2337 Résultats
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Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s. Josef and Anni Albers began their travels to Mexico in 1935, drawn to a country very unlike the United States. They were not in search of the exotic but rather of the traces of ancient pre-Colombian civilisations (the Mayans and the Aztecs) and testimonies of the(...)
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Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s. Josef and Anni Albers began their travels to Mexico in 1935, drawn to a country very unlike the United States. They were not in search of the exotic but rather of the traces of ancient pre-Colombian civilisations (the Mayans and the Aztecs) and testimonies of the(...)
Titre:
Messico 1935/1956: Josef Albers
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Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s. Josef and Anni Albers began their travels to Mexico in 1935, drawn to a country very unlike the United States. They were not in search of the exotic but rather of the traces of ancient pre-Colombian civilisations (the Mayans and the Aztecs) and testimonies of the everyday lives of a population that was very poor yet full of vitality. Dressed in dark colours and donning a large black hat, Albers was a non-professional photographer with the gaze of an architect, as may be noted from the great sense of composition and the search for geometries which he digs out even from the millenary archaeological findings. These photographs have never previously been published in Italy, and contribute to depicting the figure of one of the greatest innovators of the art and culture of the twentieth century, who to this day still has a lot to teach us. The volume also features an introduction by Brenda Danilowitz, curator and head of the Josef and Anni Albers Foundation, as well as an essay by Luca Galofaro, architect (LSGMA) and curator (CAMPO, Rome).
Messico 1935/1956: Josef Albers
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Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s. Josef and Anni Albers began their travels to Mexico in 1935, drawn to a country very unlike the United States. They were not in search of the exotic but rather of the traces of ancient pre-Colombian civilisations (the Mayans and the Aztecs) and testimonies of the everyday lives of a population that was very poor yet full of vitality. Dressed in dark colours and donning a large black hat, Albers was a non-professional photographer with the gaze of an architect, as may be noted from the great sense of composition and the search for geometries which he digs out even from the millenary archaeological findings. These photographs have never previously been published in Italy, and contribute to depicting the figure of one of the greatest innovators of the art and culture of the twentieth century, who to this day still has a lot to teach us. The volume also features an introduction by Brenda Danilowitz, curator and head of the Josef and Anni Albers Foundation, as well as an essay by Luca Galofaro, architect (LSGMA) and curator (CAMPO, Rome).
Classification:
livres
livres
Publication:
mars 2021
mars 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$91.00
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Résumé:
In 'The Intimacy of Making', London-based Swiss-French photographer Hélène Binet takes us on a visual journey through a world of stone, walls and gardens to depict and celebrate the Korean art of making, and to discover traditional Korean architecture through a Western lens. In Binet’s photographs, which were taken over the course of the last three years, we encounter(...)
$91.00
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In 'The Intimacy of Making', London-based Swiss-French photographer Hélène Binet takes us on a visual journey through a world of stone, walls and gardens to depict and celebrate the Korean art of making, and to discover traditional Korean architecture through a Western lens. In Binet’s photographs, which were taken over the course of the last three years, we encounter(...)
Titre:
The intimacy of making: three historical sites in Korea
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In 'The Intimacy of Making', London-based Swiss-French photographer Hélène Binet takes us on a visual journey through a world of stone, walls and gardens to depict and celebrate the Korean art of making, and to discover traditional Korean architecture through a Western lens. In Binet’s photographs, which were taken over the course of the last three years, we encounter three typologies of traditional architecture in South Korea: the Confucian school and sacred site of Byeongsan Seowon; the garden and tea house Soswaewon; and the Jongmyo shrine. Her camera unites the natural surrounds and the built structures to convey the atmosphere of these three sites.
The intimacy of making: three historical sites in Korea
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In 'The Intimacy of Making', London-based Swiss-French photographer Hélène Binet takes us on a visual journey through a world of stone, walls and gardens to depict and celebrate the Korean art of making, and to discover traditional Korean architecture through a Western lens. In Binet’s photographs, which were taken over the course of the last three years, we encounter three typologies of traditional architecture in South Korea: the Confucian school and sacred site of Byeongsan Seowon; the garden and tea house Soswaewon; and the Jongmyo shrine. Her camera unites the natural surrounds and the built structures to convey the atmosphere of these three sites.
