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Artist and writer Jenny Odell hadn’t originally planned to deliver the Harvard University Graduate School of Design’s 2020 Class Day Address from her living room. But on May 25, 2020, there was Jenny, framed by a rose garden in her Zoom background, speaking to an audience she could not see about the role of design in a suspended moment marked by uncertainty in a global(...)
Inhabiting the negative space
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Artist and writer Jenny Odell hadn’t originally planned to deliver the Harvard University Graduate School of Design’s 2020 Class Day Address from her living room. But on May 25, 2020, there was Jenny, framed by a rose garden in her Zoom background, speaking to an audience she could not see about the role of design in a suspended moment marked by uncertainty in a global pandemic. Odell’s message, itself a timely reflection on observation, embraces the standstill and its potential to deepen and expand our individual and collective attention and sensitivity to time, place, and presence–in turn, perhaps, enabling us all, amid our "new" virtual contexts, to better connect with our natural and cultural environments. Odell unspools this hopeful meditation in "Inhabiting the Negative Space," where periods of inactivity become reimagined not as wasted time but fertile spaces for a kind of design predicated less on relentless production and more on permitting a deeper, more careful look at what exactly is demanding or tapping our time and attention, and how we might use this strange moment in history to respond.
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For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could only be achieved by sacrificing those original freedoms, or alternatively, by taming our baser instincts. Graeber and Wengrow show how such theories first emerged in the eighteenth century as a(...)
The dawn of everything: a new history of humanity
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For generations, our remote ancestors have been cast as primitive and childlike--either free and equal innocents, or thuggish and warlike. Civilization, we are told, could only be achieved by sacrificing those original freedoms, or alternatively, by taming our baser instincts. Graeber and Wengrow show how such theories first emerged in the eighteenth century as a conservative reaction to powerful critiques of European society posed by Indigenous observers and intellectuals. Revisiting this encounter has startling implications for how we make sense of human history today, including the origins of farming, property, cities, democracy, slavery, and civilization itself. Drawing on path-breaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we learn to throw off our conceptual shackles and perceive what's really there. If humans did not spend 95% of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and economic organization did they lead to? What was really happening during the periods that we usually describe as the emergence of "the state"? The answers are often unexpected, and suggest that the course of human history may be less set in stone, and more full of playful, hopeful possibilities, than we tend to assume. ''The dawn of everything'' fundamentally transforms our understanding of the human past and offers a path toward imagining new forms of freedom, new ways of organizing society. This is a monumental book of formidable intellectual range, animated by curiosity, moral vision, and a faith in the power of direct action.
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At a time when socialism is entering a historic crisis and we are witnessing a worldwide expansion of capitalist relations, a feminist rethinking of Marx’s work is vitally important. In ''Patriarchy of the wage,'' Silvia Federici, best-selling author and the most important Marxist feminist of our time, asks why Marx and the Marxist tradition were so crucial in their(...)
Patriarchy of the wage: notes on Marx, gender, and feminism
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At a time when socialism is entering a historic crisis and we are witnessing a worldwide expansion of capitalist relations, a feminist rethinking of Marx’s work is vitally important. In ''Patriarchy of the wage,'' Silvia Federici, best-selling author and the most important Marxist feminist of our time, asks why Marx and the Marxist tradition were so crucial in their denunciation of capitalism’s exploitation of human labour and blind to women’s work and struggle on the terrain of social reproduction. Why was Marx unable to anticipate the profound transformations in the proletarian family that took place at the turn of the nineteenth century, creating a new patriarchal regime? In this fiery collection of penetrating essays published here for the first time, Federici carefully examines these questions and in the process has provided an expansive redefinition of work, class, and class-gender relations. Seeking to delineate the specific character of capitalist “patriarchalism,” this magnificently original approach also highlights Marx’s and the Marxist tradition’s problematic view of industrial production and the State in the struggle for human liberation. Federici’s lucid argument that most reproductive work is irreducible to automation is a powerful reminder of the poverty of a revolutionary imagination that consigns to the world of machines the creation of the material conditions for a communist society.
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« Cruiser l'utopie » est le fruit d'un travail de recherche de plus de dix ans sur les potentialités queer que José Esteban Muñoz observe dans les pratiques artistiques et littéraires des années 1960 et 1970 à New York et Los Angeles, pratiques qui lui permettent d'éclairer le dessin d'un futur bien au-delà de l'hétéronormativité reproductive dominante.
Cruiser l'utopie : L'après et ailleurs de l'advenir queer
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« Cruiser l'utopie » est le fruit d'un travail de recherche de plus de dix ans sur les potentialités queer que José Esteban Muñoz observe dans les pratiques artistiques et littéraires des années 1960 et 1970 à New York et Los Angeles, pratiques qui lui permettent d'éclairer le dessin d'un futur bien au-delà de l'hétéronormativité reproductive dominante.
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on(...)
Why are they so afraid of the lotus?: A series of open questions
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on death and myth, post-coloniality and decolonization, and women's work as related to cultural politics. The contributions to ''Why are they so afraid of the lotus?'' embody Trinh's own weariness around categorization and investigate the ways production can come from and be based in positions of unknowing.
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Le 14 juin 2019 a eu lieu, en Suisse, la deuxième grève nationale des femmes. Ces quatre textes s'inscrivent dans ce contexte. L'invisibilisation du travail reproductif et gratuit fournit par les femmes est une des raisons de la colère qui s'exprime aujourd'hui. Les quatre textes regroupés dans cet ouvrage mettent en lumière l'enjeu de ce travail pour les luttes(...)
