The abuse of property
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In ''The abuse of property,'' Daniel Loick offers a multifaceted philosophical critique of the concept of property, broadly understood. He argues that property should not be the dominant framework in which human beings regulate the use of things, that property is not the same as use. Property rights, in his view, are not conditions of freedom or justice, but deficient,(...)
The abuse of property
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In ''The abuse of property,'' Daniel Loick offers a multifaceted philosophical critique of the concept of property, broadly understood. He argues that property should not be the dominant framework in which human beings regulate the use of things, that property is not the same as use. Property rights, in his view, are not conditions of freedom or justice, but deficient, dysfunctional, and harmful ways of interacting with other people and the natural environment. He dissects not only the classic justifications of property (from John Locke’s justification of property as a natural right based on individual freedom to Hegel’s justification of property as a form of mutual recognition) but also the classic critiques of property, from Proudhon and Marx up to Adorno and Agamben. Through an innovative critical approach to legal studies, Loick demonstrates how the concept of property, historically applied to things and people and still a linchpin of our distorted relation with the world, forms a direct line from the Occupy movement to Black Lives Matter and beyond.
Théorie/ philosophie
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"On extinction" takes us on a breathtaking philosophical journey through desperate territory. As we face "the end of all things," Ben Ware argues we must face our apocalyptic future without flinching. In fact, extinction is the very lens through which we should examine our current reality. Radical politics today should not be concerned with merely averting the worst(...)
On extinction: Begining again at the end
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"On extinction" takes us on a breathtaking philosophical journey through desperate territory. As we face "the end of all things," Ben Ware argues we must face our apocalyptic future without flinching. In fact, extinction is the very lens through which we should examine our current reality. Radical politics today should not be concerned with merely averting the worst but rather with beginning again at the end. To think about the future in this way is itself a form of liberation that might incubate the necessary radical solutions we need. Combining lessons from Kant, Hegel, Adorno, and Lacan, as well as drawing on popular culture and ecology, Ware recasts the most urgent issue of our times and resolves that we can only consider our collective end by treating it as a starting point.
Théorie/ philosophie
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No other art movement has so profoundly influenced radical politics as the Situationist International. But beyond the clichés about its purported leader Guy Debord, the "society of the spectacle," détournement and dérive, lies a more complex story about key historical shifts in the composition of capital, work, labor, art, and revolutionary theory during the 1950s and(...)
With and against: TheSituationist International in the age of automation
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No other art movement has so profoundly influenced radical politics as the Situationist International. But beyond the clichés about its purported leader Guy Debord, the "society of the spectacle," détournement and dérive, lies a more complex story about key historical shifts in the composition of capital, work, labor, art, and revolutionary theory during the 1950s and 60s. ''With and Against'' reframes the history of the Situationist International as a struggle to come to terms with the then-emerging ideologies of cybernetics and automation. Through each of the book's four chapters, Dominique Routhier dissects Situationist pamphlets, documents, artworks, and objects that refract elements of a "cybernetic hypothesis": the theoretically hyperbolic belief that technological progress, computers and automation make class struggle and the idea of revolution obsolete. With equal attention to aesthetic detail and to the broader contours of political economy, this book serves as a critical intervention in art history as well a call to reconsider, more broadly, the contemporary lessons of the most political of all artistic avantgardes.
Théorie/ philosophie
Mukasonga : A book of my own
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''For those who, despite everything, have decided to live, there will always be a home.'' A work on the experience of exile and migration, memory and selfhood, from legendary French-Rwandan storyteller Scholastique Mukasonga.
août 2023
Mukasonga : A book of my own
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''For those who, despite everything, have decided to live, there will always be a home.'' A work on the experience of exile and migration, memory and selfhood, from legendary French-Rwandan storyteller Scholastique Mukasonga.
The other side of empathy
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In The Other Side of Empathy, Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy. Drawing on digital archives of photographs,(...)
The other side of empathy
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In The Other Side of Empathy, Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy. Drawing on digital archives of photographs, memoirs, newspapers, interviews, and advertisements regarding nineteenth-century ethnographic museums and human zoos, Davis shows how empathetic responses erase culpabilities from those institutions that commodify difference. She also contends that empathy’s mediation through digital technology cannot lead to more ethical actions, as technology only connects representations of people rather than the people themselves. In empathy’s place, Davis proposes mutual recognition as a way to see and experience others beyond colonial modes of empathy. Davis illustrates that moving beyond empathy allows for a more nuanced understanding of the colonial past and its ongoing impact while providing for a more meaningful affective engagement with the world.
Théorie/ philosophie
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In "The effluent eye," Rosemary J. Jolly argues for the decolonization of human rights, attributing their failure not simply to state and institutional malfeasance but to the very concept of human rights as anthropocentric-and, therefore, fatally shortsighted. In an engaging mix of literary and cultural criticism, Indigenous and Black critique, and substantive forays into(...)
