2137 Résultats
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livres
livres
Titre:
Walden and other writings
Walden and other writings
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Naturalist, philosopher, champion of self-reliance and moral independence, Henry David Thoreau remains not only one of our most influential writers but also one of our most contemporary. This unique and comprehensive edition gathers all of Thoreau's most significant works (including his masterpiece Walden, reproduced in its entirety). Taken together, they reveal the(...)
$15.95
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Résumé:
Naturalist, philosopher, champion of self-reliance and moral independence, Henry David Thoreau remains not only one of our most influential writers but also one of our most contemporary. This unique and comprehensive edition gathers all of Thoreau's most significant works (including his masterpiece Walden, reproduced in its entirety). Taken together, they reveal the(...)
Titre:
Walden and other writings
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$15.95
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Naturalist, philosopher, champion of self-reliance and moral independence, Henry David Thoreau remains not only one of our most influential writers but also one of our most contemporary. This unique and comprehensive edition gathers all of Thoreau's most significant works (including his masterpiece Walden, reproduced in its entirety). Taken together, they reveal the astounding range, subtlety, artisty, and depth of thought of this true American original.
Walden and other writings
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$15.95
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Naturalist, philosopher, champion of self-reliance and moral independence, Henry David Thoreau remains not only one of our most influential writers but also one of our most contemporary. This unique and comprehensive edition gathers all of Thoreau's most significant works (including his masterpiece Walden, reproduced in its entirety). Taken together, they reveal the astounding range, subtlety, artisty, and depth of thought of this true American original.
Classification:
livres
livres
Publication:
novembre 2000, New York
novembre 2000, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
The Mycenaeans
The Mycenaeans
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For almost three thousand years, the Mycenaeans, ancestors of the classical Greeks, lay lost and forgotten beneath the soil of Greece. In 1876, however, a German businessman, Heinrich Schliemann, in his search for the great Mycenaean king Agamemnon and other heroes of the Trojan War, made an astounding discovery in Mycenae: inside the monumental Lion Gate he discovered(...)
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For almost three thousand years, the Mycenaeans, ancestors of the classical Greeks, lay lost and forgotten beneath the soil of Greece. In 1876, however, a German businessman, Heinrich Schliemann, in his search for the great Mycenaean king Agamemnon and other heroes of the Trojan War, made an astounding discovery in Mycenae: inside the monumental Lion Gate he discovered(...)
Titre:
The Mycenaeans
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$40.00
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For almost three thousand years, the Mycenaeans, ancestors of the classical Greeks, lay lost and forgotten beneath the soil of Greece. In 1876, however, a German businessman, Heinrich Schliemann, in his search for the great Mycenaean king Agamemnon and other heroes of the Trojan War, made an astounding discovery in Mycenae: inside the monumental Lion Gate he discovered shaft graves belonging to a warrior elite, many of whom were buried wearing striking gold funerary masks and armor. In this authoritative new survey, Schofield examines these initial discoveries and other material evidence from Mycenaean culture, including painted pottery, documents in Linear B script, and the remains of fortress-palaces, all of which have yielded important information about the social hierarchies, religion, and military and trading activities of this wealthy and sophisticated culture. The author also considers the factual basis for the Mycenaeans' legendary links with the Trojan War and the various explanations for the eventual decline of their civilization.
The Mycenaeans
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$40.00
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Résumé:
For almost three thousand years, the Mycenaeans, ancestors of the classical Greeks, lay lost and forgotten beneath the soil of Greece. In 1876, however, a German businessman, Heinrich Schliemann, in his search for the great Mycenaean king Agamemnon and other heroes of the Trojan War, made an astounding discovery in Mycenae: inside the monumental Lion Gate he discovered shaft graves belonging to a warrior elite, many of whom were buried wearing striking gold funerary masks and armor. In this authoritative new survey, Schofield examines these initial discoveries and other material evidence from Mycenaean culture, including painted pottery, documents in Linear B script, and the remains of fortress-palaces, all of which have yielded important information about the social hierarchies, religion, and military and trading activities of this wealthy and sophisticated culture. The author also considers the factual basis for the Mycenaeans' legendary links with the Trojan War and the various explanations for the eventual decline of their civilization.
Classification:
livres
livres
Publication:
janvier 2001, Los Angeles
janvier 2001, Los Angeles
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
Titre:
China on paper
China on paper
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$57.50
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At the dawn of the era of global trade, an extraordinary range of illustrated books, prints, and maps not only afforded Europeans glimpses of imperial China's cultural and material riches but also brought Western science, religion, and art to Chinese scholars and emperors. Produced in an atmosphere of mutual curiosity and collaboration, these works proposed China and(...)
