2352 Résultats
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In the mountains of California or on the rooftops of New York, the feeling of utter remoteness can be triggered everywhere in the United States. Not only does the vastness of the country account for it, but also the absence of people. Days can pass without seeing a single human being. Signposts and mailboxes, however, indicate that these far-off regions are inhabited.(...)
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In the mountains of California or on the rooftops of New York, the feeling of utter remoteness can be triggered everywhere in the United States. Not only does the vastness of the country account for it, but also the absence of people. Days can pass without seeing a single human being. Signposts and mailboxes, however, indicate that these far-off regions are inhabited.(...)
Titre:
Louise Amelie & Aljaz Fuiz: Off Worlds
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In the mountains of California or on the rooftops of New York, the feeling of utter remoteness can be triggered everywhere in the United States. Not only does the vastness of the country account for it, but also the absence of people. Days can pass without seeing a single human being. Signposts and mailboxes, however, indicate that these far-off regions are inhabited. Similarly, one can get lost in the concrete jungle and on the tarmac of cramped cities. Louise Amelie and Aljaz Fuis have explored these peripheries - in the literal sense of the word - with their camera, the fringes and outermost areas of both the American countryside and metropolises. The photos in this book portray more than a mere geographic separation from society. They capture a systemic or perceived isolation which is frequently transformed into a statement of independence, pride, and liberty.
Louise Amelie & Aljaz Fuiz: Off Worlds
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In the mountains of California or on the rooftops of New York, the feeling of utter remoteness can be triggered everywhere in the United States. Not only does the vastness of the country account for it, but also the absence of people. Days can pass without seeing a single human being. Signposts and mailboxes, however, indicate that these far-off regions are inhabited. Similarly, one can get lost in the concrete jungle and on the tarmac of cramped cities. Louise Amelie and Aljaz Fuis have explored these peripheries - in the literal sense of the word - with their camera, the fringes and outermost areas of both the American countryside and metropolises. The photos in this book portray more than a mere geographic separation from society. They capture a systemic or perceived isolation which is frequently transformed into a statement of independence, pride, and liberty.
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livres
livres
Publication:
juin 2021
juin 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Claudia den Boer’s second photobook is about connecting to something that has existed for a long time, to slow down, to be still, to look, and look again. Why do we tend to pick up stones? We toss them in the water, or take them as souvenirs. In doing so, we seem to seek connection to the earth, or maybe even to eternity. It is precisely this connection that Den Boer was(...)
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Claudia den Boer’s second photobook is about connecting to something that has existed for a long time, to slow down, to be still, to look, and look again. Why do we tend to pick up stones? We toss them in the water, or take them as souvenirs. In doing so, we seem to seek connection to the earth, or maybe even to eternity. It is precisely this connection that Den Boer was(...)
Titre:
Claudia den Boer: To pick up a stone
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Claudia den Boer’s second photobook is about connecting to something that has existed for a long time, to slow down, to be still, to look, and look again. Why do we tend to pick up stones? We toss them in the water, or take them as souvenirs. In doing so, we seem to seek connection to the earth, or maybe even to eternity. It is precisely this connection that Den Boer was searching for when she picked up stones in the Sahara and Tibet, around Montserrat and in the Georgian Caucasus. Through photographic studies, she examines the experience of light, scale, perspective, and spatiality in an eclectic and meditative selection of images depicting mountains, rocks, and stones.
Claudia den Boer: To pick up a stone
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Claudia den Boer’s second photobook is about connecting to something that has existed for a long time, to slow down, to be still, to look, and look again. Why do we tend to pick up stones? We toss them in the water, or take them as souvenirs. In doing so, we seem to seek connection to the earth, or maybe even to eternity. It is precisely this connection that Den Boer was searching for when she picked up stones in the Sahara and Tibet, around Montserrat and in the Georgian Caucasus. Through photographic studies, she examines the experience of light, scale, perspective, and spatiality in an eclectic and meditative selection of images depicting mountains, rocks, and stones.
