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Arctic Spectacles: The Frozen North in Visual Culture, 1818-1875 illuminates the nineteenth-century fascination with visual representations of the Arctic, weaving together a narrative of the major Arctic expeditions with an account of their public reception through art and mass media.
septembre 2007, Montreal, Kingston
Arctic spectacles : The frozen north in visual culture, 1818-1875
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Arctic Spectacles: The Frozen North in Visual Culture, 1818-1875 illuminates the nineteenth-century fascination with visual representations of the Arctic, weaving together a narrative of the major Arctic expeditions with an account of their public reception through art and mass media.
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The work of Gilles Deleuze and Felix Guattari has been inspirational for architects and architectural theorists in recent years. It has influenced the design work of architects as diverse as Greg Lynn and David Chipperfield, and is regularly cited by avant-gardist architects and by students, but usually without being well understood. The first collaboration between(...)
Théorie de l’architecture
octobre 2007, Abingdon, New York
Deleuze & Guattari for Architects
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The work of Gilles Deleuze and Felix Guattari has been inspirational for architects and architectural theorists in recent years. It has influenced the design work of architects as diverse as Greg Lynn and David Chipperfield, and is regularly cited by avant-gardist architects and by students, but usually without being well understood. The first collaboration between Deleuze and Guattari was Anti-Oedipus: Capitalism and Schizophrenia, which was taken up as a manifesto for the post-structuralist life, and was associated with the spirit of the student revolts of 1968. Their ideas promote creativity and innovation, and their work is wide-ranging, complex and endlessly stimulating. They range across politics, psychoanalysis, physics, art and literature, changing preconceptions along the way. Deleuze & Guattari for Architects is a perfect introduction for students of architecture in design studio at all levels, students of architecture pursuing undergraduate and postgraduate courses in architectural theory, academics and interested architectural practitioners.
Théorie de l’architecture
Heidegger for Architects
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Informing the designs of architects as diverse as Peter Zumthor, Steven Holl, Hans Scharoun and Colin St. John Wilson, the work of Martin Heidegger has proved of great interest to architects and architectural theorists. The first introduction to Heidegger’s philosophy written specifically for architects and students of architecture introduces key themes in his(...)
Heidegger for Architects
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Informing the designs of architects as diverse as Peter Zumthor, Steven Holl, Hans Scharoun and Colin St. John Wilson, the work of Martin Heidegger has proved of great interest to architects and architectural theorists. The first introduction to Heidegger’s philosophy written specifically for architects and students of architecture introduces key themes in his thinking, which has proved highly influential among architects as well as architectural historians and theorists. This guide familiarizes readers with significant texts and helps to decodes terms as well as providing quick referencing for further reading. This concise introduction is ideal for students of architecture in design studio at all levels; students of architecture pursuing undergraduate and postgraduate courses in architectural theory; academics and interested architectural practitioners. Heidegger for Architects is the second book in the new Thinkers for Architects series.
Théorie de l’architecture
James Marston Fitch
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Founder of the nation's first graduate program in historic preservation, at Columbia University, architect James Marston Fitch was a prolific critic, historian, preservationist, environmentalist, and philosopher. In this, the first anthology of his writings—some never before published—Fitch's ideas and observations on a range of subjects are brought to light in a single,(...)
Théorie de l’architecture
avril 2007, New York London
James Marston Fitch
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Founder of the nation's first graduate program in historic preservation, at Columbia University, architect James Marston Fitch was a prolific critic, historian, preservationist, environmentalist, and philosopher. In this, the first anthology of his writings—some never before published—Fitch's ideas and observations on a range of subjects are brought to light in a single, invaluable volume. 30 illustrations.
Théorie de l’architecture
Architecture & mobility
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Finizio’s theme is one we can see on the streets: having changed the 19th-century city into a “metropolis” of suburbs and highways, the car as an object is, in turn, changing in relation to the modern city. A leading Italian design professional, Finizio has gathered an international symposium of architects to explore how urban planning, architecture, and design ideas can(...)
Architecture & mobility
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Finizio’s theme is one we can see on the streets: having changed the 19th-century city into a “metropolis” of suburbs and highways, the car as an object is, in turn, changing in relation to the modern city. A leading Italian design professional, Finizio has gathered an international symposium of architects to explore how urban planning, architecture, and design ideas can create a new design philosophy for the automobile as a sort of domestic moving space that interacts with the new urban environment. This richly illustrated book focuses on the relationship between the static city and “mobile architecture” of the car through the works of some of the most important contemporary international architects such as Frank Gehry, Rem Koolhass, Jean Nouvel, Massimiliano Fuksas, and Alessandro Mendini.This is an urgent, exciting design mission that finally deals with how thinking about the urban car must coevolve in profound new ways.