$57.50
(disponible sur commande)
Résumé:
At the dawn of the era of global trade, an extraordinary range of illustrated books, prints, and maps not only afforded Europeans glimpses of imperial China's cultural and material riches but also brought Western science, religion, and art to Chinese scholars and emperors. Produced in an atmosphere of mutual curiosity and collaboration, these works proposed China and(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2007, Los angeles
septembre 2007, Los angeles
Titre:
China on paper
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$57.50
(disponible sur commande)
Résumé:
At the dawn of the era of global trade, an extraordinary range of illustrated books, prints, and maps not only afforded Europeans glimpses of imperial China's cultural and material riches but also brought Western science, religion, and art to Chinese scholars and emperors. Produced in an atmosphere of mutual curiosity and collaboration, these works proposed China and Europe as similarly distant and exotic civilizations with parallel histories and at least some values in common. China on paper opens a window on these vibrant and largely unexamined exchanges whereby the denizens of two vast regions created visions of themselves and each other in a newly expanded world.
China on paper
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$57.50
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Résumé:
At the dawn of the era of global trade, an extraordinary range of illustrated books, prints, and maps not only afforded Europeans glimpses of imperial China's cultural and material riches but also brought Western science, religion, and art to Chinese scholars and emperors. Produced in an atmosphere of mutual curiosity and collaboration, these works proposed China and Europe as similarly distant and exotic civilizations with parallel histories and at least some values in common. China on paper opens a window on these vibrant and largely unexamined exchanges whereby the denizens of two vast regions created visions of themselves and each other in a newly expanded world.
Classification:
livres
livres
Publication:
septembre 2007, Los angeles
septembre 2007, Los angeles
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$31.95
(disponible en magasin)
Résumé:
Et si la perspective moderne n'existait pas? Ne faut-il nuancer la thèse massivement admise qu'au Quattrocento, un dispositif unitaire de représentation se mettrait en place dans la peinture, dont la fonction demeurerait inchangée jusqu'à l'âge classique? En relisant les textes d'Alberti, de Piero della Francesca, de Léonard de Vinci et d'Albert Dürer, en regardant(...)
$31.95
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Résumé:
Et si la perspective moderne n'existait pas? Ne faut-il nuancer la thèse massivement admise qu'au Quattrocento, un dispositif unitaire de représentation se mettrait en place dans la peinture, dont la fonction demeurerait inchangée jusqu'à l'âge classique? En relisant les textes d'Alberti, de Piero della Francesca, de Léonard de Vinci et d'Albert Dürer, en regardant(...)
Titre:
Archéologie de la perspective : sur Piero della Francesca, Vinci et Dürer
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Et si la perspective moderne n'existait pas? Ne faut-il nuancer la thèse massivement admise qu'au Quattrocento, un dispositif unitaire de représentation se mettrait en place dans la peinture, dont la fonction demeurerait inchangée jusqu'à l'âge classique? En relisant les textes d'Alberti, de Piero della Francesca, de Léonard de Vinci et d'Albert Dürer, en regardant autrement les peintures de la Renaissance, des fresques d'Azzero ou dela Cène de Milan, ce livre met en effet en évidence des dispositifs singuliers, liés pour chaque peintre à des régimes différents de la représentation, du visible, de la vision et du regard. Pourtant, au XVIIe siècle, le discours sur la perspective est soudain convoqué par la philosophie, pour éclairer le nouveau partage entre la représentation du sujet pensant et une matière désormais géométrisable. À quelles conditions, improbables et contingentes, la perspective a-t-elle pu tenir cette place à la fois décisive et ambiguë dans l'émergence de l'âme classique? Par quelles transformations, de la surface de la peinture et de laplace du spectateur, a-t-elle dû passer pour rendre possible la clôture de l'image sur la représentation classique? À l'histoire d'une forme symbolique, ce livre substitue le récit désormais éclaté d'une archéologie ou d'une généalogie de la modernité.
