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Textes par / by Tanis Hinchcliffe, Annmarie Adams, Louis Martin, Joan Ockman, Réjean Legault, Daniel Guibert, Joseph Rykwert, Martin Bressani, Alberto Pérez-Gomez.
Peter Collins et l'histoire critique de l'architecture moderne / Peter Collins and the critical history of modern architecture
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Textes par / by Tanis Hinchcliffe, Annmarie Adams, Louis Martin, Joan Ockman, Réjean Legault, Daniel Guibert, Joseph Rykwert, Martin Bressani, Alberto Pérez-Gomez.
Théorie de l’architecture
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Today, we live in a kaleidoscopic new world of images : Is there a vocabulary we can learn in order to read these images? Is there something we can do so as not to remain passive when we flip through an illustrated book, or download images on a screen? Are there ways in which we can "read" the stories within paintings, monuments, buildings and sculptures? We say "every(...)
Théorie de l’architecture
octobre 2003, Toronto / New York
Reading pictures - what we think about when we look at art
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Today, we live in a kaleidoscopic new world of images : Is there a vocabulary we can learn in order to read these images? Is there something we can do so as not to remain passive when we flip through an illustrated book, or download images on a screen? Are there ways in which we can "read" the stories within paintings, monuments, buildings and sculptures? We say "every picture tells a story" - but does it? Taking images - photographed, painted, built, sculpted - Alberto Manguel explores how each one attempts to tell a story that we, the viewer, must decipher or invent.
Théorie de l’architecture
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Mass culture is a fact. Its irresistible vitality and force are enthusiastically exploited by all manner of enterprises, whether network providers for mobile phones, hip lifestyle magazines or trendy fashion labels. Oddly enough, architecture and urban planning have so far failed to exploit the potential offered by mass culture. This book presents the findings of a(...)
Snooze : immersing architecture in mass culture
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Mass culture is a fact. Its irresistible vitality and force are enthusiastically exploited by all manner of enterprises, whether network providers for mobile phones, hip lifestyle magazines or trendy fashion labels. Oddly enough, architecture and urban planning have so far failed to exploit the potential offered by mass culture. This book presents the findings of a study by studio Sputnik, a Rotterdam-based architecture practice, of the opportunities that mass culture presents for architecture. "Snooze" analyses products successful in consumer society and relates the patterns behind their success to the city. The nature and importance of communication proves to be pivotal to architecture's role. What does a building signify, what does it communicate? "Snooze" is not about style or form, nor is it about commercial motives or technical ingenuity. It adds a new voice to architectural discourse at the intersection of theory and design. The surprising insights that this book offers are presented in a highly visual essay.
Théorie de l’architecture
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Foreword by Arthur Drexler. Introduction by Vincent Scully. First published in 1966, this book has become a reference in architectural literature. "Complexity and contradiction in architecture" expresses the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's(...)
Complexity and contradiction in architecture
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Foreword by Arthur Drexler. Introduction by Vincent Scully. First published in 1966, this book has become a reference in architectural literature. "Complexity and contradiction in architecture" expresses the postmodern rebellion against the purism of modernism. Three hundred and fifty architectural photographs serve as historical comparisons and illuminate the author's ideas on creating and experiencing architecture.
Théorie de l’architecture
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This book is a text reader related to the online platform www.mediaartnet.org presenting a panorama of international art and contexts. It features the most important essays which are accompanied online by multimedia and audiovisual representations of media art. Essays are by Inke Arns, Dieter Daniels, Söke Dinkla, Golo Föllmer, Rudolf Frieling, Oliver Grau and Heike(...)
Théorie de l’architecture
octobre 2003, Vienna
Media art net 1 : survey of media art
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This book is a text reader related to the online platform www.mediaartnet.org presenting a panorama of international art and contexts. It features the most important essays which are accompanied online by multimedia and audiovisual representations of media art. Essays are by Inke Arns, Dieter Daniels, Söke Dinkla, Golo Föllmer, Rudolf Frieling, Oliver Grau and Heike Helfert on topics such as media art forms in the 1910's and 1920's, intermedia currents of the 1950's and 1960's, performance and media art, media activism, mass media, perception, museum and media, virtual narratives, audio arts, communication, telematics, interaction, and immersion.
