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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped(...)
$42.00
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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped(...)
Titre:
World War II and the American dream
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$42.00
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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped popularize modernism as the appropriate image of American industrial might and corporate success. Robert Friedel documents the development of new materials, especially plastics, and discusses techniques for employing traditional materials in novel ways. Margaret Crawford explores the struggle of women and blacks for public housing. Finally, Michael Sorkin, architect and writer, explores the migration of certain values and aesthetics from the necessities of war to the choices of peace. Among these are images of speed, camouflage, ruin, totalization, and flight.
World War II and the American dream
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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped popularize modernism as the appropriate image of American industrial might and corporate success. Robert Friedel documents the development of new materials, especially plastics, and discusses techniques for employing traditional materials in novel ways. Margaret Crawford explores the struggle of women and blacks for public housing. Finally, Michael Sorkin, architect and writer, explores the migration of certain values and aesthetics from the necessities of war to the choices of peace. Among these are images of speed, camouflage, ruin, totalization, and flight.
Classification:
livres
livres
Publication:
avril 1995
avril 1995
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$49.50
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Résumé:
Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
Titre:
Warped space : art, architecture, and anxiety in modern culture
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
Warped space : art, architecture, and anxiety in modern culture
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
Classification:
livres
livres
Publication:
juin 2000, Cambridge, Mass.
juin 2000, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$59.95
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Résumé:
These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotiation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession --a special interest group responsive and answerable to social change but shaped and informed(...)
$59.95
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Résumé:
These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotiation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession --a special interest group responsive and answerable to social change but shaped and informed(...)
Titre:
Architectural knowledge : the idea of a profession
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These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotiation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession --a special interest group responsive and answerable to social change but shaped and informed by values and principles that may be on a longer cycle and perhaps a loftier plane.
Architectural knowledge : the idea of a profession
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These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotiation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession --a special interest group responsive and answerable to social change but shaped and informed by values and principles that may be on a longer cycle and perhaps a loftier plane.
Classification:
livres
livres
Publication:
mai 1998, London
mai 1998, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Prix:
$48.95
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Résumé:
Collections "Villes et entreprises"
$48.95
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Collections "Villes et entreprises"
Titre:
Concevoir, inventer, créer : réflexions sur les pratiques
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Collections "Villes et entreprises"
Concevoir, inventer, créer : réflexions sur les pratiques
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Collections "Villes et entreprises"
Classification:
livres
livres
Publication:
avril 1996, Paris
avril 1996, Paris
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$105.00
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he(...)
$105.00
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he(...)
Titre:
The psychologizing of modernity
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$105.00
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principal focus of this study is pre-World War II Germany, where theories of empathy and Entartung emerged; and post-war America, where artists, critics and historians gradually shifted from their reliance on psychology to philosophy, and, most recently, to theory. Included are discussions of writers such as Heinrich Wölfflin, Ludwig Volkmann, John Dewey, Vincent Scully and Richard Arnheim, among others. The Psychologizing of Modernity is a broad and erudite study of the evolution of modern aesthetic thinking in the fields of art and architectural history. Chapter Contents Introduction; 1. The Art of Psychologizing; 2. The Theater of Self and the Crisis of Historiography; 3. The Body Ethos; 4. The visualist ethos; 5. The social ethos; 6. The literary ethos; 7. Shadows and mirrors; Conclusion.
The psychologizing of modernity
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In The Psychologizing of Modernity, Mark Jarzombek examines the impact of psychology on twentieth-century aesthetics. Analysing the interface between psychology, art history and avant-gardist practices, he also reflects on the longevity of the myth of aesthetic individuality as it infiltrated not only avant-garde art, but also history writing. The principal focus of this study is pre-World War II Germany, where theories of empathy and Entartung emerged; and post-war America, where artists, critics and historians gradually shifted from their reliance on psychology to philosophy, and, most recently, to theory. Included are discussions of writers such as Heinrich Wölfflin, Ludwig Volkmann, John Dewey, Vincent Scully and Richard Arnheim, among others. The Psychologizing of Modernity is a broad and erudite study of the evolution of modern aesthetic thinking in the fields of art and architectural history. Chapter Contents Introduction; 1. The Art of Psychologizing; 2. The Theater of Self and the Crisis of Historiography; 3. The Body Ethos; 4. The visualist ethos; 5. The social ethos; 6. The literary ethos; 7. Shadows and mirrors; Conclusion.
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livres
livres
Publication:
novembre 1998, Cambridge
novembre 1998, Cambridge
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Architecture et société
Architecture et société
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Textes choisis et annotés par Lionel Richard.
$52.50
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Résumé:
Textes choisis et annotés par Lionel Richard.
