2347 Résultats
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Between 1990 and 1998, Guido Guidi made five separate trips to Milan and its surrounding areas. ''Cinque viaggi'' brings together the photographs made there, forming an investigation of one city and its peripheries in the throes of economic and social transformation. As Guidi follows the canal from out in the suburbs toward the city centre, his attention and visual(...)
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Between 1990 and 1998, Guido Guidi made five separate trips to Milan and its surrounding areas. ''Cinque viaggi'' brings together the photographs made there, forming an investigation of one city and its peripheries in the throes of economic and social transformation. As Guidi follows the canal from out in the suburbs toward the city centre, his attention and visual(...)
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Guido Guidi: Cinque viaggi (1990-98)
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Between 1990 and 1998, Guido Guidi made five separate trips to Milan and its surrounding areas. ''Cinque viaggi'' brings together the photographs made there, forming an investigation of one city and its peripheries in the throes of economic and social transformation. As Guidi follows the canal from out in the suburbs toward the city centre, his attention and visual language move from the vernacular to the metropolitan, from wider horizontal views to vertical ‘cuts’ in the urban fabric, from entire buildings and scenes to glimpsed façades and doorways. Along the way, we also encounter inhabitants: a group of young men gathered in a Pasolini-like scene on a bridge in the city’s outskirts; occasional passers-by working, shopping, or stopping to smoke on the city streets; disconnected couples and disparate individuals whose loose citizenship coheres the urban sprawl. While previous books, such as Per Strada (2018) and Tra l'altro (2020), demonstrated Guidi’s fascination with the rural and small-town landscapes of his native region, ''Cinque viaggi'' turns to metropolitan Italy, documenting the dramatic socio-economic changes that have transformed it over the course of the nineteenth and twentieth centuries. Remnants of rural civilisation and traces of urban expansion are embedded among the first signs of de-industrialisation. These 110 large-format works, many of which have never been seen before, reveal the layers of social and architectural history among which everyday life unfolds. ''Cinque viaggi'' offers an arrestingly subtle picture of Italy's recent past and rumination on its future.
Guido Guidi: Cinque viaggi (1990-98)
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Between 1990 and 1998, Guido Guidi made five separate trips to Milan and its surrounding areas. ''Cinque viaggi'' brings together the photographs made there, forming an investigation of one city and its peripheries in the throes of economic and social transformation. As Guidi follows the canal from out in the suburbs toward the city centre, his attention and visual language move from the vernacular to the metropolitan, from wider horizontal views to vertical ‘cuts’ in the urban fabric, from entire buildings and scenes to glimpsed façades and doorways. Along the way, we also encounter inhabitants: a group of young men gathered in a Pasolini-like scene on a bridge in the city’s outskirts; occasional passers-by working, shopping, or stopping to smoke on the city streets; disconnected couples and disparate individuals whose loose citizenship coheres the urban sprawl. While previous books, such as Per Strada (2018) and Tra l'altro (2020), demonstrated Guidi’s fascination with the rural and small-town landscapes of his native region, ''Cinque viaggi'' turns to metropolitan Italy, documenting the dramatic socio-economic changes that have transformed it over the course of the nineteenth and twentieth centuries. Remnants of rural civilisation and traces of urban expansion are embedded among the first signs of de-industrialisation. These 110 large-format works, many of which have never been seen before, reveal the layers of social and architectural history among which everyday life unfolds. ''Cinque viaggi'' offers an arrestingly subtle picture of Italy's recent past and rumination on its future.
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livres
livres
Publication:
juillet 2021
juillet 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Dudok by Iwan Baan
Dudok by Iwan Baan
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The celebrated Dutch architectural photographer Iwan Baan (born 1975) has dedicated his career to capturing the stories told by buildings. This publication compiles his series on Willem Marinus Dudok (1884–1974), known as the father of Dutch modernism. Decades after their construction, Dudok’s designs remain keenly relevant for their exceptional spatial sensitivity. In(...)
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The celebrated Dutch architectural photographer Iwan Baan (born 1975) has dedicated his career to capturing the stories told by buildings. This publication compiles his series on Willem Marinus Dudok (1884–1974), known as the father of Dutch modernism. Decades after their construction, Dudok’s designs remain keenly relevant for their exceptional spatial sensitivity. In(...)
