2337 Résultats
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This publication offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, Uncommon Places. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are(...)
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This publication offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, Uncommon Places. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are(...)
Titre:
Steven Shore: Transparencies, Small camera works 1971-1979
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This publication offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, Uncommon Places. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are intimate, spontaneous and personal, while retaining Shore’s studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and colour. Transparencies uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master. With an afterword by Britt Salvesen, curator at LACMA, titled 'Ordinary Speech: The Vernacular in Stephen Shore’s Early 35mm Photography'.
Steven Shore: Transparencies, Small camera works 1971-1979
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This publication offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, Uncommon Places. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are intimate, spontaneous and personal, while retaining Shore’s studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and colour. Transparencies uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master. With an afterword by Britt Salvesen, curator at LACMA, titled 'Ordinary Speech: The Vernacular in Stephen Shore’s Early 35mm Photography'.
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livres
livres
Publication:
avril 2020
avril 2020
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Monographies photo
Monographies photo
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livres
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In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico,(...)
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In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico,(...)
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Jason Fulford: Picture summer on Kodak film
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In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico, Nepal, Thailand, USA and Vietnam), these photographs come together to create a singular visual language: one bright, timeless, fictional place. A place imbued with the unexpected beauty, humor and meaning, that one has come to expect from Jason Fulford.
Jason Fulford: Picture summer on Kodak film
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In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico, Nepal, Thailand, USA and Vietnam), these photographs come together to create a singular visual language: one bright, timeless, fictional place. A place imbued with the unexpected beauty, humor and meaning, that one has come to expect from Jason Fulford.
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livres
livres
Publication:
juin 2020
juin 2020
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Monographies photo
Monographies photo
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livres
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Documenting Vera Lutter’s ambitious residency at the Los Angeles County Museum of Art, this book traces the artist’s process and features images from her two-year-long photography project. Vera Lutter’s work has taken her and her pinhole camera all over the world, most recently to LACMA as its artist in residence. Stationing a mobile camera obscura outside the museum,(...)
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Documenting Vera Lutter’s ambitious residency at the Los Angeles County Museum of Art, this book traces the artist’s process and features images from her two-year-long photography project. Vera Lutter’s work has taken her and her pinhole camera all over the world, most recently to LACMA as its artist in residence. Stationing a mobile camera obscura outside the museum,(...)
Titre:
Vera Lutter: Museum in the Camera
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Documenting Vera Lutter’s ambitious residency at the Los Angeles County Museum of Art, this book traces the artist’s process and features images from her two-year-long photography project. Vera Lutter’s work has taken her and her pinhole camera all over the world, most recently to LACMA as its artist in residence. Stationing a mobile camera obscura outside the museum, Lutter captured the exterior of the campus buildings in images that transform the mid- and late-20th century architecture. Using an enormous camera, custom-built into the museum’s Old Masters gallery, she captured the long perspective on the classically installed room, echoing historical paintings of museum interiors. Finally, with four smaller cameras, Lutter photographed various works in the LACMA collection, transforming colorful paintings into ethereal black-and-white images. In contrast to digitized photography, which allows artists to fine-tune and perfect their product, Lutter’s analogue pinhole photographs are a refreshing reminder of the medium’s origins.
Vera Lutter: Museum in the Camera
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Documenting Vera Lutter’s ambitious residency at the Los Angeles County Museum of Art, this book traces the artist’s process and features images from her two-year-long photography project. Vera Lutter’s work has taken her and her pinhole camera all over the world, most recently to LACMA as its artist in residence. Stationing a mobile camera obscura outside the museum, Lutter captured the exterior of the campus buildings in images that transform the mid- and late-20th century architecture. Using an enormous camera, custom-built into the museum’s Old Masters gallery, she captured the long perspective on the classically installed room, echoing historical paintings of museum interiors. Finally, with four smaller cameras, Lutter photographed various works in the LACMA collection, transforming colorful paintings into ethereal black-and-white images. In contrast to digitized photography, which allows artists to fine-tune and perfect their product, Lutter’s analogue pinhole photographs are a refreshing reminder of the medium’s origins.
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livres
livres
Publication:
avril 2020
avril 2020
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Monographies photo
Monographies photo
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livres
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$75.00
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The work of photographer Steven B. Smith chronicles the transition of the Western landscape into suburbia. Robert Pinsky, US Poet Laureate, wrote of his work, “Smith’s images record not so much a contrast as two violent absences joining as a single force. Landfill, seedling, turnabout, heating coil collude with the sky and mountains in a triumph of disproportion: scale(...)
