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Thirty two large format photographic color prints focus on arctic and sub-arctic regions of Canada. Arnold Zageris captures the images using a traditional large format 4x5 view camera, technology that is unsurpassed for landscape photography in this digital age. The method allows for fine details and subtle nuances of form and texture to emerge. Although the colors and(...)
Arnold Zageris: on the Labrador
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Thirty two large format photographic color prints focus on arctic and sub-arctic regions of Canada. Arnold Zageris captures the images using a traditional large format 4x5 view camera, technology that is unsurpassed for landscape photography in this digital age. The method allows for fine details and subtle nuances of form and texture to emerge. Although the colors and contrasts may appear enhanced, these works have no special filters or treatments. Zageris states his commitment is “to search and find the quality of light that can inspire the imagination.” His combination of traditional technique and methodical patience lends him the ability to show us a world we may not see otherwise.
Monographies photo
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Il y a quelques années les responsables du William Eggleston Trust à Memphis ont retrouvé dans leurs archives une boîte contenant les toutes premières...› Lire la suite photographies du maître de la couleur, William Eggleston. Ce livre réunit ces photos dans leur intégralité, et montre les débuts artistiques d'un pionnier de la photographie contemporaine. A la fin des(...)
William Eggleston: avant la couleur
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Il y a quelques années les responsables du William Eggleston Trust à Memphis ont retrouvé dans leurs archives une boîte contenant les toutes premières...› Lire la suite photographies du maître de la couleur, William Eggleston. Ce livre réunit ces photos dans leur intégralité, et montre les débuts artistiques d'un pionnier de la photographie contemporaine. A la fin des années 1950, Eggleston a commencé à photographier la banlieue de Memphis en utilisant des pellicules 35 mm noir et blanc. II a développé ainsi une écriture photographique unique, qui viendra quelques années plus tard façonner son travail en couleur. Une vision inédite de l'Amérique profonde, la sienne, avec ses symboles : supermarchés, dinners, stations services et ses inconnus croisés dignes d'un film américain. Cinquante ans plus tard, toutes ces images ont été numérisées à partir de tirages vintage développée par Eggleston dans sa propre chambre noire.
Monographies photo
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Metabolism Trip is a collection of photographs and short stories of Charlie Koolhaas’ journey along many of the remaining buildings of the Metabolist Movement. In the late 1950s a small group of young Japanese architects and designers joined forces under the title of "Metabolism". Their visions for cities of the future inhabited by a mass society were characterized by(...)
Charlie Koolhaas: Metabolism trip
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Metabolism Trip is a collection of photographs and short stories of Charlie Koolhaas’ journey along many of the remaining buildings of the Metabolist Movement. In the late 1950s a small group of young Japanese architects and designers joined forces under the title of "Metabolism". Their visions for cities of the future inhabited by a mass society were characterized by large scale structures. Charlie Koolhaas, a Dutch photographer and editor of UNIT magazine, traveled across Japan in 2009 to photograph how these architectural icons have survived and aged. What do their founding fathers and their inhabitants think of these buildings now? What Koolhaas found were triumphant and at times eerie constructions that had taken on a life of their own.
Monographies photo
Jan Kempenaers : picturesque
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Many of the works of the Belgian photographer Jan Kempenaers are artistic presentations of fragments of our environment - landscapes, as we have come to call them. Some of these landscapes are "natural" ones and continue an overtly picturesque tradition, like for instance his arresting photographs of rocks and forest landscapes. Others may come across as "natural" but(...)
Jan Kempenaers : picturesque
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Many of the works of the Belgian photographer Jan Kempenaers are artistic presentations of fragments of our environment - landscapes, as we have come to call them. Some of these landscapes are "natural" ones and continue an overtly picturesque tradition, like for instance his arresting photographs of rocks and forest landscapes. Others may come across as "natural" but upon close examination they reveal the traces of man's intervention.
Monographies photo
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In 2008, local photographer John Choy was commissioned by the Housing Authority to document the Lower Ngau Tau Kok Estate, the earliest public housing development in Hong Kong. To his surprise, Choy found himself deeply affected by the crumbling housing blocks and their residents. He became determined to create an in-depth record of not just the estate, but a unique way(...)
