2152 Résultats
Classification:
livres
livres
Titre:
Nature and architecture
Nature and architecture
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This book explores the natural origin of architectural archetypes; the column, the house, the wall, the door, the temple, the tower, etc. Evolving from research carried out in the sixties, this volume not only examines the differences and similarities between natural and architectural forms, but it also draws comparisons between natural forms and the(...)
$125.00
(disponible sur commande)
Résumé:
This book explores the natural origin of architectural archetypes; the column, the house, the wall, the door, the temple, the tower, etc. Evolving from research carried out in the sixties, this volume not only examines the differences and similarities between natural and architectural forms, but it also draws comparisons between natural forms and the(...)
Titre:
Nature and architecture
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$125.00
(disponible sur commande)
Résumé:
This book explores the natural origin of architectural archetypes; the column, the house, the wall, the door, the temple, the tower, etc. Evolving from research carried out in the sixties, this volume not only examines the differences and similarities between natural and architectural forms, but it also draws comparisons between natural forms and the precepts and ideas that characterized architecture of different cultures.
Nature and architecture
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$125.00
(disponible sur commande)
Résumé:
This book explores the natural origin of architectural archetypes; the column, the house, the wall, the door, the temple, the tower, etc. Evolving from research carried out in the sixties, this volume not only examines the differences and similarities between natural and architectural forms, but it also draws comparisons between natural forms and the precepts and ideas that characterized architecture of different cultures.
Classification:
livres
livres
Publication:
octobre 2000, Milan
octobre 2000, Milan
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Prix:
$39.95
(disponible sur commande)
Résumé:
The issue of race in architecture is a com-plicated and often divisive one. Traditional methods of architectural history and theory tend to attribute a city's civic and cultural identity to the dominant culture. Ignored are more marginal cultures without a tradition of public building, often preventing a complete understanding of the city and the forces that shape(...)
$39.95
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The issue of race in architecture is a com-plicated and often divisive one. Traditional methods of architectural history and theory tend to attribute a city's civic and cultural identity to the dominant culture. Ignored are more marginal cultures without a tradition of public building, often preventing a complete understanding of the city and the forces that shape(...)
Titre:
Sites of memory : perspectives on architecture and race
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$39.95
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The issue of race in architecture is a com-plicated and often divisive one. Traditional methods of architectural history and theory tend to attribute a city's civic and cultural identity to the dominant culture. Ignored are more marginal cultures without a tradition of public building, often preventing a complete understanding of the city and the forces that shape it. These essays explore the historic and contemporary effects of race upon the development of the built environment, and examine the myths and realities of America's racial landscapes. Its multidisciplinary approach identifies and interprets the black cultural landscape, examining its visual, spatial, and ideological dimensions. Contributors to this collection include Nathaniel Belcher, Felicia Davis, Sheryl Tucker deVasquez, K. Ian Grandison, Bradford Grant, Walter Hood, Lesley Lokko, Mabel O. Wilson, and Amy Weisser.
Sites of memory : perspectives on architecture and race
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$39.95
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The issue of race in architecture is a com-plicated and often divisive one. Traditional methods of architectural history and theory tend to attribute a city's civic and cultural identity to the dominant culture. Ignored are more marginal cultures without a tradition of public building, often preventing a complete understanding of the city and the forces that shape it. These essays explore the historic and contemporary effects of race upon the development of the built environment, and examine the myths and realities of America's racial landscapes. Its multidisciplinary approach identifies and interprets the black cultural landscape, examining its visual, spatial, and ideological dimensions. Contributors to this collection include Nathaniel Belcher, Felicia Davis, Sheryl Tucker deVasquez, K. Ian Grandison, Bradford Grant, Walter Hood, Lesley Lokko, Mabel O. Wilson, and Amy Weisser.