Classification:
livres
livres
Publication:
mars 2021
mars 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$116.00
(disponible sur commande)
Résumé:
'NOWHERE' shows a world in which Instagrammability is first and foremost, in which the new reality is dictated by the seductive image that may (later) be made from it. Architecture, design, and urban landscape are directed by the mechanisms of global big business, and the same antiseptic beauty exists all over the world. 'NOWHERE—Imagining the Global City' presents the(...)
$116.00
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'NOWHERE' shows a world in which Instagrammability is first and foremost, in which the new reality is dictated by the seductive image that may (later) be made from it. Architecture, design, and urban landscape are directed by the mechanisms of global big business, and the same antiseptic beauty exists all over the world. 'NOWHERE—Imagining the Global City' presents the(...)
Titre:
Frank van der Salm: Nowhere: imagining the global city
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'NOWHERE' shows a world in which Instagrammability is first and foremost, in which the new reality is dictated by the seductive image that may (later) be made from it. Architecture, design, and urban landscape are directed by the mechanisms of global big business, and the same antiseptic beauty exists all over the world. 'NOWHERE—Imagining the Global City' presents the work of Dutch photographer Frank van der Salm from the past twenty-five years. Designed by Irma Boom, the book shows a consumer-oriented, imaginary metropolis. Images, sometimes deliberately upside down, challenge the reality they represent. Seen together they form the image of a city that suddenly seems to be simultaneously everywhere and nowhere: both here and now and nowhere. The essays by Shumon Basar, Aaron Betsky, and Urs Stahel link Frank van der Salm’s oeuvre to the world of design, architecture, urban development, art, and photography.
Frank van der Salm: Nowhere: imagining the global city
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'NOWHERE' shows a world in which Instagrammability is first and foremost, in which the new reality is dictated by the seductive image that may (later) be made from it. Architecture, design, and urban landscape are directed by the mechanisms of global big business, and the same antiseptic beauty exists all over the world. 'NOWHERE—Imagining the Global City' presents the work of Dutch photographer Frank van der Salm from the past twenty-five years. Designed by Irma Boom, the book shows a consumer-oriented, imaginary metropolis. Images, sometimes deliberately upside down, challenge the reality they represent. Seen together they form the image of a city that suddenly seems to be simultaneously everywhere and nowhere: both here and now and nowhere. The essays by Shumon Basar, Aaron Betsky, and Urs Stahel link Frank van der Salm’s oeuvre to the world of design, architecture, urban development, art, and photography.
Classification:
livres
livres
Publication:
avril 2021
avril 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$88.00
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This book presents 27 years of Deanna Dikeman photographing her parents waving goodbye as she left their home after a visit. Just as she was driving away, Dikeman invariably pointed her camera at her parents. What started with a candid snapshot in 1991 turned into a ritual over the years. The book chronicles their farewells as seasons change and years go by, separating(...)
$88.00
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This book presents 27 years of Deanna Dikeman photographing her parents waving goodbye as she left their home after a visit. Just as she was driving away, Dikeman invariably pointed her camera at her parents. What started with a candid snapshot in 1991 turned into a ritual over the years. The book chronicles their farewells as seasons change and years go by, separating(...)
Titre:
Deanna Dikeman: Leaving and waving
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This book presents 27 years of Deanna Dikeman photographing her parents waving goodbye as she left their home after a visit. Just as she was driving away, Dikeman invariably pointed her camera at her parents. What started with a candid snapshot in 1991 turned into a ritual over the years. The book chronicles their farewells as seasons change and years go by, separating black and white photographs from colour photographs. "Leaving and waving" — which was originally part of a larger body of work entitled "Relative moments" — is a heartfelt exploration of family, the passage of time and the sadness of leaving.
