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The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city. Giovanna Silva arrived in Rome in January of 2020 and immediately set off walking. Following the suggestions of her personal guides – artists, writers, intellectuals, Romans of all shapes and idioms – she began to get to know the city. She(...)
Giovanna Silva: Roma, never walk on crowded streets
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The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city. Giovanna Silva arrived in Rome in January of 2020 and immediately set off walking. Following the suggestions of her personal guides – artists, writers, intellectuals, Romans of all shapes and idioms – she began to get to know the city. She returned to certain places over and over again, overtaken by meticulous and neurotic attention, moved by an unexpected passion for light. Tucked between her photographs is a text by Alberto Savinio about the magic of walking and discovering a foreign place.
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Epstein began his latest series in 2017 at Standing Rock, where thousands protested the installation of the Dakota Access Pipeline on Sioux land. Over four years, he charted other contested lands from Pennsylvania and Hawaii to the Mexican border, as well as land loss through wildfires and flooding due to egregious environmental negligence. In keeping with Epstein’s(...)
Mitch Epstein: Property rights
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Epstein began his latest series in 2017 at Standing Rock, where thousands protested the installation of the Dakota Access Pipeline on Sioux land. Over four years, he charted other contested lands from Pennsylvania and Hawaii to the Mexican border, as well as land loss through wildfires and flooding due to egregious environmental negligence. In keeping with Epstein’s 50-year exploration of American life, ''Property rights'' questions the relationship between institutions, civil rights and the rights of nature itself. Acknowledging our bodies and lives as our most fundamental property, the book examines other forms of trespass and destruction in an elegy to the Tree of Life Synagogue massacre, and in photographs of Black Lives Matter protests during COVID-19. ''Property rights'' includes the voices of activists Epstein interviewed while making this deeply personal and political work. In a time of alarming division, the book describes diverse communities in a common fight against politicians and plutocrats willing to sacrifice the people’s well-being.
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Lee Friedlander
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One of the masters of contemporary photography, Lee Friedlander has dedicated his career to the documentation of everyday life in the United States. His images are characterized by a composition that utilizes the urban geometry of storefronts and street signs—and later car windows and telephone poles—as a framing technique. This catalog, published in conjunction with a(...)
Lee Friedlander
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One of the masters of contemporary photography, Lee Friedlander has dedicated his career to the documentation of everyday life in the United States. His images are characterized by a composition that utilizes the urban geometry of storefronts and street signs—and later car windows and telephone poles—as a framing technique. This catalog, published in conjunction with a retrospective organized by the Fundación MAPFRE in Madrid, surveys the wide scope of Friedlander’s career from the 1960s to today. High-quality reproductions of all of the exhibited works are supplemented by text written by curator Carlos Gollonet and photographer Nicholas Nixon. The volume serves as a comprehensive guide to Friedlander’s body of work, with personal insight provided through an interview between Maria Friedlander and gallery director Jeffrey Fraenkel, as well as a chronology of the artist’s life by his grandson Giancarlo T. Roma.
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Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century. VanderLans, who is often drawn to places with fantastical names- like Oleander(...)
Rudy Vanderlans: Oleander sunset
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Inspired by artists like Edward Curtis and Charles Schulz, who devoted their lives to a single objective, Rudy VanderLans continues his pursuit to create a consistent body of work of postcard-size images, rendering a comprehensive portrait of California in the early part of the 21st century. VanderLans, who is often drawn to places with fantastical names- like Oleander Sunset- wanders about California's back roads with eyes wide open. Without theorizing, or searching for subjects, he allows himself to be receptive to the world around him and discovers beauty in the most ordinary locales. Like the men who named the cities and towns he visits, VanderLans makes the mundane seem less so, and in the process shows us what’s been overlooked. "Oleander Sunset" juxtaposes single images on opposing pages, setting up dynamic formal and contextual interactions through contrasting, complementing and reiteration. The book is interspersed with a number of fold-out panoramas, placing the viewer smack in the middle of the author's habitual stamping ground.
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Teddy girls
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'Teddy Girls' brings together, for the first time in one publication, images taken by Ken Russell of this scarcely documented subculture. Taken around London in January 1955 and published in the Picture Post on June 4th that year, these photographs are a testament to the supremely stylish young women depicted. The style of the Teddy Girls, like that of the Teddy Boys,(...)
Teddy girls
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'Teddy Girls' brings together, for the first time in one publication, images taken by Ken Russell of this scarcely documented subculture. Taken around London in January 1955 and published in the Picture Post on June 4th that year, these photographs are a testament to the supremely stylish young women depicted. The style of the Teddy Girls, like that of the Teddy Boys, grew out of a trend for Edwardian influenced fashion in post-World War II London. However, these women should be seen as more than a feminine facsimile of their male counterparts and Russell’s images document the ingenuity and complexity of their sartorial choices. As well as recording the style of the Teddy Girls, these images also provide a snapshot of London in 1955, a city in flux, still rebuilding itself after the damage inflicted by war. An essay by the fashion historian, Mairi MacKenzie, considers the cultural history and context within which these women lived and the photos were taken.