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livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Paris living rooms
Paris living rooms
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Apartamento is excited to re-release Paris Living Rooms almost two decades after it was first published in 2002. The second instalment in Dominique Nabokov’s holy trinity of interior photography works, it also follows the re-release of New York Living Rooms earlier this year. Nabokov calls these images her interior ‘portraits’ and across 132 pages we’re offered an(...)
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Apartamento is excited to re-release Paris Living Rooms almost two decades after it was first published in 2002. The second instalment in Dominique Nabokov’s holy trinity of interior photography works, it also follows the re-release of New York Living Rooms earlier this year. Nabokov calls these images her interior ‘portraits’ and across 132 pages we’re offered an(...)
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Paris living rooms
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Apartamento is excited to re-release Paris Living Rooms almost two decades after it was first published in 2002. The second instalment in Dominique Nabokov’s holy trinity of interior photography works, it also follows the re-release of New York Living Rooms earlier this year. Nabokov calls these images her interior ‘portraits’ and across 132 pages we’re offered an intimate study of Parisian society from the early 2000s, with the living spaces of Yves Saint Laurent, Nan Goldin, Gérard Depardieu, Carine Roitfeld, Yvon Lambert, and Andrée Putman, plus many others, featured throughout. With nothing added and nothing altered, Nabokov simply records these spaces for her fellow voyeurs and leaves us to decipher the rest. Long out of print, this updated edition brings back to life an era of the city’s history, seen through Nabokov’s original Polaroid photos, together with the original introduction by the late interior designer Andrée Putman. The third and final instalment in the series, set in Berlin, will be re-issued by Apartamento later in 2021.
Paris living rooms
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Apartamento is excited to re-release Paris Living Rooms almost two decades after it was first published in 2002. The second instalment in Dominique Nabokov’s holy trinity of interior photography works, it also follows the re-release of New York Living Rooms earlier this year. Nabokov calls these images her interior ‘portraits’ and across 132 pages we’re offered an intimate study of Parisian society from the early 2000s, with the living spaces of Yves Saint Laurent, Nan Goldin, Gérard Depardieu, Carine Roitfeld, Yvon Lambert, and Andrée Putman, plus many others, featured throughout. With nothing added and nothing altered, Nabokov simply records these spaces for her fellow voyeurs and leaves us to decipher the rest. Long out of print, this updated edition brings back to life an era of the city’s history, seen through Nabokov’s original Polaroid photos, together with the original introduction by the late interior designer Andrée Putman. The third and final instalment in the series, set in Berlin, will be re-issued by Apartamento later in 2021.
Classification:
livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$83.95
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Résumé:
The silent and continuous erosion trickling from the top of mountains, via glaciers, tropical forests, sand dunes, icefields of Patagonia, European glaciers into the ocean and the urban waterways of New York’s harbor. Tracing an unbroken line, the eye is guided from one sweeping landscape to the next without doubting their separateness in location and origin, showing the(...)
$83.95
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The silent and continuous erosion trickling from the top of mountains, via glaciers, tropical forests, sand dunes, icefields of Patagonia, European glaciers into the ocean and the urban waterways of New York’s harbor. Tracing an unbroken line, the eye is guided from one sweeping landscape to the next without doubting their separateness in location and origin, showing the(...)
Titre:
Renate Aller: The space between memory and expectation
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The silent and continuous erosion trickling from the top of mountains, via glaciers, tropical forests, sand dunes, icefields of Patagonia, European glaciers into the ocean and the urban waterways of New York’s harbor. Tracing an unbroken line, the eye is guided from one sweeping landscape to the next without doubting their separateness in location and origin, showing the interconnectedness of distant environments, opening up conversations between the different (political) landscapes in which we live. Renate Aller is a German living in New York. Her large-scale photographs are held in numerous museums including the Hamburger Kunsthalle, the National Gallery of Art, Washington D. C., the Yale University Art Gallery, the George Eastman Museum, the New York Historical Society Museum, the Musée des Beaux-Arts, Le Locle, and the Parrish Art Museum.
