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In Alan Huck’s image-text book, "?I walk toward the sun which is always going down," an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city’s peripheries and an interior monologue written in first-person, fragmentary prose,(...)
I walk toward the sun which is always going down
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In Alan Huck’s image-text book, "?I walk toward the sun which is always going down," an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city’s peripheries and an interior monologue written in first-person, fragmentary prose, this hybrid essay draws on the ambulatory works of writers such as W.G. Sebald and Annie Dillard, both of whom are incorporated into the network of literary and cultural references interwoven throughout the book’s text. Part metafiction about the working process of a photographer and part cross-disciplinary exploration of one’s relationship to a particular place, the author utilizes the essential indeterminacy of both photography and written language to craft an exercise in attention that moves seamlessly between the two mediums.
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For the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and(...)
Omaha Sketchbook. Gregory Halpern
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For the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and attraction to the place. "Omaha sketchbook" is ultimately a meditation on America, on the men and boys who inhabit it, and on the mechanics of aggression, inadequacy, and power.
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Llimited edition (200), signed by the artist.
White elephant: one week in Tokyo: Dino Simonett
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Llimited edition (200), signed by the artist.
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In 'Thomas Ruff: Transforming Photography', the artist presents new work that continues his ongoing probe into the history, processes, techniques, and technology of photography. Also included is a conversation between Ruff and Okwui Enwezor, which took place at Haus der Kunst in Munich, in connection with the artist’s retrospective then on view. The conversation,(...)
Thomas Ruff: transforming photography
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In 'Thomas Ruff: Transforming Photography', the artist presents new work that continues his ongoing probe into the history, processes, techniques, and technology of photography. Also included is a conversation between Ruff and Okwui Enwezor, which took place at Haus der Kunst in Munich, in connection with the artist’s retrospective then on view. The conversation, published here for the first time, has been edited for this volume and examines Ruff’s artistic practice and inspiration, serving as an engaging and dynamic introduction to the artist.
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Espinha
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Un surprenant travail photographique qui mêle les couleurs et les traditions du Brésil au formalisme japonais. 'Espinha' est une invitation à pénétrer l’univers de Shinji Nagabe, un photographe brésilien qui a grandi dans une famille japonaise traditionnelle. Guidé par cette double culture, il pratique une photographie surprenante, combinaison de poses formelles et(...)
Espinha
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Un surprenant travail photographique qui mêle les couleurs et les traditions du Brésil au formalisme japonais. 'Espinha' est une invitation à pénétrer l’univers de Shinji Nagabe, un photographe brésilien qui a grandi dans une famille japonaise traditionnelle. Guidé par cette double culture, il pratique une photographie surprenante, combinaison de poses formelles et statiques qui évoquent l’univers pictural japonais avec des couleurs tropicales et des accessoires typiques du culte syncrétiste brésilien.
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Vers 2005, Michel Campeau, sensible au virage numérique, entreprend de photographier les chambres noires, ces laboratoires qui constituent les fondements d’une photographie argentique en voie de disparition. Parallèlement, il collectionne la photographie vernaculaire et poursuit son travail créatif à travers la photographie des autres, constituant des collections de(...)
Histoires de chambre noire : the donkey that became a zebra. Michel Campeau
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Vers 2005, Michel Campeau, sensible au virage numérique, entreprend de photographier les chambres noires, ces laboratoires qui constituent les fondements d’une photographie argentique en voie de disparition. Parallèlement, il collectionne la photographie vernaculaire et poursuit son travail créatif à travers la photographie des autres, constituant des collections de photographies anonymes ou de fonds qu’il déniche sur Internet ou au gré de ses déplacements. Il pointe ainsi comment l’époque triomphante du numérique se caractérise par le désintérêt pour les instantanés, les photographies de presse et de studio, les albums de famille, les diapositives..., que l’on jette aux oubliettes et détruit le plus souvent. Il effectue dans ce livre une sorte de montage temporel à partir de ces documents pour beaucoup déjà introuvables. Il mêle ses propres photographies à celles qu’il s’approprie, constituant une histoire de la photographie argentique tout en tissant sa propre autobiographie photographique.
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Outre-vie/After-life
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'Outre-vie/Afterlife' retrace le parcours d’un collectif de treize artistes qui explorent ensemble la vie après la vie de l’image photographique. Permettant de suivre les réflexions du groupe au fil de leurs rencontres et projets, le livre présente aussi les œuvres individuelles des différents artistes ainsi que celles du collectif, jusqu’à la création du livre lui-même.
Outre-vie/After-life
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'Outre-vie/Afterlife' retrace le parcours d’un collectif de treize artistes qui explorent ensemble la vie après la vie de l’image photographique. Permettant de suivre les réflexions du groupe au fil de leurs rencontres et projets, le livre présente aussi les œuvres individuelles des différents artistes ainsi que celles du collectif, jusqu’à la création du livre lui-même.
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For her series 'When Red Disappears' Elspeth Diederix, ventured into the secret gardens of the Dutch waters in Zeeland. The benthic flora and fauna of this chilly, turbid, green-grey water turned out to display an extraordinary visual richness that was a perfect complement to the large body of botanical work that Diederix has made in gardens and parks. Through Diederix’(...)
Elspeth Diederix: When red disappears
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For her series 'When Red Disappears' Elspeth Diederix, ventured into the secret gardens of the Dutch waters in Zeeland. The benthic flora and fauna of this chilly, turbid, green-grey water turned out to display an extraordinary visual richness that was a perfect complement to the large body of botanical work that Diederix has made in gardens and parks. Through Diederix’ goggles we glimpse an unspoiled underwater paradise, where life – in the form of shells, sponges, seaweeds, anemones and other organisms – shows its most colourful side.
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Daido Moriyama: Record 40
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In this edition, Daido Moriyama publishes his snaps from a trip to Paris the previous year, in connection with the Paris Photo fair. While wandering in the Saint-Michel neighbourhood, rue Mouffetard, and the area around Moulin Rouge taking pictures, his thoughts gradually drifted to memories of 30 years ago, when he lived in Paris for a brief period. Moriyama reflects on(...)
Daido Moriyama: Record 40
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In this edition, Daido Moriyama publishes his snaps from a trip to Paris the previous year, in connection with the Paris Photo fair. While wandering in the Saint-Michel neighbourhood, rue Mouffetard, and the area around Moulin Rouge taking pictures, his thoughts gradually drifted to memories of 30 years ago, when he lived in Paris for a brief period. Moriyama reflects on his obsession at the time to open a private gallery, which for a variety of reasons failed to become a reality, so he ended up spending his days roaming the city’s streets instead. Picture this: a 50-year-old Japanese man with a camera, totally bewildered, who speaks no French and only some broken English.
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This is the second book in the series TOO MUCH: Romantic Geographic Archive. This series focuses on archiving individual memory of place, providing invaluable documentation of a world in a state of flux. This book is the second edition of the past issue by TOO MUCH, The Himalayas, by photographer and traveler Naoki Ishikawa, which catalogues his work from 2011 to 2018 of(...)
TOO MUCH, The Himalayas. Naoki Ishikawa
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This is the second book in the series TOO MUCH: Romantic Geographic Archive. This series focuses on archiving individual memory of place, providing invaluable documentation of a world in a state of flux. This book is the second edition of the past issue by TOO MUCH, The Himalayas, by photographer and traveler Naoki Ishikawa, which catalogues his work from 2011 to 2018 of climbing the highest peaks in the world. This new edition includes 300 of Naoki’s photographs and his most recent expeditions to Kanchenjunga and Amadablam.
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