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Partant d'une relecture audacieuse de Jacques Rancière, cet essai déploie une philosophie de l'expérimentation, à la croisée de la vie, de la politique et de l'esthétique, à la recherche de nouvelles manières d'imaginer, d'explorer et d'agencer les possibles.
Pratiques d'expérimentation : Cartographier les possibles avec Jacques Rancière
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Partant d'une relecture audacieuse de Jacques Rancière, cet essai déploie une philosophie de l'expérimentation, à la croisée de la vie, de la politique et de l'esthétique, à la recherche de nouvelles manières d'imaginer, d'explorer et d'agencer les possibles.
Théorie/ philosophie
$44.00
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Peter Szendy offers a subtle, persuasive, and unprecedented account of the time of reading and its scene of address, one that is as archaic as it is contemporary. When we read, are we listening to a voice or being read to? If it is not a private and monologic exercise, how do we understand the populated scene of reading? What reads when we read, and how does reading push(...)
Powers of reading: From Plato to audiobooks
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Peter Szendy offers a subtle, persuasive, and unprecedented account of the time of reading and its scene of address, one that is as archaic as it is contemporary. When we read, are we listening to a voice or being read to? If it is not a private and monologic exercise, how do we understand the populated scene of reading? What reads when we read, and how does reading push and pull between temporalities and voices? Why do we keep leaving the text when we seek to obey the injunction to stay within its terms?
Théorie/ philosophie
$34.00
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"The signature of all things" is Giorgio Agamben’s sustained reflection on method. To reflect on method implies for Agamben an archeological vigilance: a persistent form of thinking whose path is to expose, examine, and elaborate that which remains obscure, unthematized, even unsaid, in an author’s thought. To be archeologically vigilant, then, is to return to, even(...)
The signature of all things: On method
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"The signature of all things" is Giorgio Agamben’s sustained reflection on method. To reflect on method implies for Agamben an archeological vigilance: a persistent form of thinking whose path is to expose, examine, and elaborate that which remains obscure, unthematized, even unsaid, in an author’s thought. To be archeologically vigilant, then, is to return to, even invent, a method attuned to a "world supported by a thick plot of resemblances and sympathies, analogies and correspondences." The range of authors and of topics Agamben collects in this slim but dense volume exemplifies this search to create a science of signatures that exceeds either a semiology or hermeneutics vainly attempting to determine the pure and unmarked signs that signify univocally, neutrally, and eternally.
Théorie/ philosophie
$25.95
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In "Black elegies", Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the "national emergency of black grief." With her characteristic literary skill, Brown analyzes(...)
Black elegies: meditations on the art of mourning
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In "Black elegies", Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the "national emergency of black grief." With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others. Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production.
Théorie/ philosophie
$22.95
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Pourquoi faisons-nous les mêmes gestes, déformons-nous nos visages de la même façon, laissons-nous des larmes couler sur nos joues quand nous venons de perdre un proche ? Les émotions ne nous appartiennent-elles qu’à nous ou sont-elles la part « primitive » de l’Homme ? A l’aide de photos prises par Charles Darwin, l’auteur nous aide à penser. Les émotions ne nous figent(...)
Quelle émotion ! Quelle émotion ?
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Pourquoi faisons-nous les mêmes gestes, déformons-nous nos visages de la même façon, laissons-nous des larmes couler sur nos joues quand nous venons de perdre un proche ? Les émotions ne nous appartiennent-elles qu’à nous ou sont-elles la part « primitive » de l’Homme ? A l’aide de photos prises par Charles Darwin, l’auteur nous aide à penser. Les émotions ne nous figent pas. Elles peuvent être un moteur. Ces femmes dans le Cuirassé Potemkine pleurent un matelot assassiné... Mais dans un même mouvement, elles se mettent à serrer les poings. Le « peuple en larmes » devient le « peuple en armes ». Les émotions peuvent nous guider. Autant, voire plus, que la raison. Gilles Deleuze affirme « l’émotion ne dit pas je ». Georges Didi-Huberman nous permet de comprendre en quoi elle est un message, un mouvement hors de soi, une façon d’aller vers l’autre, de s’exposer.
Théorie/ philosophie
Coralations
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"Coralations" is a philosophical exploration of the media that come into focus when we shift our attention from the highly recognizable coral of the tropics. Focusing on soft corals and deep-water corals leads to different narratives about climate change and involves different analogies to media. Through thought-provoking analyses of photography, science fiction, visual(...)