Renate Aller: The space between memory and expectation
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The silent and continuous erosion trickling from the top of mountains, via glaciers, tropical forests, sand dunes, icefields of Patagonia, European glaciers into the ocean and the urban waterways of New York’s harbor. Tracing an unbroken line, the eye is guided from one sweeping landscape to the next without doubting their separateness in location and origin, showing the interconnectedness of distant environments, opening up conversations between the different (political) landscapes in which we live. Renate Aller is a German living in New York. Her large-scale photographs are held in numerous museums including the Hamburger Kunsthalle, the National Gallery of Art, Washington D. C., the Yale University Art Gallery, the George Eastman Museum, the New York Historical Society Museum, the Musée des Beaux-Arts, Le Locle, and the Parrish Art Museum.
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livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
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On the unique synthesis of word and image in Dorothea Lange's boldly political photography, which defined the iconography of WPA and Depression-era America
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On the unique synthesis of word and image in Dorothea Lange's boldly political photography, which defined the iconography of WPA and Depression-era America
Titre:
Dorothea Lange: Words and pictures
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On the unique synthesis of word and image in Dorothea Lange's boldly political photography, which defined the iconography of WPA and Depression-era America
Dorothea Lange: Words and pictures
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On the unique synthesis of word and image in Dorothea Lange's boldly political photography, which defined the iconography of WPA and Depression-era America
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livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Todd Hido: Outskirts
Todd Hido: Outskirts
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Nazreali Press announces Todd Hido's iconic and long-out-of-print second monograph, ''Outskirts.'' As with their new edition of ''House hunting,'' released in 2019, they collaborated closely with the artist to achieve the highest possible fidelity reproductions. Printed on heavy weight matte art paper, the new printing of ''Outskirts'' surpasses the original printing with(...)
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Nazreali Press announces Todd Hido's iconic and long-out-of-print second monograph, ''Outskirts.'' As with their new edition of ''House hunting,'' released in 2019, they collaborated closely with the artist to achieve the highest possible fidelity reproductions. Printed on heavy weight matte art paper, the new printing of ''Outskirts'' surpasses the original printing with(...)
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Todd Hido: Outskirts
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Nazreali Press announces Todd Hido's iconic and long-out-of-print second monograph, ''Outskirts.'' As with their new edition of ''House hunting,'' released in 2019, they collaborated closely with the artist to achieve the highest possible fidelity reproductions. Printed on heavy weight matte art paper, the new printing of ''Outskirts'' surpasses the original printing with more accurate color rendition and subtle nuances in tone and saturation. It will be an important addition to libraries and collections lacking access to the elusive 2002 edition, which itself solidified Hido's position in the art world following on the heels of his groundbreaking first monograph, ''House hunting.''
Todd Hido: Outskirts
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Nazreali Press announces Todd Hido's iconic and long-out-of-print second monograph, ''Outskirts.'' As with their new edition of ''House hunting,'' released in 2019, they collaborated closely with the artist to achieve the highest possible fidelity reproductions. Printed on heavy weight matte art paper, the new printing of ''Outskirts'' surpasses the original printing with more accurate color rendition and subtle nuances in tone and saturation. It will be an important addition to libraries and collections lacking access to the elusive 2002 edition, which itself solidified Hido's position in the art world following on the heels of his groundbreaking first monograph, ''House hunting.''
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livres
livres
Publication:
décembre 2021
décembre 2021
Sujet:
Monographies photo
Monographies photo
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livres
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This book is an early vignette from Michael Kenna's far-reaching photographic odyssey. Some of these photographs, made almost forty years ago, are familiar, even famous, but many have never been seen before. They have been lying in wait, stored in a series of negative files. Normally, Kenna travels extensively and is not able to keep up with printing his extensive(...)