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Dudok by Iwan Baan
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The celebrated Dutch architectural photographer Iwan Baan (born 1975) has dedicated his career to capturing the stories told by buildings. This publication compiles his series on Willem Marinus Dudok (1884–1974), known as the father of Dutch modernism. Decades after their construction, Dudok’s designs remain keenly relevant for their exceptional spatial sensitivity. In this series, Baan expands his lens to encompass Dudok as a designer not only of singular buildings but of whole landscapes in which people are able to live, work and learn. Through impressive aerial and street photography, Baan conveys the breadth of Dudok’s practice as an urban designer, focusing in particular on his ability to expand metropolitan neighborhoods in a way that felt entirely natural. Additional insight into Dudok’s craft and its lasting influence on contemporary European architecture is provided by architectural historian Lara Voerman.
Dudok by Iwan Baan
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The celebrated Dutch architectural photographer Iwan Baan (born 1975) has dedicated his career to capturing the stories told by buildings. This publication compiles his series on Willem Marinus Dudok (1884–1974), known as the father of Dutch modernism. Decades after their construction, Dudok’s designs remain keenly relevant for their exceptional spatial sensitivity. In this series, Baan expands his lens to encompass Dudok as a designer not only of singular buildings but of whole landscapes in which people are able to live, work and learn. Through impressive aerial and street photography, Baan conveys the breadth of Dudok’s practice as an urban designer, focusing in particular on his ability to expand metropolitan neighborhoods in a way that felt entirely natural. Additional insight into Dudok’s craft and its lasting influence on contemporary European architecture is provided by architectural historian Lara Voerman.
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livres
livres
Publication:
juin 2021
juin 2021
Sujet:
Monographies photo
Monographies photo
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livres
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$57.00
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In 1983, Ursula Schulz-Dornburg accompanied two ethnologists and an architect on a research trip to Tana Toraja on the central Indonesian island of Sulawesi. Initiated by the Royal Tropical Institute of Amsterdam, the trip was intended to “explore the changing patterns in architecture and symbolism among the Sa‘dan Toraja”. On the way back from Rantepao to Ujung Pandang(...)
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In 1983, Ursula Schulz-Dornburg accompanied two ethnologists and an architect on a research trip to Tana Toraja on the central Indonesian island of Sulawesi. Initiated by the Royal Tropical Institute of Amsterdam, the trip was intended to “explore the changing patterns in architecture and symbolism among the Sa‘dan Toraja”. On the way back from Rantepao to Ujung Pandang(...)
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Ursula Schulz-Dornburg: Bugis Houses, Celebes
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In 1983, Ursula Schulz-Dornburg accompanied two ethnologists and an architect on a research trip to Tana Toraja on the central Indonesian island of Sulawesi. Initiated by the Royal Tropical Institute of Amsterdam, the trip was intended to “explore the changing patterns in architecture and symbolism among the Sa‘dan Toraja”. On the way back from Rantepao to Ujung Pandang airport, Schulz-Dornburg passed the distinctive houses of the Bugis or To-Ugiq people, perched on the yellow paddy fields. Fascinated by their complex, expressive architectures, she began to photograph the houses in the short time she had before leaving, realising that the structures would likely not exist in their traditional form for much longer. The result is a body of work that not only surveys the houses’ physical forms but also considers wide-ranging ideas of physical and emotional homebuilding and the precarious place of tradition in the present day. Poised between heaven and earth and standing above the water when the rice fields are flooded, the Bugis houses reflect the creation myth of their people, in which the gods of the upper and lower worlds came together to create man to populate the uninhabited middle world. The farmers depicted by Schulz-Dornburg are likewise suspended between historic tradition and the impending pressures of the contemporary world. As they go about their work or greet her camera, they and their homes are held in the balance between past and future, mythology and everyday reality. With these shrewd and sensitive images, Schulz-Dornburg captures life as it is built and lived within a particular culture and landscape, offering a searching reflection on the places we call home.
