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Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political(...)
Sámi media and Indigenous agency in the Arctic North
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Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sámi have used Sámi-language media—including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines—to communicate a sense of identity both within the Sámi community and within broader Nordic and international arenas. In more contemporary contexts, Sámi activists, artists, and cultural workers have used the media to undo layers of ignorance surrounding Sámi livelihoods and rights to self-determination. Downloadable songs, music festivals, films, videos, social media posts, images, and tweets are just some of the diverse media through which Sámi activists transform how Nordic majority populations view and understand Sámi minority communities and, more globally, how modern states regard and treat Indigenous populations.
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Rehearsals for living
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When the world entered pandemic lockdown in spring 2020, Robyn Maynard and Leanne Betasamosake Simpson began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from(...)
Rehearsals for living
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When the world entered pandemic lockdown in spring 2020, Robyn Maynard and Leanne Betasamosake Simpson began writing each other letters—a gesture sparked by a desire for kinship and connection in a world shattering under the intersecting crises of pandemic, police killings, and climate catastrophe. These letters soon grew into a powerful exchange about where we go from here. Ths book is a captivating and visionary work—part debate, part dialogue, part lively and detailed familial correspondence between two razor-sharp writers. By articulating to each other Black and Indigenous perspectives on our unprecedented here and now, and reiterating the long-disavowed histories of slavery and colonization that have brought us to this moment, Maynard and Simpson create something new: an urgent demand for a different way forward, and a poetic call to dream up other ways of ordering earthly life.
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Inuit Qaujimajatuqangit — meaning all the extensive knowledge and experience passed from generation to generation — is a collection of contributions by well-known and respected Inuit Elders. The book functions as a way of preserving important knowledge and tradition, contextualizing that knowledge within Canada’s colonial legacy and providing an Inuit perspective on how(...)
Inuit Qaujimajatuqangit: What Inuit have always known to be true
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Inuit Qaujimajatuqangit — meaning all the extensive knowledge and experience passed from generation to generation — is a collection of contributions by well-known and respected Inuit Elders. The book functions as a way of preserving important knowledge and tradition, contextualizing that knowledge within Canada’s colonial legacy and providing an Inuit perspective on how we relate to each other, to other living beings and the environment.
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Si pour beaucoup d’hommes, le féminisme est une affaire de femmes, bell hooks s’attelle ici à démontrer le contraire. La culture patriarcale, pour fabriquer de « vrais hommes », exige d’eux un sacrifice. Malgré les avantages et le rôle de premier choix dont ils bénéficient, ces derniers doivent se faire violence et violenter leurs proches pour devenir des dominants,(...)
La Volonté de changer : les hommes, la masculinité et l'amour
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Si pour beaucoup d’hommes, le féminisme est une affaire de femmes, bell hooks s’attelle ici à démontrer le contraire. La culture patriarcale, pour fabriquer de « vrais hommes », exige d’eux un sacrifice. Malgré les avantages et le rôle de premier choix dont ils bénéficient, ces derniers doivent se faire violence et violenter leurs proches pour devenir des dominants, mutilant par là-même leur vie affective. La volonté de changer est un des premiers ouvrages féministes à poser clairement la question de la masculinité. En abordant les préoccupations les plus courantes des hommes, de la peur de l’intimité au malheur amoureux, en passant par l’injonction au travail, à la virilité et à la performance sexuelle, bell hooks donne un aperçu saisissant de ce que pourrait être une masculinité libérée, donc féministe.
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Women, race & class
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Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause(...)
Women, race & class
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Angela Davis provides a powerful history of the social and political influence of whiteness and elitism in feminism, from abolitionist days to the present, and demonstrates how the racist and classist biases of its leaders inevitably hampered any collective ambitions. While Black women were aided by some activists like Sarah and Angelina Grimke and the suffrage cause found unwavering support in Frederick Douglass, many women played on the fears of white supremacists for political gain rather than take an intersectional approach to liberation. Here, Davis not only contextualizes the legacy and pitfalls of civil and women’s rights activists, but also discusses Communist women, the murder of Emmitt Till, and Margaret Sanger’s racism. Davis shows readers how the inequalities between Black and white women influence the contemporary issues of rape, reproductive freedom, housework and child care in this bold and indispensable work.
