Walter Benjamin : avertissement d'incendie, une lecture des thèses « Sur le concept d'histoire »
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Les Thèses « Sur le concept d'histoire » de 1940 sont le dernier écrit de Walter Benjamin et constituent peut-être le document le plus significatif dans la pensée critique du XXe siècle. Texte allusif, sybillin, dont l'hermétisme est constellé d'images et d'allégories, semé de paradoxes, traversé d'intuitions. Ce livre en propose une étude au mot à mot. Là où d'autres ne(...)
Walter Benjamin : avertissement d'incendie, une lecture des thèses « Sur le concept d'histoire »
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Les Thèses « Sur le concept d'histoire » de 1940 sont le dernier écrit de Walter Benjamin et constituent peut-être le document le plus significatif dans la pensée critique du XXe siècle. Texte allusif, sybillin, dont l'hermétisme est constellé d'images et d'allégories, semé de paradoxes, traversé d'intuitions. Ce livre en propose une étude au mot à mot. Là où d'autres ne voient que contradiction ou ambiguïté, il met en évidence une cohérence fondamentale, dont la clé est constituée par la fusion de trois discours hétérogènes: le romantisme allemand, le messianisme juif, le marxisme révolutionnaire.
Théorie/ philosophie
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A fresh interpretation of Jeremy Bentham, finding that his “radical foolery” embodied a social ethics that was revolutionary for its time. Jeremy Bentham (1748–1832) is best remembered today as the founder of utilitarianism (a philosophy infamously abused by the Victorians) and the conceiver of the Panopticon, the circular prison house in which all prisoners could be(...)
The radical fool of capitalism: on Jeremy Bentham, the Panopticon, and the auto-icon
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A fresh interpretation of Jeremy Bentham, finding that his “radical foolery” embodied a social ethics that was revolutionary for its time. Jeremy Bentham (1748–1832) is best remembered today as the founder of utilitarianism (a philosophy infamously abused by the Victorians) and the conceiver of the Panopticon, the circular prison house in which all prisoners could be seen by an unseen observer—later seized upon by Michel Foucault as the apotheosis of the neoliberal control society. In this volume in the Untimely Meditation series, Christian Welzbacher offers a new interpretation of Bentham, arguing that his “radical foolery” (paraphrasing Goethe's characterization of Bentham) actually embodied a social ethics that was new for its time and demands proper historical contextualization rather than retroactive analysis from the vantage point of late capitalism. Welzbacher provides just such an analysis, offering an account of the two great utilitarian projects that occupied Bentham all his life: the Panopticon and the Auto-Icon.
Théorie/ philosophie
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In this new book, Bruno Latour offers answers to questions raised in "We Have Never Been Modern", a work that interrogated the connections between nature and culture. If not modern, he asked, what have we been, and what values should we inherit? Over the last twenty-five years, Latour has developed a research protocol different from the actor-network theory with which his(...)
An inquiry into modes of existence: an anthropology of the moderns
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In this new book, Bruno Latour offers answers to questions raised in "We Have Never Been Modern", a work that interrogated the connections between nature and culture. If not modern, he asked, what have we been, and what values should we inherit? Over the last twenty-five years, Latour has developed a research protocol different from the actor-network theory with which his name is now associated—a research protocol that follows the different types of connectors that provide specific truth conditions. These are the connectors that prompt a climate scientist challenged by a captain of industry to appeal to the "institution" of science, with its army of researchers and mountains of data, rather than to “capital-S Science” as a higher authority. Such modes of extension—or modes of existence, Latour argues here—account for the many differences between law, science, politics, and other domains of knowledge.
Théorie/ philosophie
The adventure
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An ancient legend identifies Demon, Chance, Love, and Necessity as the four gods who preside over the birth of every human being. We must all pay tribute to these deities and should not try to elude or dupe them. To accept them, Giorgio Agamben suggests, is to live one’s life as an adventure—not in the trivial sense of the term, with lightness and disenchantment, but with(...)
The adventure
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An ancient legend identifies Demon, Chance, Love, and Necessity as the four gods who preside over the birth of every human being. We must all pay tribute to these deities and should not try to elude or dupe them. To accept them, Giorgio Agamben suggests, is to live one’s life as an adventure—not in the trivial sense of the term, with lightness and disenchantment, but with the understanding that adventure, as a specific way of being, is the most profound experience in our human existence. In this pithy, poetic, and compelling book, Agamben maps a journey from poems of chivalry to philosophy, from Yvain to Hegel, from Beatrice to Heidegger. The four gods of legend are joined at the end by a goddess, the most elusive and mysterious of all: Elpis, Hope. In Greek mythology, Hope remains in Pandora's box, not because it postpones its fulfillment to an invisible beyond but because somehow it has always been already satisfied. Here, Agamben presents Hope as the ultimate gift of the human adventure on Earth.
Théorie/ philosophie
Topology of violence
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One of today's most widely read philosophers considers the shift in violence from visible to invisible, from negativity to excess of positivity. Some things never disappear—violence, for example. Violence is ubiquitous and incessant but protean, varying its outward form according to the social constellation at hand. In Topology of Violence, the philosopher Byung-Chul(...)