Ursula Schulz-Dornburg: Bugis Houses, Celebes
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In 1983, Ursula Schulz-Dornburg accompanied two ethnologists and an architect on a research trip to Tana Toraja on the central Indonesian island of Sulawesi. Initiated by the Royal Tropical Institute of Amsterdam, the trip was intended to “explore the changing patterns in architecture and symbolism among the Sa‘dan Toraja”. On the way back from Rantepao to Ujung Pandang airport, Schulz-Dornburg passed the distinctive houses of the Bugis or To-Ugiq people, perched on the yellow paddy fields. Fascinated by their complex, expressive architectures, she began to photograph the houses in the short time she had before leaving, realising that the structures would likely not exist in their traditional form for much longer. The result is a body of work that not only surveys the houses’ physical forms but also considers wide-ranging ideas of physical and emotional homebuilding and the precarious place of tradition in the present day. Poised between heaven and earth and standing above the water when the rice fields are flooded, the Bugis houses reflect the creation myth of their people, in which the gods of the upper and lower worlds came together to create man to populate the uninhabited middle world. The farmers depicted by Schulz-Dornburg are likewise suspended between historic tradition and the impending pressures of the contemporary world. As they go about their work or greet her camera, they and their homes are held in the balance between past and future, mythology and everyday reality. With these shrewd and sensitive images, Schulz-Dornburg captures life as it is built and lived within a particular culture and landscape, offering a searching reflection on the places we call home.
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livres
livres
Publication:
juillet 2021
juillet 2021
Sujet:
Monographies photo
Monographies photo
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livres
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In the period leading up to the November 3, 2020 elections in the United States, Teju Cole began to photograph his kitchen counter in Cambridge, Massachusetts. Working in the still life tradition of Chardin, Cezanne, and the Dutch masters, as well as such contemporary photographers as Laura Letinsky and Jan Groover, he photographed every day over the course of five weeks.(...)
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In the period leading up to the November 3, 2020 elections in the United States, Teju Cole began to photograph his kitchen counter in Cambridge, Massachusetts. Working in the still life tradition of Chardin, Cezanne, and the Dutch masters, as well as such contemporary photographers as Laura Letinsky and Jan Groover, he photographed every day over the course of five weeks.(...)
Titre:
Teju Cole: Golden apple of the sun
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In the period leading up to the November 3, 2020 elections in the United States, Teju Cole began to photograph his kitchen counter in Cambridge, Massachusetts. Working in the still life tradition of Chardin, Cezanne, and the Dutch masters, as well as such contemporary photographers as Laura Letinsky and Jan Groover, he photographed every day over the course of five weeks. Unlike those illustrious forbears, Cole left his arrangements entirely to chance, 'the bowls and plates moving in their unpredictable constellations.' What emerges is a surprising portrait, across time, of one kitchen counter in one home at a time of social, cultural, and political upheaval. Alongside the photographs is a long written essay, as wide-ranging in its concerns — hunger, fasting, mourning, slavery, intimacy, painting, poetry and the history of photography — as the photographs are delimited in theirs. The text and photographic sequences are interspersed with an anonymous handwritten eighteenth century cookbook from Cambridge.
Teju Cole: Golden apple of the sun
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In the period leading up to the November 3, 2020 elections in the United States, Teju Cole began to photograph his kitchen counter in Cambridge, Massachusetts. Working in the still life tradition of Chardin, Cezanne, and the Dutch masters, as well as such contemporary photographers as Laura Letinsky and Jan Groover, he photographed every day over the course of five weeks. Unlike those illustrious forbears, Cole left his arrangements entirely to chance, 'the bowls and plates moving in their unpredictable constellations.' What emerges is a surprising portrait, across time, of one kitchen counter in one home at a time of social, cultural, and political upheaval. Alongside the photographs is a long written essay, as wide-ranging in its concerns — hunger, fasting, mourning, slavery, intimacy, painting, poetry and the history of photography — as the photographs are delimited in theirs. The text and photographic sequences are interspersed with an anonymous handwritten eighteenth century cookbook from Cambridge.