Deanna Dikeman: Leaving and waving
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This book presents 27 years of Deanna Dikeman photographing her parents waving goodbye as she left their home after a visit. Just as she was driving away, Dikeman invariably pointed her camera at her parents. What started with a candid snapshot in 1991 turned into a ritual over the years. The book chronicles their farewells as seasons change and years go by, separating black and white photographs from colour photographs. "Leaving and waving" — which was originally part of a larger body of work entitled "Relative moments" — is a heartfelt exploration of family, the passage of time and the sadness of leaving.
Classification:
livres
livres
Publication:
mars 2021
mars 2021
Sujet:
Monographies photo
Monographies photo
Classification:
périodiques
périodiques
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Le cinquième numéro de 'Transbordeur' explorera l’histoire des relations entre photographie et design du XIXe au XXIe siècle. Différentes thématiques seront abordées : la photographie du design et le rôle de la photographie dans les publications liées à ce champ; les relations entre photographes et designers, notamment l’apprentissage de la photographie dans les écoles de(...)
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Le cinquième numéro de 'Transbordeur' explorera l’histoire des relations entre photographie et design du XIXe au XXIe siècle. Différentes thématiques seront abordées : la photographie du design et le rôle de la photographie dans les publications liées à ce champ; les relations entre photographes et designers, notamment l’apprentissage de la photographie dans les écoles de(...)
Titre:
Transbordeur, no 05 : photographie et design
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Le cinquième numéro de 'Transbordeur' explorera l’histoire des relations entre photographie et design du XIXe au XXIe siècle. Différentes thématiques seront abordées : la photographie du design et le rôle de la photographie dans les publications liées à ce champ; les relations entre photographes et designers, notamment l’apprentissage de la photographie dans les écoles de design; la photographie comme matériau pour le design et les usages de la photographie parles designers (collecte visuelle, expérimentations, réflexion sur le projet, exposition, archives et publicité); enfin, l’introduction du design dans la photographie et notamment dans le domaine des appareils photographiques. Ouverture sur des champs de recherche encore peu explorés, ce numéro voudrait avant tout esquisser une histoire croisée de la photographie et du design sur le temps long.
Transbordeur, no 05 : photographie et design
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Le cinquième numéro de 'Transbordeur' explorera l’histoire des relations entre photographie et design du XIXe au XXIe siècle. Différentes thématiques seront abordées : la photographie du design et le rôle de la photographie dans les publications liées à ce champ; les relations entre photographes et designers, notamment l’apprentissage de la photographie dans les écoles de design; la photographie comme matériau pour le design et les usages de la photographie parles designers (collecte visuelle, expérimentations, réflexion sur le projet, exposition, archives et publicité); enfin, l’introduction du design dans la photographie et notamment dans le domaine des appareils photographiques. Ouverture sur des champs de recherche encore peu explorés, ce numéro voudrait avant tout esquisser une histoire croisée de la photographie et du design sur le temps long.
Classification:
périodiques
périodiques
Publication:
mars 2021
mars 2021
Classification:
livres
livres
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$45.00
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'Double Orbit' invites us into a compact world of ambiguous signs, secret passages and seemingly haunted premises. Exploring the peripheries of large western metropolises, Grégoire Pujade-Lauraine's photographs study the built environments that harbour and shape human life, revealing the cryptic symbols etched across their surfaces and embedded in their shadows. The(...)
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'Double Orbit' invites us into a compact world of ambiguous signs, secret passages and seemingly haunted premises. Exploring the peripheries of large western metropolises, Grégoire Pujade-Lauraine's photographs study the built environments that harbour and shape human life, revealing the cryptic symbols etched across their surfaces and embedded in their shadows. The(...)
Titre:
Double orbit: Grégoire Pujade-Lauraine
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'Double Orbit' invites us into a compact world of ambiguous signs, secret passages and seemingly haunted premises. Exploring the peripheries of large western metropolises, Grégoire Pujade-Lauraine's photographs study the built environments that harbour and shape human life, revealing the cryptic symbols etched across their surfaces and embedded in their shadows. The looming forms defy easy categorisation and disconcerting cyphers periodically emerge from a lingering dusk; an oversized key, a black concrete moon, or the illusion of a limitless temple.
