
Temporary discomfort chapter I-V
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"Temporary discomfort" documents Davos, Genoa, New York and Evian/Geneva in a transitory state of emergency lock-down during the global economic summits (2001–2003). It combines different photographical genres: landscape photography, photojournalism and police photography, though here with the camera lens turned back at the security forces. But instead of street fighting and handshakes, Jules Spinatsch shows winter nights in Davos, complete with floodlighted barbedwire labyrinths. He shows Genova, a fortress empty as the Mediterranean noonday sky. We see freight containers, symbols for world trade, that are used as barricades against its foes. He invites us to scrutinize the streets in New York at night: road blocks, tents, and mobile transmission units: that seem surreally empty. He photographs the sleepy waking of the security guards. Spinatsch examines the waiting for the big event that appears as meticulously planned, down to the last detail.
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livres
Publication:
octobre 2005, Zürich
octobre 2005, Zürich
Sujet:
Monographies photo
Monographies photo
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In juxtaposing the ambiguity of the photographic image against the uncertainty of historical and archaeological evidence, photographer John Stathatos has woven an intriguing Borgian labyrinth of truth and fiction in his exploration of ancient and forgotten cities. Includes an essay by Joan Fontcuberta. And a preface by Yves Abrioux.
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In juxtaposing the ambiguity of the photographic image against the uncertainty of historical and archaeological evidence, photographer John Stathatos has woven an intriguing Borgian labyrinth of truth and fiction in his exploration of ancient and forgotten cities. Includes an essay by Joan Fontcuberta. And a preface by Yves Abrioux.
Titre:
John Stathatos ; the book of lost cities
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In juxtaposing the ambiguity of the photographic image against the uncertainty of historical and archaeological evidence, photographer John Stathatos has woven an intriguing Borgian labyrinth of truth and fiction in his exploration of ancient and forgotten cities. Includes an essay by Joan Fontcuberta. And a preface by Yves Abrioux.
John Stathatos ; the book of lost cities
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In juxtaposing the ambiguity of the photographic image against the uncertainty of historical and archaeological evidence, photographer John Stathatos has woven an intriguing Borgian labyrinth of truth and fiction in his exploration of ancient and forgotten cities. Includes an essay by Joan Fontcuberta. And a preface by Yves Abrioux.
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livres
Publication:
janvier 1900, Berlin
janvier 1900, Berlin
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Monographies photo
Monographies photo
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livres
Titre:
Andreas Züst : roundabouts
Andreas Züst : roundabouts
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For years, Andreas Züst, the late photographer, meteorologist, publisher, collector, and patron of the arts, took photographs of roundabouts in Europe, America, and Asia. Almost everything can manifest itself in the center of a roundabout, endowing this non-place with a meaning that we only casually glimpse while driving by: advertisements for local businesses, historical(...)
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For years, Andreas Züst, the late photographer, meteorologist, publisher, collector, and patron of the arts, took photographs of roundabouts in Europe, America, and Asia. Almost everything can manifest itself in the center of a roundabout, endowing this non-place with a meaning that we only casually glimpse while driving by: advertisements for local businesses, historical(...)
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Monographies photo
Monographies photo
Publication:
janvier 1900, Zürich, Berlin, New York
janvier 1900, Zürich, Berlin, New York
Titre:
Andreas Züst : roundabouts
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For years, Andreas Züst, the late photographer, meteorologist, publisher, collector, and patron of the arts, took photographs of roundabouts in Europe, America, and Asia. Almost everything can manifest itself in the center of a roundabout, endowing this non-place with a meaning that we only casually glimpse while driving by: advertisements for local businesses, historical allegories, artworks, craft, monuments of ruling ideologies and religions—as though man could not abide a void. These wry photographs, with their delight in the absurd, are a prime example of an anthropology of everyday and popular culture inviting the reader to reflect on cultural and social differences, vernacular culture, and man’s horror of the void. At time of his premature death, Züst was preparing the publication of this book.
Andreas Züst : roundabouts
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For years, Andreas Züst, the late photographer, meteorologist, publisher, collector, and patron of the arts, took photographs of roundabouts in Europe, America, and Asia. Almost everything can manifest itself in the center of a roundabout, endowing this non-place with a meaning that we only casually glimpse while driving by: advertisements for local businesses, historical allegories, artworks, craft, monuments of ruling ideologies and religions—as though man could not abide a void. These wry photographs, with their delight in the absurd, are a prime example of an anthropology of everyday and popular culture inviting the reader to reflect on cultural and social differences, vernacular culture, and man’s horror of the void. At time of his premature death, Züst was preparing the publication of this book.