Classification:
livres
livres
Publication:
février 2001, New York
février 2001, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$36.95
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Résumé:
A polemical look at how architectural knowledge is produced, disseminated, and received. The essays collected in this groundbreaking volume address the current state of architecture as an academic and professional discipline. Often critical of the current paradigm, these essays offer a provocative challenge to accepted assumptions about the production, dissemination,(...)
$36.95
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Résumé:
A polemical look at how architectural knowledge is produced, disseminated, and received. The essays collected in this groundbreaking volume address the current state of architecture as an academic and professional discipline. Often critical of the current paradigm, these essays offer a provocative challenge to accepted assumptions about the production, dissemination,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
janvier 2001, Minneapolis
janvier 2001, Minneapolis
Titre:
The discipline of architecture
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$36.95
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Résumé:
A polemical look at how architectural knowledge is produced, disseminated, and received. The essays collected in this groundbreaking volume address the current state of architecture as an academic and professional discipline. Often critical of the current paradigm, these essays offer a provocative challenge to accepted assumptions about the production, dissemination, and reception of architectural knowledge. Contributors: Sherry Ahrentzen, Stanford Anderson, Carol Burns, W. Russell Ellis, Thomas Fisher, Linda N. Groat, Kay Bea Jones, David Leatherbarrow, A. G. Krishna Menon, Garth Rockcastle, Michael Stanton, Sharon Egretta Sutton, David J. T. Vanderburgh, and Donald Watson.
The discipline of architecture
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$36.95
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Résumé:
A polemical look at how architectural knowledge is produced, disseminated, and received. The essays collected in this groundbreaking volume address the current state of architecture as an academic and professional discipline. Often critical of the current paradigm, these essays offer a provocative challenge to accepted assumptions about the production, dissemination, and reception of architectural knowledge. Contributors: Sherry Ahrentzen, Stanford Anderson, Carol Burns, W. Russell Ellis, Thomas Fisher, Linda N. Groat, Kay Bea Jones, David Leatherbarrow, A. G. Krishna Menon, Garth Rockcastle, Michael Stanton, Sharon Egretta Sutton, David J. T. Vanderburgh, and Donald Watson.
Classification:
livres
livres
Publication:
janvier 2001, Minneapolis
janvier 2001, Minneapolis
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$63.00
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Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier (...)
$63.00
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Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier (...)
Titre:
Le Corbusier : the Modulor, Modulor 2
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$63.00
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Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as "Modulor". Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, Modulor is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier’s most notable buildings, including the Chapel at Ronchamp and the Unité d’habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier’s theoretical writings.
Le Corbusier : the Modulor, Modulor 2
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Le Corbusier’s Modulor – a fundamental work in the history of architecture – now available in a beautiful facsimile edition. In the years 1942 to 1948, Le Corbusier developed a system of measurements which became known as "Modulor". Based on the Golden Section and Fibonacci numbers and also using the physical dimensions of the average human, Modulor is a sequence of measurements which Le Corbusier used to achieve harmony in his architectural compositions. Le Modulor was published in 1950 and after meeting with success, Le Corbusier went on to publish Modulor 2 in 1955. In many of Le Corbusier’s most notable buildings, including the Chapel at Ronchamp and the Unité d’habitation, evidence of his Modulor system can be seen. These two volumes form an important and integral part of Le Corbusier’s theoretical writings.
Classification:
livres
livres
Publication:
janvier 2000, Basel
janvier 2000, Basel
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$71.95
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"Inclusive Design" is a documentation of the attitudes, values, and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a(...)
$71.95
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"Inclusive Design" is a documentation of the attitudes, values, and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
juin 2001, London / New York
juin 2001, London / New York
Titre:
Inclusive design : designing and developing accessible environments
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$71.95
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"Inclusive Design" is a documentation of the attitudes, values, and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a primary focus on commercial developments in the UK. The book also provides comments on, and references to, other countries, particularly the USA, Sweden, and New Zealand.