Double orbit: Grégoire Pujade-Lauraine
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'Double Orbit' invites us into a compact world of ambiguous signs, secret passages and seemingly haunted premises. Exploring the peripheries of large western metropolises, Grégoire Pujade-Lauraine's photographs study the built environments that harbour and shape human life, revealing the cryptic symbols etched across their surfaces and embedded in their shadows. The looming forms defy easy categorisation and disconcerting cyphers periodically emerge from a lingering dusk; an oversized key, a black concrete moon, or the illusion of a limitless temple.
Classification:
livres
livres
Publication:
avril 2021
avril 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$44.00
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"A mathematician, like a painter or poet, is a maker of patterns," wrote the British mathematician G. H. Hardy. In "Do not erase," photographer Jessica Wynne presents remarkable examples of this idea through images of mathematicians’ chalkboards. While other fields have replaced chalkboards with whiteboards and digital presentations, mathematicians remain loyal to chalk(...)
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"A mathematician, like a painter or poet, is a maker of patterns," wrote the British mathematician G. H. Hardy. In "Do not erase," photographer Jessica Wynne presents remarkable examples of this idea through images of mathematicians’ chalkboards. While other fields have replaced chalkboards with whiteboards and digital presentations, mathematicians remain loyal to chalk(...)
Titre:
Do not erase: mathematicians and their chalkboards
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"A mathematician, like a painter or poet, is a maker of patterns," wrote the British mathematician G. H. Hardy. In "Do not erase," photographer Jessica Wynne presents remarkable examples of this idea through images of mathematicians’ chalkboards. While other fields have replaced chalkboards with whiteboards and digital presentations, mathematicians remain loyal to chalk for puzzling out their ideas and communicating their research. Wynne offers more than one hundred photographs of these chalkboards, gathered from a diverse group of mathematicians around the world. The photographs are accompanied by essays from each mathematician, reflecting on their work and processes. Together, pictures and words provide an illuminating meditation on the unique relationships among mathematics, art, and creativity. The mathematicians featured in this collection comprise exciting new voices alongside established figures, including Sun-Yung Alice Chang, Alain Connes, Misha Gromov, Andre Neves, Kasso Okoudjou, Peter Shor, Christina Sormani, Terence Tao, Claire Voisin, and many others. The companion essays give insights into how the chalkboard serves as a special medium for mathematical expression. The volume also includes an introduction by the author, an afterword by New Yorker writer Alec Wilkinson, and biographical information for each contributor. "Do not erase" is a testament to the myriad ways that mathematicians use their chalkboards to reveal the conceptual and visual beauty of their discipline- shapes, figures, formulas, and conjectures created through imagination, argument, and speculation.
Do not erase: mathematicians and their chalkboards
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"A mathematician, like a painter or poet, is a maker of patterns," wrote the British mathematician G. H. Hardy. In "Do not erase," photographer Jessica Wynne presents remarkable examples of this idea through images of mathematicians’ chalkboards. While other fields have replaced chalkboards with whiteboards and digital presentations, mathematicians remain loyal to chalk for puzzling out their ideas and communicating their research. Wynne offers more than one hundred photographs of these chalkboards, gathered from a diverse group of mathematicians around the world. The photographs are accompanied by essays from each mathematician, reflecting on their work and processes. Together, pictures and words provide an illuminating meditation on the unique relationships among mathematics, art, and creativity. The mathematicians featured in this collection comprise exciting new voices alongside established figures, including Sun-Yung Alice Chang, Alain Connes, Misha Gromov, Andre Neves, Kasso Okoudjou, Peter Shor, Christina Sormani, Terence Tao, Claire Voisin, and many others. The companion essays give insights into how the chalkboard serves as a special medium for mathematical expression. The volume also includes an introduction by the author, an afterword by New Yorker writer Alec Wilkinson, and biographical information for each contributor. "Do not erase" is a testament to the myriad ways that mathematicians use their chalkboards to reveal the conceptual and visual beauty of their discipline- shapes, figures, formulas, and conjectures created through imagination, argument, and speculation.