Titre:
Architecture et société
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$52.50
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Textes choisis et annotés par Lionel Richard.
Architecture et société
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Textes choisis et annotés par Lionel Richard.
Classification:
livres
livres
Publication:
avril 1995, Paris
avril 1995, Paris
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Architecture inside out
Architecture inside out
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$72.99
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Résumé:
Introducing a different architectural approach that transcends fixed notions of style, this book emphasizes seeing and enhancing the close connections that link both architect and occupant as well as the material, symbolic, and human aspects of designed spaces. It draws from the rich realm of archetypal psychology to show how in moving from inside out—from(...)
$72.99
(disponible sur commande)
Résumé:
Introducing a different architectural approach that transcends fixed notions of style, this book emphasizes seeing and enhancing the close connections that link both architect and occupant as well as the material, symbolic, and human aspects of designed spaces. It draws from the rich realm of archetypal psychology to show how in moving from inside out—from(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 2000, New York
janvier 2000, New York
Titre:
Architecture inside out
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$72.99
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Introducing a different architectural approach that transcends fixed notions of style, this book emphasizes seeing and enhancing the close connections that link both architect and occupant as well as the material, symbolic, and human aspects of designed spaces. It draws from the rich realm of archetypal psychology to show how in moving from inside out—from people's activities, dreams, and desires to the creation of space—architecture can be truly transformative.
Architecture inside out
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$72.99
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Résumé:
Introducing a different architectural approach that transcends fixed notions of style, this book emphasizes seeing and enhancing the close connections that link both architect and occupant as well as the material, symbolic, and human aspects of designed spaces. It draws from the rich realm of archetypal psychology to show how in moving from inside out—from people's activities, dreams, and desires to the creation of space—architecture can be truly transformative.
Classification:
livres
livres
Publication:
janvier 2000, New York
janvier 2000, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$67.50
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Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of(...)
$67.50
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Résumé:
Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juillet 1999, Cambridge, Mass.
juillet 1999, Cambridge, Mass.
Titre:
The historiography of modern architecture
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Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of buildings to books - has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our current concerns, so that the "beginning" of the story really functions as a "representation" of its end. In this book the buildings are the quotations, while the texts are the structure. Tournikiotis focuses on a group of books by major historians of the twentieth century: Nikolaus Pevsner, Emil Kaufmann, Sigfried Giedion, Bruno Zevi, Leonardo Benevolo, Henry-Russell Hitchcock, Reyner Banham, Peter Collins, and Manfredo Tafuri. In examining these writers' thoughts, he draws on concepts from critical theory, relating architecture to broader historical models.
The historiography of modern architecture
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$67.50
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Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history - of buildings to books - has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our current concerns, so that the "beginning" of the story really functions as a "representation" of its end. In this book the buildings are the quotations, while the texts are the structure. Tournikiotis focuses on a group of books by major historians of the twentieth century: Nikolaus Pevsner, Emil Kaufmann, Sigfried Giedion, Bruno Zevi, Leonardo Benevolo, Henry-Russell Hitchcock, Reyner Banham, Peter Collins, and Manfredo Tafuri. In examining these writers' thoughts, he draws on concepts from critical theory, relating architecture to broader historical models.
Classification:
livres
livres
Publication:
juillet 1999, Cambridge, Mass.
juillet 1999, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$43.95
(disponible sur commande)
Résumé:
This third volume in the Chora series continues to explore diverse historical and critical issues in architecture. Attempting to discover architectural alternatives based on concepts of aesthetics, technology, or sociology, the contributors offer refreshing interdisciplinary explorations of architectural tradition. The thirteen essays in(...)
$43.95
(disponible sur commande)
Résumé:
This third volume in the Chora series continues to explore diverse historical and critical issues in architecture. Attempting to discover architectural alternatives based on concepts of aesthetics, technology, or sociology, the contributors offer refreshing interdisciplinary explorations of architectural tradition. The thirteen essays in(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
février 1999, Montréal
février 1999, Montréal
Titre:
Chora 3 : intervals in the philosophy of architecture
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$43.95
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This third volume in the Chora series continues to explore diverse historical and critical issues in architecture. Attempting to discover architectural alternatives based on concepts of aesthetics, technology, or sociology, the contributors offer refreshing interdisciplinary explorations of architectural tradition. The thirteen essays in this collection include historical subjects as well as speculative theoretical "projects" that blur conventional boundaries between history and fiction. Ricardo Castro provides an original reading of the Kogi culture in Colombia; Maria Karvouni explores philological and architectonic connections between the Greek demas (the political individual) and domus (the house); Mark Rozahegy speculates on relationships between architecture and memory; Myriam Blais discusses technical inventions by sixteenth-century French architect Philibert de l'Orme; Alberto Pérez-Gómez examines the late sixteenth-century reconstruction of the Temple of Jerusalem by Juan Bautista Villalpando; Janine Debanné offers a new perspective on Guarino Guarini's Chapel of the Holy Shroud in Turin; Katja Grillner examines the early seventeenth-century writings of Salomon de Caus and his built work in Heidelberg; David Winterton reflects on Charles-François Viel's "Letters"; Franca Trubiano looks at Jean-Jacques Lequeu's controversial Civil Architecture; Henrik Reeh considers the work of Sigfried Kracauer, a disciple of Walter Benjamin; Irena Zantovská Murray reflects on work by artist Jana Sterbak; artist Ellen Zweig presents a textual project that demonstrates the charged poetic space created by film makers such as Antonioni and Hitchcock; and Swedish writer and architect Sören Thurell asks a riddle about architecture and its mimetic origins.
