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"Visual cultures as time travel" makes a case for cultural, aesthetic, and historical research that is oriented toward the future, not the past, actively constructing new categories of assembly that don't yet exist. Ayesha Hameed considers the relationship between climate change and plantation economies, proposing a watery plantationocene that revolves around two islands:(...)
Visual cultures as time travel
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"Visual cultures as time travel" makes a case for cultural, aesthetic, and historical research that is oriented toward the future, not the past, actively constructing new categories of assembly that don't yet exist. Ayesha Hameed considers the relationship between climate change and plantation economies, proposing a watery plantationocene that revolves around two islands: a former plantation in St. George's Parish in Barbados, and the port city of Port of Spain in Trinidad. It visits a marine research institute on a third island, Seili in Finland, to consider how notions of temporality and adaptation are produced in the climate emergency we face. Henriette Gunkel introduces the idea of time travel through notions of dizziness, freefall, and of being in vertigo as set out in Octavia Butler's novel Kindred and Kitso Lynn Lelliott's multimedia installation South Atlantic Hauntings, exploring what counts as technology, how it operates in relation to time, including deep space time, and how it interacts with the different types of bodies—human, machine, planetary, spectral, ancestral—that inhabit the terrestrial and extraterrestrial worlds. In conversation, Hameed and Gunkel propose a notion of time travel marked by possibility and loss—in the aftermath of transatlantic slavery and in the moment of mass illegalized migration, of blackness and time, of wildfires and floods, of lost and co-opted futures, of deep geological time, and of falling.
Théorie/ philosophie
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How does the world form itself? How does it create itself as a world? And how do we understand the role of the visual in this regard? Most responses to these questions within cultural theory and visual culture refer to the rise of globalization, thus highlighting the acceleration of exchanges, the proliferation of information and communication devices, and the(...)
Visual cultures as world forming
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How does the world form itself? How does it create itself as a world? And how do we understand the role of the visual in this regard? Most responses to these questions within cultural theory and visual culture refer to the rise of globalization, thus highlighting the acceleration of exchanges, the proliferation of information and communication devices, and the multiplication of globally circulated goods and images that characterize the world we live in. "Visual cultures as world forming" takes a different approach by focusing on the taking place of the world, a creative act that knows no economic return. This taking place does not lead to more proliferation of goods, additional financial exchanges, further communications, or an increase in the distribution of visual material, but leads to the continued "worlding" of the world. This approach is predominantly, but not exclusively, inspired by the work of Jean-Luc Nancy. Through a reading of his work and of some of his contemporaries both inside and outside of the Western canon, Madani and Martinon attempt to expose how the world—and the world of visual culture in particular—creates itself and the ways in which each one of us is embodying this creation without economy.
Théorie/ philosophie
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There have been claims that meaninglessness has become epidemic in the contemporary world. One perceived consequence of this is that people increasingly turn against both society and the political establishment with little concern for the content (or lack of content) that might follow. Most often, encounters with meaninglessness and nothingness are seen as troubling.(...)
An anthropology of nothing in particular
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There have been claims that meaninglessness has become epidemic in the contemporary world. One perceived consequence of this is that people increasingly turn against both society and the political establishment with little concern for the content (or lack of content) that might follow. Most often, encounters with meaninglessness and nothingness are seen as troubling. ''Meaning'' is generally seen as being a cornerstone of the human condition, as that which we strive towards. This was famously explored by Viktor Frankl in ''Man’s Search for Meaning'' in which he showed how even in the direst of situations individuals will often seek to find a purpose in life. But what, then, is at stake when groups of people negate this position? What exactly goes on inside this apparent turn towards nothing, in the engagement with meaninglessness? And what happens if we take the meaningless seriously as an empirical fact?
Théorie/ philosophie
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The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her sixth book, Olivia Laing charts a course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences(...)
Everybody: a book about freedom
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The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her sixth book, Olivia Laing charts a course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century — among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X. Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, 'Everybody' is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.