Lower Ngau Tau Kok Estate by John Choy
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In 2008, local photographer John Choy was commissioned by the Housing Authority to document the Lower Ngau Tau Kok Estate, the earliest public housing development in Hong Kong. To his surprise, Choy found himself deeply affected by the crumbling housing blocks and their residents. He became determined to create an in-depth record of not just the estate, but a unique way of life. Created over a period of a year, ‘Lower Ngau Tau Kok Estate’ gives a sense of how the human spirit transcends the narrow physical confines of the man-made environment.
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Stan Douglas: entertainment
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Entertainment is a critical reader accompanying the Vancouver artist’s recent exhibition of photographs at The Power Plant in Toronto. This body of work is a meticulous studio project for which Douglas assumed the identity of a character working as a Weegee-esque photojournalist and commercial photographer in midcentury Vancouver.
Stan Douglas: entertainment
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Entertainment is a critical reader accompanying the Vancouver artist’s recent exhibition of photographs at The Power Plant in Toronto. This body of work is a meticulous studio project for which Douglas assumed the identity of a character working as a Weegee-esque photojournalist and commercial photographer in midcentury Vancouver.
Monographies photo
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"The photograph of a single building has some similarity to an individual portrait," says Thomas Struth, who has been photographing architecture for nearly four decades, and accordingly, he likens the image of a place or a street to a group portrait. Unconscious Places presents Thomas Struth’s photographs of streets in all parts of the world: narrow lanes in Edinburgh and(...)
Thomas Struth: Unconscious places
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"The photograph of a single building has some similarity to an individual portrait," says Thomas Struth, who has been photographing architecture for nearly four decades, and accordingly, he likens the image of a place or a street to a group portrait. Unconscious Places presents Thomas Struth’s photographs of streets in all parts of the world: narrow lanes in Edinburgh and Naples, satellite towns in Pyongyang, thoroughfares in Lima and Los Angeles, grand boulevards in St. Petersburg, New York, and Beijing. Frequently devoid of people, Struth’s urban landscapes are also a critical depiction of different human habitats.
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First published in 1987, Joel Sternfeld’s American Prospects is the classic photo record of 1980s America. This definitive edition, made with new plates and including one additional photograph, offers a funny, sad and soberly riveting portrait of America’s diverse possibilities and prospects in the Reagan era. A major exponent of color photography in America, Joel(...)
Joel Sternfeld: american propects
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First published in 1987, Joel Sternfeld’s American Prospects is the classic photo record of 1980s America. This definitive edition, made with new plates and including one additional photograph, offers a funny, sad and soberly riveting portrait of America’s diverse possibilities and prospects in the Reagan era. A major exponent of color photography in America, Joel Sternfeld was born in New York City in 1944. He has received numerous awards including two Guggenheim fellowships, a Prix de Rome and the Citibank Photography Award.
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When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern(...)
Diane Arbus: an aperture monograph
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When Diane Arbus died in 1971 at the age of 48, she was already a significant influence--even something of a legend--for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of Diane Arbus: An Aperture Monograph in 1972--along with the posthumous retrospective at The Museum of Modern Art--offered the general public its first encounter with the breadth and power of her achievements. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus’ friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen.
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Andrew Moore: Cuba
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American photographer Andrew Moore began photographing in Cuba in 1998, and over the next fourteen years he made ten further visits, working to reveal the many facets of the island’s unique character and life. In 2002, he published some of this work in Inside Havana, which is now out of print. This new edition includes many of Moore’s older classic images but reconceives(...)
Andrew Moore: Cuba
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American photographer Andrew Moore began photographing in Cuba in 1998, and over the next fourteen years he made ten further visits, working to reveal the many facets of the island’s unique character and life. In 2002, he published some of this work in Inside Havana, which is now out of print. This new edition includes many of Moore’s older classic images but reconceives its predecessor with a new layout and finer, larger reproductions. Cuba also features many older photographs never previously published, as well as new photographs made specifically for this edition. Moore insightfully records the shifting fortunes of Cuba, in photographs full of painterly light and dynamic color. His images span a tremendous variety of subjects, ranging from humble interiors to magnificent modernism, as well as portraits and landscapes.
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