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This book is an early vignette from Michael Kenna's far-reaching photographic odyssey. Some of these photographs, made almost forty years ago, are familiar, even famous, but many have never been seen before. They have been lying in wait, stored in a series of negative files. Normally, Kenna travels extensively and is not able to keep up with printing his extensive(...)
Titre:
Michael Kenna: Northern England
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This book is an early vignette from Michael Kenna's far-reaching photographic odyssey. Some of these photographs, made almost forty years ago, are familiar, even famous, but many have never been seen before. They have been lying in wait, stored in a series of negative files. Normally, Kenna travels extensively and is not able to keep up with printing his extensive collection of negatives. It took the Covid pandemic and lockdown for him to search through his archives, rediscover these long-forgotten images, and print them in his darkroom. These photographs reveal a Northern England from Kenna's youth that, for the most part, no longer exists. From the Introduction. Michael Kenna was born in the small industrial town of Widnes in northwest England. The youngest of six children, Kenna grew up in a poor, working-class, Irish-Catholic family. He attended a seminary school for seven years with the intention of becoming a priest, after which he studied at the Banbury School of Art and later at the London College of Printing, before moving to the USA in the late seventies.
Michael Kenna: Northern England
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This book is an early vignette from Michael Kenna's far-reaching photographic odyssey. Some of these photographs, made almost forty years ago, are familiar, even famous, but many have never been seen before. They have been lying in wait, stored in a series of negative files. Normally, Kenna travels extensively and is not able to keep up with printing his extensive collection of negatives. It took the Covid pandemic and lockdown for him to search through his archives, rediscover these long-forgotten images, and print them in his darkroom. These photographs reveal a Northern England from Kenna's youth that, for the most part, no longer exists. From the Introduction. Michael Kenna was born in the small industrial town of Widnes in northwest England. The youngest of six children, Kenna grew up in a poor, working-class, Irish-Catholic family. He attended a seminary school for seven years with the intention of becoming a priest, after which he studied at the Banbury School of Art and later at the London College of Printing, before moving to the USA in the late seventies.
Classification:
livres
livres
Publication:
novembre 2021
novembre 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Kenro Izu: Fuzhou
Kenro Izu: Fuzhou
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Madong Ma’s heroic efforts to save parts of his hometown from flooding included physically disassembling, transporting and rebuilding many of the structures, along with some 10,000 trees, to a resort hundreds of miles away that he was constructing for this very purpose. Kenro Izu undertook to photograph the remaining majestic houses and other traditional structures of the(...)
$118.50
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Madong Ma’s heroic efforts to save parts of his hometown from flooding included physically disassembling, transporting and rebuilding many of the structures, along with some 10,000 trees, to a resort hundreds of miles away that he was constructing for this very purpose. Kenro Izu undertook to photograph the remaining majestic houses and other traditional structures of the(...)
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Kenro Izu: Fuzhou
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Madong Ma’s heroic efforts to save parts of his hometown from flooding included physically disassembling, transporting and rebuilding many of the structures, along with some 10,000 trees, to a resort hundreds of miles away that he was constructing for this very purpose. Kenro Izu undertook to photograph the remaining majestic houses and other traditional structures of the ancient village for posterity. Fuzhou had become symbolic place, giving trace reminders of the life of people before the dam was built. This publication serves as a reminder that many places on Earth could serve as bridges to our past; but often instead are simply been obliterated in the interest of land development. Abandoned villages, ruined houses, and the last remaining residents – these are the monuments of humankind.
Kenro Izu: Fuzhou
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Madong Ma’s heroic efforts to save parts of his hometown from flooding included physically disassembling, transporting and rebuilding many of the structures, along with some 10,000 trees, to a resort hundreds of miles away that he was constructing for this very purpose. Kenro Izu undertook to photograph the remaining majestic houses and other traditional structures of the ancient village for posterity. Fuzhou had become symbolic place, giving trace reminders of the life of people before the dam was built. This publication serves as a reminder that many places on Earth could serve as bridges to our past; but often instead are simply been obliterated in the interest of land development. Abandoned villages, ruined houses, and the last remaining residents – these are the monuments of humankind.