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The work of photographer Steven B. Smith chronicles the transition of the Western landscape into suburbia. Robert Pinsky, US Poet Laureate, wrote of his work, “Smith’s images record not so much a contrast as two violent absences joining as a single force. Landfill, seedling, turnabout, heating coil collude with the sky and mountains in a triumph of disproportion: scale(...)
Titre:
Steven B. Smith: Your mountain is waiting
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The work of photographer Steven B. Smith chronicles the transition of the Western landscape into suburbia. Robert Pinsky, US Poet Laureate, wrote of his work, “Smith’s images record not so much a contrast as two violent absences joining as a single force. Landfill, seedling, turnabout, heating coil collude with the sky and mountains in a triumph of disproportion: scale not so much confused or lost as irrelevant.” Steven B. Smith: Your Mountain is Waiting documents the accelerating suburbanization of Smith’s native Utah. Peeling back the layers of westward expansion with equal parts subtlety and irony, Smith captures the new McMansions springing up against the rocky, rust-red mountains and deep blue skies of the West. Smith is equally attentive to the cast of characters that fill these new landscapes—the people that build them, and the people that live in them.
Steven B. Smith: Your mountain is waiting
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The work of photographer Steven B. Smith chronicles the transition of the Western landscape into suburbia. Robert Pinsky, US Poet Laureate, wrote of his work, “Smith’s images record not so much a contrast as two violent absences joining as a single force. Landfill, seedling, turnabout, heating coil collude with the sky and mountains in a triumph of disproportion: scale not so much confused or lost as irrelevant.” Steven B. Smith: Your Mountain is Waiting documents the accelerating suburbanization of Smith’s native Utah. Peeling back the layers of westward expansion with equal parts subtlety and irony, Smith captures the new McMansions springing up against the rocky, rust-red mountains and deep blue skies of the West. Smith is equally attentive to the cast of characters that fill these new landscapes—the people that build them, and the people that live in them.
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livres
livres
Publication:
février 2020
février 2020
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Monographies photo
Monographies photo
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One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’s career, Rebecca A. Senf argues that these early photographs are crucial(...)
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One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’s career, Rebecca A. Senf argues that these early photographs are crucial(...)
Titre:
Making a photographer: the early work of Ansel Adams
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One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’s career, Rebecca A. Senf argues that these early photographs are crucial to understanding Adams’s artistic development and offer new insights into many aspects of the artist’s mature oeuvre. Drawing on copious archival research, Senf traces the first three decades of Adams’s photographic practice—beginning with an amateur album made during his childhood and culminating with his Guggenheim-supported National Parks photography of the 1940s. Highlighting the artist’s persistence in forging a career path and his remarkable ability to learn from experience as he sharpened his image-making skills, this beautifully illustrated volume also looks at the significance of the artist’s environmentalism, including his involvement with the Sierra Club.
Making a photographer: the early work of Ansel Adams
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One of the most influential photographers of his generation, Ansel Adams (1902–1984) is famous for his dramatic photographs of the American West. Although many of Adams’s images are now iconic, his early work has remained largely unknown. In this first monograph dedicated to the beginnings of Adams’s career, Rebecca A. Senf argues that these early photographs are crucial to understanding Adams’s artistic development and offer new insights into many aspects of the artist’s mature oeuvre. Drawing on copious archival research, Senf traces the first three decades of Adams’s photographic practice—beginning with an amateur album made during his childhood and culminating with his Guggenheim-supported National Parks photography of the 1940s. Highlighting the artist’s persistence in forging a career path and his remarkable ability to learn from experience as he sharpened his image-making skills, this beautifully illustrated volume also looks at the significance of the artist’s environmentalism, including his involvement with the Sierra Club.
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livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Jérémie Lenoir : dust
Jérémie Lenoir : dust
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Avec cette série Dust, Jérémie Lenoir parcourt la frontière entre l’eau et la terre tout autour du lac salé de l’Utah (Salt Lake), là où s’installent les exploitations humaines de sodium, magnésium, potassium et pétrole. Les couleurs stupéfiantes résultent de la concentration de sel, d’algues, de micro-organismes, ou sont e Protocole de réalisation : au cours de plusieurs(...)
