2423 Résultats
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Titre:
The south
The south
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Dominique Bollinger à travers ses photos du Sud de l'Italie (les Pouilles et la Sicile) nous plonge dans un monde intemporel où le temps semble ne plus exister Ici règne le silence. la quiétude. le bonheur simple de la vie sans artifices loin de la frivolité et de la frénésie...Olivier Nouvellet
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Dominique Bollinger à travers ses photos du Sud de l'Italie (les Pouilles et la Sicile) nous plonge dans un monde intemporel où le temps semble ne plus exister Ici règne le silence. la quiétude. le bonheur simple de la vie sans artifices loin de la frivolité et de la frénésie...Olivier Nouvellet
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The south
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Dominique Bollinger à travers ses photos du Sud de l'Italie (les Pouilles et la Sicile) nous plonge dans un monde intemporel où le temps semble ne plus exister Ici règne le silence. la quiétude. le bonheur simple de la vie sans artifices loin de la frivolité et de la frénésie...Olivier Nouvellet
The south
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Dominique Bollinger à travers ses photos du Sud de l'Italie (les Pouilles et la Sicile) nous plonge dans un monde intemporel où le temps semble ne plus exister Ici règne le silence. la quiétude. le bonheur simple de la vie sans artifices loin de la frivolité et de la frénésie...Olivier Nouvellet
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livres
livres
Publication:
novembre 2010
novembre 2010
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Monographies photo
Monographies photo
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livres
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Au cours de cinq voyages à Volgograd entre 2008 et 2010, Maurice Schobinger a réalisé un témoignage photographique poignant de la ville martyre. Ces images sont classées en quatre chapitres : Portraits et témoins, Mémoire d'une ville, Octobre Rouge, Transports, portraits et décors. L'ouvrage est enrichi par la publication intégrale du journal de Serafima Fedorovna(...)
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Au cours de cinq voyages à Volgograd entre 2008 et 2010, Maurice Schobinger a réalisé un témoignage photographique poignant de la ville martyre. Ces images sont classées en quatre chapitres : Portraits et témoins, Mémoire d'une ville, Octobre Rouge, Transports, portraits et décors. L'ouvrage est enrichi par la publication intégrale du journal de Serafima Fedorovna(...)
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Monographies photo
Monographies photo
Publication:
novembre 2010
novembre 2010
Titre:
Maurice Schobinger: Stalingrag/Volgograd
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Au cours de cinq voyages à Volgograd entre 2008 et 2010, Maurice Schobinger a réalisé un témoignage photographique poignant de la ville martyre. Ces images sont classées en quatre chapitres : Portraits et témoins, Mémoire d'une ville, Octobre Rouge, Transports, portraits et décors. L'ouvrage est enrichi par la publication intégrale du journal de Serafima Fedorovna Voronina, tenu entre le 10 septembre 1942 et le 25 octobre de la même année. La voix d'une maîtresse d'école, simple civile prise au piège de la guerre. Une voix qui finira étouffée sous les bombardements. L'ensemble forme un subtil mélange entre hommage, mémoire et renaissance d'une ville.
Maurice Schobinger: Stalingrag/Volgograd
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Au cours de cinq voyages à Volgograd entre 2008 et 2010, Maurice Schobinger a réalisé un témoignage photographique poignant de la ville martyre. Ces images sont classées en quatre chapitres : Portraits et témoins, Mémoire d'une ville, Octobre Rouge, Transports, portraits et décors. L'ouvrage est enrichi par la publication intégrale du journal de Serafima Fedorovna Voronina, tenu entre le 10 septembre 1942 et le 25 octobre de la même année. La voix d'une maîtresse d'école, simple civile prise au piège de la guerre. Une voix qui finira étouffée sous les bombardements. L'ensemble forme un subtil mélange entre hommage, mémoire et renaissance d'une ville.
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livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Monographies photo
Monographies photo
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livres
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$42.95
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This publication is a photographic essay that takes us through spaces of international airports, or more specifically, the spaces of these airports that are classified as “transit areas,” that is in between states and nations, although within them. Whereas a border is generally conceived of as a line between two territories, and not as a space in itself, the transit area(...)
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This publication is a photographic essay that takes us through spaces of international airports, or more specifically, the spaces of these airports that are classified as “transit areas,” that is in between states and nations, although within them. Whereas a border is generally conceived of as a line between two territories, and not as a space in itself, the transit area(...)