Théorie de l’architecture
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In a literary tour of the spaces of our homes, noted design essayist Akiko Busch reflects on how we define such elusive qualities as privacy, security, and comfort. Part social history, part architectural history, part personal anecdote, this rich and delightful book uncovers the hidden meanings of the place we call home.
Geography of home : writings on where we live
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In a literary tour of the spaces of our homes, noted design essayist Akiko Busch reflects on how we define such elusive qualities as privacy, security, and comfort. Part social history, part architectural history, part personal anecdote, this rich and delightful book uncovers the hidden meanings of the place we call home.
Théorie de l’architecture
$21.00
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In this meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the(...)
In ruins : a journey through history, art, and literature
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In this meditation on ruins, Christopher Woodward takes us on a thousand-year journey from the plains of Troy to the monuments of ancient Rome, from the crumbling palaces of Sicily, Cuba, and Zanzibar to the rubble of the London Blitz. With an exquisite sense of romantic melancholy, we encounter the teenage Byron in the moldering Newstead Abbey, Flaubert watching the buzzards on the pyramids, Henry James in the Colosseum, and Freud at Pompeii. We travel the Appian Way with Dickens and behold the Baths of Caracalla with Shelley. An exhilarating tour, at once elegant and stimulating, "In Ruins" casts an exalting spell as it explores the bewitching power of architectural remains and their persistent hold on the imagination.
Théorie de l’architecture
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A serious effort to document the changing landscape in the design professions and to make this information available to various constituencies and stakeholder groups as part of an effort to educate as well as bridge the gap between academia and practice.
Théorie de l’architecture
novembre 2003, San Francisco
Reconfiguration in the study and practice of design and architecture
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A serious effort to document the changing landscape in the design professions and to make this information available to various constituencies and stakeholder groups as part of an effort to educate as well as bridge the gap between academia and practice.
Théorie de l’architecture
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This book is a cutting edge study exploring the field of the conception and the tectonic making of place as it impinges in, and thus changes, the site in which it is set. It examines the attitudes to both nature and the built environment of the designer, the client and the society in which an intervention (be it architecture, landscape design or a piece of art) is made.(...)
Constructing place : mind and matter
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This book is a cutting edge study exploring the field of the conception and the tectonic making of place as it impinges in, and thus changes, the site in which it is set. It examines the attitudes to both nature and the built environment of the designer, the client and the society in which an intervention (be it architecture, landscape design or a piece of art) is made. The legacy of the Modernist view of nature and the environment is also addressed, and the degree to which such ideas continue to impinge on contemporary interventions is assessed. These topics are addressed through the methodologies of history, theory, philosophy and psychology. The book forges new collaborative ideas in an interdisciplinary way, including essays on architecture, planning, landscape and philosophy (particularly applied aesthetics).
Théorie de l’architecture
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the(...)
Artificial love : a story of machines and architecture
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According to Paul Shepheard, architecture is the rearranging of the world for human purposes. Sculpture, machines, and landscapes are all architecture -- every bit as much as buildings are. In his writings, Shepheard examines old assumptions about architecture and replaces the critical theory of the academic with the active theory of the architect-citizen enamored of the world around him. Artificial Love weaves together three stories about architecture into one. The first, about machines as architecture, leads to speculations about technology and the human condition and to the assertion that machines are the sculptures of today. The second story is about the ways that architecture reflects the tribal and personal desires of those who make it. In the West, ideas of community, multiculturalism, and globalization compete furiously, leaving architecture to exist as it always has, as the past in the present. The third story features individual people experiencing their lives in the context of architecture. Here, Shepheard borrows the rhetorical device of Shakespeare's seven ages of man to propose that each person's life imitates the accumulating history of the human species. Shepheard's version of the history of humans is a technological one, in which machines become sculpture and sculpture becomes architecture. For Shepheard, our machines do not separate us from nature. Rather, our technology is our nature, and we cannot but be in harmony with nature. The change that we have wrought in the world, he says, is a wonderful and powerful thing.
Théorie de l’architecture