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livres
livres
Publication:
juillet 2021
juillet 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
Prix:
$20.00
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The photographer's path leads from Sanaa to Mar'ib in Yemen. 'The whole country a system of symbols', writes Peter Kammerer in this catalogue, which is accompanied by the DVD of a talk at the British Museum about early cultures in Yemen, writing, empire, archives, research and European collecting.
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The photographer's path leads from Sanaa to Mar'ib in Yemen. 'The whole country a system of symbols', writes Peter Kammerer in this catalogue, which is accompanied by the DVD of a talk at the British Museum about early cultures in Yemen, writing, empire, archives, research and European collecting.
Titre:
Von Sanaa nach Ma'rib : Ursula Shulz-Dornburg, Peter Kammerer
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The photographer's path leads from Sanaa to Mar'ib in Yemen. 'The whole country a system of symbols', writes Peter Kammerer in this catalogue, which is accompanied by the DVD of a talk at the British Museum about early cultures in Yemen, writing, empire, archives, research and European collecting.
Von Sanaa nach Ma'rib : Ursula Shulz-Dornburg, Peter Kammerer
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The photographer's path leads from Sanaa to Mar'ib in Yemen. 'The whole country a system of symbols', writes Peter Kammerer in this catalogue, which is accompanied by the DVD of a talk at the British Museum about early cultures in Yemen, writing, empire, archives, research and European collecting.
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livres
livres
Publication:
juillet 2021
juillet 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Paul Graham: Troubled land
Paul Graham: Troubled land
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An iconic project made at the height of the ''Troubles'', ''Troubled land'' deals with the small but insistent signs of political division embedded in the landscape of Northern Ireland. At the heart of the Irish conflict lays the land — who owns it, who controls it, whose history it expresses. Paul Graham’s quietly radical book keeps this material truth in mind as it(...)
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An iconic project made at the height of the ''Troubles'', ''Troubled land'' deals with the small but insistent signs of political division embedded in the landscape of Northern Ireland. At the heart of the Irish conflict lays the land — who owns it, who controls it, whose history it expresses. Paul Graham’s quietly radical book keeps this material truth in mind as it(...)
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Paul Graham: Troubled land
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An iconic project made at the height of the ''Troubles'', ''Troubled land'' deals with the small but insistent signs of political division embedded in the landscape of Northern Ireland. At the heart of the Irish conflict lays the land — who owns it, who controls it, whose history it expresses. Paul Graham’s quietly radical book keeps this material truth in mind as it uniquely combines landscape and conflict photography, seducing us with bucolic views in which telling details only gradually appear: painted kerbs, distant soldiers or helicopters, flags and graffiti, paint-splattered roads, each tacitly aligning that location to its Republican or Loyalist allegiance. Pastoral photographs of green fields and hedgerows reveal themselves to be images of conflict and dispute — despite the steadiness of the photographic frame and the clarity of Graham’s vision, this is unsettled land. Originally published in 1986, ''Troubled land'' is reprinted here for the first time in thirty-five years. Controversial then for its use of colour and refusal to follow the clichéd tropes of photojournalism, the book was pivotal in providing a fresh perspective on Northern Ireland’s ''Troubles'' and left a lasting impact on landscape photography, suggesting how it might engage with politics and society rather than escape from them. Together with ''A1 – The Great North Road'' and ''Beyond Caring,'' it completes a new edition of the remarkable trilogy of books Graham made in 1980s UK.
Paul Graham: Troubled land
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An iconic project made at the height of the ''Troubles'', ''Troubled land'' deals with the small but insistent signs of political division embedded in the landscape of Northern Ireland. At the heart of the Irish conflict lays the land — who owns it, who controls it, whose history it expresses. Paul Graham’s quietly radical book keeps this material truth in mind as it uniquely combines landscape and conflict photography, seducing us with bucolic views in which telling details only gradually appear: painted kerbs, distant soldiers or helicopters, flags and graffiti, paint-splattered roads, each tacitly aligning that location to its Republican or Loyalist allegiance. Pastoral photographs of green fields and hedgerows reveal themselves to be images of conflict and dispute — despite the steadiness of the photographic frame and the clarity of Graham’s vision, this is unsettled land. Originally published in 1986, ''Troubled land'' is reprinted here for the first time in thirty-five years. Controversial then for its use of colour and refusal to follow the clichéd tropes of photojournalism, the book was pivotal in providing a fresh perspective on Northern Ireland’s ''Troubles'' and left a lasting impact on landscape photography, suggesting how it might engage with politics and society rather than escape from them. Together with ''A1 – The Great North Road'' and ''Beyond Caring,'' it completes a new edition of the remarkable trilogy of books Graham made in 1980s UK.