Coralations
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"Coralations" is a philosophical exploration of the media that come into focus when we shift our attention from the highly recognizable coral of the tropics. Focusing on soft corals and deep-water corals leads to different narratives about climate change and involves different analogies to media. Through thought-provoking analyses of photography, science fiction, visual art, and scientific images, Melody Jue renews our curiosity and broadens our understanding of corals beyond the dominant narratives about their endangerment. "Coralations" shows how paying attention to particular corals can change what we take for granted.
Théorie/ philosophie
Lawn: Object lessons
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A quintessential feature in Western gardens and landscaping, the lawn is now at the center of a climate change controversy. The large carbon footprint maintenance, its unquenchable thirst for fertilizers, weedkillers, and water, and the notorious unfriendliness towards all forms of wildlife have recently attracted criticism and even spurred an anti-lawn movement. Lawn(...)
Lawn: Object lessons
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A quintessential feature in Western gardens and landscaping, the lawn is now at the center of a climate change controversy. The large carbon footprint maintenance, its unquenchable thirst for fertilizers, weedkillers, and water, and the notorious unfriendliness towards all forms of wildlife have recently attracted criticism and even spurred an anti-lawn movement. Lawn untangles the colonial-capitalist threads that keep our passion for mown grass alive despite mounting evidence that we'd be better off without it. The lawn is aesthetically and ideologically versatile. From museums and hospitals to corporate headquarters and university campuses, it has become the verdant lingua franca of institutions of all kinds. Its formal homogeneity and neatness imply reliability, constancy, and solicit our trust. But beneath the lawn lies a stratification of intricate ideological and ecological issues that over time have come to define our conception of nature.
Théorie/ philosophie
Oil
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Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a(...)
Oil
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Black gold. Liquid sunlight. Texas tea. Oil remains the ur-commodity of our global era, having been distilled from ancient algae and marine life to turn modernity's wheels. Wars are fought over it. Some communities are displaced by its extraction, so that others may reap its benefits. But despite its heated history, few will ever see oil on the ground. Shrouded within a labyrinth of oil fields, pipelines, and manufacturies, it tends to be known only through its magical effects: the thrill of the road, the euphoria of flight, and the metamorphic allure of everything from vinyl records to celluloid film and synthetic clothing. Michael Tondre shows how hydrocarbon became today's pre-eminent power. How did oil come to structure selfhood and social relations? And to what extent is oil not only a commercial product but a cultural one-something shaped by widely imagined dreams and desires? Amid a warming world unleashed by fossil fuels, oil appears as a rich resource for thinking about histories of globalization and technology no less than the energetic underpinnings of literature, film, and art.
Théorie/ philosophie
Imagine, observe, remember
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"When one looks into the darkness there is always something there."—W. B. Yeats, The Secret Rose When one looks into one’s own interior there is always mental imagery. "Imagine, observe, remember" looks at the looking we do with the mind’s eye, offering practical exercises for the development of this mysterious faculty. The book is also a memoir, a portrait of the artist(...)
Imagine, observe, remember
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"When one looks into the darkness there is always something there."—W. B. Yeats, The Secret Rose When one looks into one’s own interior there is always mental imagery. "Imagine, observe, remember" looks at the looking we do with the mind’s eye, offering practical exercises for the development of this mysterious faculty. The book is also a memoir, a portrait of the artist as he develops his craft from what is possibly his first drawing to his current status of seasoned practitioner. It is furthermore a series of meditations, observations, quotes, images and instructions that will constitute a valuable resource for artists, writers, teachers and any reader who agrees that the uncharted wilderness within is worthy of exploration.
Théorie/ philosophie
$29.95
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Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. The volume includes a number of his most important works, including "Two Poems by Friedrich Hölderlin," "Goethe's Elective Affinities," "The Concept of Criticism in German Romanticism," "The Task of the Translator," and(...)
Théorie/ philosophie
mars 2004, Cambridge, Mass. / London
Walter Benjamin : selected writings volume 1, 1913-1926
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Volume I of the Selected Writings brings together essays long and short, academic treatises, reviews, fragments, and privately circulated pronouncements. The volume includes a number of his most important works, including "Two Poems by Friedrich Hölderlin," "Goethe's Elective Affinities," "The Concept of Criticism in German Romanticism," "The Task of the Translator," and "One-Way Street."
Théorie/ philosophie