Inclusive design : designing and developing accessible environments
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$71.95
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Résumé:
"Inclusive Design" is a documentation of the attitudes, values, and practices of property professionals, including developers, surveyors and architects, in responding to the building needs of disabled people. It looks at the way in which pressure for accessible building design is influencing the policies and practices of property companies and professionals, with a primary focus on commercial developments in the UK. The book also provides comments on, and references to, other countries, particularly the USA, Sweden, and New Zealand.
Classification:
livres
livres
Publication:
juin 2001, London / New York
juin 2001, London / New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$31.50
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"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects,(...)
$31.50
(disponible sur commande)
Résumé:
"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects,(...)
Titre:
Why architecture matters : lessons from Chicago
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$31.50
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"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects, and sprawling suburbs. Because Chicago serves as a barometer of national design trends, these writings shed new light on American architecture and urbanism during a decade that Kamin labels "The Nervous Nineties"--a period of unparalleled affluence and underlying anxiety, of soothing retro buildings and provocative new ones that express the frenzied state of modern life.
Why architecture matters : lessons from Chicago
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$31.50
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Résumé:
"Why Architecture Matters" collects the best of Kamin's columns, incuding his acclaimed series advocating the intelligent development of Chicago's lakefront. The columns are organized thematically, providing an accessible and thought-provoking view of architecture in the 1990s, from soaring skyscrapers to vibrant immigrant neighborhoods, troubled public housing projects, and sprawling suburbs. Because Chicago serves as a barometer of national design trends, these writings shed new light on American architecture and urbanism during a decade that Kamin labels "The Nervous Nineties"--a period of unparalleled affluence and underlying anxiety, of soothing retro buildings and provocative new ones that express the frenzied state of modern life.
Classification:
livres
livres
Publication:
juin 2003, Chicago
juin 2003, Chicago
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$48.00
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois (...)
$48.00
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois (...)
Titre:
The Vienna School reader : politics and art historical method in the 1930s
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$48.00
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This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pächt's project immediately caught the attention of thinkers like Walter Benjamin who were similarly impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pächt, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of Strukturanalyse were sharply repudiated by Meyer Schapiro and later Ernst Gombrich. After an introductory essay, the book opens with two selections from Riegl. The next section includes two essays by Sedlmayr, two by Pächt, and one each by Guido Kaschnitz-Weinberg and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses of Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies between the New Vienna School project and the antiempiricist cultural histories of our own time. The book also contains an extensive bibliography.
The Vienna School reader : politics and art historical method in the 1930s
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$48.00
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Résumé:
This book introduces to an English-language audience the writings of the so-called New Vienna School of art history. In the 1930s Hans Sedlmayr (1896-1984) and Otto Pächt (1902-1988) undertook an ambitious extension of the formalist art historical project of Alois Riegl (1858-1905). Sedlmayr and Pächt began with an aestheticist conception of the autonomy and irreducibility of the artistic process. At the same time they believed they could read entire cultures and worldviews in the work of art. The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world. Sedlmayr and Pächt's project immediately caught the attention of thinkers like Walter Benjamin who were similarly impatient with traditional empiricist scholarship. But the new project had its dark side. Sedlmayr used art history as a vehicle for a sweeping critique of modernity that soon escalated into nationalist and outright fascist polemic, even while Pächt, a Jew, was forced into exile. Sedlmayr and the whole scholarly project of Strukturanalyse were sharply repudiated by Meyer Schapiro and later Ernst Gombrich. After an introductory essay, the book opens with two selections from Riegl. The next section includes two essays by Sedlmayr, two by Pächt, and one each by Guido Kaschnitz-Weinberg and Fritz Novotny, all dating from the 1930s. The book closes with the divergent responses of Benjamin (1933) and Schapiro (1936). The difference of opinion between these two key voices raises again the question of the legitimacy and effectiveness of the method, and reveals the analogies between the New Vienna School project and the antiempiricist cultural histories of our own time. The book also contains an extensive bibliography.