Classification:
livres
livres
Publication:
juin 2021
juin 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Grammaire de formes
Grammaire de formes
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$56.95
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Résumé:
Trois photographes ont porté leur regard sur la ville de Saint-Etienne : l´investigation qu´ils ont conduite s´est focalisée sur la syntaxe et la morphologie du bâti tel qu´il peut être observé dans la cité. Rien de « normatif » donc dans cette « grammaire de formes ». Il s´agissait bien au contraire de prendre en considération la variété même des gestes d´aménagement(...)
$56.95
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Résumé:
Trois photographes ont porté leur regard sur la ville de Saint-Etienne : l´investigation qu´ils ont conduite s´est focalisée sur la syntaxe et la morphologie du bâti tel qu´il peut être observé dans la cité. Rien de « normatif » donc dans cette « grammaire de formes ». Il s´agissait bien au contraire de prendre en considération la variété même des gestes d´aménagement(...)
Sujet:
Monographies photo
Monographies photo
Publication:
avril 2021
avril 2021
Titre:
Grammaire de formes
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$56.95
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Résumé:
Trois photographes ont porté leur regard sur la ville de Saint-Etienne : l´investigation qu´ils ont conduite s´est focalisée sur la syntaxe et la morphologie du bâti tel qu´il peut être observé dans la cité. Rien de « normatif » donc dans cette « grammaire de formes ». Il s´agissait bien au contraire de prendre en considération la variété même des gestes d´aménagement susceptibles d´être décelés au sein de la ville. Celle-ci porte de fait la marque de grands projets planifiés aux effets structurants (dont la mise en place s´est échelonnée dans le temps), mais aussi d´interventions moins concertées découlant des effets du libéralisme, de phénomènes de retrait ou d´abandon liés à la récession économique, ou encore d´initiatives individuelles de faible empan, le plus souvent effectuées avec des moyens rudimentaires. Toutes ces actions d´aménagement, dans leur diversité même, entrent de plein droit dans la « grammaire » de la ville de Saint-Étienne - dont on ne peut que constater la variété.
Grammaire de formes
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Trois photographes ont porté leur regard sur la ville de Saint-Etienne : l´investigation qu´ils ont conduite s´est focalisée sur la syntaxe et la morphologie du bâti tel qu´il peut être observé dans la cité. Rien de « normatif » donc dans cette « grammaire de formes ». Il s´agissait bien au contraire de prendre en considération la variété même des gestes d´aménagement susceptibles d´être décelés au sein de la ville. Celle-ci porte de fait la marque de grands projets planifiés aux effets structurants (dont la mise en place s´est échelonnée dans le temps), mais aussi d´interventions moins concertées découlant des effets du libéralisme, de phénomènes de retrait ou d´abandon liés à la récession économique, ou encore d´initiatives individuelles de faible empan, le plus souvent effectuées avec des moyens rudimentaires. Toutes ces actions d´aménagement, dans leur diversité même, entrent de plein droit dans la « grammaire » de la ville de Saint-Étienne - dont on ne peut que constater la variété.
Classification:
livres
livres
Publication:
avril 2021
avril 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
London: Being in the library
London: Being in the library
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$48.00
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Daniela Keiser ranks among the most renowned contemporary artists in Switzerland. In 2017 she was awarded the Swiss national art prize Prix Meret Oppenheim as well as a studio grant from Landis & Gyr Stiftung that enabled her to embark on an extended stay in London’s East End. There she discovered the Idea Store, the public library on Whitechapel Road built by British(...)
$48.00
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Résumé:
Daniela Keiser ranks among the most renowned contemporary artists in Switzerland. In 2017 she was awarded the Swiss national art prize Prix Meret Oppenheim as well as a studio grant from Landis & Gyr Stiftung that enabled her to embark on an extended stay in London’s East End. There she discovered the Idea Store, the public library on Whitechapel Road built by British(...)