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Avec cette série Dust, Jérémie Lenoir parcourt la frontière entre l’eau et la terre tout autour du lac salé de l’Utah (Salt Lake), là où s’installent les exploitations humaines de sodium, magnésium, potassium et pétrole. Les couleurs stupéfiantes résultent de la concentration de sel, d’algues, de micro-organismes, ou sont e Protocole de réalisation : au cours de plusieurs(...)
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Jérémie Lenoir : dust
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Avec cette série Dust, Jérémie Lenoir parcourt la frontière entre l’eau et la terre tout autour du lac salé de l’Utah (Salt Lake), là où s’installent les exploitations humaines de sodium, magnésium, potassium et pétrole. Les couleurs stupéfiantes résultent de la concentration de sel, d’algues, de micro-organismes, ou sont e Protocole de réalisation : au cours de plusieurs résidences réparties sur 3 ans, Jérémie Lenoir a photographié les contours du lac salé, multipliant les vols au-dessus de chaque espace sélectionné pour en suivre, en tracer et en comprendre la transformation.ngendrées artificiellement par des additifs accélérateurs d’évaporation ou par quelques rejets des rares installations. En conjuguant point de vue aérien et abstraction, l’artiste poursuit son travail d’anthropologie du paysage tout en expérimentant, encore plus intensément dans cette nouvelle série, les limites du médium photographique ; un regard sensible et unique sur notre monde contemporain.
Jérémie Lenoir : dust
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Avec cette série Dust, Jérémie Lenoir parcourt la frontière entre l’eau et la terre tout autour du lac salé de l’Utah (Salt Lake), là où s’installent les exploitations humaines de sodium, magnésium, potassium et pétrole. Les couleurs stupéfiantes résultent de la concentration de sel, d’algues, de micro-organismes, ou sont e Protocole de réalisation : au cours de plusieurs résidences réparties sur 3 ans, Jérémie Lenoir a photographié les contours du lac salé, multipliant les vols au-dessus de chaque espace sélectionné pour en suivre, en tracer et en comprendre la transformation.ngendrées artificiellement par des additifs accélérateurs d’évaporation ou par quelques rejets des rares installations. En conjuguant point de vue aérien et abstraction, l’artiste poursuit son travail d’anthropologie du paysage tout en expérimentant, encore plus intensément dans cette nouvelle série, les limites du médium photographique ; un regard sensible et unique sur notre monde contemporain.
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livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Monographies photo
Monographies photo
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livres
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When William Eggleston’s second artist’s book Morals of Vision was first published in 1978 in a limited edition of 15, only a handful of lucky people were able to obtain it; it has since become a collectible rarity. That is now to change with this new Steidl edition, which includes an extra photo not used in the original edit. The original Morals of Vision contains eight(...)
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When William Eggleston’s second artist’s book Morals of Vision was first published in 1978 in a limited edition of 15, only a handful of lucky people were able to obtain it; it has since become a collectible rarity. That is now to change with this new Steidl edition, which includes an extra photo not used in the original edit. The original Morals of Vision contains eight(...)
Titre:
William Eggleston: morals of vision
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When William Eggleston’s second artist’s book Morals of Vision was first published in 1978 in a limited edition of 15, only a handful of lucky people were able to obtain it; it has since become a collectible rarity. That is now to change with this new Steidl edition, which includes an extra photo not used in the original edit. The original Morals of Vision contains eight color coupler prints of Eggleston’s archetypal still lifes, landscapes and portraits which glorify the banal and have since changed the history of color photography. “There is no particular reason to search for meaning,” Eggleston has said of his work in general, a sentiment in contrast with the title Morals of Vision which suggests that there are indeed principles of a kind to be learnt from the images in this book. Yet the lessons in photos including those of a broom leaning again a wall, green grain silos in the fading light, and an off-center electric candle complete with fake wax, remain Eggleston’s own ironic secret. 9 color photographs printed on Phoenixmotion Xantur 115gsm paper from Scheufelen paper mill, mounted on Somerset Book 115gsm paper from St. Cuthbert Mill with PVA adhesive. The type, has been set in Berthold Quality Bemba and Perpetua, in reference to Katy Homans’ original design for William Eggleston´s 1978 book.
