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Who Do You Love presents a tightly curated group of unique, never-before-seen pieces—photographic distractions, in the words of the artist—from the 1990s, culled from hundreds made over the course of that decade. Using simple materials, they push at the edge between collage and straight photography, not sitting squarely in either space. A traditional photographic image(...)
John Gossage: who do you love
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Who Do You Love presents a tightly curated group of unique, never-before-seen pieces—photographic distractions, in the words of the artist—from the 1990s, culled from hundreds made over the course of that decade. Using simple materials, they push at the edge between collage and straight photography, not sitting squarely in either space. A traditional photographic image takes you “elsewhere” and “previously”; the photographic frame acts as a threshold to another place and time. By presenting each image unobscured but in tandem with collage-like elements and handmade marks, Gossage breaks the basic photographic illusion and directs one’s attention back to the surface of the work—to the present—with a rare sophistication. Edition of 500.
Monographies photo
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A photoessay exploring Kingston Penitentiary, the former maximum security prison, often referred to as Canada's Alcatraz.
Inside 1835-2013 Kingston penitentiary
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A photoessay exploring Kingston Penitentiary, the former maximum security prison, often referred to as Canada's Alcatraz.
Monographies photo
Marco Breuer : col-or
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This book presents a series of never-before-seen images by artist Marco Breuer, collectively titled Col•or. These small, yet dynamic works are reproduced at full scale, bringing the viewer close to the explosive marks and delicate lines that Breuer extracts from photographic colour material.
Monographies photo
octobre 2014
Marco Breuer : col-or
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This book presents a series of never-before-seen images by artist Marco Breuer, collectively titled Col•or. These small, yet dynamic works are reproduced at full scale, bringing the viewer close to the explosive marks and delicate lines that Breuer extracts from photographic colour material.
Monographies photo
Susanne Kriemann
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In her photographic projects, Susanne Kriemann takes a research-oriented approach: dealing with archival and forgotten documents in particular is a central aspect to her work. The found photo material then frequently serves as a starting point for her own images. Formal or thematic analogies generate multifaceted layers of association, which address the circumstances in(...)
Susanne Kriemann
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In her photographic projects, Susanne Kriemann takes a research-oriented approach: dealing with archival and forgotten documents in particular is a central aspect to her work. The found photo material then frequently serves as a starting point for her own images. Formal or thematic analogies generate multifaceted layers of association, which address the circumstances in which the historical images were produced, their preservation, as well as their link to the present day—and always also examine her own medium of photography.
Monographies photo
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Monograph of Japanese photographer Masako Miyaki.
Masako Miyazaki: the other side
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Monograph of Japanese photographer Masako Miyaki.
Monographies photo
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Dorothea Lange (born in Hoboken, New Jersey, 1895; died in Berkeley, California, 1965) documented rural poverty for the federal Farm Security Administration from 1935 to 1939, her images becoming icons of the era. She later photographed Japanese Americans in internment camps during World War II and traveled throughout Europe and Asia.
Dorothea Lange: aperture masters of photography
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Dorothea Lange (born in Hoboken, New Jersey, 1895; died in Berkeley, California, 1965) documented rural poverty for the federal Farm Security Administration from 1935 to 1939, her images becoming icons of the era. She later photographed Japanese Americans in internment camps during World War II and traveled throughout Europe and Asia.
Monographies photo
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In The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography— offering the workshop experience in a book. In this book, Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective(...)
Todd Hido on landscapes, interiors and the nude: the photography workshop series
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In The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography— offering the workshop experience in a book. In this book, Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective and with a sense of intimacy. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, including mining one’s own memory and experience as inspiration; using light, texture, and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating powerful stories with emotional weight and beauty.
Monographies photo
Hiroshi Sugimoto: dioramas
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Hiroshi Sugimoto: Dioramas narrates a story of the cycle of life, death and rebirth, from prehistoric aquatic life to the propagation of reptile and animal life to Homo sapiens' destruction of the earth, circling back to its renewal, where flora and fauna flourish without man. Here Sugimoto writes his own history of the world, an artist's creation myth. Hiroshi Sugimoto(...)
Hiroshi Sugimoto: dioramas
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Hiroshi Sugimoto: Dioramas narrates a story of the cycle of life, death and rebirth, from prehistoric aquatic life to the propagation of reptile and animal life to Homo sapiens' destruction of the earth, circling back to its renewal, where flora and fauna flourish without man. Here Sugimoto writes his own history of the world, an artist's creation myth. Hiroshi Sugimoto was born and raised in Tokyo, Japan, where he studied politics and sociology at Rikkyõ University, later retraining as an artist at the Art Center College of Design in Los Angeles, CA. He currently lives in New York and Tokyo.
Monographies photo
Sze Tsung Leong: Horizons
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In his new Horizons series, the British-American artist Sze Tsung Leong (born 1970) combines wide-angle photographs of landscapes from throughout the world that exhibit fundamental formal similarities and rhythms by connecting them with a common horizon line. Unconventional juxtapositions allow the viewer to transcend distances and boundaries and to leap from the glacial(...)
Sze Tsung Leong: Horizons
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In his new Horizons series, the British-American artist Sze Tsung Leong (born 1970) combines wide-angle photographs of landscapes from throughout the world that exhibit fundamental formal similarities and rhythms by connecting them with a common horizon line. Unconventional juxtapositions allow the viewer to transcend distances and boundaries and to leap from the glacial lake of Jökulsárlón in Iceland to the tropical Indian Ocean; from the Israeli separation barrier to the Three Gorges Dam on the Yangtze River; from the suburbs of California to the plains of Kenya.
Monographies photo
Nadav Kander: dust
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For Dust Ndav Kander photographed the desolated landscapes of the Aral Sea and the restricted military zones of Priozersk and Kurtchatov, which did not appear on any map until well after the end of the Cold War. Long-distance missiles were secretly tested in Priozersk, and hundreds of atomic bombs were detonated in the so-called Polygon near Kurchatov, until the program(...)
Nadav Kander: dust
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For Dust Ndav Kander photographed the desolated landscapes of the Aral Sea and the restricted military zones of Priozersk and Kurtchatov, which did not appear on any map until well after the end of the Cold War. Long-distance missiles were secretly tested in Priozersk, and hundreds of atomic bombs were detonated in the so-called Polygon near Kurchatov, until the program ended in 1989. The bombs were exploded in a remote but still populated area, and covert studies were made of the effects of the radiation on the unsuspecting inhabitants. Kander describes how the ticking of the Geiger counter on his belt while he photographed served as a foil against the aesthetic allure of the ruins.
Monographies photo