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Une rétrospective de la production photographique de W. Ronis durant ses voyages en RDA dans les années 1960, accomplis en vue de réaliser des reportages. Les clichés exposés rendent compte de la vie quotidienne en Allemagne, de l'autre côté du mur.
Willy Ronis en RDA : la vie avant tout; 1960-1967
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Une rétrospective de la production photographique de W. Ronis durant ses voyages en RDA dans les années 1960, accomplis en vue de réaliser des reportages. Les clichés exposés rendent compte de la vie quotidienne en Allemagne, de l'autre côté du mur.
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Pierre Fauteux : Sur les sentiers de Robert W. Reford / Walking the paths of Robert W. Reford
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Muni de ses appareils photo Rolleiflex des années 1960, Pierre Fauteux a sillonné les Jardins de Métis sur les traces de Robert W. Reford. « Premier artiste en résidence » dans ces jardins il y a près d’un siècle, l’homme d’affaires était aussi un pionnier de la photographie au Canada. En hommage au mari d’Elsie Reford, Pierre Fauteux a relevé le défi de saisir cet(...)
Pierre Fauteux : Sur les sentiers de Robert W. Reford / Walking the paths of Robert W. Reford
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Muni de ses appareils photo Rolleiflex des années 1960, Pierre Fauteux a sillonné les Jardins de Métis sur les traces de Robert W. Reford. « Premier artiste en résidence » dans ces jardins il y a près d’un siècle, l’homme d’affaires était aussi un pionnier de la photographie au Canada. En hommage au mari d’Elsie Reford, Pierre Fauteux a relevé le défi de saisir cet univers haut en couleur sur du film noir et blanc, davantage à la manière d’un sculpteur que d’un peintre. // Equipped with his three Rolleiflex cameras from the 1960s, photographer, anthropologist and museum designer Pierre Fauteux traversed Les Jardins de Métis in the steps of Robert W. Reford. The first "artist in residence" to inhabit the gardens more than a century ago, he was also a pioneer of photography in Canada. To render homage to Elsie Reford’s husband, Pierre Fauteux took up the challenge of capturing this colourful floral paradise using black and white film, more like a sculptor than a painter.
Aglaia Konrad: Japan works
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Aglaia Konrad’s photographic work probes the social, cultural, economic, political, and historical parameters that inform architecture and urbanism. 'Japan Works' is the result of her journey through Japan in the autumn of 2019. Using a pre-compiled list of places with exceptional architecture, Konrad took thousands of photos in Tokyo, Itoigawa, Kyoto, Nagoya and Osaka.(...)
Aglaia Konrad: Japan works
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Aglaia Konrad’s photographic work probes the social, cultural, economic, political, and historical parameters that inform architecture and urbanism. 'Japan Works' is the result of her journey through Japan in the autumn of 2019. Using a pre-compiled list of places with exceptional architecture, Konrad took thousands of photos in Tokyo, Itoigawa, Kyoto, Nagoya and Osaka. In addition to mostly iconic, post-war Metabolist architecture, Konrad also took a large number of photos of nonspecific architectural moments and infrastructure that, with the same intensity, give their own impression of the architectural landscape in Japan. Free associations of full-page photographs alternate with contact sheets documenting her itinerary. These are informed by postscript glosses written by architect and critic Julian Worrall.
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In this volume, photographer Frank Herfort presents the metro systems of the Soviet era. Thanks to the sharpness of his eyes, the images bring amazing details to light. His photographs come together to form a holistic and comprehensive representation of socialist art that at the same time relates strongly to the modern residents of the cities, skillfully snatching elusive(...)
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novembre 2021
Frank Herfort: CCCP Underground, metro stations of the Soviet era
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In this volume, photographer Frank Herfort presents the metro systems of the Soviet era. Thanks to the sharpness of his eyes, the images bring amazing details to light. His photographs come together to form a holistic and comprehensive representation of socialist art that at the same time relates strongly to the modern residents of the cities, skillfully snatching elusive but precious moments from the whirlpool of everyday life.
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Based on the exhibition "The Idea of Building" held at Matthew Marks Gallery, New York in October 2020 and now published in an edition of only 500 copies by Pre-Echo Press, this book features some of the Luigi Ghirri’s most iconic photographs alongside previously unseen works selected by the artist Matt Connors from the Archivio Luigi Ghirri in Reggio Emilia. "To me, as a(...)
Luigi Ghirri: the idea of building
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Based on the exhibition "The Idea of Building" held at Matthew Marks Gallery, New York in October 2020 and now published in an edition of only 500 copies by Pre-Echo Press, this book features some of the Luigi Ghirri’s most iconic photographs alongside previously unseen works selected by the artist Matt Connors from the Archivio Luigi Ghirri in Reggio Emilia. "To me, as a painter, the photographs of Luigi Ghirri are built rather than composed, things rather than images. The Italian phrase for taking a photo, fare una foto, literally means 'to make a photo,' and this feels like some kind of key. Trained as a land surveyor and a draftsman, Ghirri perceived the world — and all of reality — as a terrain, an assembly of signs, symbols, and images, including other photographs. Taking all of this as his raw material, he re-assembled and re-deployed it, reading the physical world but also writing it."
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