Titre:
Andrea Geyer: meaning is what hides the instability of one's position
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This publication is a photographic essay that takes us through spaces of international airports, or more specifically, the spaces of these airports that are classified as “transit areas,” that is in between states and nations, although within them. Whereas a border is generally conceived of as a line between two territories, and not as a space in itself, the transit area is exactly such a space. In Geyer and Sander's passage through these areas, they investigate how these spaces, on the one hand, constitute and differentiate between territories, and on the other hand, spatialize the gap through a gestural, architectural, and linguistic vocabulary of hallways, doors, lines, checks, instructions, processes of identification, recognition, and namings that all lead to denied or granted passage. As the question of passage is central for the notion of a border, the book is conceived as a flip book: a number of still-images which, when flipped, gives the illusion of movement.
Andrea Geyer: meaning is what hides the instability of one's position
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This publication is a photographic essay that takes us through spaces of international airports, or more specifically, the spaces of these airports that are classified as “transit areas,” that is in between states and nations, although within them. Whereas a border is generally conceived of as a line between two territories, and not as a space in itself, the transit area is exactly such a space. In Geyer and Sander's passage through these areas, they investigate how these spaces, on the one hand, constitute and differentiate between territories, and on the other hand, spatialize the gap through a gestural, architectural, and linguistic vocabulary of hallways, doors, lines, checks, instructions, processes of identification, recognition, and namings that all lead to denied or granted passage. As the question of passage is central for the notion of a border, the book is conceived as a flip book: a number of still-images which, when flipped, gives the illusion of movement.
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livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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During the 1960s and 70s, thousands of monuments commemorating the Second World War – called 'Spomeniks' – were built throughout the former Yugoslavia; striking monumental sculptures, with an angular geometry echoing the shapes of flowers, crystals, and macro-views of viruses or DNA. In the 1980s the Spomeniks still attracted millions of visitors from the Eastern bloc;(...)
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During the 1960s and 70s, thousands of monuments commemorating the Second World War – called 'Spomeniks' – were built throughout the former Yugoslavia; striking monumental sculptures, with an angular geometry echoing the shapes of flowers, crystals, and macro-views of viruses or DNA. In the 1980s the Spomeniks still attracted millions of visitors from the Eastern bloc;(...)
Titre:
Spomenik #1 - 26. Jan Kempenaers
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During the 1960s and 70s, thousands of monuments commemorating the Second World War – called 'Spomeniks' – were built throughout the former Yugoslavia; striking monumental sculptures, with an angular geometry echoing the shapes of flowers, crystals, and macro-views of viruses or DNA. In the 1980s the Spomeniks still attracted millions of visitors from the Eastern bloc; today they are largely neglected and unknown, their symbolism lost and unwanted. Antwerp-based photographer Jan Kempenaers travelled the Balkans photographing these eerie objects, presented in this book as a powerful typological series. The beauty and mystery of the isolated, crumbling Spomeniks informs Kempenaer's enquiry into memory, found beauty, and whether former monuments can function as pure sculpture.
Spomenik #1 - 26. Jan Kempenaers
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During the 1960s and 70s, thousands of monuments commemorating the Second World War – called 'Spomeniks' – were built throughout the former Yugoslavia; striking monumental sculptures, with an angular geometry echoing the shapes of flowers, crystals, and macro-views of viruses or DNA. In the 1980s the Spomeniks still attracted millions of visitors from the Eastern bloc; today they are largely neglected and unknown, their symbolism lost and unwanted. Antwerp-based photographer Jan Kempenaers travelled the Balkans photographing these eerie objects, presented in this book as a powerful typological series. The beauty and mystery of the isolated, crumbling Spomeniks informs Kempenaer's enquiry into memory, found beauty, and whether former monuments can function as pure sculpture.
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livres
livres
Publication:
novembre 2010
novembre 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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The precision of the camera lens shows images of a city – one of the most populated metropolitan areas in the world – expanding and thinning away to incorporate the surrounding hillsides. An ever-present mist, the steep outline of the horizon and the light that evaporates from the illuminated roads create a backdrop for the city’s architectural landscape: the anonymous(...)
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The precision of the camera lens shows images of a city – one of the most populated metropolitan areas in the world – expanding and thinning away to incorporate the surrounding hillsides. An ever-present mist, the steep outline of the horizon and the light that evaporates from the illuminated roads create a backdrop for the city’s architectural landscape: the anonymous(...)