Archéologie de la perspective : sur Piero della Francesca, Vinci et Dürer
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Résumé:
Et si la perspective moderne n'existait pas? Ne faut-il nuancer la thèse massivement admise qu'au Quattrocento, un dispositif unitaire de représentation se mettrait en place dans la peinture, dont la fonction demeurerait inchangée jusqu'à l'âge classique? En relisant les textes d'Alberti, de Piero della Francesca, de Léonard de Vinci et d'Albert Dürer, en regardant autrement les peintures de la Renaissance, des fresques d'Azzero ou dela Cène de Milan, ce livre met en effet en évidence des dispositifs singuliers, liés pour chaque peintre à des régimes différents de la représentation, du visible, de la vision et du regard. Pourtant, au XVIIe siècle, le discours sur la perspective est soudain convoqué par la philosophie, pour éclairer le nouveau partage entre la représentation du sujet pensant et une matière désormais géométrisable. À quelles conditions, improbables et contingentes, la perspective a-t-elle pu tenir cette place à la fois décisive et ambiguë dans l'émergence de l'âme classique? Par quelles transformations, de la surface de la peinture et de laplace du spectateur, a-t-elle dû passer pour rendre possible la clôture de l'image sur la représentation classique? À l'histoire d'une forme symbolique, ce livre substitue le récit désormais éclaté d'une archéologie ou d'une généalogie de la modernité.
Classification:
livres
livres
Publication:
mai 2007, Paris
mai 2007, Paris
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$63.95
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Résumé:
On lit dans cet ouvrage comment le projet d'espace donne du sens, mais aussi prend du sens à l'être, même en son absence. Toute sémiotique s'inscrit dans l'espace, de proche en proche, puis un peu plus loin, jusqu'à l'absence. Et c'est bien la force de l'espace architectural, force formelle qui s'oppose aux forces matérielles d'attraction et de répulsion, que de donner(...)
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Résumé:
On lit dans cet ouvrage comment le projet d'espace donne du sens, mais aussi prend du sens à l'être, même en son absence. Toute sémiotique s'inscrit dans l'espace, de proche en proche, puis un peu plus loin, jusqu'à l'absence. Et c'est bien la force de l'espace architectural, force formelle qui s'oppose aux forces matérielles d'attraction et de répulsion, que de donner(...)
Titre:
Le sens de l'espace : Le project architectural
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On lit dans cet ouvrage comment le projet d'espace donne du sens, mais aussi prend du sens à l'être, même en son absence. Toute sémiotique s'inscrit dans l'espace, de proche en proche, puis un peu plus loin, jusqu'à l'absence. Et c'est bien la force de l'espace architectural, force formelle qui s'oppose aux forces matérielles d'attraction et de répulsion, que de donner sens en articulant présence et absence. Établissant une continuité entre la chose sensible et l'idée que l'on en a. l'espace architectural est relation autant qu'intervalle, connexion autant qu'intercalation, conjonction autant que disjonction. Il faut le franchir, mais on peut le parcourir. Vide, panoptique, il donne à voir; peuplé de corps divers, labyrinthique, il donne à chercher. L'espace architectural est ainsi un mode d'organisation de l'être au monde.
Le sens de l'espace : Le project architectural
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On lit dans cet ouvrage comment le projet d'espace donne du sens, mais aussi prend du sens à l'être, même en son absence. Toute sémiotique s'inscrit dans l'espace, de proche en proche, puis un peu plus loin, jusqu'à l'absence. Et c'est bien la force de l'espace architectural, force formelle qui s'oppose aux forces matérielles d'attraction et de répulsion, que de donner sens en articulant présence et absence. Établissant une continuité entre la chose sensible et l'idée que l'on en a. l'espace architectural est relation autant qu'intervalle, connexion autant qu'intercalation, conjonction autant que disjonction. Il faut le franchir, mais on peut le parcourir. Vide, panoptique, il donne à voir; peuplé de corps divers, labyrinthique, il donne à chercher. L'espace architectural est ainsi un mode d'organisation de l'être au monde.
Classification:
livres
livres
Publication:
septembre 2007, Paris
septembre 2007, Paris
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$37.95
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Résumé:
In the rapidly changing profession of architecture, Thinking Practice presents an extraordinary examination of the increasingly dynamic relationships between academic research, teaching and practice. This book brings together a unique and diverse collection of writings by leading academics and theorists who are also practising architects.
$37.95
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Résumé:
In the rapidly changing profession of architecture, Thinking Practice presents an extraordinary examination of the increasingly dynamic relationships between academic research, teaching and practice. This book brings together a unique and diverse collection of writings by leading academics and theorists who are also practising architects.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2007, London
septembre 2007, London
Titre:
Thinking Practice: reflections on architectural research and building work
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In the rapidly changing profession of architecture, Thinking Practice presents an extraordinary examination of the increasingly dynamic relationships between academic research, teaching and practice. This book brings together a unique and diverse collection of writings by leading academics and theorists who are also practising architects.