Sujet:
Monographies photo
Monographies photo
Publication:
août 2021
août 2021
Titre:
London: Being in the library
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$48.00
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Daniela Keiser ranks among the most renowned contemporary artists in Switzerland. In 2017 she was awarded the Swiss national art prize Prix Meret Oppenheim as well as a studio grant from Landis & Gyr Stiftung that enabled her to embark on an extended stay in London’s East End. There she discovered the Idea Store, the public library on Whitechapel Road built by British architect David Adjaye. Upon its opening to the public, this institution quickly became a meeting place for a broad spectrum of society, including socially disadvantaged people. The goal of the Idea Stores—eight of them have been opened in various London boroughs since 2005— is to enhance formerly neglected neighborhoods and offer a low-threshold source of education and information. From that initial Idea Store on Whitechapel Road, Daniela Keiser began to take pictures of the goings-on in the street outside. Her "Library—Idea Store, 321 Whitechapel Rd, Shadwell, London E1 1BU series" reveals a calm, repetitive, but insistent image of the city and offers insight into the small everyday variations of the surrounding world. This book pairs her photographic reflections with a conversation between David Adjaye and art and architecture historian Philip Ursprung. They talk about Keiser’s perception of the site and—without actually showing the building—the impact of urban design and the architect’s intentions.
London: Being in the library
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Résumé:
Daniela Keiser ranks among the most renowned contemporary artists in Switzerland. In 2017 she was awarded the Swiss national art prize Prix Meret Oppenheim as well as a studio grant from Landis & Gyr Stiftung that enabled her to embark on an extended stay in London’s East End. There she discovered the Idea Store, the public library on Whitechapel Road built by British architect David Adjaye. Upon its opening to the public, this institution quickly became a meeting place for a broad spectrum of society, including socially disadvantaged people. The goal of the Idea Stores—eight of them have been opened in various London boroughs since 2005— is to enhance formerly neglected neighborhoods and offer a low-threshold source of education and information. From that initial Idea Store on Whitechapel Road, Daniela Keiser began to take pictures of the goings-on in the street outside. Her "Library—Idea Store, 321 Whitechapel Rd, Shadwell, London E1 1BU series" reveals a calm, repetitive, but insistent image of the city and offers insight into the small everyday variations of the surrounding world. This book pairs her photographic reflections with a conversation between David Adjaye and art and architecture historian Philip Ursprung. They talk about Keiser’s perception of the site and—without actually showing the building—the impact of urban design and the architect’s intentions.
Classification:
livres
livres
Publication:
août 2021
août 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Geert Goiris: 2020
Geert Goiris: 2020
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Around the year 1124, a community of Benedictines settled on the Wivina site at Groot-Bijgaarden in modern-day Belgium. Archaeological research has uncovered the remains of five consecutive churches and outbuildings there. The current chapel from 1924 is still intact. In 2011 interior architect Tom Callebaut led the transformation of this chapel into a contemporary space(...)
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Résumé:
Around the year 1124, a community of Benedictines settled on the Wivina site at Groot-Bijgaarden in modern-day Belgium. Archaeological research has uncovered the remains of five consecutive churches and outbuildings there. The current chapel from 1924 is still intact. In 2011 interior architect Tom Callebaut led the transformation of this chapel into a contemporary space(...)
Titre:
Geert Goiris: 2020
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Around the year 1124, a community of Benedictines settled on the Wivina site at Groot-Bijgaarden in modern-day Belgium. Archaeological research has uncovered the remains of five consecutive churches and outbuildings there. The current chapel from 1924 is still intact. In 2011 interior architect Tom Callebaut led the transformation of this chapel into a contemporary space for contemplation. Nine years later, photographer Geert Goiris was invited to visualize the experience of this space, which is still a beacon of theology and reflection. A text by Herman Lombaerts accompanies the series of images.
Geert Goiris: 2020
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Around the year 1124, a community of Benedictines settled on the Wivina site at Groot-Bijgaarden in modern-day Belgium. Archaeological research has uncovered the remains of five consecutive churches and outbuildings there. The current chapel from 1924 is still intact. In 2011 interior architect Tom Callebaut led the transformation of this chapel into a contemporary space for contemplation. Nine years later, photographer Geert Goiris was invited to visualize the experience of this space, which is still a beacon of theology and reflection. A text by Herman Lombaerts accompanies the series of images.
Classification:
livres
livres
Publication:
avril 2021
avril 2021
Sujet:
Monographies photo
Monographies photo