Titre:
Gabriele Basilico : Istanbul 05 010
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The precision of the camera lens shows images of a city – one of the most populated metropolitan areas in the world – expanding and thinning away to incorporate the surrounding hillsides. An ever-present mist, the steep outline of the horizon and the light that evaporates from the illuminated roads create a backdrop for the city’s architectural landscape: the anonymous verticality of new tower blocks and the overcrowded horizontal lines of never ending suburbs. This book is published on the occasion of the exhibition of Gabriele Basilico, Istanbul 05 010, and includes a text by Luca Doninelli.
Gabriele Basilico : Istanbul 05 010
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The precision of the camera lens shows images of a city – one of the most populated metropolitan areas in the world – expanding and thinning away to incorporate the surrounding hillsides. An ever-present mist, the steep outline of the horizon and the light that evaporates from the illuminated roads create a backdrop for the city’s architectural landscape: the anonymous verticality of new tower blocks and the overcrowded horizontal lines of never ending suburbs. This book is published on the occasion of the exhibition of Gabriele Basilico, Istanbul 05 010, and includes a text by Luca Doninelli.
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livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$79.95
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Jeff Wall: l'édition complète présente l'intégralité des oeuvres de l'artiste, de The Destroyed Room, sa photographie révolutionnaire de 1978. à une série d'oeuvres présentées ici pour la première fois. Ces images sont accompagnées d'un recueil d'entretiens et de textes consacrés à son oeuvre.
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Jeff Wall: l'édition complète présente l'intégralité des oeuvres de l'artiste, de The Destroyed Room, sa photographie révolutionnaire de 1978. à une série d'oeuvres présentées ici pour la première fois. Ces images sont accompagnées d'un recueil d'entretiens et de textes consacrés à son oeuvre.
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2010
septembre 2010
Titre:
Jeff Wall: L'édition complète
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Jeff Wall: l'édition complète présente l'intégralité des oeuvres de l'artiste, de The Destroyed Room, sa photographie révolutionnaire de 1978. à une série d'oeuvres présentées ici pour la première fois. Ces images sont accompagnées d'un recueil d'entretiens et de textes consacrés à son oeuvre.
Jeff Wall: L'édition complète
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Jeff Wall: l'édition complète présente l'intégralité des oeuvres de l'artiste, de The Destroyed Room, sa photographie révolutionnaire de 1978. à une série d'oeuvres présentées ici pour la première fois. Ces images sont accompagnées d'un recueil d'entretiens et de textes consacrés à son oeuvre.
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livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Monographies photo
Monographies photo
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livres
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$66.00
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This publication examines the development of Epstein's work through the example of two very different series. "Recreation", exemplifies traditional American street photography in its sometimes ironized depiction of everyday circumstances, where "American Power" critiques the energy industry and its interventions in nature in much bolder gestures--cooling towers and oil(...)
$66.00
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This publication examines the development of Epstein's work through the example of two very different series. "Recreation", exemplifies traditional American street photography in its sometimes ironized depiction of everyday circumstances, where "American Power" critiques the energy industry and its interventions in nature in much bolder gestures--cooling towers and oil(...)
Titre:
Mitch Epstein: State of the union
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This publication examines the development of Epstein's work through the example of two very different series. "Recreation", exemplifies traditional American street photography in its sometimes ironized depiction of everyday circumstances, where "American Power" critiques the energy industry and its interventions in nature in much bolder gestures--cooling towers and oil refineries dominate the picture frame, riding roughshod over all rules of proportion and dwarfing anything in their vicinity. Here, in 80 color images selected from these series, Epstein's development is traced, from major protagonist of the American color photography boom to leading commentator on the state of the nation.
Mitch Epstein: State of the union
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This publication examines the development of Epstein's work through the example of two very different series. "Recreation", exemplifies traditional American street photography in its sometimes ironized depiction of everyday circumstances, where "American Power" critiques the energy industry and its interventions in nature in much bolder gestures--cooling towers and oil refineries dominate the picture frame, riding roughshod over all rules of proportion and dwarfing anything in their vicinity. Here, in 80 color images selected from these series, Epstein's development is traced, from major protagonist of the American color photography boom to leading commentator on the state of the nation.
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livres
livres
Publication:
mars 2010
mars 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Fred Herzog: Photographs
Fred Herzog: Photographs
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In 1952, Fred Herzog emigrated from Germany to Canada, and quickly found work as a medical photographer in Vancouver. But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium: color photography. Laboring away as a virtually anonymous pioneer in this field, Herzog was quietly documenting the streets of Vancouver:(...)
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In 1952, Fred Herzog emigrated from Germany to Canada, and quickly found work as a medical photographer in Vancouver. But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium: color photography. Laboring away as a virtually anonymous pioneer in this field, Herzog was quietly documenting the streets of Vancouver:(...)