Travail gratuit et grèves feministes
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Le 14 juin 2019 a eu lieu, en Suisse, la deuxième grève nationale des femmes. Ces quatre textes s'inscrivent dans ce contexte. L'invisibilisation du travail reproductif et gratuit fournit par les femmes est une des raisons de la colère qui s'exprime aujourd'hui. Les quatre textes regroupés dans cet ouvrage mettent en lumière l'enjeu de ce travail pour les luttes féministes actuelles. Quels sont les usages de la grève hors du travail marchand ? Comment mener une grève du travail domestique, du travail gratuit ou du travail du sexe ? Une grève permet-elle de valoriser/visibiliser ce travail tout en le contestant ? Peut-on lutter contre le patriarcat sans lutter contre le capitalisme ?
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Whether you simply want to challenge your local shop to reduce their plastic or go big and demand a new law to be passed, this book is the place to start. Full of lessons from the real world, this book contains practical steps and a blueprint anyone can follow - from helping you to pinpoint the fundamentals of what you want to achieve to mobilising supporters and(...)
Do something: activism for everyone
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Whether you simply want to challenge your local shop to reduce their plastic or go big and demand a new law to be passed, this book is the place to start. Full of lessons from the real world, this book contains practical steps and a blueprint anyone can follow - from helping you to pinpoint the fundamentals of what you want to achieve to mobilising supporters and harnessing traditional and social media. Having worked as a campaigner for over a decade Kajal Odedra knows the tricks that have typically been held by people in circles of power and believes that everyone should know how to speak up and be heard. Revolution on every scale is happening all around the world - but rather than being led by governments, policy makers or political leaders, it is individuals, communities and collectives who are calling for action.
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Jan Lucassen provides an inclusive history of humanity’s busy labor throughout the ages. Spanning China, India, Africa, the Americas, and Europe, Lucassen looks at the ways in which humanity organizes work: in the household, the tribe, the city, and the state. He examines how labor is split between men, women, and children; the watershed moment of the invention of money;(...)
The story of work: a new history of humanity
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Jan Lucassen provides an inclusive history of humanity’s busy labor throughout the ages. Spanning China, India, Africa, the Americas, and Europe, Lucassen looks at the ways in which humanity organizes work: in the household, the tribe, the city, and the state. He examines how labor is split between men, women, and children; the watershed moment of the invention of money; the collective action of workers; and at the impact of migration, slavery, and the idea of leisure. From peasant farmers in the first agrarian societies to the precarious existence of today’s gig workers, this surprising account of both cooperation and subordination at work throws essential light on the opportunities we face today.
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En 2016, la poète Innu Natasha Kanapé Fontaine et le romancier québéco-américain Deni Ellis Béchard entamaient une conversation sans tabou sur le racisme entre Autochtones et Allochtones. Cette rencontre littéraire et poétique ouvrait un dialogue nécessaire et faisait émerger une série de questions. Comment cohabiter si notre histoire commune est empreinte de honte, de(...)
Kuei, je te salue : conversation sur le racism, n.é.
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En 2016, la poète Innu Natasha Kanapé Fontaine et le romancier québéco-américain Deni Ellis Béchard entamaient une conversation sans tabou sur le racisme entre Autochtones et Allochtones. Cette rencontre littéraire et poétique ouvrait un dialogue nécessaire et faisait émerger une série de questions. Comment cohabiter si notre histoire commune est empreinte de honte, de blessures et de colère ? Comment faire réaliser aux Blancs le privilège invisible de la domination historique? Comment guérir les Autochtones des stigmates du génocide culturel ? Pour ouvrir le dialogue et amorcer la nécessaire réconciliation entre nos peuples, Deni et Natasha sont partis de leur trajectoire personnelle et ont tenté de débusquer les mots et comportements qui empruntent les chemins du racisme.
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In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people. For decades, we’ve been told that positive thinking is the key to a happy, rich life. "F**k positivity," Mark Manson says. "Let’s be honest, shit is f**ked and we have to(...)
The subtle art of not giving a f*ck: a counterintuitive approach to living a good life
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In this generation-defining self-help guide, a superstar blogger cuts through the crap to show us how to stop trying to be "positive" all the time so that we can truly become better, happier people. For decades, we’ve been told that positive thinking is the key to a happy, rich life. "F**k positivity," Mark Manson says. "Let’s be honest, shit is f**ked and we have to live with it." In his wildly popular Internet blog, Manson doesn’t sugarcoat or equivocate. He tells it like it is—a dose of raw, refreshing, honest truth that is sorely lacking today. ''The subtle art of not giving a f**k'' is his antidote to the coddling, let’s-all-feel-good mindset that has infected American society and spoiled a generation, rewarding them with gold medals just for showing up. Manson makes the argument, backed both by academic research and well-timed poop jokes, that improving our lives hinges not on our ability to turn lemons into lemonade, but on learning to stomach lemons better. Human beings are flawed and limited—"not everybody can be extraordinary, there are winners and losers in society, and some of it is not fair or your fault." Manson advises us to get to know our limitations and accept them. Once we embrace our fears, faults, and uncertainties, once we stop running and avoiding and start confronting painful truths, we can begin to find the courage, perseverance, honesty, responsibility, curiosity, and forgiveness we seek.
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