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livres
livres
Publication:
janvier 1900, Zürich, Berlin, New York
janvier 1900, Zürich, Berlin, New York
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Brassaï : intime et inédit
Brassaï : intime et inédit
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Biographie illustrée de nombreux inédits révélant différentes facettes du photographe Brassaï : du jeune Hongrois faisant son apprentissage artistique à Berlin au témoin privilégié de la vie parisienne des années folles ; du compagnon de bamboche de la bohème artistique ou de l'aristocratie mondaine au glaneur d'images portant un regard tendre sur les milieux populaires ;(...)
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Biographie illustrée de nombreux inédits révélant différentes facettes du photographe Brassaï : du jeune Hongrois faisant son apprentissage artistique à Berlin au témoin privilégié de la vie parisienne des années folles ; du compagnon de bamboche de la bohème artistique ou de l'aristocratie mondaine au glaneur d'images portant un regard tendre sur les milieux populaires ;(...)
Titre:
Brassaï : intime et inédit
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Biographie illustrée de nombreux inédits révélant différentes facettes du photographe Brassaï : du jeune Hongrois faisant son apprentissage artistique à Berlin au témoin privilégié de la vie parisienne des années folles ; du compagnon de bamboche de la bohème artistique ou de l'aristocratie mondaine au glaneur d'images portant un regard tendre sur les milieux populaires ; de l'insatiable traqueur de clichés dans les venelles sombres de Paris au reporter globe-trotter mondialement reconnu... Photographe, Brassaï fut aussi peintre, sculpteur, concepteur de décors de théâtre et écrivain.
Brassaï : intime et inédit
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Biographie illustrée de nombreux inédits révélant différentes facettes du photographe Brassaï : du jeune Hongrois faisant son apprentissage artistique à Berlin au témoin privilégié de la vie parisienne des années folles ; du compagnon de bamboche de la bohème artistique ou de l'aristocratie mondaine au glaneur d'images portant un regard tendre sur les milieux populaires ; de l'insatiable traqueur de clichés dans les venelles sombres de Paris au reporter globe-trotter mondialement reconnu... Photographe, Brassaï fut aussi peintre, sculpteur, concepteur de décors de théâtre et écrivain.
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livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
Sujet:
Monographies photo
Monographies photo
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Olivier Mériel is interested in interiors of abandoned houses, uninhabited monasteries, workshops whose machinery has long been silent. Text by Charles Juliet.
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Olivier Mériel is interested in interiors of abandoned houses, uninhabited monasteries, workshops whose machinery has long been silent. Text by Charles Juliet.
Titre:
Olivier Mériel : silent worlds
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Olivier Mériel is interested in interiors of abandoned houses, uninhabited monasteries, workshops whose machinery has long been silent. Text by Charles Juliet.
Olivier Mériel : silent worlds
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Olivier Mériel is interested in interiors of abandoned houses, uninhabited monasteries, workshops whose machinery has long been silent. Text by Charles Juliet.
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livres
livres
Publication:
mai 2006, Milan
mai 2006, Milan
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
André Kertesz
André Kertesz
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This monograph is a concise introduction to the life and work of André Kertesz, complete with a 4,000 word essay and 55 photographs with extensive captions.
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Résumé:
This monograph is a concise introduction to the life and work of André Kertesz, complete with a 4,000 word essay and 55 photographs with extensive captions.
Titre:
André Kertesz
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This monograph is a concise introduction to the life and work of André Kertesz, complete with a 4,000 word essay and 55 photographs with extensive captions.
André Kertesz
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This monograph is a concise introduction to the life and work of André Kertesz, complete with a 4,000 word essay and 55 photographs with extensive captions.
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livres
Publication:
juin 2006, London
juin 2006, London
Sujet:
Monographies photo
Monographies photo
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This book documents the life and work of Lewis Larsson and his fellow colleagues of the American Colony Photographers group who together formed part of a Swedish nonconformist religious sect that emigrated to Jerusalem at the end of the 19th century. Together they created over a period of 50 years one of the world's finest collections of photographs from Palestine and the(...)
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This book documents the life and work of Lewis Larsson and his fellow colleagues of the American Colony Photographers group who together formed part of a Swedish nonconformist religious sect that emigrated to Jerusalem at the end of the 19th century. Together they created over a period of 50 years one of the world's finest collections of photographs from Palestine and the(...)
Titre:
The dream of Jerusalem : Lewis Larsson and the American colony photographers
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This book documents the life and work of Lewis Larsson and his fellow colleagues of the American Colony Photographers group who together formed part of a Swedish nonconformist religious sect that emigrated to Jerusalem at the end of the 19th century. Together they created over a period of 50 years one of the world's finest collections of photographs from Palestine and the Middle-East from that period.
The dream of Jerusalem : Lewis Larsson and the American colony photographers
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This book documents the life and work of Lewis Larsson and his fellow colleagues of the American Colony Photographers group who together formed part of a Swedish nonconformist religious sect that emigrated to Jerusalem at the end of the 19th century. Together they created over a period of 50 years one of the world's finest collections of photographs from Palestine and the Middle-East from that period.