The effluent eye: Narratives for decolonial right-making
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In "The effluent eye," Rosemary J. Jolly argues for the decolonization of human rights, attributing their failure not simply to state and institutional malfeasance but to the very concept of human rights as anthropocentric-and, therefore, fatally shortsighted. In an engaging mix of literary and cultural criticism, Indigenous and Black critique, and substantive forays into the medical humanities, Jolly proposes right-making in the demise of human rights. Using what she calls an "effluent eye," Jolly draws on "Fifth Wave" structural public health to confront the concept of human rights-one of the most powerful and widely entrenched liberal ideas. She builds on Indigenous sovereignty work from authors such as Robin Wall Kimmerer, Leanne Betasamosake Simpson, and Mark Rifkin as well as the littoral development in Black studies from Christine Sharpe, Saidiya Hartman, and Tiffany Lethabo King to engage decolonial thinking on a range of urgent topics such as pandemic history and grief; gender-based violence and sexual assault; and the connections between colonial capitalism and substance abuse, the Anthropocene, and climate change. Combining witnessed experience with an array of decolonial texts, Jolly argues for an effluent form of reading that begins with the understanding that the granting of "rights" to individuals is meaningless in a world compromised by pollution, poverty, and successive pandemics.
Théorie/ philosophie
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With ''Numinous seditions'', celebrated poet and essayist Tim Lilburn investigates inner dispositions that might help us bear the new sorrows of the climate crisis. The book draws from the West’s almost forgotten contemplative tradition in its Platonic, Islamic, Christian, and Zoharic forms. It also explores ideas from modern philosophers Jan Zwicky, Gillian Rose, Dorothy(...)
Numinous seditions: Interiority and climate change
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With ''Numinous seditions'', celebrated poet and essayist Tim Lilburn investigates inner dispositions that might help us bear the new sorrows of the climate crisis. The book draws from the West’s almost forgotten contemplative tradition in its Platonic, Islamic, Christian, and Zoharic forms. It also explores ideas from modern philosophers Jan Zwicky, Gillian Rose, Dorothy Day, and Simone Weil, and from contemporary poets Don Domanski, Philip Kevin Paul, Anne Szumigalski, and Roberto Harrison. Lilburn suggests that listening, noticing, reading, and stretching our imaginations are all part of an interior stance that can assist with the difficult tasks of forming deep relationships with the land, with Indigenous peoples, and with pedagogy itself. Numinous Seditions is for scholars and readers interested in poetry, environmental philosophy, and in the possibility of a contemplative politics.
Théorie/ philosophie
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In ''The Terrible Children of Modernity'', Sloterdijk offers a magisterial and profound investigation into the vicissitudes of historical change and the nature of modernity. For Sloterdijk, modernity is defined by its need to break with the past. Moderns are perpetual rebels who seek to sever the ties of tradition and forms of inheritance that bind generations and eras(...)
The terrible children of modernity
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In ''The Terrible Children of Modernity'', Sloterdijk offers a magisterial and profound investigation into the vicissitudes of historical change and the nature of modernity. For Sloterdijk, modernity is defined by its need to break with the past. Moderns are perpetual rebels who seek to sever the ties of tradition and forms of inheritance that bind generations and eras together. With deep philosophical, historical, and literary range, he traces this antigenealogical experiment from the French Revolution onward, from Madame de Pompadour and Napoleon through Nietzsche, Marx, Wagner, the Dadaists, and Deleuze. Acutely aware of the destructive potential of cultural discontinuities, Sloterdijk is no less critical of the “fathers” who condemn change than the “terrible children” who seek a drastic rupture with their predecessors. Equally concerned with the grand sweep of history and our current predicaments, he instead calls for new ways to live together in the intersubjectivity of the human condition. Incisive and daring, breathtaking in its scope, this account of youthful rebellion against tradition asks us to reimagine the ethics of genealogy.
Théorie/ philosophie
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In this contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual(...)
Screening fears: On protective media
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In this contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual media function as barriers or enclosures that defend against the apparent threats and dangers that seem increasingly to surround us. Working with an original historical overview that begins with the Phantasmagoria of the late eighteenth century, then the shared interior spaces of the movie theater in the early to mid-twentieth century, and finally the solitary digital milieus of the present, Casetti traces the outlines of the protective 'bubbles' that disconnect us from our immediate surroundings. To be provided with a shield of immunity to the hazards and uncertainties of the world while experiencing them at a safe remove might seem a positive development. But, he asks, what if these media, instead of providing invulnerability, ensnare individuals in a suffocating enclosure? What if, in their effort to keep reality under control, they exercise a violence equal to that of the dangers they resist? In a dialectical exercise, and through a vivid range of cultural artifacts, ''Screening fears'' traces the emergence of modern protective media and the way they changed our forms of mediation with the world in which we live.
Théorie/ philosophie
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What can the senses of an attentive philosopher see, hear, and learn that can, in turn, teach us about living better lives? Perhaps it’s less a matter of asking what and more a matter of asking how. These latest reflections from Italy’s foremost philosopher form a sort of travelogue that chronicles Giorgio Agamben’s profound interior journey. Here, with unprecedented(...)
What I saw, heard, learned...
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What can the senses of an attentive philosopher see, hear, and learn that can, in turn, teach us about living better lives? Perhaps it’s less a matter of asking what and more a matter of asking how. These latest reflections from Italy’s foremost philosopher form a sort of travelogue that chronicles Giorgio Agamben’s profound interior journey. Here, with unprecedented immediacy, Agamben shares his final remarks, late-life observations, and reflections about his life that flashed before his eyes. What did he see in that brief flash? What did he stay faithful to? What remains of all those places, friends, and teachers?
Théorie/ philosophie