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livres
livres
Publication:
septembre 2021
septembre 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$85.00
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Danielle Kwaaitaal photographs flowers submerged in water. Their colors get new names and become more vibrant, giving the flowers a surreal, magical appearance.
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Danielle Kwaaitaal photographs flowers submerged in water. Their colors get new names and become more vibrant, giving the flowers a surreal, magical appearance.
Titre:
Danielle Kwaaitaal: Florilegium
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Danielle Kwaaitaal photographs flowers submerged in water. Their colors get new names and become more vibrant, giving the flowers a surreal, magical appearance.
Danielle Kwaaitaal: Florilegium
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Danielle Kwaaitaal photographs flowers submerged in water. Their colors get new names and become more vibrant, giving the flowers a surreal, magical appearance.
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livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Serge Najjar: Beirut
Serge Najjar: Beirut
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$80.00
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''Serge Najjar writes with lines and plays with shadows. [...] For me, some images evoke the utopia of the architects of the Enlightenment era, who had dreamt of them but never achieved them. Had they been photographers, they would have been compelled to compose with reality. Receptive to the variations of Time, Serge has not drawn on a memory of Beirut, – no pictures of(...)
$80.00
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''Serge Najjar writes with lines and plays with shadows. [...] For me, some images evoke the utopia of the architects of the Enlightenment era, who had dreamt of them but never achieved them. Had they been photographers, they would have been compelled to compose with reality. Receptive to the variations of Time, Serge has not drawn on a memory of Beirut, – no pictures of(...)
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Serge Najjar: Beirut
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''Serge Najjar writes with lines and plays with shadows. [...] For me, some images evoke the utopia of the architects of the Enlightenment era, who had dreamt of them but never achieved them. Had they been photographers, they would have been compelled to compose with reality. Receptive to the variations of Time, Serge has not drawn on a memory of Beirut, – no pictures of 'old stones' – but homed in on the realities of a changing city. [...] There was the Beirut of childhood dreams inside bomb shelters, then the city he fled due to the fighting, then finally the building sites of reconstruction. The discovery of his city would go on to establish his need to write with the light and to triumph over darkness. In his animated images, a fraction of a second signifies timelessness, and the image can no longer be conceived of without its author, a fleeting shadow or incarnate presence. Serge calls on us to follow him in these architectures of light, and to pass through the mirror of appearances. The history of Beirut calls for constant resurrection. The Beirut of Serge Najjar is the book of time dreamt, reinvented and then accomplished, the book of a captured time.'' - Ferrante Ferranti
Serge Najjar: Beirut
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''Serge Najjar writes with lines and plays with shadows. [...] For me, some images evoke the utopia of the architects of the Enlightenment era, who had dreamt of them but never achieved them. Had they been photographers, they would have been compelled to compose with reality. Receptive to the variations of Time, Serge has not drawn on a memory of Beirut, – no pictures of 'old stones' – but homed in on the realities of a changing city. [...] There was the Beirut of childhood dreams inside bomb shelters, then the city he fled due to the fighting, then finally the building sites of reconstruction. The discovery of his city would go on to establish his need to write with the light and to triumph over darkness. In his animated images, a fraction of a second signifies timelessness, and the image can no longer be conceived of without its author, a fleeting shadow or incarnate presence. Serge calls on us to follow him in these architectures of light, and to pass through the mirror of appearances. The history of Beirut calls for constant resurrection. The Beirut of Serge Najjar is the book of time dreamt, reinvented and then accomplished, the book of a captured time.'' - Ferrante Ferranti
Classification:
livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Monographies photo
Monographies photo