Titre:
Fred Herzog: Photographs
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In 1952, Fred Herzog emigrated from Germany to Canada, and quickly found work as a medical photographer in Vancouver. But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium: color photography. Laboring away as a virtually anonymous pioneer in this field, Herzog was quietly documenting the streets of Vancouver: its supermarkets, gas stations, bars, urban scenery and above all its working class culture. Herzog used slide film to make his photographs, which limited his ability to exhibit them and further marginalized his work; but in recent decades, happily, this color pioneer has drawn great acclaim, and this volume, the largest Herzog monograph yet published, does justice to his rich oeuvre.
Fred Herzog: Photographs
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In 1952, Fred Herzog emigrated from Germany to Canada, and quickly found work as a medical photographer in Vancouver. But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium: color photography. Laboring away as a virtually anonymous pioneer in this field, Herzog was quietly documenting the streets of Vancouver: its supermarkets, gas stations, bars, urban scenery and above all its working class culture. Herzog used slide film to make his photographs, which limited his ability to exhibit them and further marginalized his work; but in recent decades, happily, this color pioneer has drawn great acclaim, and this volume, the largest Herzog monograph yet published, does justice to his rich oeuvre.
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livres
livres
Publication:
décembre 2010
décembre 2010
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$43.95
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Résumé:
Shaun O'Boyle has been photographing ruined landscapes and buildings in the Mid-Atlantic region, for more than twenty-five years. This collection of photographs represents some of his best work. Modern Ruins begins with an introduction by architectural essayist Geoff Manaugh, who offers insight into why people are so drawn to ruins and what they might mean to us in a(...)
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Shaun O'Boyle has been photographing ruined landscapes and buildings in the Mid-Atlantic region, for more than twenty-five years. This collection of photographs represents some of his best work. Modern Ruins begins with an introduction by architectural essayist Geoff Manaugh, who offers insight into why people are so drawn to ruins and what they might mean to us in a(...)
Titre:
Modern ruins: Portraits of place in the Mid-Atlantic region
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Shaun O'Boyle has been photographing ruined landscapes and buildings in the Mid-Atlantic region, for more than twenty-five years. This collection of photographs represents some of his best work. Modern Ruins begins with an introduction by architectural essayist Geoff Manaugh, who offers insight into why people are so drawn to ruins and what they might mean to us in a larger psychological sense. Brief essays by noted historians Curt Miner, Kenneth Warren, Kenneth Wolensky, and Thomas Lewis offer social and historical contexts for the sites documented in the book. It concludes with an interview with the photographer that touches on his fascination with ruins and explores some of the processes and procedures he uses to document them.
Modern ruins: Portraits of place in the Mid-Atlantic region
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Shaun O'Boyle has been photographing ruined landscapes and buildings in the Mid-Atlantic region, for more than twenty-five years. This collection of photographs represents some of his best work. Modern Ruins begins with an introduction by architectural essayist Geoff Manaugh, who offers insight into why people are so drawn to ruins and what they might mean to us in a larger psychological sense. Brief essays by noted historians Curt Miner, Kenneth Warren, Kenneth Wolensky, and Thomas Lewis offer social and historical contexts for the sites documented in the book. It concludes with an interview with the photographer that touches on his fascination with ruins and explores some of the processes and procedures he uses to document them.
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livres
livres
Publication:
décembre 2010
décembre 2010
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Eadweard Muybridge
Eadweard Muybridge
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In Eadweard Muybridge, Braun establishes Muybridge’s central contributions to the history of art, science, photography, and motion pictures. This biography traces the sensational events of Muybridge’s life and his personal reinventions as artist, photographer, researcher, and showman.
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In Eadweard Muybridge, Braun establishes Muybridge’s central contributions to the history of art, science, photography, and motion pictures. This biography traces the sensational events of Muybridge’s life and his personal reinventions as artist, photographer, researcher, and showman.
Titre:
Eadweard Muybridge
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In Eadweard Muybridge, Braun establishes Muybridge’s central contributions to the history of art, science, photography, and motion pictures. This biography traces the sensational events of Muybridge’s life and his personal reinventions as artist, photographer, researcher, and showman.
Eadweard Muybridge
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In Eadweard Muybridge, Braun establishes Muybridge’s central contributions to the history of art, science, photography, and motion pictures. This biography traces the sensational events of Muybridge’s life and his personal reinventions as artist, photographer, researcher, and showman.
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livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Monographies photo
Monographies photo