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livres
Publication:
janvier 1900, Stockholm
janvier 1900, Stockholm
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Monographies photo
Monographies photo
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$113.00
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The scale of Wolf’s vision alternates between the grand and the intimate, capturing both the striking facades of the buildings themselves and the minute human interventions that mark them. Wolf’s photographs reflect a deft combination of Western aesthetic formalism and Eastern wabi-sabi. The accompanying texts by Kenneth Baker and Douglas Young explore the choices(...)
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The scale of Wolf’s vision alternates between the grand and the intimate, capturing both the striking facades of the buildings themselves and the minute human interventions that mark them. Wolf’s photographs reflect a deft combination of Western aesthetic formalism and Eastern wabi-sabi. The accompanying texts by Kenneth Baker and Douglas Young explore the choices(...)
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Michael Wolf : Hong Kong : front door / back door
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The scale of Wolf’s vision alternates between the grand and the intimate, capturing both the striking facades of the buildings themselves and the minute human interventions that mark them. Wolf’s photographs reflect a deft combination of Western aesthetic formalism and Eastern wabi-sabi. The accompanying texts by Kenneth Baker and Douglas Young explore the choices people make of lifestyle, forms, functions, identity and design, as well as the notion of Hong Kong as a brand.
Michael Wolf : Hong Kong : front door / back door
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The scale of Wolf’s vision alternates between the grand and the intimate, capturing both the striking facades of the buildings themselves and the minute human interventions that mark them. Wolf’s photographs reflect a deft combination of Western aesthetic formalism and Eastern wabi-sabi. The accompanying texts by Kenneth Baker and Douglas Young explore the choices people make of lifestyle, forms, functions, identity and design, as well as the notion of Hong Kong as a brand.
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livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Monographies photo
Monographies photo
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$79.95
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Préface de Pierre Théberge et William A. Ewing. Avec un entretien de Lynne Cohen : "Camouflage".
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Préface de Pierre Théberge et William A. Ewing. Avec un entretien de Lynne Cohen : "Camouflage".
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Monographies photo
Monographies photo
Publication:
janvier 2003, Londres
janvier 2003, Londres
Titre:
No man's land : les photographies de Lynne Cohen
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Préface de Pierre Théberge et William A. Ewing. Avec un entretien de Lynne Cohen : "Camouflage".
No man's land : les photographies de Lynne Cohen
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Préface de Pierre Théberge et William A. Ewing. Avec un entretien de Lynne Cohen : "Camouflage".
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livres
livres
Publication:
janvier 2003, Londres
janvier 2003, Londres
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Beirut city center
Beirut city center
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After the Lebanese Civil War (1975-1990) a massive rebuilding of the destroyed city of Beirut was undertaken. Solidere was formed with the goal of re-developing and reconstructing Beirut’s Central District into the finest city center in the Middle East. In 2002 the photographer Larry E. McPherson was commissioned to document the current state of the City Center. Between(...)
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After the Lebanese Civil War (1975-1990) a massive rebuilding of the destroyed city of Beirut was undertaken. Solidere was formed with the goal of re-developing and reconstructing Beirut’s Central District into the finest city center in the Middle East. In 2002 the photographer Larry E. McPherson was commissioned to document the current state of the City Center. Between(...)
Titre:
Beirut city center
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After the Lebanese Civil War (1975-1990) a massive rebuilding of the destroyed city of Beirut was undertaken. Solidere was formed with the goal of re-developing and reconstructing Beirut’s Central District into the finest city center in the Middle East. In 2002 the photographer Larry E. McPherson was commissioned to document the current state of the City Center. Between 2002 and 2004 he made four trips, spending a total of six months photographing in Lebanon. McPherson’s understated, visually affectionate photographs convey the natural beauty of Beirut’s setting between the Mediterranean Sea and Lebanon’s snow covered mountains. It also encompasses the archeological sites made into public areas, gardens, perfectly restored architecture from the Ottoman and French periods, and elegantly integrated new construction.
Beirut city center
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After the Lebanese Civil War (1975-1990) a massive rebuilding of the destroyed city of Beirut was undertaken. Solidere was formed with the goal of re-developing and reconstructing Beirut’s Central District into the finest city center in the Middle East. In 2002 the photographer Larry E. McPherson was commissioned to document the current state of the City Center. Between 2002 and 2004 he made four trips, spending a total of six months photographing in Lebanon. McPherson’s understated, visually affectionate photographs convey the natural beauty of Beirut’s setting between the Mediterranean Sea and Lebanon’s snow covered mountains. It also encompasses the archeological sites made into public areas, gardens, perfectly restored architecture from the Ottoman and French periods, and elegantly integrated new construction.
Classification:
livres
livres
Publication:
juillet 2006, Göttingen
juillet 2006, Göttingen
Sujet:
Monographies photo
Monographies photo