Thinking Practice: reflections on architectural research and building work
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$37.95
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Résumé:
In the rapidly changing profession of architecture, Thinking Practice presents an extraordinary examination of the increasingly dynamic relationships between academic research, teaching and practice. This book brings together a unique and diverse collection of writings by leading academics and theorists who are also practising architects.
Classification:
livres
livres
Publication:
septembre 2007, London
septembre 2007, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
World City
World City
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$29.99
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Résumé:
Cities around the world are striving to be global. This book tells the story of one of them, and in so doing raises questions which are essential for all cities. These questions concern identity, place, and political responsibility in the changing geographies of our times. The book also tells the story of the rise of a new class, of deepening inequality, and of the(...)
$29.99
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Résumé:
Cities around the world are striving to be global. This book tells the story of one of them, and in so doing raises questions which are essential for all cities. These questions concern identity, place, and political responsibility in the changing geographies of our times. The book also tells the story of the rise of a new class, of deepening inequality, and of the(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
septembre 2007, Cambridge, Malden
septembre 2007, Cambridge, Malden
Titre:
World City
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$29.99
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Résumé:
Cities around the world are striving to be global. This book tells the story of one of them, and in so doing raises questions which are essential for all cities. These questions concern identity, place, and political responsibility in the changing geographies of our times. The book also tells the story of the rise of a new class, of deepening inequality, and of the geographical imaginations that are mobilised to legitimate the increasing dominance of these powerful metropoles. In so doing, it sets the global city in its wider geographical and political context. World City focuses its account on London, one of the greatest of these global cities. London is a city of delight and of creativity, of the generation of vast wealth and of acute poverty. It also presides over a country increasingly divided between North and South and over a neo-liberal form of globalisation the deregulation, financialisation and commercialisation of all aspects of life that results in an evermore unequal world.World City explores how we can understand this complex narrative and asks a question that should be asked of any city: what does this place stand for? This book will appeal to students of human geography, politics and sociology as well as to the general reader.
World City
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$29.99
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Résumé:
Cities around the world are striving to be global. This book tells the story of one of them, and in so doing raises questions which are essential for all cities. These questions concern identity, place, and political responsibility in the changing geographies of our times. The book also tells the story of the rise of a new class, of deepening inequality, and of the geographical imaginations that are mobilised to legitimate the increasing dominance of these powerful metropoles. In so doing, it sets the global city in its wider geographical and political context. World City focuses its account on London, one of the greatest of these global cities. London is a city of delight and of creativity, of the generation of vast wealth and of acute poverty. It also presides over a country increasingly divided between North and South and over a neo-liberal form of globalisation the deregulation, financialisation and commercialisation of all aspects of life that results in an evermore unequal world.World City explores how we can understand this complex narrative and asks a question that should be asked of any city: what does this place stand for? This book will appeal to students of human geography, politics and sociology as well as to the general reader.
Classification:
livres
livres
Publication:
septembre 2007, Cambridge, Malden
septembre 2007, Cambridge, Malden
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$42.95
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Résumé:
A l'heure de la "mondialisation" et de la mobilité généralisée, alors même que les sociétés modernes ont tendance à occulter le contenu anthropologique de l'espace, comment rendre compte de la complexité des espaces vécus ? De la dimension culturelle des territoires ? Car la banalité des espaces ordinaires recouvre une dimension cosmologique : nos espaces quotidiens, à(...)
$42.95
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Résumé:
A l'heure de la "mondialisation" et de la mobilité généralisée, alors même que les sociétés modernes ont tendance à occulter le contenu anthropologique de l'espace, comment rendre compte de la complexité des espaces vécus ? De la dimension culturelle des territoires ? Car la banalité des espaces ordinaires recouvre une dimension cosmologique : nos espaces quotidiens, à(...)
Titre:
Anthropologie de l'espace : Habiter, fonder, distribuer, transformer
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$42.95
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Résumé:
A l'heure de la "mondialisation" et de la mobilité généralisée, alors même que les sociétés modernes ont tendance à occulter le contenu anthropologique de l'espace, comment rendre compte de la complexité des espaces vécus ? De la dimension culturelle des territoires ? Car la banalité des espaces ordinaires recouvre une dimension cosmologique : nos espaces quotidiens, à différentes échelles (domicile, quartier, ville, territoire), sont empreints de règles, obéissent à des conventions, répondent à des valeurs, le plus souvent implicites. La démarche de l'auteure pour répondre à ces interrogations s'ancre ici dans une réflexion sur les formes et les usages de l'espace dans différentes sociétés. Car si toutes partagent des "universaux", Fonder, Habiter, Classer et Distribuer, Transformer et Reformuler, pour autant, ces opérations communes se déclinent de diverses manières que l'ouvrage examine, montrant comment s'instaurent, aujourd'hui comme hier, ces liens entre espaces et sociétés. Ainsi, l'auteure analyse notamment la rencontre et le renforcement des rapports en France, après Mai 1968, entre sciences sociales, architecture et urbanisme. Destiné aux étudiants, chercheurs, professionnels opérant dans et sur l'espace, mais aussi aux citadins "ordinaires", ce travail leur apportera les outils indispensables à une appréhension globale de la problématique anthropologique des espaces.