William Eggleston: morals of vision
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When William Eggleston’s second artist’s book Morals of Vision was first published in 1978 in a limited edition of 15, only a handful of lucky people were able to obtain it; it has since become a collectible rarity. That is now to change with this new Steidl edition, which includes an extra photo not used in the original edit. The original Morals of Vision contains eight color coupler prints of Eggleston’s archetypal still lifes, landscapes and portraits which glorify the banal and have since changed the history of color photography. “There is no particular reason to search for meaning,” Eggleston has said of his work in general, a sentiment in contrast with the title Morals of Vision which suggests that there are indeed principles of a kind to be learnt from the images in this book. Yet the lessons in photos including those of a broom leaning again a wall, green grain silos in the fading light, and an off-center electric candle complete with fake wax, remain Eggleston’s own ironic secret. 9 color photographs printed on Phoenixmotion Xantur 115gsm paper from Scheufelen paper mill, mounted on Somerset Book 115gsm paper from St. Cuthbert Mill with PVA adhesive. The type, has been set in Berthold Quality Bemba and Perpetua, in reference to Katy Homans’ original design for William Eggleston´s 1978 book.
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livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$67.95
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In ''Cosmopolitics of the camera,'' the leading experts in the field present ''Les archives de la planète''—Albert Kahn’s stunning collection of early colour photography and documentary film—and discuss the extraordinary intellectual context from which it grew. The archives, collected between 1909 and 1932, show the cultural richness and diversity of humanity at a time of(...)
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In ''Cosmopolitics of the camera,'' the leading experts in the field present ''Les archives de la planète''—Albert Kahn’s stunning collection of early colour photography and documentary film—and discuss the extraordinary intellectual context from which it grew. The archives, collected between 1909 and 1932, show the cultural richness and diversity of humanity at a time of(...)
Titre:
Cosmopolitics of the camera: Albert Kahn's Archives of the Planet
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In ''Cosmopolitics of the camera,'' the leading experts in the field present ''Les archives de la planète''—Albert Kahn’s stunning collection of early colour photography and documentary film—and discuss the extraordinary intellectual context from which it grew. The archives, collected between 1909 and 1932, show the cultural richness and diversity of humanity at a time of drastic geographical and historical change. Consisting of 183 thousand meters of film, 72 thousand autochromes and more than 6 thousand stereographs, it portrays the beauty and creativity of cultures whose fatal disappearance Kahn believed to be only a question of time.
Cosmopolitics of the camera: Albert Kahn's Archives of the Planet
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In ''Cosmopolitics of the camera,'' the leading experts in the field present ''Les archives de la planète''—Albert Kahn’s stunning collection of early colour photography and documentary film—and discuss the extraordinary intellectual context from which it grew. The archives, collected between 1909 and 1932, show the cultural richness and diversity of humanity at a time of drastic geographical and historical change. Consisting of 183 thousand meters of film, 72 thousand autochromes and more than 6 thousand stereographs, it portrays the beauty and creativity of cultures whose fatal disappearance Kahn believed to be only a question of time.
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livres
livres
Publication:
octobre 2020
octobre 2020
Sujet:
Monographies photo
Monographies photo
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$94.95
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This publication presents a selection of images from the archives of the Geobotanical Institute Rubel and of Carl Schroeter, which are being kept as part of the ETH Zurich's extensive image archive. Founded by Eduard Rubel (1876-1960) in 1918 in Zurich and later donated to the ETH, the 'Geobotanical Institute Rubel' conducted pioneering research in the area of botanical(...)
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This publication presents a selection of images from the archives of the Geobotanical Institute Rubel and of Carl Schroeter, which are being kept as part of the ETH Zurich's extensive image archive. Founded by Eduard Rubel (1876-1960) in 1918 in Zurich and later donated to the ETH, the 'Geobotanical Institute Rubel' conducted pioneering research in the area of botanical(...)
Titre:
Documented landscape: the photo archives of Carl Schröter and Geobotanical
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This publication presents a selection of images from the archives of the Geobotanical Institute Rubel and of Carl Schroeter, which are being kept as part of the ETH Zurich's extensive image archive. Founded by Eduard Rubel (1876-1960) in 1918 in Zurich and later donated to the ETH, the 'Geobotanical Institute Rubel' conducted pioneering research in the area of botanical biodiversity in the Alps. Rubel's teacher, the botanist and ETH professor Carl Schroeter (1855-1939), was himself a pioneer of biodiversity and landscape conservation. Rubel and Schroeter were some of the earliest botanists to use photography as a means to document their research, thus making it available to a wider public and drawing attention to their early efforts in environmentalism. While the photo archives bear witness to a bygone era, their depiction of a changing landscape and progressing human interference are still strikingly on topic today. Sometimes showing near-arcadian scenes, the images are nevertheless highly realistic in their exact scientific documentation of the alpine biosphere.