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livres
livres
Publication:
mai 2022
mai 2022
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Sara Cwynar: Glass Life
Sara Cwynar: Glass Life
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An investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in(...)
$80.00
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An investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in(...)
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Sara Cwynar: Glass Life
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An investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in relation to film, sculpture, digital culture, and the cultural and technological history of image-making. Cwynar’s work revolves around her interest in subjective notions of beauty through images; the fetishization of consumer objects and colors; and the exploration of the informal image archives that have emerged around the industrialization and capitalization of these ideas. As part of her core practice, Cwynar collects, arranges, and archives her eBay purchases and creates studio studies of these consumer objects, exploring how images circulate online and how the lives and purposes of both physical objects and their likenesses change over time.
Sara Cwynar: Glass Life
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An investigation of color and image-driven consumer culture, Glass Life brings together Sara Cwynar’s multilayered portraits and stills from the films Soft Film (2016), Rose Gold (2017), and Red Film (2018). Cwynar’s research-driven and visually complex images constitute the hallmarks of contemporary post–Pictures Generation work—in which photography is pursued in relation to film, sculpture, digital culture, and the cultural and technological history of image-making. Cwynar’s work revolves around her interest in subjective notions of beauty through images; the fetishization of consumer objects and colors; and the exploration of the informal image archives that have emerged around the industrialization and capitalization of these ideas. As part of her core practice, Cwynar collects, arranges, and archives her eBay purchases and creates studio studies of these consumer objects, exploring how images circulate online and how the lives and purposes of both physical objects and their likenesses change over time.
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livres
livres
Publication:
août 2021
août 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$175.00
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This volume is the story of an inner journey, told in three movements. It maps a route through discovery, loss, and renewal across landscapes equally real and imagined by the artist. In 2007, Mame-Diarra Niang returned to Senegal to bury her father after spending years away living in France. Her intimate interest in the notion of territory translates into a refracted(...)
$175.00
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This volume is the story of an inner journey, told in three movements. It maps a route through discovery, loss, and renewal across landscapes equally real and imagined by the artist. In 2007, Mame-Diarra Niang returned to Senegal to bury her father after spending years away living in France. Her intimate interest in the notion of territory translates into a refracted(...)
Titre:
Mam-Diarra Niang:The citadel, a trilogy
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This volume is the story of an inner journey, told in three movements. It maps a route through discovery, loss, and renewal across landscapes equally real and imagined by the artist. In 2007, Mame-Diarra Niang returned to Senegal to bury her father after spending years away living in France. Her intimate interest in the notion of territory translates into a refracted representation of the landscapes she rediscovered on this visit. The places before Niang’s lens are at once forensically studied and transformed into fabular non-places.
Mam-Diarra Niang:The citadel, a trilogy
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This volume is the story of an inner journey, told in three movements. It maps a route through discovery, loss, and renewal across landscapes equally real and imagined by the artist. In 2007, Mame-Diarra Niang returned to Senegal to bury her father after spending years away living in France. Her intimate interest in the notion of territory translates into a refracted representation of the landscapes she rediscovered on this visit. The places before Niang’s lens are at once forensically studied and transformed into fabular non-places.
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livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$88.00
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The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making(...)
$88.00
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The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making(...)
Titre:
Lee Friedlander: the people's pictures
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The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making pictures of it, as well as how those pictures and the pictures constructed for advertising or political purposes define the public space. In ''Lee Friedlander: The people’s pictures'' we see photographs spanning six decades, most of the geographic United States and parts of Western Europe and Asia. These pictures are uniquely Friedlander photographs: as much about what’s in front of the camera as they are about the photographer’s lifelong redefining of the medium. Like his exploration of words, letters and numbers in the social landscape, these photographs of photography’s street presence seem inevitable to Friedlander’s vast visual orchestration of what our society looks like. But make no mistake, Friedlander’s photographs are not objective documents; they are intentional, authored, playful, intelligent creations made through his unprecedented collaboration with time and place.