Classification:
livres
livres
Publication:
janvier 1900, New York
janvier 1900, New York
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$62.00
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Résumé:
When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent(...)
$62.00
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Résumé:
When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent(...)
Titre:
Friedrich Gilly: Essays on architecture 1796-1799
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$62.00
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When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent introductory analysis, these new translations of five of Gilly's essays are accompanied by previously unpublished archival records and an illuminating catalog of his personal library. The result is a provocative and novel historical perspective of an artistically vibrant epoch.
Friedrich Gilly: Essays on architecture 1796-1799
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When Friedrich Gilly died in 1800 at the age of twenty-eight, his architectural career spanned less than a decade and none of his major designs had been built. Nevertheless, his ideas so influenced Berlin architecture for the next century that today he is widely regarded as the founder of that city's modern architectural tradition. Framed by Fritz Neumeyer's cogent introductory analysis, these new translations of five of Gilly's essays are accompanied by previously unpublished archival records and an illuminating catalog of his personal library. The result is a provocative and novel historical perspective of an artistically vibrant epoch.
Classification:
livres
livres
Publication:
janvier 1994
janvier 1994
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$76.95
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Résumé:
In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The (...)
$76.95
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The (...)
Titre:
Architecture theory since 1968
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$76.95
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In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--poststructuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architecture's general importance in intellectual discourse. This long-awaited anthology is in some sense a sequel to Joan Ockman's "Architecture Culture 1943-1968, A Documentary Anthology" (1993). It presents forty-seven of the primary texts of contemporary architecture theory, introducing each by detailing the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.
Architecture theory since 1968
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$76.95
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Résumé:
In the discussion of architecture, the prevailing sentiment of the past three decades has been that cultural production can no longer be understood to arise spontaneously, as a matter of social course, but is constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--poststructuralist, Marxian, phenomenological, psychoanalytic, as well as others dissenting or eccentric--has given scholars a range of tools for rethinking architecture in relation to other fields and for reasserting architecture's general importance in intellectual discourse. This long-awaited anthology is in some sense a sequel to Joan Ockman's "Architecture Culture 1943-1968, A Documentary Anthology" (1993). It presents forty-seven of the primary texts of contemporary architecture theory, introducing each by detailing the concepts and categories necessary for its understanding and evaluation. It also presents twelve documents of projects or events that had major theoretical repercussions for the period. Several of the essays appear here in English for the first time.
Classification:
livres
livres
Publication:
avril 2000, Cambridge, Mass.
avril 2000, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
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$35.50
(disponible sur commande)
Résumé:
Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
$35.50
(disponible sur commande)
Résumé:
Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of (...)
Titre:
Architecture and modernity : a critique
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$35.50
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Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Architecture and modernity : a critique
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$35.50
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Résumé:
Critical theories such as those of the Frankfurt School of the twenties and thirties gave rise to a complex and sophisticated critique of modernity and modernism. The history and theory of twentieth-century architecture, which developed rather independently of this rich tradition, appear naive and unbalanced in comparison. In this exploration of the relationship between modernity, dwelling, and architecture, Hilde Heynen attempts to bridge this gap between the discourse of the modern movement and cultural theories of modernity. On one hand, she discusses architecture from the perspective of critical theory, and on the other she modifies positions within critical theory by linking them with architecture. She assesses architecture as a cultural field that structures daily life and that embodies major contradictions inherent in modernity, arguing that architecture nonetheless has a certain capacity to adopt a critical stance vis-à-vis modernity. The book provides architectural students with an introduction to the discourse of critical theory. The subchapters on Walter Benjamin, Ernst Bloch, Theodor Adorno, and the Venice School (Tafuri, Dal Co, Cacciari) can be studied independently.
Classification:
livres
livres
Publication:
avril 2000, Cambridge, Mass.
avril 2000, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