Documented landscape: the photo archives of Carl Schröter and Geobotanical
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This publication presents a selection of images from the archives of the Geobotanical Institute Rubel and of Carl Schroeter, which are being kept as part of the ETH Zurich's extensive image archive. Founded by Eduard Rubel (1876-1960) in 1918 in Zurich and later donated to the ETH, the 'Geobotanical Institute Rubel' conducted pioneering research in the area of botanical biodiversity in the Alps. Rubel's teacher, the botanist and ETH professor Carl Schroeter (1855-1939), was himself a pioneer of biodiversity and landscape conservation. Rubel and Schroeter were some of the earliest botanists to use photography as a means to document their research, thus making it available to a wider public and drawing attention to their early efforts in environmentalism. While the photo archives bear witness to a bygone era, their depiction of a changing landscape and progressing human interference are still strikingly on topic today. Sometimes showing near-arcadian scenes, the images are nevertheless highly realistic in their exact scientific documentation of the alpine biosphere.
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livres
livres
Publication:
mars 2020
mars 2020
Sujet:
Monographies photo
Monographies photo
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A member of the famous artist-owned photo agency Magnum Photos, Swiss photographer René Burri (1933–2014) found himself wherever history was happening during the late twentieth century. His countless travels took him across Europe and the Americas to the Middle East to Japan and China to document the twentieth century’s major events. His extraordinary sense for people and(...)
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A member of the famous artist-owned photo agency Magnum Photos, Swiss photographer René Burri (1933–2014) found himself wherever history was happening during the late twentieth century. His countless travels took him across Europe and the Americas to the Middle East to Japan and China to document the twentieth century’s major events. His extraordinary sense for people and(...)
Titre:
René Burri: explosions of sight
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A member of the famous artist-owned photo agency Magnum Photos, Swiss photographer René Burri (1933–2014) found himself wherever history was happening during the late twentieth century. His countless travels took him across Europe and the Americas to the Middle East to Japan and China to document the twentieth century’s major events. His extraordinary sense for people and their personalities resulted in remarkably candid portraits of celebrities, such as architects Le Corbusier, Oscar Niemeyer, and Luis Barragán; artists Alberto Giacometti, Pablo Picasso, and Jean Tinguely; and Che Guevara, whose 1963 portrait with a cigar is one of the world’s most famous and widely reproduced photographic portraits. Published to coincide with a major exhibition at Musée de l’Elysée, Lausanne, 'René Burri: Explosions of Sight' draws from Burri’s vast archive. With the museum, Burri staged both his first exhibition and his first major retrospective and maintained a close relationship throughout his life, entrusting it also with the conservation of his estate. The book brings together for the first time Burri’s entire body of work, both photographic and nonphotographic, including previously unpublished archival documents, as well as book designs, exhibition projects, travel diaries, collages, watercolors, and objects Burri collected. In doing so, it offers a new and uniquely intimate view of one of the world’s greatest photographers.
René Burri: explosions of sight
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Résumé:
A member of the famous artist-owned photo agency Magnum Photos, Swiss photographer René Burri (1933–2014) found himself wherever history was happening during the late twentieth century. His countless travels took him across Europe and the Americas to the Middle East to Japan and China to document the twentieth century’s major events. His extraordinary sense for people and their personalities resulted in remarkably candid portraits of celebrities, such as architects Le Corbusier, Oscar Niemeyer, and Luis Barragán; artists Alberto Giacometti, Pablo Picasso, and Jean Tinguely; and Che Guevara, whose 1963 portrait with a cigar is one of the world’s most famous and widely reproduced photographic portraits. Published to coincide with a major exhibition at Musée de l’Elysée, Lausanne, 'René Burri: Explosions of Sight' draws from Burri’s vast archive. With the museum, Burri staged both his first exhibition and his first major retrospective and maintained a close relationship throughout his life, entrusting it also with the conservation of his estate. The book brings together for the first time Burri’s entire body of work, both photographic and nonphotographic, including previously unpublished archival documents, as well as book designs, exhibition projects, travel diaries, collages, watercolors, and objects Burri collected. In doing so, it offers a new and uniquely intimate view of one of the world’s greatest photographers.
Classification:
livres
livres
Publication:
avril 2020
avril 2020
Sujet:
Monographies photo
Monographies photo