Lee Friedlander: the people's pictures
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The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making pictures of it, as well as how those pictures and the pictures constructed for advertising or political purposes define the public space. In ''Lee Friedlander: The people’s pictures'' we see photographs spanning six decades, most of the geographic United States and parts of Western Europe and Asia. These pictures are uniquely Friedlander photographs: as much about what’s in front of the camera as they are about the photographer’s lifelong redefining of the medium. Like his exploration of words, letters and numbers in the social landscape, these photographs of photography’s street presence seem inevitable to Friedlander’s vast visual orchestration of what our society looks like. But make no mistake, Friedlander’s photographs are not objective documents; they are intentional, authored, playful, intelligent creations made through his unprecedented collaboration with time and place.
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livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
William Mullan: Odd apples
William Mullan: Odd apples
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William Mullan’s obsession with apples began when he saw his first Egremont Russet at a Waitrose grocery store outside of London. Fascinated by its gnarled, potato-like appearance and shockingly fresh, nutty flavor, Mullan began searching for, and photographing, rare apple varieties. In ''Odd apples,'' each apple is lovingly rendered and styled according to its individual(...)
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William Mullan’s obsession with apples began when he saw his first Egremont Russet at a Waitrose grocery store outside of London. Fascinated by its gnarled, potato-like appearance and shockingly fresh, nutty flavor, Mullan began searching for, and photographing, rare apple varieties. In ''Odd apples,'' each apple is lovingly rendered and styled according to its individual(...)
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William Mullan: Odd apples
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William Mullan’s obsession with apples began when he saw his first Egremont Russet at a Waitrose grocery store outside of London. Fascinated by its gnarled, potato-like appearance and shockingly fresh, nutty flavor, Mullan began searching for, and photographing, rare apple varieties. In ''Odd apples,'' each apple is lovingly rendered and styled according to its individual ''personality''—a combination of its looks and its flavors. The apples are set against complementary brightly colored backdrops; they are peeled or unpeeled, cut or whole, skin shriveled or perfectly smooth and shiny. It is precisely this odd charm combined with the hitherto unknown that makes these photographs fascinating studies of a supposedly commonplace fruit. Mullan embraces its idiosyncratic aesthetic qualities completely, and invites us, in this attractive gift book, to embark on a visual expedition into the world of the apple. By day, William Mullan (born 1989) works at an artisanal chocolate factory in Brooklyn, and by night, he photographs fruit. British-born, New York–based Mullan came to photography as an autodidact and his talent was quickly recognized. His ''Odd Apple'' project developed into an influential and much talked-about series, reviewed by the New Yorker, the New York Times and i-D Magazine, and released as a sold-out run of prints on his website.
William Mullan: Odd apples
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Résumé:
William Mullan’s obsession with apples began when he saw his first Egremont Russet at a Waitrose grocery store outside of London. Fascinated by its gnarled, potato-like appearance and shockingly fresh, nutty flavor, Mullan began searching for, and photographing, rare apple varieties. In ''Odd apples,'' each apple is lovingly rendered and styled according to its individual ''personality''—a combination of its looks and its flavors. The apples are set against complementary brightly colored backdrops; they are peeled or unpeeled, cut or whole, skin shriveled or perfectly smooth and shiny. It is precisely this odd charm combined with the hitherto unknown that makes these photographs fascinating studies of a supposedly commonplace fruit. Mullan embraces its idiosyncratic aesthetic qualities completely, and invites us, in this attractive gift book, to embark on a visual expedition into the world of the apple. By day, William Mullan (born 1989) works at an artisanal chocolate factory in Brooklyn, and by night, he photographs fruit. British-born, New York–based Mullan came to photography as an autodidact and his talent was quickly recognized. His ''Odd Apple'' project developed into an influential and much talked-about series, reviewed by the New Yorker, the New York Times and i-D Magazine, and released as a sold-out run of prints on his website.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Monographies photo
Monographies photo