Topology of violence
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One of today's most widely read philosophers considers the shift in violence from visible to invisible, from negativity to excess of positivity. Some things never disappear—violence, for example. Violence is ubiquitous and incessant but protean, varying its outward form according to the social constellation at hand. In Topology of Violence, the philosopher Byung-Chul Han considers the shift in violence from the visible to the invisible, from the frontal to the viral to the self-inflicted, from brute force to mediated force, from the real to the virtual. Violence, Han tells us, has gone from the negative—explosive, massive, and martial—to the positive, wielded without enmity or domination. This, he says, creates the false impression that violence has disappeared. Anonymized, desubjectified, systemic, violence conceals itself because it has become one with society.
Théorie/ philosophie
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Imagine a world without things. There would be nothing to describe, explain, remark on, interpret, or complain about. Without things, we would, in short, stop speaking; we would become as mute as objects are alleged to be. In nine original essays, internationally renowned historians of art and of science seek to understand how objects become charged with significance(...)
Things that talk: object lessons from art and science
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Imagine a world without things. There would be nothing to describe, explain, remark on, interpret, or complain about. Without things, we would, in short, stop speaking; we would become as mute as objects are alleged to be. In nine original essays, internationally renowned historians of art and of science seek to understand how objects become charged with significance without losing their gritty materiality. Things That Talk aims to escape the opposition between positivist facts and cultural readings that bifurcates the current historiography of both art and science.
Théorie/ philosophie
Walter Benjamin 1892-1940
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La gloire posthume est le lot des inclassables. On n’a mesuré l’importance de Walter Benjamin qu’après sa mort. Au croisement de la biographie, de la philosophie politique et de la critique littéraire, Hannah Arendt retrace dans cet essai daté de 1971 le destin individuel et l’itinéraire spirituel d’un homme pris dans “les sombres temps”. La vie de Benjamin ne fut qu’un(...)
Walter Benjamin 1892-1940
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La gloire posthume est le lot des inclassables. On n’a mesuré l’importance de Walter Benjamin qu’après sa mort. Au croisement de la biographie, de la philosophie politique et de la critique littéraire, Hannah Arendt retrace dans cet essai daté de 1971 le destin individuel et l’itinéraire spirituel d’un homme pris dans “les sombres temps”. La vie de Benjamin ne fut qu’un “entassement de débris”, placée sous le signe de la malchance. Ce mélange de faiblesse et de génie le rendait totalement incapable de faire face aux difficultés de l’existence. Arendt, fidèle aux grands thèmes qui structurent sa pensée, analyse ses rapports tourmentés avec la judéité et le marxisme, son amour de Paris et de la flânerie ainsi que ses relations complexes avec les intellectuels de son temps. Plongeant au plus intime de l’œuvre, elle décortique la façon unique en son genre qu’il avait de “penser poétiquement”. Philosophe elle-même inclassable, Hannah Arendt était la mieux à même de saisir la subtilité de la figure de Walter Benjamin. Le portrait sensible qu’elle dresse de cet homme constitue sans conteste la meilleure introduction à son œuvre.
Théorie/ philosophie
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Rather than conceiving of bodies as constantly rendered docile within the spaces of the post-industrial nation state, "Radical Space" reveals how activists and artists have deployed these theoretical tools to examine and contest spatial practice.. Bringing together contributions from academics across the humanities and social sciences together with creative artists this(...)
Radical space: exploring politics and practice
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Rather than conceiving of bodies as constantly rendered docile within the spaces of the post-industrial nation state, "Radical Space" reveals how activists and artists have deployed these theoretical tools to examine and contest spatial practice.. Bringing together contributions from academics across the humanities and social sciences together with creative artists this dynamically multidisciplinary collection demonstrates this radicalization of space through explorations of environmental camps, new explorations of psychogeography, creative interventions in city space and mapping the extra-terrestrial onto the mundane spaces of everyday existence.
Théorie/ philosophie
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L'historien revient sur la place accordée au silence dans la vie des hommes depuis la Renaissance, montre le lien unissant l'invention de l'individu et la construction d'un retour sur soi. L'analyse s'appuie largement sur les textes littéraires, de Castiglione et Loyola à Gracq et Jaccottet, en passant par Proust et Huysmans, ainsi qu'à des oeuvres d'art.
Histoire du silence : de la Renaissance à nos jours
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L'historien revient sur la place accordée au silence dans la vie des hommes depuis la Renaissance, montre le lien unissant l'invention de l'individu et la construction d'un retour sur soi. L'analyse s'appuie largement sur les textes littéraires, de Castiglione et Loyola à Gracq et Jaccottet, en passant par Proust et Huysmans, ainsi qu'à des oeuvres d'art.
Théorie/ philosophie
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Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that(...)
A history of silence: from the Renaissance to the present day
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Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that private space out of which speech emerges. It characterises our most intimate and sacred spaces, from private bedrooms to grand cathedrals – those vast reservoirs of silence. Philosophers and novelists have long sought solitude and inspiration in mountains and forests. Yet despite the centrality of silence to some of our most intense experiences, the transformations of the twentieth century have gradually diminished its value. Today, raucous urban spaces and a continual bombardment from different media pressure us into constant activity. We are losing a sense of our inner selves, a process which is changing the very nature of the individual.
Théorie/ philosophie