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Revenant sur les formulations clés de la philosophe – sur le féminisme, la performativité, la mort sociale, la mélancolie, la vulnérabilité… – à l’aune des théories critiques de la race, Hourya Bentouhami fait émerger le portrait d’une Judith Butler théoricienne critique de la violence et des identités, mais aussi, indissociablement, des mobilisations et des alliances(...)
Judith Butler : race, genre et melancolie
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Revenant sur les formulations clés de la philosophe – sur le féminisme, la performativité, la mort sociale, la mélancolie, la vulnérabilité… – à l’aune des théories critiques de la race, Hourya Bentouhami fait émerger le portrait d’une Judith Butler théoricienne critique de la violence et des identités, mais aussi, indissociablement, des mobilisations et des alliances minoritaires contre les assignations identitaires et les politiques de dépossession et de vulnérabilisation.
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Pour un artiste comme Raphaël Zarka, le skate est avant tout une affaire de formes. Formes du repos, formes du mouvement, elles parcourent sourdement l’histoire de l’art et des sciences, de Galilée à Robert Morris. L’architecture urbaine, mais aussi les modules des skateparks, leur font étrangement écho. Les essais de Zarka participent d’une espèce d’archéologie(...)
Une journeé sans vague : Chronologie lacunaire du skateboard
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Pour un artiste comme Raphaël Zarka, le skate est avant tout une affaire de formes. Formes du repos, formes du mouvement, elles parcourent sourdement l’histoire de l’art et des sciences, de Galilée à Robert Morris. L’architecture urbaine, mais aussi les modules des skateparks, leur font étrangement écho. Les essais de Zarka participent d’une espèce d’archéologie fantastique ; ils prolongent à leur manière son travail de sculpture et de photographie. La chronologie « lacunaire » présentée dans « Une journée sans vague » offre une lecture sobre, et même laconique – bien qu’extrêmement informée –, d’une histoire qui a été généralement traitée sur le mode hagiographique par des skateurs de la première heure, « anciens combattants » reconvertis au journalisme ou à la sociologie. Elle rend d’autant plus sensibles les lignes de force qui traversent la pratique du skate et la rattachent à tout un pan de la réflexion contemporaine sur la transmigration des formes et des usages.
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In this book, Lauren Berlant continues to explore our affective engagement with the world. Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including Last Tango in Paris, Ralph Waldo Emerson, Claudia Rankine,(...)
On the inconvenience of other people
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In this book, Lauren Berlant continues to explore our affective engagement with the world. Berlant focuses on the encounter with and the desire for the bother of other people and objects, showing that to be driven toward attachment is to desire to be inconvenienced. Drawing on a range of sources, including Last Tango in Paris, Ralph Waldo Emerson, Claudia Rankine, Christopher Isherwood, Bhanu Kapil, the Occupy movement, and resistance to anti-Black state violence, Berlant poses inconvenience as an affective relation and considers how we might loosen our attachments in ways that allow us to build new forms of life. Collecting strategies for breaking apart a world in need of disturbing, the book’s experiments in thought and writing cement Berlant’s status as one of the most inventive and influential thinkers of our time.
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In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai "rainbow bag," using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. In this book, Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design(...)
Why we can't have nice things: Social media's influence on fashion, ethics and property
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In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai "rainbow bag," using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. In this book, Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.
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Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to(...)
The future is degrowth: A guide to a world beyond capitalism
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Economic growth isn’t working, and it cannot be made to work. Offering a counter-history of how economic growth emerged in the context of colonialism, fossil-fueled industrialization, and capitalist modernity, ''The future is degrowth'' argues that the ideology of growth conceals the rising inequalities and ecological destructions associated with capitalism, and points to desirable alternatives to it. Not only in society at large, but also on the left, we are held captive by the hegemony of growth. Even proposals for emancipatory Green New Deals or postcapitalism base their utopian hopes on the development of productive forces, on redistributing the fruits of economic growth and technological progress. Yet growing evidence shows that continued economic growth cannot be made compatible with sustaining life and is not necessary for a good life for all. This book provides a vision for postcapitalism beyond growth. Building on a vibrant field of research, it discusses the political economy and the politics of a non-growing economy. It charts a path forward through policies that democratise the economy, ''now-topias'' that create free spaces for experimentation, and counter-hegemonic movements that make it possible to break with the logic of growth. Degrowth perspectives offer a way to step off the treadmill of an alienating, expansionist, and hierarchical system.
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