Anthropologie de l'espace : Habiter, fonder, distribuer, transformer
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Prix:
$42.95
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Résumé:
A l'heure de la "mondialisation" et de la mobilité généralisée, alors même que les sociétés modernes ont tendance à occulter le contenu anthropologique de l'espace, comment rendre compte de la complexité des espaces vécus ? De la dimension culturelle des territoires ? Car la banalité des espaces ordinaires recouvre une dimension cosmologique : nos espaces quotidiens, à différentes échelles (domicile, quartier, ville, territoire), sont empreints de règles, obéissent à des conventions, répondent à des valeurs, le plus souvent implicites. La démarche de l'auteure pour répondre à ces interrogations s'ancre ici dans une réflexion sur les formes et les usages de l'espace dans différentes sociétés. Car si toutes partagent des "universaux", Fonder, Habiter, Classer et Distribuer, Transformer et Reformuler, pour autant, ces opérations communes se déclinent de diverses manières que l'ouvrage examine, montrant comment s'instaurent, aujourd'hui comme hier, ces liens entre espaces et sociétés. Ainsi, l'auteure analyse notamment la rencontre et le renforcement des rapports en France, après Mai 1968, entre sciences sociales, architecture et urbanisme. Destiné aux étudiants, chercheurs, professionnels opérant dans et sur l'espace, mais aussi aux citadins "ordinaires", ce travail leur apportera les outils indispensables à une appréhension globale de la problématique anthropologique des espaces.
Classification:
livres
livres
Publication:
mai 2007, Paris
mai 2007, Paris
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$25.95
(disponible sur commande)
Résumé:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program(...)
$25.95
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Résumé:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program(...)
Publication:
avril 2009
avril 2009
Titre:
The glass state: the technology of the spectacle, Paris 1981-1998
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$25.95
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Résumé:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building's design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand's glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets - the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and André Citroën and the Bibliotheque nationale de France - Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
The glass state: the technology of the spectacle, Paris 1981-1998
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Prix:
$25.95
(disponible sur commande)
Résumé:
From the Gothic to the contemporary, glass has transformed the structural, formal, and philosophical principles of architecture. In "The glass state", Annette Fierro views the many meanings of transparency in architecture. Specifically, she analyzes the transparent monumental buildings that were built in Paris between 1981 and 1998 as part of Francois Mitterrand's program of Grands Projets. The Grands Projets provide a rare opportunity to study a finite set of buildings constructed of similar materials, in the same time period, in a specific urban landscape, and with related ideological missions. Fierro employs a "discourse of the detail," in which the smallest architectural detail manifests the political, theoretical, and urban contexts of the building's design and construction. She examines the paradox of the most pared down architectural configurations being used to support the most complex meanings. Intrinsic to Mitterrand's glass buildings in Paris, for example, is a political concept: the metaphor of accessibility as a means of breaking open cultural institutions previously closed to the public. In addition to the structures of the Grands Projets - the Institut du Monde Arabe, the Grande and Petite Pyramides du Louvre, the glass greenhouses at utopian park projects at La Villette and André Citroën and the Bibliotheque nationale de France - Fierro discusses the Fondation Cartier and two precedent structures, the Centre Georges Pompidou and the Eiffel Tower.
Classification:
livres
livres
Publication:
avril 2009
avril 2009
Classification:
livres
livres
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$31.50
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Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
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Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
octobre 2006, Cambridge (MA), London
octobre 2006, Cambridge (MA), London
Titre:
Architecture in the age of divided representation : the question of creativity in the shadow of production
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Prix:
$31.50
(disponible sur commande)
Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
Actions:
Prix:
$31.50
(disponible sur commande)
Résumé:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Classification:
livres
livres
Publication:
octobre 2006, Cambridge (MA), London
octobre 2006, Cambridge (MA), London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