Chora 3 : intervals in the philosophy of architecture
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$43.95
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Résumé:
This third volume in the Chora series continues to explore diverse historical and critical issues in architecture. Attempting to discover architectural alternatives based on concepts of aesthetics, technology, or sociology, the contributors offer refreshing interdisciplinary explorations of architectural tradition. The thirteen essays in this collection include historical subjects as well as speculative theoretical "projects" that blur conventional boundaries between history and fiction. Ricardo Castro provides an original reading of the Kogi culture in Colombia; Maria Karvouni explores philological and architectonic connections between the Greek demas (the political individual) and domus (the house); Mark Rozahegy speculates on relationships between architecture and memory; Myriam Blais discusses technical inventions by sixteenth-century French architect Philibert de l'Orme; Alberto Pérez-Gómez examines the late sixteenth-century reconstruction of the Temple of Jerusalem by Juan Bautista Villalpando; Janine Debanné offers a new perspective on Guarino Guarini's Chapel of the Holy Shroud in Turin; Katja Grillner examines the early seventeenth-century writings of Salomon de Caus and his built work in Heidelberg; David Winterton reflects on Charles-François Viel's "Letters"; Franca Trubiano looks at Jean-Jacques Lequeu's controversial Civil Architecture; Henrik Reeh considers the work of Sigfried Kracauer, a disciple of Walter Benjamin; Irena Zantovská Murray reflects on work by artist Jana Sterbak; artist Ellen Zweig presents a textual project that demonstrates the charged poetic space created by film makers such as Antonioni and Hitchcock; and Swedish writer and architect Sören Thurell asks a riddle about architecture and its mimetic origins.
Classification:
livres
livres
Publication:
février 1999, Montréal
février 1999, Montréal
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$60.00
(disponible sur commande)
Résumé:
In "The Monumental Impulse", art historian George Hersey investigates many ties between the biological sciences and the building arts. Natural building materials such as wood and limestone, for example, originate in biological processes. Much architectural (...)
$60.00
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In "The Monumental Impulse", art historian George Hersey investigates many ties between the biological sciences and the building arts. Natural building materials such as wood and limestone, for example, originate in biological processes. Much architectural (...)
Titre:
The monumental impulse : architecture's biological roots
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$60.00
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In "The Monumental Impulse", art historian George Hersey investigates many ties between the biological sciences and the building arts. Natural building materials such as wood and limestone, for example, originate in biological processes. Much architectural ornament borrows from botany and zoology. Hersey draws striking analogies between building types and animal species. He examines the relationship between physical structures and living organisms, from bridges to mosques, from molecules to mammals. Insects, mollusks, and birds are given separate chapters, and three final chapters focus on architectural form and biological reproduction. Hersey also discusses architecture in connection with the body's interior processes and shows how buildings may be said to reproduce, adapt, and evolve, like other inanimate or "nonbiotic" entities such as computer programs and robots.
The monumental impulse : architecture's biological roots
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$60.00
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Résumé:
In "The Monumental Impulse", art historian George Hersey investigates many ties between the biological sciences and the building arts. Natural building materials such as wood and limestone, for example, originate in biological processes. Much architectural ornament borrows from botany and zoology. Hersey draws striking analogies between building types and animal species. He examines the relationship between physical structures and living organisms, from bridges to mosques, from molecules to mammals. Insects, mollusks, and birds are given separate chapters, and three final chapters focus on architectural form and biological reproduction. Hersey also discusses architecture in connection with the body's interior processes and shows how buildings may be said to reproduce, adapt, and evolve, like other inanimate or "nonbiotic" entities such as computer programs and robots.
Classification:
livres
livres
Publication:
avril 1999, Cambridge, Mass.
avril 1999, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