Théorie de l’architecture
Avant - Garde Fascism
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Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist(...)
Avant - Garde Fascism
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Investigating the central role that theories of the visual arts and creativity played in the development of fascism in France, Mark Antliff examines the aesthetic dimension of fascist myth-making within the history of the avant-garde. Between 1909 and 1939, a surprising array of modernists were implicated in this project, including such well-known figures as the symbolist painter Maurice Denis, the architects Le Corbusier and Auguste Perret, the sculptors Charles Despiau and Aristide Maillol, the “New Vision” photographer Germaine Krull, and the fauve Maurice Vlaminck.
Théorie de l’architecture
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In a volume that brings together a wide range of disciplines - art history, sociology, architecture, cultural anthropology, and environmental psychology - Irene Cieraad presents a collection of articles that focuses on the practices and symbolism of domestic space in Western society. These essays go beyond the discussion of conventional issues such as aesthetics and(...)
At home : An anthroplogy of domestic space
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In a volume that brings together a wide range of disciplines - art history, sociology, architecture, cultural anthropology, and environmental psychology - Irene Cieraad presents a collection of articles that focuses on the practices and symbolism of domestic space in Western society. These essays go beyond the discussion of conventional issues such as aesthetics and social standing. At Home takes an in-depth anthropological look at how different cultures use their homes as a visual model of the culture's social structure.
Théorie de l’architecture
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How can architects use branding as a means to differentiate places from the inside out--and not, as current development practices seem to dictate, from the outside in? When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.
Théorie de l’architecture
septembre 2007, Cambridge London
Brandscapes : Architecture in the experience economy
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How can architects use branding as a means to differentiate places from the inside out--and not, as current development practices seem to dictate, from the outside in? When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.
Théorie de l’architecture
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In Architecture or Techno-Utopia, Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s. Scott examines projects, conceptual work, exhibitions, publications, pedagogical initiatives, and agitprop performances that had as their(...)
Théorie de l’architecture
novembre 2007, Cambridge, London
Architecture or Techno-utopia : politics after modernism
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In Architecture or Techno-Utopia, Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s. Scott examines projects, conceptual work, exhibitions, publications, pedagogical initiatives, and agitprop performances that had as their premise the belief that architecture could be ethically and politically relevant. Although most of these strategies were far from the mainstream of American architectural practice, Scott suggests that their ambition-the demonstration of architecture's ongoing potential for social and political engagement-was nonetheless remarkable.
Théorie de l’architecture
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In "Enduring innocence", Keller Easterling tells the stories of outlaw "spatial products" -resorts, information technology campuses, retail chains, golf courses, ports, and other hybrid spaces that exist outside normal constituencies and jurisdictions, in difficult political situations around the world. These spaces -familiar commercial formulas of retail, business, and(...)
Théorie de l’architecture
octobre 2007, Cambridge (MA), London
Enduring innocence : global archtitecture and its political masquerades
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In "Enduring innocence", Keller Easterling tells the stories of outlaw "spatial products" -resorts, information technology campuses, retail chains, golf courses, ports, and other hybrid spaces that exist outside normal constituencies and jurisdictions, in difficult political situations around the world. These spaces -familiar commercial formulas of retail, business, and trade - aspire to be worlds unto themselves, self-reflexive and innocent of politics. But as Easterling shows, these enclaves can become political pawns and objects of contention. Jurisdictionally ambiguous, they are imbued with myths, desires, and symbolic capital. Their hilarious and dangerous masquerades often mix quite easily with the cunning of political platforms. Easterling argues that the study of such "real estate cocktails" provides vivid evidence of the market's weakness, resilience, or violence. These regimes of nonnational sovereignty, she writes, "move around the world like weather fronts"; Easterling focuses not on their blending - their global connectivity - but on their segregation and the cultural collisions that ensue. "Enduring innocence" resists the dream of one globally legible world found in many architectural discourses on globalization. Instead, Easterling's consideration of these segregated worlds provides new tools for practitioners sensitive to the political composition of urban landscapes.
Théorie de l’architecture