Théorie/ philosophie
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'Immunodemocracy' offers a stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Moving from the ecological question to the rule of experts, from the state of exception to immunitarian democracy, from rule by fear to the contagion of conspiracy theory, from forced distancing to digital control, Donatella Di(...)
Immunodemocracy: Capitalist ashphyxia
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'Immunodemocracy' offers a stimulating and profound portrayal of the epochal event that has already left its mark on the twenty-first century. Moving from the ecological question to the rule of experts, from the state of exception to immunitarian democracy, from rule by fear to the contagion of conspiracy theory, from forced distancing to digital control, Donatella Di Cesare examines how existence is already changing – and what its future political effects may be.
Théorie/ philosophie
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The twelfth volume of the Critical Spatial Practices series focuses on 'Don't Follow the Wind,' the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and(...)
Don't follow the wind: critical spatial practice 12
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The twelfth volume of the Critical Spatial Practices series focuses on 'Don't Follow the Wind,' the acclaimed collaborative project situated in the radioactive Fukushima exclusion zone. The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public — the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades — a period that could extend beyond our lifetime. The book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean.
Théorie/ philosophie
The wild book of inventions
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In this publication, twenty authors employ a variety of forms, including speculative essays, poems, pencil sketches, and photo essays, to challenge the exclusive human claim to intelligence by pointing to, or inventing, new forms of coexistence for all life-forms.
The wild book of inventions
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In this publication, twenty authors employ a variety of forms, including speculative essays, poems, pencil sketches, and photo essays, to challenge the exclusive human claim to intelligence by pointing to, or inventing, new forms of coexistence for all life-forms.
Théorie/ philosophie
Dark Deleuze
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Gilles Deleuze est connu comme le penseur de la création, de laffirmation joyeuse et du rhizome. Mais Andrew Culp défend lidée polémique que cette pensée radicale et joyeuse a perdu son potentiel de résistance au présent. Ces concepts créés pour combattre le capitalisme ont été recyclés dans des slogans publicitaires qui affirment allègrement que : « Le pouvoir est(...)
Dark Deleuze
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Gilles Deleuze est connu comme le penseur de la création, de laffirmation joyeuse et du rhizome. Mais Andrew Culp défend lidée polémique que cette pensée radicale et joyeuse a perdu son potentiel de résistance au présent. Ces concepts créés pour combattre le capitalisme ont été recyclés dans des slogans publicitaires qui affirment allègrement que : « Le pouvoir est vertical ; le potentiel horizontal ! » Culp retrouve la négativité oubliée de Deleuze et perturbe la lecture dominante en révélant un réseau souterrain de conspiration, de cruauté, de terreur de lextérieur et de la honte dêtre humain.
Théorie/ philosophie
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"The decay of lying" includes two of Wilde’s most comprehensive–and witty–explorations of his aesthetic philosophy: "The decay of lying" and "The critic as artist." In this text, Wilde uses his decadent ideology in an attempt to reverse and therefore reject his audiences' 'normal' conceptualizations of nature, art and morality. Wilde's views of life and art are(...)
The decay of lying, and other essays
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"The decay of lying" includes two of Wilde’s most comprehensive–and witty–explorations of his aesthetic philosophy: "The decay of lying" and "The critic as artist." In this text, Wilde uses his decadent ideology in an attempt to reverse and therefore reject his audiences' 'normal' conceptualizations of nature, art and morality. Wilde's views of life and art are illustrated through the use of Platonic dialogue where the character Vivian takes on the persona of Wilde. Wilde's goal is to subvert the norm by reversing its values. Wilde suggests to us that society is wrong, not him. Calling on diverse examples - from Ancient Greek sculpture to contemporary paintings - Oscar Wilde's brilliant essay creates a witty, paradoxical world in which the only Art worth loving is that built on complete untruths.
Théorie/ philosophie
Ain't I a woman
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A collection of Sojourner Truth’s iconic words, including her famous speech at the 1851 Women’s Rights Convention in Akron, Ohio. A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring(...)
Ain't I a woman
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A collection of Sojourner Truth’s iconic words, including her famous speech at the 1851 Women’s Rights Convention in Akron, Ohio. A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.
Théorie/ philosophie